![\"\"](\"http:\/\/akunq.net\/tr\/wp-content\/uploads\/2011\/09\/Kotikyan4-300x486.jpg\" "\\"Kotikyan4\\"")
<\/a>\u00dcnl\u00fc tiyatro oyuncusu, SSEC Halk Sanat\u00e7\u0131s\u0131 Arman (Arakel) Kotikyan\u2019\u0131 Ermenistan\u2019da kim bilmez ki? Ancak onun Trabzonlu oldu\u011funu pek az ki\u015fi bilir. Ananya ve Makruhi \u00e7iftinin yedi \u00e7ocu\u011funun alt\u0131nc\u0131s\u0131 olarak 1896 y\u0131l\u0131nda,Trabzonun bat\u0131s\u0131nda, bir k\u0131y\u0131 kasabas\u0131 olan Elevi\u2019de d\u00fcnyaya gelmi\u015ftir. \u0130lk\u00f6\u011frenimini burada tamamlad\u0131ktan sonra Trabzon\u2019da ya\u015fayan a\u011fabeyi Gevorg\u2019un yan\u0131na yerle\u015ferek e\u011fitimine Ermeni Milli Okulu\u2019nda devam etmi\u015ftir. Kotikyanlar\u2019\u0131n geni\u015f ailesi de B\u00fcy\u00fck C\u00fcr\u00fcm\u2019\u00fcn deh\u015fetinden nasibini alm\u0131\u015f ve bu olaylardan sadece Arman, ablas\u0131 Varduhi ve a\u011fabeyi Gevorg kurtulabilmi\u015flerdir. Arman ve Kevork, arkada\u015flar\u0131 \u011eazar Harutyunyan (Makunts) ile Trabzon\u2019un g\u00fcneybat\u0131s\u0131nda bulunan ve T\u00fcrkler ile Rumlar\u0131n \u00e7o\u011funlukta oldu\u011fu Z\u00fcrmela (S\u00fcmela) k\u00f6y\u00fcn\u00fcn yak\u0131n\u0131ndaki bir ormana s\u0131\u011f\u0131nm\u0131\u015flar ve Zoi adl\u0131 gen\u00e7 bir Rum kad\u0131n 11 ay boyunca onlara yiyecek sa\u011flam\u0131\u015ft\u0131. Ayn\u0131 d\u00f6nemlerde Zoi\u2019nin ablas\u0131 Meli (evlilik soyad\u0131 Gogofiris) de gizlice ka\u00e7ak Ermenilere yard\u0131m etmekteydi. Bu Rum kad\u0131nlar\u0131n fedak\u00e2rl\u0131k ve kahramanl\u0131k \u00f6l\u00e7\u00fctlerini kavrayabilmek i\u00e7in, 13 Haziran 1915 y\u0131l\u0131nda Ermeni tehciriyle ilgili T\u00fcrk\u00e7e olarak yay\u0131nlanan resmi genelgenin 5. maddesine istinaden \u201cH\u00fck\u00fcmetin emirlerine riayet etmeyip, tehcirden ka\u00e7arak sa\u011fda solda saklananlar\u0131 saklayan, yiyecek temin eden ve saklanmalar\u0131n\u0131 temin edenler idamla yarg\u0131lanmak \u00fczere askeri mahkemeye sevk edilecekleri\u201d konusunda uyar\u0131lm\u0131\u015f olduklar\u0131n\u0131 belirtmek gerekir. \u0130dam cezas\u0131 tehdidi alt\u0131nda dahi pek \u00e7ok Rum, Ermenilere yard\u0131m etmi\u015ftir, ancak k\u0131sa bir s\u00fcre sonra, 1919 y\u0131l\u0131nda Trabzon Vilayetinde Rumlar\u0131n katli ba\u015flad\u0131. Zoi ve k\u0131zkarde\u015fi Meli ile ailelerinin geri kalan fertlerine ne oldu\u011fu ise bug\u00fcn maalesef me\u00e7huldur.