{"id":9673,"date":"2011-11-12T03:18:14","date_gmt":"2011-11-12T08:18:14","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=9673"},"modified":"2011-11-12T03:18:14","modified_gmt":"2011-11-12T08:18:14","slug":"haftanin-filmi-kirik-bir-gelecek-ruyasi","status":"publish","type":"post","link":"https:\/\/akunq.net\/turkish\/2011\/11\/12\/haftanin-filmi-kirik-bir-gelecek-ruyasi\/","title":{"rendered":"Haftan\u0131n Filmi. K\u0131r\u0131k bir gelecek r\u00fcyas\u0131"},"content":{"rendered":"

\"\"<\/a>AL\u0130 KOCA \u00a0 <\/em><\/strong><\/p>\n

\u00d6zcan Alper’in y\u00f6netti\u011fi ‘Gelecek Uzun S\u00fcrer’, 100 y\u0131la yay\u0131lan sorunlar\u0131m\u0131z\u0131 bir kez daha y\u00fcz\u00fcm\u00fcze vuruyor. H\u00e2l\u00e2 s\u0131cakl\u0131\u011f\u0131 devam eden bir konu \u00fczerinden bizi y\u00fczle\u015fmeye \u00e7a\u011f\u0131r\u0131yor. B\u00f6ylesine el yakan bir konuda gelecek r\u00fcyas\u0131na yatan Alper, \u015fimdiye kadar farkl\u0131 y\u00f6nleriyle ele al\u0131nan J\u0130TEM ve K\u00fcrt sorununa ‘sesler’ \u00fczerinden yakla\u015f\u0131yor. Alper, ‘ba\u015fkas\u0131n\u0131n’ ac\u0131lar\u0131na bak\u0131yor, hem de bir g\u00f6z\u00fcn\u00fc kapatmadan.<\/strong><\/p>\n

Tarihimizle \u00f6v\u00fcnmeyi pek \u00e7ok milletten iyi biliriz, fakat son \u00fc\u00e7 as\u0131rd\u0131r sorunlar\u0131m\u0131zla y\u00fczle\u015fmede hep s\u0131n\u0131fta kalm\u0131\u015f\u0131z. Hatta y\u00fczle\u015fme s\u00fcreciyle muhatap olmamak i\u00e7in \u00e7o\u011fu zaman sorunlar\u0131 has\u0131ralt\u0131 etme yoluna gitmi\u015fiz. Ermeni tehciri, K\u00fcrt sorunu, 6-7 Eyl\u00fcl olaylar\u0131… Sadece \u00fclkenin ve milletin kaderini belirleyecek siyasi-sosyal konularda de\u011fil, hemen her konuda bu tavr\u0131m\u0131z olmad\u0131k zamanlarda tezah\u00fcr edip gelece\u011fimizi tayin ediyor. Bunun son \u00f6rne\u011fini futbolda ya\u015fad\u0131k. Meseleyi birka\u00e7 ki\u015fiye fatura edip hi\u00e7bir \u015fey olmam\u0131\u015f gibi yolumuza devam ettik. \u00dcstelik \u00e7ocuk\u00e7a bir safiyetle, bu meselenin daha b\u00fcy\u00fck bir problem halinde kar\u015f\u0131m\u0131za \u00e7\u0131kmayaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyoruz. Toplumsal tecr\u00fcbelerimizden biliyoruz ki, \u00f6yle olmayacak. Her zamanki gibi, ge\u00e7mi\u015fteki sorunlar\u0131 hi\u00e7 olmazsa ‘bug\u00fcn’ \u00e7\u00f6zmek i\u00e7in ad\u0131m atmayan, bu y\u00fczden de gelece\u011fini kaybeden yahut o mutlu gelece\u011fin geli\u015f s\u00fcresini tehir eden bir kaderi kendi ellerimizle haz\u0131rl\u0131yoruz.<\/p>\n

