{"id":30072,"date":"2014-05-26T01:49:22","date_gmt":"2014-05-26T06:49:22","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=30072"},"modified":"2014-05-26T01:49:22","modified_gmt":"2014-05-26T06:49:22","slug":"memleketinden-surgun-bir-othello-vahram-papazyan","status":"publish","type":"post","link":"https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/","title":{"rendered":"Memleketinden s\u00fcrg\u00fcn bir Othello: Vahram Papazyan"},"content":{"rendered":"

\"Vahram<\/a>LORA SARI<\/b><\/p>\n

Vahram Papazyan, Ermenistan\u2019da bug\u00fcn Shakespeare dendi\u011finde h\u00e2l\u00e2 akla gelen ilk isim. Rusya\u2019y\u0131 oyunculu\u011fuyla fetheden bu adam ne ac\u0131d\u0131r ki \u00f6lene kadar kalbinde \u0130stanbul’a d\u00f6nmenin ve burada tiyatro yapman\u0131n \u00fcmidini ta\u015f\u0131r. Muhsin Ertu\u011frul\u2019un \u2018Othello rol\u00fcnde onun \u00fcst\u00fcne kimse g\u00f6sterilemez\u2019 dedi\u011fi Papazyan\u2019\u0131n maceralarla dolu hayat\u0131na ve icraatlar\u0131na bak\u0131ld\u0131\u011f\u0131nda, onun hakk\u0131nda bu kadar az bilgiye sahip oldu\u011funa \u00fcz\u00fcl\u00fcyor insan.<\/i><\/b><\/p>\n

9 May\u0131s\u2019ta ba\u015flayan 19. \u0130stanbul Tiyatro Festivali kapsam\u0131nda \u2018\u0130ki Adam, \u0130ki D\u00fcnya, Tek Sahne: Muhsin Ertu\u011frul ve Vahram Papazyan\u2019 ba\u015fl\u0131kl\u0131 bir etkinlik d\u00fczenlendi. Bo\u011fazi\u00e7i G\u00f6steri Sanatlar\u0131 Toplulu\u011fu (BGST) ve Berberyan Kumpanyas\u0131\u2019n\u0131 bir araya getiren, Papazyan ve Ertu\u011frul\u2019un dostlu\u011funu oda\u011f\u0131na alan \u2018Muhsin ve Vahram\u2019 isimli yar\u0131m saatlik g\u00f6sterinin ard\u0131ndan, konu\u015fmac\u0131lar Bo\u011fos Levon Zekiyan, Ay\u015feg\u00fcl \u00c7elik ve Artsvi Bakhchinyan dinleyicilere, T\u00fcrkiyeli bu iki ustan\u0131n sanat\u0131n\u0131 ve onlar\u0131n tiyatro sahnesinde kesi\u015fen hayatlar\u0131n\u0131 anlatt\u0131. \u2018Muhsin ve Vahram\u2019 oyunun yazar\u0131, ayn\u0131 zamanda oyunda Muhsin Ertu\u011frul\u2019un ya\u015fl\u0131l\u0131k y\u0131llar\u0131n\u0131 canland\u0131ran F\u0131rat G\u00fcll\u00fc\u2019n\u00fcn de dedi\u011fi \u00fczere, internette Vahram Papazyan ad\u0131n\u0131 aratt\u0131\u011f\u0131m\u0131zda kar\u015f\u0131m\u0131za, Osmanl\u0131\u2019n\u0131n olimpiyatlara ilk yollad\u0131\u011f\u0131 atlet olarak tarihe ge\u00e7en di\u011fer Vahram Papazyan \u00e7\u0131k\u0131yor. Halbuki akt\u00f6r Vahram Papazyan\u2019\u0131n maceralarla dolu hayat\u0131na, sanat\u0131na ve icraatlar\u0131na bak\u0131ld\u0131\u011f\u0131nda, onun hakk\u0131nda bu kadar az bilgiye sahip oldu\u011funa \u00fcz\u00fcl\u00fcyor insan. Biz de, bu etkinlik vesilesiyle daha yak\u0131ndan tan\u0131ma olana\u011f\u0131 buldu\u011fumuz Vahram Papazyan\u2019\u0131n ya\u015fam\u0131n\u0131 aktararak, sizi de ilerde onu ge\u00e7 tan\u0131m\u0131\u015f olman\u0131n yaratabilece\u011fi muhtemel elemlerden, haddimiz olmayarak kurtaral\u0131m istedik. Buyrunuz\u2026<\/p>\n

Sovyetler Birli\u011fi\u2019nin en iyi Shakespeare yorumcusu olarak an\u0131lan Vahram Papazyan, 1888’de \u0130stanbul\u2019da do\u011fdu. Orta halli bir aileden gelen Papazyan\u2019\u0131n babas\u0131 Pera\u2019n\u0131n \u00fct\u00fcc\u00fcl\u00fck yapt\u0131\u011f\u0131n\u0131 kaynaklardan \u00f6\u011freniyoruz ancak annesiyle ilgili bir bilgiye ula\u015fmak m\u00fcmk\u00fcn de\u011fil. \u00d6te yandan Papazyan\u2019\u0131n \u0130talyan, eski bir balerin olan bir s\u00fct annesi oldu\u011fu biliniyor. Yaramaz bir \u00e7ocuk oldu\u011fu s\u00f6ylenen Papazyan\u2019\u0131 durdurabilmenin yolu, ona s\u00fcrekli hik\u00e2ye veya masal anlatmaktan ge\u00e7erken, k\u00fc\u00e7\u00fck akt\u00f6r kendi kendini sakinle\u015ftirmenin \u00e7aresini de yoldan ge\u00e7enlere g\u00f6steriler haz\u0131rlamakta bulur. \u2018Adam olacak \u00e7ocuk\u2019 diye ba\u015flayan malum atas\u00f6z\u00fcn\u00fcn de i\u015faret etti\u011fi gibi, k\u00fc\u00e7\u00fck ya\u015flardan itibaren sahnelere at\u0131lmak istedi\u011fini belli eden Papazyan, her b\u00fcy\u00fck sanat\u00e7\u0131 gibi hedefine ula\u015fmak i\u00e7in epey \u00e7aba g\u00f6sterir. Doktor olmas\u0131n\u0131 isteyen ve akt\u00f6r olmas\u0131na kesinlikle kar\u015f\u0131 \u00e7\u0131kan babas\u0131 hatta s\u00fclalesindeki hi\u00e7bir fert, 20. y\u00fczy\u0131l\u0131n en \u00f6nemli trajedyeni olarak g\u00f6r\u00fclecek gencin \u00f6n\u00fcne ge\u00e7emez. Vahram, Fran\u00e7ois Copp\u00e9e\u2019nin \u2018Demircilerin Grevi\u2019 adl\u0131 \u015fiirini okuyup, \u0130talyan B\u00fcy\u00fckel\u00e7isi taraf\u0131ndan \u00f6d\u00fcllendirildi\u011finde hen\u00fcz \u2018kara ve sevimli\u2019 bir \u00e7ocuktur. \u00dcstelik \u2018Demircilerin Grevi\u2019 dendi\u011finde, bu \u015fiire ses vermesiyle hemen ak\u0131llara gelen gen\u00e7 Ermeni tiyatrocu Yenovk \u015eahen, ilerde Papazyan\u2019\u0131n hem i\u015f arkada\u015f\u0131, hem de en yak\u0131n dostlar\u0131ndan biri olacakt\u0131r.\u00a0 1915\u2019te \u015eahen i\u00e7in sahne perdesi sonsuza dek kapan\u0131rken, ondan daha \u015fansl\u0131 olarak Odessa\u2019ya ka\u00e7an Papazyan, kendini Sovyetler Birli\u011fi\u2019nin demir perdesinin arkas\u0131nda bulacakt\u0131r.<\/p>\n

