{"id":28396,"date":"2014-02-12T02:52:35","date_gmt":"2014-02-12T07:52:35","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=28396"},"modified":"2014-02-12T02:52:35","modified_gmt":"2014-02-12T07:52:35","slug":"gomidasin-derlemeleri-yerkaranla-ses-buldu","status":"publish","type":"post","link":"https:\/\/akunq.net\/turkish\/2014\/02\/12\/gomidasin-derlemeleri-yerkaranla-ses-buldu\/","title":{"rendered":"Gomidas\u2019\u0131n derlemeleri \u2018Yerkaran\u2019la ses buldu"},"content":{"rendered":"

\"\u053f\u0578\u0574\u056b\u057f\u0561\u057d\"<\/a><\/strong>ALTU\u011e YILMAZ<\/strong><\/p>\n

LORA SARI<\/strong><\/p>\n

\u2018Yerkaran: Gomidas Vartabed\u2019in Ermenice, K\u00fcrt\u00e7e ve T\u00fcrk\u00e7e Derlemelerinden D\u00fczenlemeler\u2019 adl\u0131 alb\u00fcm ge\u00e7en hafta Kalan M\u00fczik etiketiyle \u00e7\u0131kt\u0131. Aralar\u0131nda Aram Kerovpyan, Murat Aydemir, Ara Dinkjian, Murat \u0130\u00e7linal\u00e7a, A\u015fu\u011f Bing\u00f6l, Ali Tekba\u015f, Ertan Tekin ve \u015eevval Sam\u2019\u0131n da bulundu\u011fu \u00e7ok say\u0131da m\u00fczisyenin sesi ve saz\u0131yla katk\u0131da bulundu\u011fu alb\u00fcm\u00fcn repertuar\u0131ndaki \u00e7e\u015fitlilik, Gomidas\u2019\u0131n derleme \u00e7al\u0131\u015fmalar\u0131na damga vuran \u00fcslup ve dil zenginli\u011fini yans\u0131t\u0131yor.<\/i><\/b><\/p>\n

\u2018Yerkaran: Gomidas Vartabed\u2019in Ermenice, K\u00fcrt\u00e7e ve T\u00fcrk\u00e7e Derlemelerinden D\u00fczenlemeler\u2019 adl\u0131 alb\u00fcm ge\u00e7en hafta Kalan M\u00fczik etiketiyle \u00e7\u0131kt\u0131. Gomidas\u2019\u0131n 19. y\u00fczy\u0131l sonu – 20. y\u00fczy\u0131l ba\u015f\u0131nda Osmanl\u0131 ve Rus imparatorluklar\u0131n\u0131n topraklar\u0131nda ya\u015fayan \u00e7e\u015fitli ki\u015filerden ve yaz\u0131l\u0131 kaynaklardan derledi\u011fi binlerce \u015fark\u0131dan se\u00e7ilen \u00fc\u00e7 farkl\u0131 dilden eserlerin yeni d\u00fczenlemelerle seslendirildi\u011fi alb\u00fcm, T\u00fcrkiye\u2019de halk m\u00fczi\u011fi derleme \u00e7al\u0131\u015fmalar\u0131n\u0131n tarihi ve icra \u00e7al\u0131\u015fmalar\u0131nda de\u011ferlendirilmesi a\u00e7\u0131s\u0131ndan \u00f6zel bir \u00f6nem ta\u015f\u0131yor.<\/p>\n