<\/p>\n1916 y\u0131l\u0131nda Trabzon\u2019un, Rus ordular\u0131 taraf\u0131ndan i\u015fgalinden sonra A.Kotikyan, yetimleri toplama i\u015fiyle ilgilenmi\u015f, Trabzon K\u0131zlar Okulu b\u00fcnyesinde bir yetimhane-okul kurulmas\u0131 \u00e7al\u0131\u015fmalar\u0131na kat\u0131lm\u0131\u015f, B\u00fcy\u00fck C\u00fcr\u00fcm\u2019den hayatta kalanlar\u0131n tan\u0131kl\u0131klar\u0131n\u0131 kayda alm\u0131\u015f, Mehitarist okulunda \u00fccretsiz olarak Ermeni dili ve tarihi dersleri vermi\u015f, \u00f6\u011frencileriyle \u00fc\u00e7 sesli bir koro kurup konserler d\u00fczenlemi\u015ftir. Gelece\u011fin \u00fcnl\u00fc yazar ve edebiyat\u00e7\u0131s\u0131 Levon-Zaven S\u00fcrmelyan da onun bu \u00f6\u011frencilerinden biriydi. 1917 y\u0131l\u0131nda, Rus ordular\u0131n\u0131n \u00e7ekilmesi sonras\u0131nda A.Kotikyan Suhum\u2019a, ablas\u0131n\u0131n yan\u0131na yerle\u015fmi\u015ftir. Akabinde, 1918 y\u0131l\u0131nda, Stavropol eyaletinin Yesentuk sayfiye \u015fehrinde \u00fcnl\u00fc tiyatro oyuncusu ve y\u00f6netmen Ovi Sevumyan\u2019la tan\u0131\u015farak, Sevumyan\u2019\u0131n tiyatro grubuyla Kuzey ve G\u00fcney Kafkasya\u2019n\u0131n Ermenilerle yo\u011fun \u015fehirlerine d\u00fczenlenen turnelere kat\u0131lm\u0131\u015ft\u0131r. 1919\u2019da, 23\u2019\u00fcnde bulunan Arman Kotikyan, A.Arman mahlas\u0131yla 1914-18 y\u0131llar\u0131 aras\u0131nda Trabzon\u2019da, Suhum\u2019da, Tiflis\u2019te ve Kuzey Kafkasya\u2019da yazm\u0131\u015f oldu\u011fu \u015fiirlerini Tiflis\u2019te \u201cT\u00fcten Zambaklar\u201d adland\u0131rd\u0131\u011f\u0131 antolojisinde yay\u0131nlam\u0131\u015ft\u0131r. Ayn\u0131 y\u0131l Sevumyan\u2019la birlikte Batum\u2019dan Istanbul\u2019a ge\u00e7mi\u015ftir. K\u0131sa bir s\u00fcre sonra Paris\u2019e yerle\u015ferek 1925 y\u0131l\u0131na kadar Paris\u2019te hukuk ve Sorbon\u2019da edebiyat e\u011fitimi alm\u0131\u015ft\u0131r. B\u00fcy\u00fck C\u00fcr\u00fcm\u2019\u00fcn deh\u015fetli hat\u0131ralar\u0131n\u0131n a\u00e7t\u0131\u011f\u0131 derin yaralar kapanm\u0131yordu ve Arman Kotikyan, 1924\u2019te \u201dMer Dun\u0131\u201d (Evimiz) \u015fiirini yazar.<\/p>\n
Duman g\u00f6kten k\u00fcme-k\u00fcme,<\/p>\n
Tatl\u0131 kutsamas\u0131, bizim k\u00f6ydeki evin\u2026<\/p>\n
Dam\u0131m\u0131z \u015fimdi oturmu\u015f a\u011flar,<\/p>\n
Boynunu b\u00fckm\u00fc\u015f saban.<\/p>\n
Ekmek pi\u015firir anam tatl\u0131,<\/p>\n
Hamuru bol, gelinim yo\u011furmu\u015f\u2026<\/p>\n
F\u0131r\u0131n so\u011fumu\u015f derin mezar,<\/p>\n
Anam\u0131n kutlu elinin girdi\u011fi\u2026<\/p>\n
Buza\u011f\u0131 tatl\u0131-tatl\u0131 b\u00f6\u011f\u00fcr\u00fcr,<\/p>\n
K\u0131zkarde\u015fim dilini anlar\u2026<\/p>\n
Ah\u0131r bo\u015f hayk\u0131r\u0131r,<\/p>\n
Kimse dilini anlamaz\u2026<\/p>\n
Gece, serin harman gecesi,<\/p>\n
Ba\u015fak g\u00fcm\u00fc\u015f, ay \u0131\u015f\u0131\u011f\u0131ndan\u2026<\/p>\n
Kalplerde ac\u0131 hat\u0131ralar,<\/p>\n
Bu\u011fday yerine diken yeti\u015fir\u2026<\/p>\n