Aforoz edilmi\u015f Vahram<\/b><\/p>\n

Biz \u015fimdilik Papazyan\u2019\u0131n \u00e7ocuklu\u011funa d\u00f6nelim\u20261902\u2019de Esayan Okulu\u2019ndan mezun olduktan sonra, Moda\u2019daki M\u0131hitaryan Okulu\u2019nda \u00f6\u011frenim g\u00f6rmeye ba\u015flayan oyuncu, 1905’te din adam\u0131 olmas\u0131 i\u00e7in Venedik\u2019e yollan\u0131r ancak bu \u00e7aba onun ancak \u2018aforoz edilmi\u015f Vahram\u2019 lakab\u0131n\u0131 almas\u0131na sebep olur. Murat Rafaelyan Koleji\u2019nde sadece \u00fc\u00e7 ay kalabilen oyuncu, rivayete g\u00f6re bir gece tiyatroya gitmek i\u00e7in okuldan ka\u00e7ar ve o g\u00fcnden sonra tiyatroda kal\u0131r. \u0130talya ve Fransa\u2019da ald\u0131\u011f\u0131 tiyatro e\u011fitiminin yan\u0131nda \u00e7e\u015fitli tiyatro gruplar\u0131yla birlikte sahneye de \u00e7\u0131kar. \u0130talyan oyun yazar\u0131 ve oyuncu Ermete Novelli\u2019nin \u00f6\u011frencisi de olan Papazyan, onun kurdu\u011fu Com\u00e9die Fran\u00e7aise\u2019in oyunlar\u0131nda da yer al\u0131r. Onun i\u00e7in \u201cE\u011fer \u0130talya\u2019da kal\u0131rsa, tiyatromuzun y\u0131ld\u0131z\u0131 olacakt\u0131r\u201d gibi c\u00fcmleler kurulurken, Papazyan\u2019\u0131n g\u00f6zlerinin n\u00e2ma \u2018Kutsal Sarah\u2019 ismiyle de tan\u0131nan sahnelerin ve sessiz filmlerin belki de en \u00f6nemli aktrisi Sarah Bernhardt\u2019a kadar gider. Bernhardt, Papazyan\u2019\u0131n g\u00f6zlerini \u00f6vmekle bitiremez.<\/p>\n

Oyuncu 1908’de \u0130stanbul\u2019a d\u00f6nd\u00fckten hemen bir ay sonra II. Me\u015frutiyet ilan edilir. Ayn\u0131 yaz, 1896’da Osmanl\u0131 Bankas\u0131 bask\u0131n\u0131n\u0131n ard\u0131ndan ya\u015fanan pogrom sonucunda hayat\u0131n\u0131 kaybeden Ermeniler i\u00e7in, \u015ei\u015fli Mezarl\u0131\u011f\u0131\u2019nda d\u00fczenlenen mitingde Papazyan, Tanyel Varujan\u2019\u0131n 1896\u2019daki k\u0131y\u0131m\u0131 anlatt\u0131\u011f\u0131 \u015fiiri \u2018\u00c7art\u2019\u0131 (K\u0131y\u0131m) okur. Abd\u00fclhamid\u2019in bask\u0131 rejimi s\u0131ras\u0131nda zora giren ve kapanan Ermenice tiyatronun II. Me\u015frutiyet\u2019le \u00f6zg\u00fcrl\u00fc\u011f\u00fcne kavu\u015fmas\u0131, Papazyan\u2019\u0131n da \u0130stanbul sahnelerine girmesi demektir.<\/p>\n

\u2018Kocaman g\u00f6zleri 40 akt\u00f6re bedel\u2019<\/b><\/p>\n

Abd\u00fclhamid, nam-\u0131 di\u011fer K\u0131z\u0131l Sultan’\u0131n kendisine kar\u015f\u0131t oldu\u011fu i\u00e7in M\u0131s\u0131r\u2019a s\u00fcrd\u00fc\u011f\u00fc Osmanl\u0131 ayd\u0131n\u0131 Abdullah Cevdet\u2019in, s\u00fcrg\u00fcn y\u0131llar\u0131nda yapt\u0131\u011f\u0131 Hamlet \u00e7evirisi, \u015fimdilerde Sinepop Sinemas\u0131\u2019n\u0131n oldu\u011fu binada bulunan me\u015fhur Odeon Tiyatrosu\u2019nda 1911’de sahnelendi\u011finde, izleyiciler oyunun ba\u015frol\u00fcnde izledikleri Vahram Papazyan ile nihayet tan\u0131\u015f\u0131r. Papazyan sadece Hamlet rol\u00fcne can vermekle kalmam\u0131\u015f, ayn\u0131 zamanda Hamlet\u2019in \u0130stanbul\u2019da T\u00fcrk\u00e7e \u00e7evirisiyle bir prod\u00fcksiyonunu sahneleme fikrini de bizzat ortaya atm\u0131\u015ft\u0131r. H\u00e2lbuki bug\u00fcne kadar Osmanl\u0131 tiyatrosunun Hamlet rol\u00fcnde g\u00f6rmeye al\u0131\u015f\u0131k oldu\u011fu insan, bir di\u011fer \u00f6nemli Ermeni tiyatro oyuncusu Bedros Atamyan\u2019d\u0131r. Hal b\u00f6yle olunca, Ermeni entelijansiyas\u0131 da ister istemez Papazyan\u2019\u0131 Atamyan\u2019a benzetmeye, onunla mukayese etmeye ba\u015flar. \u0130zleyici Papazyan\u2019\u0131 izlerken sanki kar\u015f\u0131lar\u0131nda, hen\u00fcz \u00fc\u00e7 ya\u015f\u0131ndayken hayat\u0131n\u0131 kaybeden Atamyan’\u0131 bulur. Atamyan \u00e2deta Papazyan’\u0131n suretinde dirilir.<\/p>\n

