{"id":3127,"date":"2010-12-04T04:01:58","date_gmt":"2010-12-04T09:01:58","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=3127"},"modified":"2010-12-04T04:01:58","modified_gmt":"2010-12-04T09:01:58","slug":"ozcan-alperden-uzun-suren-bir-gelecegin-filmi","status":"publish","type":"post","link":"https:\/\/akunq.net\/turkish\/2010\/12\/04\/ozcan-alperden-uzun-suren-bir-gelecegin-filmi\/","title":{"rendered":"\u00d6zcan Alper\u2019den uzun s\u00fcren bir gelece\u011fin filmi"},"content":{"rendered":"

NURHAK YILMAZ<\/em><\/strong><\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

Onlarca \u00f6d\u00fcl ald\u0131\u011f\u0131 ilk filmi Sonbahar ile gen\u00e7 bir \u00f6mr\u00fcn sonbahar\u0131na yak\u0131lm\u0131\u015f yal\u0131n bir a\u011f\u0131tla izleyici kar\u015f\u0131s\u0131na \u00e7\u0131kan y\u00f6netmen \u00d6zcan Alper, \u015fimdi de, \u0130stanbul\u2019dan ba\u015flay\u0131p Diyarbak\u0131r\u2019dan ge\u00e7en, oradan Hakkari\u2019ye uzanan bir yol hik\u00e2yesiyle, yeni bir a\u011f\u0131tla izleyiciyle bulu\u015fmaya haz\u0131rlan\u0131yor. <\/em><\/strong><\/p>\n

\"\"<\/a><\/p>\n

Alper, yolla, kesi\u015fen hayatlarla ve toplumsal belle\u011fe dokunmaya \u00e7al\u0131\u015fan insan hik\u00e2yeleriyle \u00f6rmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 \u2018Gelecek Uzun S\u00fcrer\u2019i,\u00a0 \u201cGelecek i\u00e7in ge\u00e7mi\u015fin miras\u0131, y\u00fck\u00fc ve a\u011f\u0131rl\u0131\u011f\u0131 \u00fczerine\u201d bir film olarak tan\u0131ml\u0131yor.<\/p>\n

2008 y\u0131l\u0131 sonunda g\u00f6sterime giren ve yeni T\u00fcrkiye sinemas\u0131n\u0131n \u00e7ok \u00f6nemli filmleri aras\u0131nda \u00f6nemli bir yer edinen \u2018Sonbahar\u2019\u0131n ard\u0131ndan yeni \u00d6zcan Alper filmi \u2018Gelecek Uzun S\u00fcrer\u2019in \u00e7ekimleri ba\u015flad\u0131. Senaryosunu kendisinin yazd\u0131\u011f\u0131, Almanya-T\u00fcrkiye ortak yap\u0131m\u0131 olan film, EURIMAGES, NRW, Diyarbak\u0131r B\u00fcy\u00fck\u015fehir Belediyesi, Van Belediyesi ve Sur belediyesinin deste\u011fi ile \u00e7ekiliyor. Ba\u015frollerini Gaye G\u00fcrsel ile Durukan Ordu\u2019nun payla\u015ft\u0131\u011f\u0131, s\u00fcrpriz bir ismin, Agos\u2019un Ermenice sayfalar edit\u00f6r\u00fc Sarkis Seropyan\u2019\u0131n da rol ald\u0131\u011f\u0131 filmde, Diyarbak\u0131r B\u00fcy\u00fck\u015fehir Belediyesi Tiyatro Grubu oyuncular\u0131n\u0131n yan\u0131 s\u0131ra \u00e7ok say\u0131da amat\u00f6r oyuncu da yer al\u0131yor. Diyarbak\u0131r a\u015famas\u0131 tamamlanan filmin \u00e7ekimleri Van, Bitlis, Hakk\u00e2ri ve \u0130stanbul\u2019da devam edecek.<\/p>\n