\u0130stanbullu Ermeni, T\u00fcrkiyeli, Ermenistan\u2019dan ve diasporadan, aralar\u0131nda Aram Kerovpyan, Murat Aydemir, Ara Dinkjian, Murat \u0130\u00e7linal\u00e7a, A\u015fu\u011f Bing\u00f6l, Ali Tekba\u015f, Ertan Tekin, Aytekin Ata\u015f ve \u015eevval Sam\u2019\u0131n da bulundu\u011fu \u00e7ok say\u0131da m\u00fczisyenin sesi ve saz\u0131yla katk\u0131da bulundu\u011fu alb\u00fcm\u00fcn repertuar\u0131ndaki \u00e7e\u015fitlilik, Gomidas\u2019\u0131n derleme \u00e7al\u0131\u015fmalar\u0131na damga vuran \u00fcslup ve dil zenginli\u011fini yans\u0131t\u0131yor. Zeybek formunda T\u00fcrk\u00e7e bir t\u00fcrk\u00fc, dengbej tavr\u0131 ile okunan K\u00fcrt\u00e7e bir \u015fark\u0131, Ermenice bir dini ezgi, Gomidas\u2019\u0131n \u2018Yerevan Ezgisi\u2019 notu ile notaya ald\u0131\u011f\u0131 \u015eii ezan\u0131, Ermenice bir kentli pop\u00fcler m\u00fczik \u00f6rne\u011finin de yer ald\u0131\u011f\u0131 CD, T\u00fcrk\u00e7e, Ermenice ve \u0130ngilizce olarak \u00fc\u00e7 dilde haz\u0131rlanm\u0131\u015f bir kitap\u00e7\u0131kla birlikte sunuluyor. Kitap\u00e7\u0131kta, Gomidas\u2019\u0131n hayat\u0131 ve \u00e7al\u0131\u015fmalar\u0131n\u0131n yan\u0131 s\u0131ra, \u015fark\u0131lar\u0131n s\u00f6zleri, kaynaklar\u0131na ili\u015fkin ayr\u0131nt\u0131l\u0131 notlar ve ar\u015fiv de\u011feri ta\u015f\u0131yan bir\u00e7ok foto\u011fraf da bulunuyor.<\/p>\n

Alb\u00fcm, \u2018Resounding Gomidas\u2019 Legacy\u2019 (Gomidas\u2019\u0131n Miras\u0131n\u0131 Yeniden Seslendirmek) adl\u0131 bir projenin ilk aya\u011f\u0131n\u0131 olu\u015fturuyor. 2010\u2019da ba\u015flayan ve Anadolu K\u00fclt\u00fcr, Kalan M\u00fczik ve Hollanda\u2019dan Prince Claus Fund\u2019un deste\u011fiyle, Burcu Y\u0131ld\u0131z, Melissa Bilal, Saro Usta ve Ari Hergel taraf\u0131ndan y\u00fcr\u00fct\u00fclen projenin ikinci a\u015famas\u0131nda ise, Gomidas Vartabed\u2019in akademik \u00e7al\u0131\u015fmalar\u0131n\u0131n T\u00fcrk\u00e7e \u00e7evirilerini ve baz\u0131 ar\u015fiv belgelerini i\u00e7eren bir kitap yay\u0131mlanacak.<\/p>\n

Alb\u00fcm\u00fc haz\u0131rlayan, Arakats Orkestras\u0131 ve Bajar grubundan tan\u0131d\u0131\u011f\u0131m\u0131z gitarist ve d\u00fczenlemeci Ari Hergel, ve \u0130T\u00dc Konservatuar\u0131 \u00f6\u011fretim \u00fcyesi Burcu Y\u0131ld\u0131z ile, alb\u00fcm\u00fcn ortaya \u00e7\u0131k\u0131\u015f hik\u00e2yesini ve Gomidas Vartabed\u2019i konu\u015ftuk.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bu alb\u00fcm\u00fc haz\u0131rlama fikri nas\u0131l do\u011fdu?<\/h3>\n