Hamlet\u2019te papaz rol\u00fcnde yer alan V. Felekyan, Papazyan i\u00e7in; \u201cOnun kocaman g\u00f6zleri bile 40 akt\u00f6re bedeldir. O belli bir ya\u015fa kadar Atamyan kadar g\u00fczel de\u011fildi, fakat daha sonra birden bire g\u00f6ze \u00e7arpmaya ve giderek parlamaya ba\u015flad\u0131. Olimpia g\u00fczelli\u011fine sahipti. Yunan heykelleri gibi\u2026\u201d der. Papazyan\u2019\u0131n Atamyan\u2019dan tek fark\u0131, sonradan a\u00e7an bir \u00e7i\u00e7ek olmas\u0131 de\u011fildir sadece. Atamyan\u2019\u0131n i\u00e7indeki mele\u011fin, i\u00e7indeki \u015feytandan daha g\u00fc\u00e7l\u00fc oldu\u011fu s\u00f6ylenir, Papazyan\u2019da ise tam tersi. Ni\u015fan Be\u015fikta\u015fl\u0131yan da an\u0131lar\u0131nda Atamyan ile Papazyan\u2019\u0131 kar\u015f\u0131 kar\u015f\u0131ya getirir: \u201cHamlet ve Othello; biri da\u011f\u0131n \u00fczerinde Shakespeare\u2019in b\u00fcy\u00fckl\u00fc\u011f\u00fcne bakarken, di\u011feri bu b\u00fcy\u00fckl\u00fc\u011fe i\u00e7erden \u015fahit olurdu. Birincisi H\u0131ristiyand\u0131, ikincisi putperest. Atamyan, Shakespeare\u2019in da\u011f\u0131n\u0131n y\u00fcksekli\u011fine hu\u015fuyla yakla\u015f\u0131r. Bir yapboz gibi duran da\u011fa uzanmaya \u00e7al\u0131\u015f\u0131r ve da\u011f\u0131n labirentlerini vicdan\u0131n\u0131 ortaya koyarak dikkatle g\u00f6zden ge\u00e7irir. O, da\u011f\u0131n tepesine bu \u015fekilde ula\u015f\u0131r. O da\u011f ile bir b\u00fct\u00fcnd\u00fcr art\u0131k, da\u011f da onunla\u2026 Papazyan ise bu da\u011fa b\u00fcy\u00fclenmi\u015f bir halde, \u00f6zg\u00fcvenle yukar\u0131dan bakar. O kendini da\u011fa ba\u011flar, da\u011f da ona ba\u011flan\u0131r. Ancak istedi\u011fi an kendini da\u011fdan koparmakta \u00f6zg\u00fcrd\u00fcr. Atamyan bir oyuna ve role haz\u0131rlan\u0131rken mant\u0131\u011f\u0131n\u0131 kullan\u0131rken, Papazyan zihnini yormaz. \u00c7\u00fcnk\u00fc onun i\u00e7in do\u011fal olan yeterlidir. O bir rol\u00fc sadece ya\u015famakla kalmaz, o role hayat verir. Atamyan kendi rol\u00fcnden cezbolur ve izleyici de Atamyan\u2019dan. Papazyan ise kendi rol\u00fcn\u00fc ele ge\u00e7irir ve izleyiciyi de tutsak eder. Biri hissederek izleyicilerin hissedebilmesini sa\u011flarken, di\u011feri hissedermi\u015f gibi yap\u0131p o hissin herkesi ele ge\u00e7irmesini sa\u011flar.\u201d<\/p>\n

E\u011fitim \u015fart!<\/b><\/p>\n

1911 y\u0131l\u0131ndaki Hamlet temsili, T\u00fcrkiye tiyatrosu ve sinemas\u0131n\u0131n da d\u00f6n\u00fcm noktalar\u0131ndan biri olur. 19 ya\u015f\u0131ndaki Muhsin Ertu\u011frul bu oyunda Leartes rol\u00fcndedir ve kar\u015f\u0131s\u0131nda o d\u00f6nemde al\u0131\u015f\u0131lm\u0131\u015ftan farkl\u0131 olarak \u2018alayl\u0131\u2019 olmayan, Avrupa\u2019da tiyatro e\u011fitimi alm\u0131\u015f bir akt\u00f6r vard\u0131r. Bu oyunla birlikte b\u00fcy\u00fcyen can dostluklar\u0131 bir yana dursun, Papazyan\u2019\u0131n \u2018ne yap et, bu i\u015fin Avrupa\u2019da e\u011fitimini al\u2019 nasihatiyle yola \u00e7\u0131kan Muhsin Ertu\u011frul, \u00f6mr\u00fc boyunca T\u00fcrkiye tiyatro ve sinemas\u0131nda \u2018ilklerin\u2019 alt\u0131na imzas\u0131n\u0131 atacakt\u0131r.<\/p>\n

1914 y\u0131l\u0131n\u0131n A\u011fustos ay\u0131na kadar Papazyan i\u00e7in hayat ziyadesiyle g\u00fczel ge\u00e7er. \u0130zmir\u2019den, Yalova\u2019dan, Bah\u00e7ecik\u2019ten insanlar onun yer ald\u0131\u011f\u0131 Ermenice tiyatro oyunlar\u0131n\u0131 izlemek i\u00e7in ak\u0131n ak\u0131n \u0130stanbul\u2019a gelirler. Papazyan da, \u00fcnl\u00fc Rum oyuncu Veroniye\u2019nin grubuyla \u0130zmir\u2019i dola\u015f\u0131r. Veroniye ve oyuncular\u0131 sahnede Rumca konu\u015furken, Papazyan oyununu Ermenice oynar. Papazyan, Tekirda\u011f\u2019dan M\u0131s\u0131r\u2019a kadar, Ermenilerin ya\u015fad\u0131\u011f\u0131 b\u00fct\u00fcn y\u00f6relerde sahneye \u00e7\u0131kar. 1913\u2019te Tiflis\u2019e ge\u00e7er. Atamyan gibi Rusya\u2019y\u0131 dola\u015fmaya ve oyunlar\u0131n\u0131 Ermenice ve Frans\u0131zca sahnelemeye ba\u015flar.<\/p>\n

Tiyatrodan akt\u00f6r ka\u00e7\u0131rma<\/b><\/p>\n

I. D\u00fcnya Sava\u015f\u0131 patlak verdi\u011finde Papazyan Venedik\u2019tedir. Ald\u0131\u011f\u0131 bir davet \u00fczerine Bak\u00fc\u2019ye gitmek i\u00e7in bindi\u011fi gemi \u0130stanbul liman\u0131na u\u011frar, gemiye el konulur, yolcular da indirilir. Mecburen \u0130stanbul\u2019da kalan Papazyan\u2019\u0131n ismi \u2018kara liste\u2019de yaz\u0131l\u0131d\u0131r, ancak onun durumdan haberi yoktur.<\/p>\n