\u2018Sonbahar\u2019da, cezaevinden \u00e7\u0131karak gitti\u011fi memleketinde \u00f6l\u00fcme g\u00fcn sayan Yusuf\u2019un hik\u00e2yesini fonda i\u00e7li bir a\u011f\u0131tla perdeye yans\u0131tan \u00d6zcan Alper, \u2018Gelecek Uzun S\u00fcrer\u2019de ge\u00e7mi\u015fte ya\u015fanan felaketlerin konu\u015fulabilmesine, bununla beraber de, insanlar\u0131n birbirlerinin hik\u00e2yelerinin fark\u0131na varmas\u0131na katk\u0131da bulunmay\u0131 ama\u00e7l\u0131yor. \u0130stanbul\u2019da bir \u00fcniversitede m\u00fczik ara\u015ft\u0131rmalar\u0131 yapan Sumru (28), alan \u00e7al\u0131\u015fmas\u0131 yapmak \u00fczere do\u011fuya do\u011fru bir yolculu\u011fa \u00e7\u0131kar. Sumru\u2019nun sesler ve a\u011f\u0131tlar\u0131n pe\u015finden \u00e7\u0131kt\u0131\u011f\u0131 yolculu\u011fun ilk dura\u011f\u0131 Diyarbak\u0131r\u2019d\u0131r. Ve kentin darac\u0131k-tarihi sokaklar\u0131nda yolu, korsan DVD satan Ahmet\u2019le, zorla ayakta duran bir kilisenin Ermeni bek\u00e7isi Antranik amcayla ve \u00f6mr\u00fc a\u011f\u0131tlar toplam\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015f \u201csava\u015f ma\u011fdurlar\u0131\u201d ile kesi\u015fir. Sumru, dinledi\u011fi a\u011f\u0131tlar ve bu a\u011f\u0131tlar\u0131n arka plan\u0131ndaki hik\u00e2yelerle birlikte kendi ki\u015fisel hik\u00e2yesi ile de y\u00fczle\u015fmeye ba\u015flar.<\/p>\n

\u2018Anlatabilirsek\u00a0\u00e7ok \u015fey s\u00f6yleyebilir\u2019<\/em><\/strong><\/p>\n

\u2018Gelecek Uzun S\u00fcrer\u2019 filminin de \u2018Sonbahar\u2019 gibi bir a\u011f\u0131t – hik\u00e2ye oldu\u011funu s\u00f6yleyen \u00d6zcan Alper, \u201cSonbahar, Do\u011fu Karadeniz\u2019e ait bir a\u011f\u0131tt\u0131. Par\u00e7alanan Sovyetler sonras\u0131 o co\u011frafyaya ait bir a\u011f\u0131tt\u0131, ya da 90\u2019larda \u00fcniversitede okumu\u015f bir ku\u015fa\u011f\u0131n \u00e7\u0131k\u0131\u015fs\u0131zl\u0131\u011f\u0131 ile de ilgili bir \u015feydi. \u015eimdi fark ediyorum ki, asl\u0131nda bu film de yok olmakta olan k\u00fclt\u00fcrler, hem de sesler, hem de yok edilmekte olan bir tarihe dair bir a\u011f\u0131t\u201d diyor.<\/p>\n

Filmin ana karakteri Sumru\u2019nun m\u00fczik ara\u015ft\u0131rmalar\u0131 yapmas\u0131 ve \u00f6zel olarak a\u011f\u0131tlarla ilgilenmesi nedeniyle a\u011f\u0131tlar\u0131n bu filmde daha belirgin oldu\u011funu dile getiren Alper, filmin ad\u0131, hik\u00e2yesi ve konusuna dair \u015funlar\u0131 s\u00f6yl\u00fcyor:\u00a0<\/p>\n