Bug\u00fcnlerde ‘K\u00fcrt Sorunu’ diyerek ad\u0131n\u0131 koydu\u011fumuz mesele, otuz de\u011fil 100 y\u0131ll\u0131k bir mesele. Fakat, her nesilde ayn\u0131 \u015feyleri tekrar tekrar ya\u015famaktan ne zaman usanaca\u011f\u0131m\u0131z belli de\u011fil. Cassandra’n\u0131n r\u00fcyalar\u0131nda s\u00fcr\u00fcp giden k\u0131s\u0131r d\u00f6ng\u00fcye hapsolmu\u015f gibiyiz. Ne gariptir ki, hemen her d\u00f6nem birileri \u00e7\u0131k\u0131p sorunlar\u0131 ve \u00e7\u00f6z\u00fcmleri t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131yla \u00f6n\u00fcm\u00fcze koysa da durum de\u011fi\u015fmiyor. Gelece\u011fi \u00e7izmek i\u00e7in fikrini, eme\u011fini hatta hayat\u0131n\u0131 ortaya koyan insanlara, k\u00f6t\u00fc bir r\u00fcya g\u00f6rm\u00fc\u015f Cassandra muamelesi \u00e7ekiyoruz. Onlar\u0131 dinlemedi\u011fimiz gibi, ba\u015f\u0131m\u0131z her s\u0131k\u0131\u015ft\u0131\u011f\u0131nda Herk\u00fcl edal\u0131 k\u00f6t\u00fcr\u00fcmlere bel ba\u011fl\u0131yoruz.<\/p>\n

\u00d6zcan Alper’in ‘Gelecek Uzun S\u00fcrer’ filmi, bu ac\u0131 ger\u00e7ekleri bir kez daha y\u00fcz\u00fcm\u00fcze vuruyor. H\u00e2l\u00e2 s\u0131cakl\u0131\u011f\u0131 devam eden bir konu \u00fczerinden bizi y\u00fczle\u015fmeye \u00e7a\u011f\u0131r\u0131yor. \u015eimdiye kadar farkl\u0131 y\u00f6nleriyle sinemam\u0131zda ele al\u0131nan J\u0130TEM ve K\u00fcrt sorununa ‘sesler’ \u00fczerinden yakla\u015f\u0131yor y\u00f6netmen. \u0130stanbul’da bir \u00fcniversitede m\u00fczik ara\u015ft\u0131rmalar\u0131 yapan Sumru (Gaye G\u00fcrsel), a\u011f\u0131t derlemeleri ile ilgili yapt\u0131\u011f\u0131 tez \u00e7al\u0131\u015fmas\u0131 i\u00e7in \u00fclkenin g\u00fcneydo\u011fusuna yolculu\u011fa \u00e7\u0131kar. B\u00f6lgeye yabanc\u0131 olan Sumru, yapt\u0131\u011f\u0131 derlemelerle meselenin ne kadar ‘derin’ oldu\u011funu da kavramaya ba\u015flar. Sumru, derlemeleri s\u0131ras\u0131nda Diyarbak\u0131r sokaklar\u0131nda korsan DVD satan Ahmet (Durukan Ordu), 1915 tehcirine maruz kalm\u0131\u015f Antranik amca (Sarkis Seropyan) ve b\u00f6lgedeki di\u011fer insanlarla konu\u015farak 100 y\u0131ll\u0131k ac\u0131lara tan\u0131kl\u0131k eder.<\/p>\n