Tiyatronun usta isimlerinden Mardiros M\u0131nakyan\u2019a yapt\u0131\u011f\u0131 ziyaret s\u0131ras\u0131nda, M\u0131nakyan ona provalar\u0131 halihaz\u0131rda devam eden \u2018B\u00fcy\u00fck Gece\u2019 adl\u0131 bir Rus oyunundaki \u2018Dimitri\u2019 rol\u00fcn\u00fc oynamas\u0131n\u0131 teklif eder. Ba\u015fta ne kadar kabul etmek istemese de, M\u0131nakyan\u2019\u0131n \u0131srarlar\u0131na yenik d\u00fc\u015fen Papazyan, bir hafta sonra yeniden \u0130stanbul sahnelerinin tozunu att\u0131rmak \u00fczere yerini al\u0131r. G\u00fcnler \u00f6ncesinden Papazyan\u2019\u0131n ad\u0131 gazetelerde ilan edilir, \u015eehzadeba\u015f\u0131\u2019ndaki tiyatro h\u0131ncah\u0131n\u00e7 onu izlemek i\u00e7in gelen izleyicilerle dolar.<\/p>\n

Oyun ba\u015flar. Hen\u00fcz birinci perdenin sonlar\u0131ndayken iki sivil polis onu g\u00f6t\u00fcrmek i\u00e7in gelmi\u015ftir. Papazyan\u2019\u0131n b\u00f6ylesine m\u00fc\u015fk\u00fcl bir durumdan nas\u0131l kurtuldu\u011funa dair iki hik\u00e2ye anlat\u0131l\u0131r. Birincisi ve k\u0131sa olan\u0131 \u015f\u00f6yledir: Sahne perdecisi Ra\u015fit, polislerin geldi\u011fini duyunca perdeyi a\u015fa\u011f\u0131 indirir, Vahram\u2019\u0131 durumdan haberdar eder ve Vahram y\u00fcz\u00fcndeki makyaj\u0131 bile silmeden ka\u00e7ar. Di\u011feri ise \u015f\u00f6yle: Vahram sahnedeyken, kuliste polisleri oyalamaya \u00e7al\u0131\u015fan oyunculardan \u00c7obanyan, o anda bir rol\u00fc olmamas\u0131na ra\u011fmen sahneye atlar. Oyunu hi\u00e7 b\u00f6lmeden, a\u011fz\u0131ndan \u00e7\u0131kanlar \u00e2deta oyunun bir par\u00e7as\u0131ym\u0131\u015f gibi, \u201cDimitri, kazak askerleri geldiler, seni Sonya\u2019ya g\u00f6t\u00fcrecekler. Ben annene haber veririm, merak etme. Hemen buradan ayr\u0131lman gerekiyor. Acele et\u2026 \u00c7abuk\u201d der. Oyunda yer almayan bu replikleri anlamakta g\u00fc\u00e7l\u00fck \u00e7eken Papazyan\u2019\u0131, \u00c7obanyan kulise g\u00f6t\u00fcr\u00fcr. Polisler Papazyan\u2019a do\u011fru gelirken tiyatrodaki elemanlardan Arap \u0130zzet elinde iki fincan kahve ile araya girer ve Vahram\u2019\u0131 tekrar sahneye iteklemeye ba\u015flar. Polisleri de, Vahram\u2019\u0131 oyundan sonra g\u00f6t\u00fcrmeleri i\u00e7in ikna eder. O arada bir yolunu bulup Papazyan\u2019\u0131 \u00e7at\u0131ya \u00e7\u0131karan Arap \u0130zzet, \u2018kanun ka\u00e7a\u011f\u0131\u2019 bu masum akt\u00f6r\u00fcn eline de birka\u00e7 lira s\u0131k\u0131\u015ft\u0131r\u0131r. Papazyan \u00e7at\u0131dan sark\u0131tt\u0131\u011f\u0131 iple caddeye iner. Bu iki hik\u00e2yenin sonu neredeyse ayn\u0131 biter: Her ikisinde de Papazyan y\u00fcz\u00fcnde makyaj\u0131yla Odessa\u2019ya giden bir gemide bulur kendini. \u0130ki hik\u00e2yenin aras\u0131ndaki fark ise, ikincisinde Papazyan yok olunca onun yerine karakola g\u00f6t\u00fcr\u00fcld\u00fc\u011f\u00fc s\u00f6ylenen Arap \u0130zzet\u2019in ak\u0131betinin yaratt\u0131\u011f\u0131 merak olur.<\/p>\n

D\u00f6n\u00fc\u015f\u00fc olmayan yolculuk<\/b><\/p>\n

Papazyan, Odessa\u2019ya vard\u0131\u011f\u0131nda vizesi olmad\u0131\u011f\u0131 i\u00e7in geri g\u00f6nderilmeye \u00e7al\u0131\u015f\u0131lsa da, birka\u00e7 g\u00fcn r\u0131ht\u0131mda saklan\u0131r, bir \u015fekilde oradan ka\u00e7arak Odessa\u2019daki Ermeni Kilisesi\u2019ni bulur ve kendini kurtar\u0131r. Bir s\u00fcre Odessa\u2019da kald\u0131ktan sonra, Kafkasya\u2019ya gider ve g\u00f6n\u00fcll\u00fc olarak Antranik Pa\u015fa\u2019n\u0131n kuvvetlerine kat\u0131l\u0131r. Ate\u015fkes\u2019ten sonra \u0130stanbul\u2019a geri d\u00f6nen ve k\u0131sa bir s\u00fcre burada tiyatro ve sinema \u00e7al\u0131\u015fmalar\u0131na d\u00f6nen oyuncu, 1922\u2019de Yerevan\u2019a yerle\u015fir. Papazyan o g\u00fcnden sonra, ne kadar istese de, bir \u015fekilde belki T\u00fcrkiye Cumhuriyeti\u2019nin, belki de Sovyetler Birli\u011fi\u2019nin o g\u00f6r\u00fcnmeyen duvarlar\u0131 y\u00fcz\u00fcnden do\u011fdu\u011fu \u015fehre bir daha geri d\u00f6nemez. Vahram Papazyan, 1968\u2019de Leningrad\u2019da \u00f6l\u00fcr ve Yerevan\u2019da defnedilir.<\/p>\n