Kotikyan, Paris\u2019te bir\u00e7ok kereler tiyatroseverlerin kar\u015f\u0131s\u0131na \u00e7\u0131km\u0131\u015f, Paris\u2019teki \u201cHay Dramatik\u201d (Ermeni dramati\u011fi) ile \u00e7al\u0131\u015fm\u0131\u015f, 1932\u2019de de \u201cErmeni Halk Tiyatrosu\u201dnu kurmu\u015ftur. Vatan\u0131ndan uzaklarda, gurbete d\u00fc\u015fm\u00fc\u015f ve umudunu yitirmi\u015f olan sanat\u00e7\u0131 evlerini, kaybetti\u011fi annesini, kaybetti\u011fi t\u00fcm eski yak\u0131nlar\u0131n\u0131 unutamazd\u0131 ve Sen\u2019in k\u0131y\u0131lar\u0131nda, sudaki tersy\u00fcz olmu\u015f aksini seyrederek 1933 y\u0131l\u0131nda \u201dGrgnadesil\u201d (Akis) adl\u0131 \u015fiirini yazm\u0131\u015ft\u0131r.<\/p>\n
Hayata k\u00fcsk\u00fcn bu yaban elde,<\/p>\n
Sen\u2019in k\u0131y\u0131s\u0131nda \u00fcmitsiz durmu\u015f,<\/p>\n
Seyrederim uzun, yar\u0131m-yamalak resmimi,<\/p>\n
Ba\u015fa\u015fa\u011f\u0131 durmu\u015f suda ayr\u0131\u015fm\u0131\u015f.<\/p>\n
Seyrederim nehri ve d\u00fc\u015f\u00fcn\u00fcr\u00fcm,<\/p>\n
Kendi kendime konu\u015fup, g\u00fcle a\u011flaya,<\/p>\n
Hat\u0131rlar\u0131m binlerce tan\u0131d\u0131k ismi,<\/p>\n
Hat\u0131rlar\u0131n evimi, hat\u0131rlar a\u011flar\u2026<\/p>\n
G\u00f6r\u00fcr\u00fcm anam\u0131, bir ta\u015f \u00fcst\u00fcnde,<\/p>\n
Oturmu\u015f k\u0131y\u0131da y\u00fcn y\u0131karken,<\/p>\n
Duyar\u0131m kasvetli o eski \u015fark\u0131s\u0131n\u0131,<\/p>\n
Duyar\u0131m bir ses,\u2026 \u201ckolay gelsin\u201d.<\/p>\n
Sen, g\u00f6zlerimde r\u00fcyaya d\u00f6n\u00fc\u015ft\u00fc,<\/p>\n
B\u00fcy\u00fcl\u00fc bir r\u00fcya, sonsuz ve ba\u015fs\u0131z,<\/p>\n
Ve bu r\u00fcyada ula\u015f\u0131lmaz arzuyla ,<\/p>\n
\u0130sterim sanki birini \u00f6pmek\u2026<\/p>\n
De\u011fi\u015fir aniden ge\u00e7mi\u015fin duvarlar\u0131,<\/p>\n
\u00c7ehreler tan\u0131d\u0131k, tek-tek kaybolur,<\/p>\n
Dipsiz \u00f6zlemin ge\u00e7mi\u015f ate\u015fi,<\/p>\n
Yak\u0131yor g\u00f6\u011fs\u00fcm\u00fc, ac\u0131l\u0131 y\u00fcre\u011fimi.<\/p>\n
\u0130nce bir t\u00fcl yava\u015f \u00f6rt\u00fcyor,<\/p>\n
Hat\u0131ralar\u0131m\u0131n sararm\u0131\u015f kederli sayfalar\u0131n\u0131,<\/p>\n
Ve i\u015fte tekrar bulan\u0131k suya d\u00fc\u015fm\u00fc\u015f,<\/p>\n
Ba\u015fa\u015fa\u011f\u0131, yar\u0131m-yamalak titriyor resmim\u2026<\/p>\n
1936 y\u0131l\u0131nda Ermenistan\u2019a g\u00f6\u00e7 eden Arman Kotikyan, G.Sundukyan Devlet Tiyatrosu\u2019nda \u00e7al\u0131\u015fmaya ba\u015flam\u0131\u015f ve \u00e7ok say\u0131da rol oynam\u0131\u015ft\u0131r. Shakespeare\u2019den \u201cHamlet\u201d, \u201cOtello\u201d ve \u201cWindsor\u2019un \u015een Kad\u0131nlar\u0131\u201d, Lope de Vega\u2019dan \u201cAh\u0131rdaki K\u00f6pek\u201d, Pu\u015fkin\u2019den \u201cTa\u015f Misafir\u201d, Schiller\u2019den \u201cA\u015fk ve Hile\u201d Beaumarchais\u2019den \u201cFigaro\u2019nun D\u00fc\u011f\u00fcn\u00fc\u201d, H.\u0130bsen\u2019den \u201cNora\u201d, H.Baronyan\u2019dan \u201cBa\u011fdasar Ahpar\u201d, \u201cSayg\u0131de\u011fer Dilenciler\u201d, V.Papazyan\u2019dan \u201cKaya\u201d, \u015eirvanzade\u2019den \u201cNamus\u201d, \u201cOnur \u0130\u00e7in\u201d ve daha pek \u00e7ok oyunda rol alm\u0131\u015ft\u0131r.<\/p>\n