\u201c\u0130\u00e7inde biraz edebiyat var, biraz \u015fiir var. Asl\u0131nda bir vefa hik\u00e2yesi\u2026 Bir yolculuk hik\u00e2yesi, ama bir taraftan da, galiba gitmek zorundan kalanlar\u0131n ve geride kalanlar\u0131n hik\u00e2yesi. Gidenler, gidemeyenler ve kalanlar \u00fczerine bir hik\u00e2ye. \u0130sminden de biraz anla\u015f\u0131labilir, gelecek i\u00e7in ge\u00e7mi\u015fin miras\u0131, y\u00fck\u00fc ve a\u011f\u0131rl\u0131\u011f\u0131 \u00fczerine. Ve bu y\u00fczden ad\u0131 \u2018Gelecek Uzun S\u00fcrer\u2019. Hem son birka\u00e7 y\u0131ld\u0131r tart\u0131\u015f\u0131lan politik g\u00fcndemle ilgili, hem de asl\u0131nda bunun arka plan\u0131na dayal\u0131. E\u011fer iyi anlatabilirsek, \u00e7ok \u015fey s\u00f6yleyebilir ve s\u00f6ylemeye devam edebilir.\u201d<\/p>\n

\u2018Fark edilmeyeni\u00a0 fark etme \u00e7abas\u0131\u2019<\/em><\/strong><\/p>\n

\u201cUzun da s\u00fcrse,\u201d gelece\u011fi kurmak i\u00e7in ge\u00e7mi\u015fi konu\u015fma ve unutmama \u00fczerine kurulan film, ad\u0131 konulmam\u0131\u015f bir sava\u015f\u0131n ger\u00e7ek tan\u0131klar\u0131 arac\u0131l\u0131\u011f\u0131yla ge\u00e7mi\u015fe \u201cinsani\u201d bir yerden dokunmay\u0131 ama\u00e7l\u0131yor. Filminin, b\u00fcy\u00fck \u015feyler aras\u0131nda fark edilmeyen bir \u015feyleri fark etme \u00e7abas\u0131 olarak alg\u0131lanmas\u0131n\u0131 isteyen \u00d6zcan Alper, bu hik\u00e2yeyle vermek istediklerini ise \u015f\u00f6yle anlat\u0131yor:<\/p>\n

\u201cBildi\u011fini zannetti\u011fin \u015feylerin birebir tan\u0131klar\u0131 ile konu\u015fmak \u00e7ok acayip bir duygu yarat\u0131yor insanda. Yani art\u0131k senin i\u00e7in rakamlar\u0131n bir \u00f6nemi kalm\u0131yor. Film bunu yapabilirse, ben o zaman yapmak istedi\u011fimi yapm\u0131\u015f olaca\u011f\u0131m. Bir yerde John Berger\u2019in bir laf\u0131n\u0131 kulland\u0131k, \u2018Bu efendiler yaln\u0131zca masumlar\u0131 katletmekle kalmaz, haf\u0131zay\u0131 da yok ederler. Yeni d\u00fcnya tiranl\u0131\u011f\u0131na kar\u015f\u0131 y\u00fckselen muhalefete ilham vermesi i\u00e7in bu kay\u0131tlar\u0131n tutulmas\u0131 \u015fartt\u0131r\u2019 diyor. Benimki de b\u00f6yle bir \u015fey oldu. Hem bunu kay\u0131t alt\u0131na almaya \u00e7al\u0131\u015fmak, hem de bunu konu\u015fmak. Ya da belki birbirimizi dinlemek. Yine dingin bir film galiba, ya da \u00f6yle olmas\u0131n\u0131 istiyorum. Belki durup d\u00fc\u015f\u00fcnmek ya da konu\u015fulmayan \u015feyleri bir daha dinlemek, ak\u0131ldan ge\u00e7irmek. Benim birebir dinlemelerde fark etti\u011fim \u015fey, bir kere adalet duygusu \u00e7ok zedelenmi\u015f. \u0130nsanlar\u0131n \u00f6ncelikli olarak buna inanmalar\u0131 gerekiyor. Ben de benzer duygular ya\u015f\u0131yorum, bu \u00fclkede Og\u00fcn Samast ile ta\u015f atan \u00e7ocuklar ayn\u0131 kefeye konuldu. Art\u0131k s\u00f6z\u00fcn bitti\u011fi yer diyorsun.\u201d<\/p>\n