Ermenistan\u2019da bug\u00fcn Shakespeare dendi\u011finde h\u00e2l\u00e2 akla gelen ilk isim olan, Kafkasya\u2019n\u0131n \u00fc\u00e7 cumhuriyetinin halk sanat\u00e7\u0131s\u0131, Rusya\u2019y\u0131 oyunculu\u011fuyla fetheden bu adam ne ac\u0131d\u0131r ki \u00f6lene kadar kalbinde buraya d\u00f6nmenin ve burada tiyatro yapman\u0131n \u00fcmidini ta\u015f\u0131r. Muhsin Ertu\u011frul\u2019un \u2018Othello rol\u00fcnde onun \u00fcst\u00fcne kimse g\u00f6sterilemez\u2019 dedi\u011fi Vahram Papazyan\u2019\u0131n a\u011fz\u0131ndan, Othello\u2019nun me\u015fhur tirad\u0131n\u0131 dinleyerek mest olmak \u015fans\u0131n\u0131 maalesef do\u011fdu\u011fu memleketteki insanlar bulamaz: \u201c \u00c7ok kudretli, y\u00fcce, sayg\u0131de\u011fer sinyorlar, soylu, iyiliksever efendilerim, bu ihtiyar\u0131n k\u0131z\u0131n\u0131 ka\u00e7\u0131rd\u0131\u011f\u0131m do\u011fru, onunla evlendim de, su\u00e7umun hepsi bu; Ba\u015fka bir \u015fey yapm\u0131\u015f de\u011filim.\u201d<\/p>\n

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\u0130stanbul\u2019da birka\u00e7 \u2018facia-\u0131 sinema\u2019<\/b><\/p>\n

T\u00fcrkiye Sinemas\u0131 ne zaman ba\u015flad\u0131 tart\u0131\u015fmalar\u0131 s\u00fcredursun, ku\u015fku yok ki T\u00fcrkiye\u2019de bug\u00fcn bildi\u011fimiz anlamda kurmaca sineman\u0131n ilk \u00f6rneklerini veren isim Muhsin Ertu\u011frul\u2019du. 1921 y\u0131l\u0131nda kurulmas\u0131na \u00f6n ayak oldu\u011fu Kemal Film, T\u00fcrkiye\u2019nin ilk \u00f6zel yap\u0131m \u015firketiydi. Ertu\u011frul 1921-1924 aras\u0131nda bu \u015firket hesab\u0131na alt\u0131 kurmaca film \u00e7ekecek, b\u00f6ylece sinemam\u0131zda Muhsin Ertu\u011frul d\u00f6nemi diye an\u0131lan y\u0131llar ba\u015flam\u0131\u015f olacakt\u0131. Sahipleri Kemal ve \u015eakir Seden karde\u015flerin Feshane fabrikas\u0131n\u0131n dikimevi b\u00f6l\u00fcm\u00fcn\u00fc askeriyeden kiralayarak kurduklar\u0131 Kemal Film\u2019in \u00e7ekti\u011fi ilk film \u2018\u0130stanbul\u2019da Bir Facia-\u0131 A\u015fk\u2019 i\u00e7in T\u00fcrkiye\u2019ye d\u00f6nen Vahram Papazyan, k\u00f6t\u00fc an\u0131larla terk etmek zorunda kald\u0131\u011f\u0131 \u0130stanbul\u2019da bir kez daha umutsuzlu\u011fa kap\u0131lacakt\u0131.<\/p>\n

1999’da Agos i\u00e7in kaleme ald\u0131\u011f\u0131 yaz\u0131da, o g\u00fcnleri Papazyan\u2019\u0131n an\u0131lar\u0131ndan aktaran Ardzi Pah\u00e7inyan, Ertu\u011frul\u2019un ilk kadrosunun Papazyan\u2019\u0131n yan\u0131 s\u0131ra Odessa\u2019dan g\u00f6\u00e7 etmi\u015f iki Musevi kad\u0131n ile M\u0131nakyan Tiyatrosunun sanat\u00e7\u0131lar\u0131 ve \u0130stanbul\u2019daki Dramatik Tiyatro Grubunun baz\u0131 elemanlar\u0131ndan olu\u015ftu\u011funu anlat\u0131yor. \u2018\u0130stanbul\u2019da Bir Facia-\u0131 A\u015fk\u2019\u0131n sokakta ge\u00e7en bir sahnesinin \u00e7ekimleri s\u0131ras\u0131nda senaryo gere\u011fi t\u00fcm varl\u0131\u011f\u0131n\u0131 yitirmi\u015f bir dilenci k\u0131l\u0131\u011f\u0131ndaki Papazyan, zengin ve ya\u015fl\u0131 bir T\u00fcrk han\u0131mefendisi olan annesi rol\u00fcndeki Azniv M\u0131nakyan\u2019a rastlar. \u00c7ar\u015faf giymi\u015f M\u0131nakyan ile Papazyan ve di\u011fer Ermeni rol arkada\u015flar\u0131n\u0131n\u00a0 Ermenice konu\u015fmalar\u0131 yoldan ge\u00e7enlerin dikkatini \u00e7eker. \u201cM\u00fcsl\u00fcman kad\u0131n\u0131n\u0131n mahremine kar\u015f\u0131n sokakta resminin \u00e7ekilmesine\u201d isyan eden bir kalabal\u0131k toplan\u0131r ve \u201cT\u00fcrk kad\u0131n\u0131n\u0131n namusuna kar\u015f\u0131 i\u015flenmi\u015f\u201d bu skandala \u201cPeygamber ad\u0131na\u201d m\u00fcdahale etmeye kalk\u0131\u015f\u0131r. \u0130\u00e7lerinden biri \u201cVurun k\u0131r\u0131n, par\u00e7alay\u0131n bu gavurlar\u0131\u201d diye ba\u011f\u0131rmaktad\u0131r. Papazyan sonras\u0131n\u0131 an\u0131lar\u0131nda\u00a0 \u015f\u00f6yle anlat\u0131r: \u201cMollan\u0131n bu tahriki \u00fczerine, sald\u0131r\u0131lar ba\u015flad\u0131, \u00e7ekim cihazlar\u0131 par\u00e7aland\u0131. Azniv ve ben dayak yedik, \u00f6teki akt\u00f6rlerin i\u00e7inde bulundu\u011fu otob\u00fcs ta\u015fland\u0131. Tam o s\u0131rada soka\u011f\u0131n ba\u015f\u0131nda bir Frans\u0131z devriyesi g\u00f6r\u00fcnd\u00fc,\u00a0 onlardan Frans\u0131zca yard\u0131m istedim. Kalabal\u0131k, askerleri g\u00f6r\u00fcnce da\u011f\u0131ld\u0131. Azniv, kald\u0131r\u0131mlar\u0131n \u00fcst\u00fcnde yar\u0131 bayg\u0131n bir halde yat\u0131yordu. Muhsin kanlar i\u00e7inde, tan\u0131nmaz bir durumdayd\u0131. Benim de elbiselerim lime lime olmu\u015ftu. \u0130lk T\u00fcrk filminin \u00e7ekimlerinde rol alan sanat\u00e7\u0131lar, ancak bir \u015fans eseri \u00f6l\u00fcmden kurtulabildiler.\u201d<\/p>\n