Sinemada da oynayan Kotikyan \u201cDavit Bek\u201d (1944), \u201cAnahit\u201d (1947), \u201cAdres Sahibi Aray\u0131\u015flar\u0131\u201d (1955), \u201c01-99\u201d(1959), \u201cOrkestra Arkada\u015flar\u0131\u201d (1960), \u201cCi\u011fer tava\u201d (1961), \u201cMsyo Jak ve Di\u011ferleri\u201d (1963), \u201cKarine\u201d (1967) gibi filmlerde rol alm\u0131\u015ft\u0131r. Arman Kotikyan\u2019\u0131n kendine has yetene\u011fi ve tatl\u0131 oyunu sayesinde ekrandan veya sahneden s\u00f6yledi\u011fi s\u00f6zleri deyimlere d\u00f6n\u00fc\u015f\u00fcyor ve farkl\u0131 durumlarda halk taraf\u0131ndan kullan\u0131l\u0131yordu.<\/p>\n
A.Kotikyan, ayn\u0131 zamanda \u00e7ok iyi derecede Frans\u0131zca bilmekteydi ve onun sayesinde Ermeni okurlar Guy De Maupassant\u2019\u0131n hikayeleri (1957) ve \u201cSevgili Dost\u201d roman\u0131 (1953), Edmond Rostand\u2019\u0131n \u201cCyrano De Bergerac\u201d manzum oyunu (1951, Avetik \u0130sahakyan\u2019\u0131n \u00f6ns\u00f6z\u00fcyle), Luis Aragon\u2019un \u015fiirleri (1959) ve Emile Zola\u2019n\u0131n \u201cTherese Raquin\u201d roman\u0131n\u0131 (1964) Ermenice olarak okuyabilmi\u015flerdir. Kotikyan, Victor Hugo\u2019nun \u015fiirlerini de terc\u00fcme etmi\u015f, fakat bu \u00e7eviriler bug\u00fcne kadar yay\u0131nlanmam\u0131\u015ft\u0131r. Ermeni \u015fairleri Vahan Teryan ve Avedik \u0130sahakyan\u2019\u0131n baz\u0131 \u015fiirlerini de Frans\u0131zca\u2019ya \u00e7evirmi\u015f ancak bunlar da yay\u0131nlanmam\u0131\u015ft\u0131r.<\/p>\n
Kotikyan, genelde \u015fiire kar\u015f\u0131 \u00f6zel bir sevgi duymu\u015f ve bu \u00e7ocuk\u00e7a bir heves olmay\u0131p hayat\u0131 boyunca \u015fiirler yazm\u0131\u015ft\u0131r.1946 y\u0131l\u0131nda \u201cHutetsi Hovnan\u201d (Hut\u2019lu Hovnan) destan\u0131, \u00f6l\u00fcm\u00fcnden \u00fc\u00e7 y\u0131l \u00f6nce, 1965\u2019te de \u201cAgosnerum\u201d (saban izlerinde) \u015fiir antolojisi yay\u0131nlanm\u0131\u015ft\u0131r. Bu kitapta, B\u00fcy\u00fck C\u00fcr\u00fcm g\u00fcnlerinde kendisini kurtarm\u0131\u015f olan Zoi\u2019ye ithaf edilmi\u015f, \u201cVerhu\u015f\u201d (yeniden hat\u0131rlama) ad\u0131nda bir \u015fiir de bulunmaktayd\u0131.<\/p>\n
Dipsiz bir keder tekrar \u00fcz\u00fcyor,<\/p>\n
\u00dcz\u00fcyor sonsuz kabarm\u0131\u015f g\u00f6nl\u00fcm\u00fc,<\/p>\n
Kim a\u00e7t\u0131 o kapal\u0131 perdeyi,<\/p>\n
Kapatm\u0131\u015ft\u0131m onu korkun\u00e7 g\u00fcnlerde\u2026<\/p>\n
Neden hat\u0131rlad\u0131m Karadenizi birden,<\/p>\n
\u00c7ocukluk g\u00fcnlerinin hat\u0131ras\u0131 temiz,<\/p>\n
Yoksa g\u00f6nl\u00fcmde bir ba\u015fka \u00f6zlem mi uyand\u0131\u2026<\/p>\n