BURCU YILDIZ – \u0130stanbul 2010 Avrupa K\u00fclt\u00fcr Ba\u015fkenti etkinlikleri kapsam\u0131nda Gomidas\u2019la ilgili de bir g\u00fcndem olu\u015fturuldu, konserler verildi, \u00e7e\u015fitli alb\u00fcmler \u00e7\u0131kt\u0131. Biz de, d\u00fcnyan\u0131n farkl\u0131 yerlerinde yap\u0131lm\u0131\u015f, kimi Gomidas\u2019\u0131n Klasik Bat\u0131 M\u00fczi\u011fi alan\u0131ndaki \u00e7al\u0131\u015fmalar\u0131 ile \u00e7okseslilik perspektifini yans\u0131tan, kimi rock sound\u2019uyla yap\u0131lm\u0131\u015f ya da pop\u00fcler m\u00fczikten beslenen Gomidas yorumlar\u0131n\u0131 bir araya getiren bir alb\u00fcm yapmak istiyorduk. Bu se\u00e7kiye, bulabilirsek, birer-iki\u015fer K\u00fcrt\u00e7e ve T\u00fcrk\u00e7e \u015fark\u0131 ekleyecektik. Gomidas\u2019\u0131n derledi\u011fi K\u00fcrt\u00e7e \u015fark\u0131lar\u0131n notalar\u0131 yay\u0131mlanm\u0131\u015ft\u0131 ama T\u00fcrk\u00e7e derlemeleri ortada yoktu. Tam o d\u00f6nemde elimize, Ermenistan\u2019da Gomidas\u2019\u0131n derleme defterleri temel al\u0131narak yay\u0131mlanan 14 ciltlik k\u00fclliyat\u0131n son cildi ge\u00e7ti, ve o ciltte K\u00fcrt\u00e7e ve T\u00fcrk\u00e7e \u015fark\u0131lar vard\u0131. Kalan M\u00fczik\u2019ten Hasan Salt\u0131k\u2019la bu bilgiyi payla\u015ft\u0131k ve onun da te\u015fvikiyle, mevcut Gomidas yorumlar\u0131n\u0131 bir araya getirmek yerine, Gomidas\u2019\u0131n T\u00fcrk\u00e7e, K\u00fcrt\u00e7e ve \u015fimdiye kadar duyulmam\u0131\u015f Ermenice derlemelerini kendimiz yorumlamaya karar verdik. \u2018Gomidas Vartabed kimdir?\u2019 sorusunun yan\u0131t\u0131 olarak art arda dizebilece\u011fimiz bir\u00e7ok tan\u0131m var: Rahip, besteci, m\u00fczikolog, derlemeci, koro \u015fefi, m\u00fczik \u00f6\u011fretmeni… Bu alb\u00fcm, onun derlemeci y\u00f6n\u00fcn\u00fcn vurguland\u0131\u011f\u0131 bir \u00e7al\u0131\u015fma.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Gomidas nerelerde, ne t\u00fcr \u015fark\u0131lar derlemi\u015f?<\/h3>\n

B.Y.- Va\u011far\u015fabad civar\u0131ndaki Ezidi k\u00f6ylerinden K\u00fcrt\u00e7e \u015fark\u0131lar, memleketi K\u00fctahya\u2019dan ve \u0130stanbul\u2019dan T\u00fcrk\u00e7e \u015fark\u0131lar derlemi\u015f. Halk \u015fark\u0131lar\u0131n\u0131n yan\u0131 s\u0131ra \u015fehirlerde pop\u00fcler olan \u015fark\u0131lar ve a\u015fu\u011f \u015fark\u0131lar\u0131 da derlemi\u015f. E\u00e7miadzin\u2019deki rahiplerden dini eserler, E\u00e7miadzin \u00e7evresindeki k\u00f6ylerden Ermenice halk \u015fark\u0131lar\u0131 kaydetmi\u015f. Sadece kendi derledi\u011fi halk \u015fark\u0131lar\u0131n\u0131 de\u011fil, Dikran \u00c7ituni ve Hovsep Canigyan gibi ba\u015fka ara\u015ft\u0131rmac\u0131lar\u0131n derlemelerini de notaya alm\u0131\u015f.<\/p>\n