Ekip her \u015feye ra\u011fmen \u00e7al\u0131\u015fmalar\u0131na ertesi g\u00fcn ba\u015fka mahallede devam eder. Silahl\u0131 asker ve polislerin korumas\u0131 ve toplanan \u00f6fkeli bir kalabal\u0131\u011f\u0131n tehditleri, k\u00fcf\u00fcrleri alt\u0131nda \u00e7ekimler tamamlan\u0131r. Ertu\u011frul ayn\u0131 y\u0131l bir Yakup Kadri Karaosmano\u011flu uyarlamas\u0131 olan \u2018Nur Baba\u2019y\u0131 \u00e7ekmeye soyundu\u011funda ,dostu Vahram yine yan\u0131ndad\u0131r. Konu, tekkesini zengin ve g\u00fczel kad\u0131nlar\u0131 ayartmak i\u00e7in kullanan bir Bekta\u015fi \u015feyhinin ya\u015fam\u0131d\u0131r. Bu kez de Ey\u00fcp Camii\u2019nin avlusundaki \u00e7ekimler \u00f6fkeli bir kalabal\u0131\u011f\u0131n hedefi olur. Olaylar\u0131 bast\u0131ran i\u015fgal kuvvetleri filmi yasaklayacak, film daha sonra \u2018Bo\u011fazi\u00e7i’nin Esrar\u0131\u2019 ad\u0131yla g\u00f6sterilebilecektir. Vahram Papazyan, Yerevan\u2019a d\u00f6nd\u00fckten sonra birka\u00e7 sinema filminde daha oynar, ancak as\u0131l tutkusu tiyatro sahnesi olarak kal\u0131r.<\/p>\n

(Evrim Kaya)<\/i><\/p>\n

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 <\/p>\n

60 y\u0131l s\u00fcren dostluk<\/b><\/p>\n

Bu y\u0131l i\u00e7erisinde, \u2018Muhsin Ertu\u011frul: \u00d6lmeyi Bilen Adam\u2019 adl\u0131 bir belgesel roman\u0131, Can Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131mlanan, etkinlikteki konu\u015fmac\u0131lardan Ay\u015feg\u00fcl \u00c7elik\u2019in kaleminden Muhsin Ertu\u011frul ile Vahram Papazyan\u2019\u0131n dostlu\u011funu anlatan bir anekdota yer veriyoruz.<\/i><\/p>\n

Muhsin Ertu\u011frul, d\u00fcnyan\u0131n en iyi akt\u00f6rleri aras\u0131nda g\u00f6sterildi\u011finde 35, T\u00fcrkiye\u2019nin ilk tiyatro okulunu a\u00e7t\u0131\u011f\u0131nda 40, T\u00fcrk sinemas\u0131na uluslararas\u0131 \u00f6d\u00fcl getiren ilk filmi \u00e7ekti\u011finde 42 ya\u015f\u0131ndayd\u0131. Son filmini 61 ya\u015f\u0131nda \u00e7ekti. Tiyatrodaki abonelik sistemi ve memur tiyatrolar\u0131n\u0131 ba\u015flatt\u0131\u011f\u0131nda 64, kahvelere gezici tiyatro g\u00f6t\u00fcrd\u00fc\u011f\u00fcnde 83 ya\u015f\u0131ndayd\u0131.<\/p>\n

T\u00fcrkiye\u2019nin ilk renkli filmini, ilk sesli filmini \u00e7ekti. Yine 40 ya\u015f\u0131nda, tiyatro sanat\u0131na katk\u0131lar\u0131ndan \u00f6t\u00fcr\u00fc, Alman Goethe ni\u015fan\u0131yla \u00f6d\u00fcllendirildi. General De Gaulle\u2019\u00fcn verdi\u011fi Onur ni\u015fan\u0131n\u0131 ise \u00fcnl\u00fc rejis\u00f6r Jean Villard\u2019\u0131n, Paris Challiot Tiyatrosu\u2019ndan uzakla\u015ft\u0131r\u0131lm\u0131\u015f olmas\u0131 nedeniyle reddetti. Ya\u015fam\u0131 s\u00fcresince, 20\u2019den fazla oyunun \u00e7evirisini yapt\u0131, 60\u2019\u0131n \u00fcst\u00fcnde ba\u015frol oynad\u0131, 200\u2019\u00fc a\u015fk\u0131n oyuna y\u00f6netmen olarak imza att\u0131. 20\u2019ye yak\u0131n sahne ve tiyatro binas\u0131 kurdu, say\u0131s\u0131z \u00f6\u011frenci yeti\u015ftirdi.<\/p>\n

Muhsin Ertu\u011frul’un tiyatro ser\u00fcveninin ba\u015flay\u0131\u015f\u0131nda usta Vahram Papazyan’\u0131n yeri \u00e7ok \u00f6zeldir.\u00a0 Ertu\u011frul, dostu Vahram Papazyan’\u0131n oyunculu\u011fundan hayranl\u0131kla bahseder.<\/p>\n

\u0130kisi, Sahne-i Milliye-i Osmaniye’de tan\u0131\u015ft\u0131lar. 1910 senesiydi… Muhsin, hen\u00fcz Ertu\u011frul ad\u0131n\u0131 almam\u0131\u015f 18 ya\u015f\u0131nda bir delikanl\u0131yd\u0131. Sahneye ad\u0131m atal\u0131 birka\u00e7 ay olmu\u015ftu. Toplulu\u011fun yeni y\u00f6netmeni, titizli\u011fiyle, aksili\u011fiyle, \u00f6d\u00fcn vermezli\u011fiyle ad\u0131ndan korkuyla bahsedilen Re\u015fat Bey idi. Ertu\u011frul, an\u0131lar\u0131nda \u201cRe\u015fat R\u0131dvan Bey, bir elinde yap\u0131t\u0131n metni \u00f6teki elinde bir baston hi\u00e7 yorulmadan meclisleri, perdeleri birbiri arkas\u0131na on kez, yirmi kez tekrar ettiriyor, g\u00fcnde bazen 12 saat prova yapt\u0131r\u0131yordu\u201d diye bahsediyor kendisinden.<\/p>\n

O Re\u015fat R\u0131dvan, oyunculardan birine, Vahram Papazyan’a hi\u00e7 kar\u0131\u015fm\u0131yordu. Muhsin, Vahram’\u0131n her \u015feyi kusursuz yapt\u0131\u011f\u0131n\u0131, daha iyisinin m\u00fcmk\u00fcn olmad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. 22 ya\u015f\u0131ndaki Papazyan’\u0131n sahneye yatk\u0131nl\u0131\u011f\u0131 ve ezber yetene\u011fi, fiziksel yap\u0131s\u0131yla, titizli\u011fiyle birle\u015ftirince g\u00fc\u00e7l\u00fc bir akt\u00f6r siluetine ula\u015fmak g\u00fc\u00e7 de\u011fil. Ki\u015fili\u011fi i\u00e7in ise \u201cYarad\u0131l\u0131\u015ftan \u00e7ok nazik, \u00e7ok iyi terbiye g\u00f6rm\u00fc\u015f, her bak\u0131mdan sanat\u00e7\u0131 bir gen\u00e7ti\u201d diyor Ertu\u011frul, \u201csaraydan gelen baz\u0131 ya\u015fl\u0131 akt\u00f6rlerin ara s\u0131ra yapt\u0131klar\u0131 latifelere bile laubalilik g\u00f6z\u00fcyle bakan Vahram Papazyan, ola\u011fan\u00fcst\u00fc titizlik g\u00f6steriyor, bir\u00e7oklar\u0131n\u0131n dar\u0131lmas\u0131 pahas\u0131na herkesi ciddi olmaya \u00e7a\u011f\u0131r\u0131yordu. Bu y\u00fczden de provalar, \u00f6zellikle onun sahnede bulundu\u011fu meclislerin provas\u0131, \u00f6nemle \u00fcst\u00fcnde durulan b\u00f6l\u00fcmler oluyordu.\u201d<\/p>\n