Film d\u00f6rt dilli<\/em><\/strong><\/p>\n

\u2018Gelecek Uzun S\u00fcrer\u2019de karakterler kendi dillerini konu\u015fuyorlar. T\u00fcrk\u00e7e, K\u00fcrt\u00e7e, Ermenice ve Ermenicenin bir leh\u00e7esi olan Hem\u015fince. Filmde Diyarbak\u0131r\u2019da yapayaln\u0131z ya\u015fayan ve Ermeni kilisesinin bek\u00e7ili\u011fini yapan Antranik amcay\u0131 oynamak \u00fczere asl\u0131nda Ermenistan\u2019dan bir oyuncu ile g\u00f6r\u00fc\u015f\u00fclm\u00fc\u015f, ancak bu m\u00fcmk\u00fcn olmay\u0131nca Agos\u2019un Ermenice sayfalar edit\u00f6r\u00fc Sarkis Seropyan\u2019a d\u00fc\u015fm\u00fc\u015f rol. \u201cHer i\u015fte bir hay\u0131r vard\u0131r\u201d diyen \u00d6zcan, Seropyan\u2019\u0131n filmde oynamak i\u00e7in de\u011fil kendilerine yard\u0131m etmek amac\u0131yla Diyarbak\u0131r\u2019a geldi\u011fini ve bunun \u201c\u00e7ok da g\u00fczel oldu\u011funu\u201d s\u00f6yl\u00fcyor.<\/p>\n

\u2018Herkes bir par\u00e7ay\u0131 tamamlad\u0131\u2019<\/em><\/strong><\/p>\n

Filmin Diyarbak\u0131r \u00e7ekimlerini kentte ya\u015fayanlarla \u00e7ok yak\u0131ndan temas kurarak, tek tek hik\u00e2yelerinin i\u00e7ine girmeye \u00e7al\u0131\u015farak y\u00fcr\u00fcten \u00d6zcan, burada ald\u0131\u011f\u0131 deste\u011fi ve kar\u015f\u0131la\u015ft\u0131\u011f\u0131 atmosfere dair ise \u015funlar\u0131 anlat\u0131yor:\u00a0<\/p>\n

\u201cDiyarbak\u0131r B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin, \u00f6zellikle k\u00fclt\u00fcr b\u00f6l\u00fcm\u00fc \u00e7al\u0131\u015fanlar\u0131n\u0131n, Sur Belediyesi\u2019nin, Van Belediyesi\u2019nin ciddi destekleri oldu. \u00c7al\u0131\u015ft\u0131\u011f\u0131m\u0131z ya da girdi\u011fimiz b\u00fct\u00fcn mek\u00e2nlarda, her \u015feyden \u00f6nce manevi olarak kendimizi yaln\u0131z hissetmedik. Bu, bir filmde \u00e7ok \u00f6nemli. Hem \u00e7ok ciddi destek g\u00f6rd\u00fck, hem zorland\u0131\u011f\u0131m\u0131z anlarda insanlar\u0131 yan\u0131m\u0131zda hissettik. Diyarbak\u0131r\u2019da bireysellikten \u00f6te, g\u00fczel bir \u015fey \u00e7\u0131ks\u0131n \u00e7abas\u0131n\u0131 \u00e7ok fazla hissettim. Bu, bazen bir sat\u0131r oldu, bazen bir c\u00fcmle, bazen birinin duydu\u011fu bir \u015fark\u0131, bazen birinin buldu\u011fu bir afi\u015f, bazen oraya yap\u0131\u015ft\u0131rd\u0131\u011f\u0131 bir foto\u011fraf oldu. Herkes bir \u015fey koydu ve bir par\u00e7ay\u0131 tamamlad\u0131. Herkesin bu y\u00f6nde \u00e7ok ciddi bir \u00e7abas\u0131 oldu, umar\u0131m bu ruh filme de yans\u0131r. Bunun d\u0131\u015f\u0131nda bize burada evlerinin kap\u0131lar\u0131n\u0131 a\u00e7an, hik\u00e2yelerini a\u00e7an, bizi k\u0131rmay\u0131p ya\u015fad\u0131klar\u0131 b\u00fcy\u00fck ac\u0131lara ra\u011fmen tekrar tekrar ayn\u0131 \u015feyleri ya\u015fama pahas\u0131na gelen insanlar oldu. Asl\u0131nda b\u00fct\u00fcn bunlar bizim i\u00e7in hem b\u00fcy\u00fck bir de\u011fer, hem \u015fans. Bizim i\u00e7in k\u0131ymetli \u015feylerdi. Diyarbak\u0131r\u2019da iyi a\u011f\u0131rland\u0131k.\u201d<\/p>\n