‘SES’\u0130ME GEL… <\/strong><\/p>\n

‘Gelecek Uzun S\u00fcrer’, ba\u015fkarakteri Sumru gibi, seyircisine de d\u0131\u015far\u0131dan i\u00e7eriye do\u011fru bir yolculuk yapt\u0131rmay\u0131 murad ediyor. Ba\u015ftaki romantik hava, zaman ilerledik\u00e7e yerini ac\u0131lar\u0131n a\u011f\u0131rl\u0131\u011f\u0131na b\u0131rak\u0131yor. \u00d6zcan Alper, a\u011f\u0131tlar ve ger\u00e7ek hik\u00e2yelerin yer ald\u0131\u011f\u0131 derlemeler vas\u0131tas\u0131yla izleyicisini b\u00f6lgedeki insanlar\u0131n ‘ses’ine \u00e7a\u011f\u0131r\u0131yor. B\u00f6ylece K\u00fcrt meselesi, ilk kez sesler \u00fczerinden dile getiriliyor. Hatta, d\u00f6nemin tan\u0131klar\u0131n\u0131n, 90’lar\u0131n ba\u015f\u0131nda J\u0130TEM’in yapt\u0131klar\u0131n\u0131 anlatt\u0131\u011f\u0131 deh\u015fet hik\u00e2yelerden sonra “Bu kadar\u0131 da olur mu?” diyecekler i\u00e7in araya ‘par\u00e7a’ at\u0131yor. Bir \u00e7ocu\u011fun \u00d6zel Harekat taraf\u0131ndan s\u00fcr\u00fcklenerek g\u00f6t\u00fcr\u00fcl\u00fc\u015f\u00fcn\u00fcn ger\u00e7ek g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc izliyoruz. Tabii ki o \u00e7ocuktan bir daha haber al\u0131nam\u0131yor. Bir belgeselden al\u0131nan bu g\u00f6r\u00fcnt\u00fc d\u0131\u015f\u0131nda y\u00f6netmen hep seslere kulak vermemizi istiyor. Ajitasyona hi\u00e7 yeltenmiyor. Meseleye olabildi\u011fince so\u011fukkanl\u0131 ve siyasi tuzaklara d\u00fc\u015fmeden yakla\u015f\u0131yor. Hatta bu tav\u0131r, filmi biraz ‘so\u011fuk’ g\u00f6sterebilir. Fakat Alper’in derdi, meselenin oda\u011f\u0131ndaki ‘insan’. Filmin giri\u015finde, Cesare Pavese’nin “Sava\u015f bir g\u00fcn biterse kendimize \u015funu sormal\u0131y\u0131z: Peki ya \u00f6l\u00fcleri ne yapaca\u011f\u0131z? Neden \u00f6ld\u00fcler?” s\u00f6z\u00fcne at\u0131f yapmas\u0131 da bu niyetini ortaya koyuyor. A\u00e7\u0131l\u0131\u015ftaki, k\u00fcheylan\u0131n yar\u0131m kalan ko\u015fusu ne kadar etkili olsa da, y\u0131k\u0131k d\u00f6k\u00fck kilise filmin anlatmak istedikleri i\u00e7in daha uygun bir metafor. Kap\u0131s\u0131n\u0131 kapat\u0131nca, d\u0131\u015far\u0131dan hi\u00e7bir sorun g\u00f6r\u00fcnm\u00fcyor; ama binan\u0131n i\u00e7i harap vaziyette. Sorunlar\u0131 \u00e7\u00f6zme y\u00f6ntemimizden, onlarla y\u00fczle\u015f(e)mememize kadar ‘biz’e ait nak\u0131salar o y\u0131k\u0131k d\u00f6k\u00fck yap\u0131n\u0131n i\u00e7inde sakl\u0131.<\/p>\n

Teknik y\u00f6nden, Feza \u00c7ald\u0131ran, g\u00f6r\u00fcnt\u00fc y\u00f6netiminde yine seyirlik bir i\u015f \u00e7\u0131kar\u0131yor. Oyunculuklarda Durukan Ordu, Alt\u0131n Koza’da ald\u0131\u011f\u0131 \u00f6d\u00fcl\u00fc hak etti\u011fini g\u00f6steriyor. Gaye G\u00fcrsel ise karakterini yeterince derinle\u015ftiremedi\u011fi i\u00e7in, y\u00f6netmenin bilin\u00e7li tercihiyle meseleye mesafeli yakla\u015fan filmi, olmas\u0131 gerekti\u011finden daha so\u011fuk bir havaya b\u00fcr\u00fcnd\u00fcr\u00fcyor. Filmin baz\u0131 b\u00f6l\u00fcmleri ve diyaloglar\u0131 entelekt\u00fcel s\u00fcrmenaj hissi uyand\u0131rabilir, bu y\u00fczden de ‘da\u011f\u0131n\u0131k’ gelebilir. Fakat \u00d6zcan Alper, bir ucu 1915’e uzanan di\u011fer ucundaki d\u00fc\u011f\u00fcm\u00fc ise h\u00e2l\u00e2 \u00e7\u00f6zemedi\u011fimiz as\u0131rl\u0131k bir meseleye cesurca bakarak gelecek r\u00fcyas\u0131na yat\u0131yor. Alper, bu kez, s\u0131cakl\u0131\u011f\u0131n\u0131 her daim korumas\u0131yla el yakan b\u00f6ylesine \u00e7etin bir meseleden herkesin alt\u0131na imza ataca\u011f\u0131 bir gelecek r\u00fcyas\u0131 dev\u015firiyor. Ama, h\u00e2l\u00e2 s\u00fcregelen ac\u0131lardan dolay\u0131 biraz k\u0131r\u0131k bir r\u00fcya. Her \u015feyden \u00f6te, T\u00fcrk sinemas\u0131nda hi\u00e7 yap\u0131lmayan bir \u015feyi yap\u0131yor \u00d6zcan Alper; ‘ba\u015fkas\u0131n\u0131n’ ac\u0131lar\u0131na bak\u0131yor, hem de bir g\u00f6z\u00fcn\u00fc kapatmadan.<\/p>\n