Bu d\u00f6rt ba\u015f\u0131 mamur akt\u00f6r ile tiyatroya ba\u015flamak hevesindeki gen\u00e7 Muhsin’in, sahne \u00fcst\u00fcnde kar\u015f\u0131l\u0131kl\u0131\u00a0 ilk provas\u0131nda olanlar oldu. Muhsin, o kadar toydu ki, silah\u0131 masaya b\u0131rakma mizansenini belki on kere tekrarlatt\u0131 Re\u015fat R\u0131dvan. Muhsin’in i\u00e7i i\u00e7ini yiyor, acemili\u011fine k\u0131z\u0131yordu. Ama bir t\u00fcrl\u00fc gerekti\u011fi gibi oynayamad\u0131, Re\u015fat R\u0131dvan’\u0131n titizli\u011fi ve Vahram’\u0131 izlemek i\u00e7in kulisten bakanlar da \u00fcst\u00fcndeki bask\u0131y\u0131 y\u00fcze bine katl\u0131yordu. Delikanl\u0131 daha fazla dayanamad\u0131, sahnede h\u0131\u00e7k\u0131ra h\u0131\u00e7k\u0131ra a\u011flamaya ba\u015flad\u0131. B\u00f6ylece 60 y\u0131ll\u0131k bir dostluk ba\u015flam\u0131\u015f oldu. Vahram, kendisi gibi tiyatroya a\u015fkla ba\u011flanm\u0131\u015f olan Muhsin’e hemen elini uzatt\u0131.<\/p>\n

H\u0131\u00e7k\u0131r\u0131klara bo\u011fuldu\u011fu bu feci prova sahnesinden \u00fc\u00e7-d\u00f6rt g\u00fcn sonra, Muhsin’in ba\u015f\u0131na beklenmedik bir \u015fey geldi. \u201cAilemizde tiyatroculuk eden yoktur, ya bu hevesinizden vazge\u00e7eceksiniz ya da ailenizden\u201d diyerek kar\u015f\u0131s\u0131na dikilen eni\u015ftesine \u201co halde ailemden vazge\u00e7iyorum\u201d cevab\u0131n\u0131 veren Muhsin, hemen o gece evden ayr\u0131ld\u0131. Hik\u00e2ye gayet tan\u0131d\u0131k ve trajikti. Gidecek yeri, s\u0131\u011f\u0131nacak kimsesi yoktu, b\u00fct\u00fcn paras\u0131n\u0131 vererek bir gece Beyo\u011flu’nda bir otelde kald\u0131, ertesi g\u00fcn Vahram’\u0131n kap\u0131s\u0131na dayand\u0131. Anlatt\u0131klar\u0131 yabanc\u0131 de\u011fildi, onu dikkatle dinledikten sonra \u201cBizi de kovdulard\u0131\u201d dedi Vahram. Sonra da ekledi, \u201c\u0130talya’da \u00e7ok \u015fey \u00f6\u011frendim, senin de gitmen laz\u0131m. E\u011fitimsiz sanat\u00e7\u0131 a\u015f\u0131s\u0131z armut a\u011fac\u0131na benzer, ikisi de ham, ahlat kal\u0131r.\u201d<\/p>\n

Sahne-i Milliye-i Osmaniye toplulu\u011fu, Ramazan ay\u0131 sonunda da\u011f\u0131ld\u0131 ama Vahram ile Muhsin ayr\u0131lmad\u0131lar. Vahram, yeniden \u0130talya’ya gitmek i\u00e7in para bulmaya \u00e7al\u0131\u015f\u0131yordu, bunun i\u00e7in Hamlet’i sergilemeye karar verdi. Hen\u00fcz 6 ayd\u0131r sahneye \u00e7\u0131kmakta olan Muhsin’e de Learteses rol\u00fc d\u00fc\u015ft\u00fc. Vahram hem ba\u015frol\u00fc oynad\u0131, hem de oyunu y\u00f6netti. \u0130lk gece, d\u00fcello sahnesinde elindeki ucu d\u00fc\u011fmesiz me\u00e7le, Muhsin’in yana\u011f\u0131n\u0131 yaralad\u0131. Delikanl\u0131 o kadar heyecanl\u0131yd\u0131 ki, akan kan\u0131 duymad\u0131 bile.<\/p>\n

Muhsin, Vahram’\u0131n \u00f6\u011f\u00fcd\u00fcn\u00fc hi\u00e7 unutmad\u0131, b\u00fct\u00fcn g\u00fcc\u00fcyle u\u011fra\u015ft\u0131, \u00e7abalad\u0131, bir y\u0131l sonra 1911’de, Paris’e gitmeyi ba\u015fard\u0131. T\u00fcrkiye’de, Bat\u0131l\u0131 anlamdaki tiyatronun kurucusu, sinema ilklerinin, tiyatro okullar\u0131n\u0131n mimar\u0131 Muhsin Ertu\u011frul’un tiyatro yolculu\u011fu i\u015fte b\u00f6yle ba\u015flad\u0131.<\/p>\n

Muhsin Ertu\u011frul ile Vahram Papazyan\u00a0 hi\u00e7bir zaman tam olarak kopmad\u0131lar. Dostluklar\u0131n\u0131n bozulmadan s\u00fcrd\u00fc\u011f\u00fcn\u00fc, \u00f6m\u00fcrlerinin sonuna kadar birbirlerinden hayranl\u0131kla s\u00f6z ettiklerini biliyoruz. Bize derin derin i\u00e7imizi \u00e7ekmek, bu ikilinin siyah beyaz foto\u011fraflar\u0131na bakmak kal\u0131yor. Bizim devrimiz 60 y\u0131l s\u00fcren dostluklar\u0131n devri de\u011fil \u00e7\u00fcnk\u00fc.<\/p>\n

\n

 <\/p>\n

“Senin uygun g\u00f6rece\u011fin bir rol\u00fc halen oynayabilecek durumday\u0131m”<\/b><\/p>\n