\u2018Sonbahar\u2019\u0131n g\u00f6r\u00fcnt\u00fc y\u00f6netmeni Feza \u00c7ald\u0131ran\u2019la bu filmde de yola devam eden \u00d6zcan Alper, teknik ekibe ili\u015fkin \u015funlar\u0131 s\u00f6yl\u00fcyor: \u201cKendi i\u00e7erisinde k\u00fc\u00e7\u00fck ve g\u00fczel bir ekip kurduk. Belki sonraki filmlerde \u00e7al\u0131\u015fmak isteyebilece\u011fim insanlar. Hem Sonbahar\u2019da \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131z, hem yeni eklenen arkada\u015flar, yine buradan sinema ile u\u011fra\u015fan Hamdi Akyol, Re\u015fat Ayaz, H\u00fcsamettin Bah\u00e7e gibi gen\u00e7 arkada\u015flar ekibe dahil oldu. \u0130ranl\u0131 bir ses ekibimiz var. Teknik olarak biraz daha u\u011fra\u015ft\u0131k, Sonbahar\u0131 16 mm kamera ile \u00e7ekmi\u015ftik, \u015fimdi 35 mm kamera ile \u00e7al\u0131\u015f\u0131yoruz.\u201d\u00a0<\/p>\n

\u2018\u015eimdi olmazsa ne zaman dedim\u2019<\/em><\/strong><\/p>\n

Kendisi i\u00e7in \u201ctan\u0131d\u0131k\u201d olan Do\u011fu Karadeniz\u2019den sonra, h\u00e2kim olmad\u0131\u011f\u0131 bir co\u011frafyada film \u00e7ekmenin, dokunmak istedi\u011fi mesele a\u00e7\u0131s\u0131ndan da \u201criskli\u201d say\u0131labilece\u011fini ifade eden Alper \u00d6zcan, kendisini bu hik\u00e2yeyi \u00e7ekmeye iten sebepleri \u015f\u00f6yle anlat\u0131yor:<\/p>\n