Gelecek Uzun S\u00fcrer <\/em><\/p>\n

Y\u00f6netmen: \u00d6zcan Alper <\/em><\/p>\n

Oyuncular: Gaye G\u00fcrsel, Durukan Ordu, Sarkis Seropyan, Osman Karako\u00e7<\/em><\/p>\n

11.11.11<\/em><\/strong><\/p>\n

http:\/\/www.zaman.com.tr\/haber.do?haberno=1200739&title=haftanin-filmi-kirik-bir-gelecek-ruyasi&haberSayfa=1<\/em><\/strong><\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

AL\u0130 KOCA \u00a0 \u00d6zcan Alper’in y\u00f6netti\u011fi ‘Gelecek Uzun S\u00fcrer’, 100 y\u0131la yay\u0131lan sorunlar\u0131m\u0131z\u0131 bir kez daha y\u00fcz\u00fcm\u00fcze vuruyor. H\u00e2l\u00e2 s\u0131cakl\u0131\u011f\u0131 devam eden bir konu \u00fczerinden bizi y\u00fczle\u015fmeye \u00e7a\u011f\u0131r\u0131yor. B\u00f6ylesine el yakan bir konuda gelecek r\u00fcyas\u0131na yatan Alper, \u015fimdiye kadar farkl\u0131 y\u00f6nleriyle ele al\u0131nan J\u0130TEM ve K\u00fcrt sorununa ‘sesler’ \u00fczerinden yakla\u015f\u0131yor. Alper, ‘ba\u015fkas\u0131n\u0131n’ ac\u0131lar\u0131na bak\u0131yor, hem […]<\/p>\n","protected":false},"author":3,"featured_media":9674,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,14],"tags":[],"class_list":["post-9673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmler","category-haberler"],"yoast_head":"\nHaftan\u0131n Filmi. K\u0131r\u0131k bir gelecek r\u00fcyas\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/turkish\/2011\/11\/12\/haftanin-filmi-kirik-bir-gelecek-ruyasi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Haftan\u0131n Filmi. K\u0131r\u0131k bir gelecek r\u00fcyas\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"AL\u0130 KOCA \u00a0 \u00d6zcan Alper’in y\u00f6netti\u011fi ‘Gelecek Uzun S\u00fcrer’, 100 y\u0131la yay\u0131lan sorunlar\u0131m\u0131z\u0131 bir kez daha y\u00fcz\u00fcm\u00fcze vuruyor. H\u00e2l\u00e2 s\u0131cakl\u0131\u011f\u0131 devam eden bir konu \u00fczerinden bizi y\u00fczle\u015fmeye \u00e7a\u011f\u0131r\u0131yor. B\u00f6ylesine el yakan bir konuda gelecek r\u00fcyas\u0131na yatan Alper, \u015fimdiye kadar farkl\u0131 y\u00f6nleriyle ele al\u0131nan J\u0130TEM ve K\u00fcrt sorununa ‘sesler’ \u00fczerinden yakla\u015f\u0131yor. 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