Neden hat\u0131rlad\u0131m Karadenizi birden\u2026<\/p>\n
Do\u011frudur, Pontos k\u0131y\u0131s\u0131nda do\u011fdum,<\/p>\n
Ve duydum \u015fark\u0131s\u0131n\u0131 bir Rum k\u0131z\u0131n\u0131n,<\/p>\n
O a\u015fk \u015fark\u0131s\u0131-\u201cTalasa mavra\u201d,<\/p>\n
Fakat, ah kayboldu eski and\u0131c\u0131m\u2026<\/p>\n
O, tatl\u0131 hayal, o, kavurucu yaz,<\/p>\n
Neden d\u00f6kersin ate\u015fini y\u00fcre\u011fime,<\/p>\n
\u00dcmitsiz a\u011flamak zordur de\u011fil mi,<\/p>\n
Art\u0131k ya\u015flanm\u0131\u015f bir adam i\u00e7in.<\/p>\n
Art\u0131k hi\u00e7bir \u015fey beni ba\u011flam\u0131yor,<\/p>\n
Do\u011fdu\u011fum yerin topra\u011f\u0131, insan\u0131na,<\/p>\n
L\u00e2kin do\u011fdu\u011fun o evin senin,<\/p>\n
Derler ki de\u011ferlidir di\u011fer her \u015feyden.<\/p>\n
Hat\u0131rlar\u0131m fakat bir tatl\u0131 \u00e7ehre,<\/p>\n
Yak\u0131n bir karde\u015f, ad\u0131 da Zoyi,<\/p>\n
Ona itaf etti\u011fim bu \u015fark\u0131y\u0131 isterdim,<\/p>\n
Ebedi kals\u0131n, \u00f6l\u00fcms\u00fcz bir an\u0131\u2026<\/p>\n
\u00dcnl\u00fc oyuncu ayn\u0131 zamanda ciddi bir ara\u015ft\u0131rmac\u0131yd\u0131, daha 1935 y\u0131l\u0131nda Paris\u2019te Avedik \u0130sahakyan\u2019\u0131n \u00f6ns\u00f6z\u00fcyle yay\u0131nlad\u0131\u011f\u0131 \u201cFirdevsi Tusi ve \u015eahnamesi\u201dadl\u0131 incelemesi ve SSEC Bilimler Akademisi\u2019nin \u201cDe\u011fekagir\u201d (Rapor) dergisinin 1962 y\u0131l\u0131, 7. say\u0131s\u0131nda yay\u0131nlanm\u0131\u015f olan ve baz\u0131 kaynaklar ile g\u00f6rg\u00fc tan\u0131\u011f\u0131 olarak kendi verilerine dayanan bu konuyla ilgili tek ara\u015ft\u0131rma niteli\u011finde olan \u201cTrabzon\u2019da Okul-Tiyatro Hayat\u0131 (1815-1915)\u201d makalesi bunu g\u00f6stermektedir.<\/p>\n
\u201cDzayn Ham\u015fenakan\u201d (Hem\u015fin sesi)<\/strong><\/p>\n \u00a0Yerevan, 2007, N 11-12.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Sergey Vardanyan \u00dcnl\u00fc tiyatro oyuncusu, SSEC Halk Sanat\u00e7\u0131s\u0131 Arman (Arakel) Kotikyan\u2019\u0131 Ermenistan\u2019da kim bilmez ki? Ancak onun Trabzonlu oldu\u011funu pek az ki\u015fi bilir. Ananya ve Makruhi \u00e7iftinin yedi \u00e7ocu\u011funun alt\u0131nc\u0131s\u0131 olarak 1896 y\u0131l\u0131nda,Trabzonun bat\u0131s\u0131nda, bir k\u0131y\u0131 kasabas\u0131 olan Elevi\u2019de d\u00fcnyaya gelmi\u015ftir. \u0130lk\u00f6\u011frenimini burada tamamlad\u0131ktan sonra Trabzon\u2019da ya\u015fayan a\u011fabeyi Gevorg\u2019un yan\u0131na yerle\u015ferek e\u011fitimine Ermeni Milli Okulu\u2019nda […]<\/p>\n","protected":false},"author":3,"featured_media":8109,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,44],"tags":[],"class_list":["post-8108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-unluler"],"yoast_head":"\n