\u201cAsl\u0131nda bu co\u011frafya bize \u00e7ok uzak de\u011fildi. \u00c7\u00fcnk\u00fc kendi k\u00fclt\u00fcr\u00fcm\u00fcz\u00fcn, dilimizin, varl\u0131\u011f\u0131m\u0131z\u0131n fark\u0131na, K\u00fcrt co\u011frafyas\u0131ndaki insanlar\u0131n m\u00fccadelesi ile vard\u0131k. Karadeniz gibi bir co\u011frafyada film \u00e7ekip, sonra h\u00e2kim olmad\u0131\u011f\u0131m bir co\u011frafyaya ge\u00e7mek, dil olarak, konu olarak riskliydi, ama a\u00e7\u0131k\u00e7as\u0131 \u015f\u00f6yle dedim kendime; \u015fimdi bu kadar enerjim varken, b\u00f6yle bir mesele anlatmaya kalk\u0131\u015fmayacaksam, o halde ne zaman anlatacakt\u0131m? Bunlar\u0131 d\u00fc\u015f\u00fcnd\u00fcm ve bu konuda kendimle hesapla\u015ft\u0131m. Herkesin bir \u015fekilde fikir beyan etti\u011fi meseleler bunlar. Ama ben kendi akl\u0131m, vicdan\u0131mla ve tabii ki sanat\u0131n diliyle bir \u015fey anlatmak gereklili\u011fine inand\u0131m. 10 y\u0131l sonra belki bu konuda y\u00fczlerce film yap\u0131lacak, ama bug\u00fcn burada durmak, fikir beyan etmek \u00e7ok daha \u00f6nemli, \u00e7ok daha kritik bir nokta. \u00c7\u00fcnk\u00fc b\u00fct\u00fcn bu meseleler bug\u00fcn konu\u015fulursa, bug\u00fcn sakin bir \u015fekilde herkes birbirini dinlerse, \u00e7ok daha anlaml\u0131 olacak. Sanat her zaman ger\u00e7ek, iyi ve g\u00fczel olan\u0131 ortaya \u00e7\u0131kar\u0131r diye d\u00fc\u015f\u00fcn\u00fcyorum. Ben umutluyum.\u201d\u00a0<\/em><\/strong><\/p>\n

\u00a0<\/em><\/strong><\/p>\n

Agos<\/em><\/strong><\/p>\n

Say\u0131:763<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

NURHAK YILMAZ \u00a0 Onlarca \u00f6d\u00fcl ald\u0131\u011f\u0131 ilk filmi Sonbahar ile gen\u00e7 bir \u00f6mr\u00fcn sonbahar\u0131na yak\u0131lm\u0131\u015f yal\u0131n bir a\u011f\u0131tla izleyici kar\u015f\u0131s\u0131na \u00e7\u0131kan y\u00f6netmen \u00d6zcan Alper, \u015fimdi de, \u0130stanbul\u2019dan ba\u015flay\u0131p Diyarbak\u0131r\u2019dan ge\u00e7en, oradan Hakkari\u2019ye uzanan bir yol hik\u00e2yesiyle, yeni bir a\u011f\u0131tla izleyiciyle bulu\u015fmaya haz\u0131rlan\u0131yor. Alper, yolla, kesi\u015fen hayatlarla ve toplumsal belle\u011fe dokunmaya \u00e7al\u0131\u015fan insan hik\u00e2yeleriyle \u00f6rmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-3127","post","type-post","status-publish","format-standard","hentry","category-haberler"],"yoast_head":"\n\u00d6zcan Alper\u2019den uzun s\u00fcren bir gelece\u011fin filmi - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/turkish\/2010\/12\/04\/ozcan-alperden-uzun-suren-bir-gelecegin-filmi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00d6zcan Alper\u2019den uzun s\u00fcren bir gelece\u011fin filmi - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"NURHAK YILMAZ \u00a0 Onlarca \u00f6d\u00fcl ald\u0131\u011f\u0131 ilk filmi Sonbahar ile gen\u00e7 bir \u00f6mr\u00fcn sonbahar\u0131na yak\u0131lm\u0131\u015f yal\u0131n bir a\u011f\u0131tla izleyici kar\u015f\u0131s\u0131na \u00e7\u0131kan y\u00f6netmen \u00d6zcan Alper, \u015fimdi de, \u0130stanbul\u2019dan ba\u015flay\u0131p Diyarbak\u0131r\u2019dan ge\u00e7en, oradan Hakkari\u2019ye uzanan bir yol hik\u00e2yesiyle, yeni bir a\u011f\u0131tla izleyiciyle bulu\u015fmaya haz\u0131rlan\u0131yor. 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