\u201c\u00c7ok sevgili Muhsin Bey,<\/p>\n

\u0130\u015fte, uzun bir aradan sonra, herhangi bir haber alma olana\u011f\u0131m bulunmadan, \u00f6zellikle sana yaz\u0131yorum. Umar\u0131m bu mektup eline ula\u015f\u0131r. \u0130stanbul\u2019da veya Ankara\u2019da sahneye \u00e7\u0131kmak istiyorum. Hen\u00fcz vaktimiz varken, bu i\u015fte bana yard\u0131mc\u0131 olman\u0131 rica edece\u011fim. Bu nedenle senden ricam; Bir dilek\u00e7e haz\u0131rlay\u0131p Moskova\u2019ya, asl\u0131n\u0131 da benim adresime g\u00f6ndermen ki buradan takip edebileyim. Sayat Bey, dilek\u00e7emi hangi adrese g\u00f6nderece\u011fini sana bildirecek. Senin uygun g\u00f6rece\u011fin bir rol\u00fc halen oynayabilecek durumday\u0131m. T\u00fcrk\u00e7e veya ba\u015fka bir dille.<\/p>\n

Her zaman karde\u015fin ve dostun<\/p>\n

Vahram Papazyan<\/b><\/p>\n

Vahram Papazyan\u2019\u0131n 1964 y\u0131l\u0131nda Muhsin Ertu\u011frul\u2019a g\u00f6rdendi\u011fi mektup Yerevan\u2019daki Edebiyat ve Sanat M\u00fczesi\u2019nde bulunuyor.<\/i><\/p>\n

lorasari@agos.com.tr<\/a><\/i><\/b><\/p>\n

http:\/\/www.agos.com.tr\/haber.php?seo=memleketinden-surgun-bir-othello-vahram-papazyan&haberid=7268<\/a><\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

LORA SARI Vahram Papazyan, Ermenistan\u2019da bug\u00fcn Shakespeare dendi\u011finde h\u00e2l\u00e2 akla gelen ilk isim. Rusya\u2019y\u0131 oyunculu\u011fuyla fetheden bu adam ne ac\u0131d\u0131r ki \u00f6lene kadar kalbinde \u0130stanbul’a d\u00f6nmenin ve burada tiyatro yapman\u0131n \u00fcmidini ta\u015f\u0131r. Muhsin Ertu\u011frul\u2019un \u2018Othello rol\u00fcnde onun \u00fcst\u00fcne kimse g\u00f6sterilemez\u2019 dedi\u011fi Papazyan\u2019\u0131n maceralarla dolu hayat\u0131na ve icraatlar\u0131na bak\u0131ld\u0131\u011f\u0131nda, onun hakk\u0131nda bu kadar az bilgiye sahip […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,44],"tags":[],"class_list":["post-30072","post","type-post","status-publish","format-standard","hentry","category-haberler","category-unluler"],"yoast_head":"\nMemleketinden s\u00fcrg\u00fcn bir Othello: Vahram Papazyan - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Memleketinden s\u00fcrg\u00fcn bir Othello: Vahram Papazyan - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"LORA SARI Vahram Papazyan, Ermenistan\u2019da bug\u00fcn Shakespeare dendi\u011finde h\u00e2l\u00e2 akla gelen ilk isim. Rusya\u2019y\u0131 oyunculu\u011fuyla fetheden bu adam ne ac\u0131d\u0131r ki \u00f6lene kadar kalbinde \u0130stanbul’a d\u00f6nmenin ve burada tiyatro yapman\u0131n \u00fcmidini ta\u015f\u0131r. 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Rusya\u2019y\u0131 oyunculu\u011fuyla fetheden bu adam ne ac\u0131d\u0131r ki \u00f6lene kadar kalbinde \u0130stanbul’a d\u00f6nmenin ve burada tiyatro yapman\u0131n \u00fcmidini ta\u015f\u0131r. Muhsin Ertu\u011frul\u2019un \u2018Othello rol\u00fcnde onun \u00fcst\u00fcne kimse g\u00f6sterilemez\u2019 dedi\u011fi Papazyan\u2019\u0131n maceralarla dolu hayat\u0131na ve icraatlar\u0131na bak\u0131ld\u0131\u011f\u0131nda, onun hakk\u0131nda bu kadar az bilgiye sahip […]","og_url":"https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/","og_site_name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","article_published_time":"2014-05-26T06:49:22+00:00","og_image":[{"width":550,"height":400,"url":"https:\/\/akunq.net\/turkish\/wp-content\/uploads\/sites\/5\/2014\/05\/Vahram-Papazyan.jpg","type":"image\/jpeg"}],"author":"kalem","twitter_card":"summary_large_image","twitter_misc":{"Written by":"kalem","Est. reading time":"20 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/","url":"https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/","name":"Memleketinden s\u00fcrg\u00fcn bir Othello: Vahram Papazyan - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","isPartOf":{"@id":"https:\/\/akunq.net\/turkish\/#website"},"primaryImageOfPage":{"@id":"https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/#primaryimage"},"image":{"@id":"https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/#primaryimage"},"thumbnailUrl":"http:\/\/akunq.net\/tr\/wp-content\/uploads\/2014\/05\/Vahram-Papazyan-300x218.jpg","datePublished":"2014-05-26T06:49:22+00:00","author":{"@id":"https:\/\/akunq.net\/turkish\/#\/schema\/person\/135e7923d1aeb8887890799619969a6c"},"breadcrumb":{"@id":"https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/#primaryimage","url":"http:\/\/akunq.net\/tr\/wp-content\/uploads\/2014\/05\/Vahram-Papazyan-300x218.jpg","contentUrl":"http:\/\/akunq.net\/tr\/wp-content\/uploads\/2014\/05\/Vahram-Papazyan-300x218.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/akunq.net\/turkish\/2014\/05\/26\/memleketinden-surgun-bir-othello-vahram-papazyan\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/akunq.net\/turkish\/"},{"@type":"ListItem","position":2,"name":"Memleketinden s\u00fcrg\u00fcn bir Othello: Vahram Papazyan"}]},{"@type":"WebSite","@id":"https:\/\/akunq.net\/turkish\/#website","url":"https:\/\/akunq.net\/turkish\/","name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/akunq.net\/turkish\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/akunq.net\/turkish\/#\/schema\/person\/135e7923d1aeb8887890799619969a6c","name":"kalem","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/akunq.net\/turkish\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/a06875e4b25feb5674296adf8e8a7ae1e587cebce2493fe63c456109967e27d3?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a06875e4b25feb5674296adf8e8a7ae1e587cebce2493fe63c456109967e27d3?s=96&d=mm&r=g","caption":"kalem"},"url":"https:\/\/akunq.net\/turkish\/author\/kalem\/"}]}},"_links":{"self":[{"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/posts\/30072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/comments?post=30072"}],"version-history":[{"count":0,"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/posts\/30072\/revisions"}],"wp:attachment":[{"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/media?parent=30072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/categories?post=30072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/tags?post=30072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}