AR\u0130 HERGEL – Anadolu\u2019yu dola\u015farak yapt\u0131\u011f\u0131 derlemelerin yan\u0131 s\u0131ra, \u00e7evresindeki insanlardan yapt\u0131\u011f\u0131 derlemeler de olmas\u0131 dikkat \u00e7ekici. \u00d6\u011frencilik y\u0131llar\u0131nda, farkl\u0131 co\u011frafyalardan gelmi\u015f arkada\u015flar\u0131n\u0131n beraberlerinde getirdikleri ezgi ve s\u00f6zleri \u00f6\u011frenip k\u00e2\u011f\u0131da d\u00f6km\u00fc\u015f. Kendi \u00f6\u011frencilerine de, tatillerde memleketlerine giderken \u00f6dev verir, derlemelerle d\u00f6nmelerini istermi\u015f. Onlar\u0131n memleketlerinde dinleyip Hampartzum Notas\u0131\u2019yla yazd\u0131klar\u0131 ve Gomidas\u2019a ula\u015ft\u0131rd\u0131klar\u0131 halk \u015fark\u0131lar\u0131 da var. Yapt\u0131\u011f\u0131 derlemelerin say\u0131s\u0131ndan ve \u00f6zelliklerinden anlad\u0131\u011f\u0131m\u0131z kadar\u0131yla, Gomidas neredeyse duydu\u011fu her \u015feyi notaya alm\u0131\u015f bir derlemeci. Bu sayede, Ermeni m\u00fczi\u011finin yan\u0131 s\u0131ra \u2013tabii ki Ermeni m\u00fczi\u011fi i\u00e7in ifade etti\u011fi anlamla k\u0131yaslanacak boyutta de\u011fildir ama\u2013 Anadolu\u2019da yank\u0131lanm\u0131\u015f di\u011fer dillerden \u015fark\u0131lar\u0131n da g\u00fcn\u00fcm\u00fcze ula\u015fmas\u0131n\u0131 sa\u011flam\u0131\u015f. Bu \u00e7ok \u00f6nemli. Yerevan\u2019da duydu\u011fu bir ezan\u0131 da notaya alm\u0131\u015f, bir K\u00fcrt dengbejin anlatt\u0131\u011f\u0131 destans\u0131 bir sava\u015f hik\u00e2yesini de \u2013 \u00e7ok geni\u015f bir yelpaze… Buna ra\u011fmen, akademik d\u00fcnyada Gomidas\u2019\u0131n ad\u0131ndan yeni yeni bahsedilmeye ba\u015flad\u0131.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Halk m\u00fczi\u011fi alan\u0131 ve derlemecili\u011fin, ulus devletlerin ve milli kimliklerin in\u015fas\u0131nda \u00f6zel bir yeri var. Gomidas ve derlemeleri bu \u00e7er\u00e7evede de\u011ferlendirilebilir mi?<\/h3>\n

B.Y.- 19. y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131 ve 20. y\u00fczy\u0131l ba\u015flar\u0131nda, \u00f6zellikle Avrupa\u2019da romantik milliyet\u00e7ili\u011fin etkisinde \u015fekillenen halk m\u00fczi\u011fi derlemecili\u011fi, ulus-devletlerin in\u015fas\u0131nda \u00e7ok etkili bir \u00e7al\u0131\u015fma alan\u0131 olmu\u015f. Otantisitenin kayna\u011f\u0131 olarak g\u00f6r\u00fclen k\u00f6yl\u00fc halk \u015fark\u0131lar\u0131n\u0131n derlenmesi, m\u00fczik ara\u015ft\u0131rmac\u0131lar\u0131 ve antropologlar\u0131n \u00e7al\u0131\u015fmalar\u0131n\u0131n odak noktas\u0131nda yer alm\u0131\u015f. Derlenen k\u00f6yl\u00fc-halk \u015fark\u0131lar\u0131n\u0131n, Bat\u0131l\u0131la\u015fma etkisinde \u00e7oksesli bir d\u00fczenleme anlay\u0131\u015f\u0131 ile estetize edilerek halka tekrar sunuldu\u011fu g\u00f6r\u00fcl\u00fcyor. Gomidas\u2019\u0131n yapmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 \u015fey de, Ermeni k\u00f6yl\u00fc m\u00fczi\u011fini Ermeni otantisitesinin kayna\u011f\u0131 olarak ortaya koymak ve milli m\u00fczik in\u015fas\u0131n\u0131 ger\u00e7ekle\u015ftirmek. Ayn\u0131 d\u00f6nemde bir bilim dal\u0131 olarak tan\u0131mlanmaya ba\u015flayan m\u00fczikoloji i\u00e7inde kar\u015f\u0131la\u015ft\u0131rmal\u0131 \u00e7al\u0131\u015fmalar\u0131n \u00f6zellikle Berlin ekol\u00fcnden ara\u015ft\u0131rmac\u0131lar taraf\u0131ndan y\u00fcr\u00fct\u00fcld\u00fc\u011f\u00fcn\u00fc g\u00f6r\u00fcyoruz. Gomidas\u2019\u0131n \u00e7al\u0131\u015fmalar\u0131n\u0131 da, bu d\u00f6nemde Kevorkyan Cemaran\u2019da ve Berlin\u2019de ald\u0131\u011f\u0131 e\u011fitim, m\u00fczikoloji konferanslar\u0131nda yapt\u0131\u011f\u0131 sunumlar ve yazd\u0131\u011f\u0131 makaleler \u00e7er\u00e7evesinde, bu kapsamda de\u011ferlendirebiliyoruz. Bu nedenle Gomidas\u2019\u0131n \u00e7al\u0131\u015fmalar\u0131 Osmanl\u0131 co\u011frafyas\u0131nda ve T\u00fcrkiye m\u00fczik ara\u015ft\u0131rmalar\u0131 tarihinde \u00e7ok \u00f6nemli bir yerde duruyor. T\u00fcrkiye\u2019de derleme \u00e7al\u0131\u015fmalar\u0131 genelde Cumhuriyet d\u00f6nemine referansla anlat\u0131l\u0131r. Halbuki Gomidas Vartabed\u2019in derleme \u00e7al\u0131\u015fmalar\u0131 \u00e7ok daha erken bir d\u00f6neme \u0131\u015f\u0131k tutuyor. Bizim de bu projede \u00f6ne \u00e7\u0131karmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131z temel nokta, bu derlemelerin \u00fcslup ve dil \u00e7e\u015fitlili\u011fi oldu.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alb\u00fcm i\u00e7in, bu geni\u015f yelpazenin i\u00e7inden, binlerce derleme aras\u0131ndan nas\u0131l se\u00e7im yapt\u0131n\u0131z?<\/h3>\n

A.H.- Burcu\u2019nun s\u00f6z\u00fcn\u00fc etti\u011fi k\u00fclliyatta d\u00f6rt \u00f6l\u00e7\u00fcl\u00fck, \u00e7ok k\u0131sa ezgiler de var, oldu\u011fu gibi al\u0131n\u0131p icra edilebilecek, uzun ve ayr\u0131nt\u0131l\u0131 ezgiler de. Alb\u00fcme, bir giri\u015f ezgisi veya ara ezgi yaratarak, b\u00f6l\u00fcmlerin ak\u0131\u015f\u0131n\u0131 de\u011fi\u015ftirerek \u015fark\u0131 format\u0131na getirebilece\u011fimiz sekiz \u00f6l\u00e7\u00fcl\u00fck bir derleme ezgisini de ald\u0131k, ba\u015ftan sona haz\u0131r olan, iyi yorumlayabilece\u011fimizi d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fcz \u015fark\u0131lar\u0131 da. Burada estetik anlay\u0131\u015f\u0131m\u0131z belirleyici oldu. Ama se\u00e7kide \u00fcslup ve form a\u00e7\u0131s\u0131ndan bir \u00e7e\u015fitlilik olmas\u0131n\u0131 da istedik; alb\u00fcmde \u015fehirli \u015fark\u0131lara da, daha Anadolulu, geleneksel t\u0131nlayan \u015fark\u0131lara da yer verdik. Tabii, s\u00f6zler de \u00f6nemliydi bizim i\u00e7in.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 K\u00e2\u011f\u0131t \u00fczerindeki notalar\u0131 yorumlarken neleri g\u00f6zettiniz?<\/h3>\n

B.Y.- Gomidas, ezgileri Hampartzum Notas\u0131\u2019yla kayda ge\u00e7irmi\u015f ama bizim kaynak olarak kulland\u0131\u011f\u0131m\u0131z kitaplar bu transkripsiyonlar\u0131n Bat\u0131 notasyonuna aktar\u0131lm\u0131\u015f versiyonlar\u0131. Tampere sisteme g\u00f6re yaz\u0131ld\u0131\u011f\u0131ndan, koma sesler belirtilmemi\u015f ve makamsal yap\u0131lar k\u00e2\u011f\u0131da aktar\u0131lmam\u0131\u015f. Sadece T\u00fcrk\u00e7e \u015fark\u0131lar\u0131n ve t\u00fcrk\u00fclerin isimlerinin yan\u0131nda hangi makamda olduklar\u0131 belirtilmi\u015f. Bu y\u00fczden bu derlemeleri seslendirirken, zaman zaman makamsal yap\u0131lara dair \u00e7e\u015fitli tahminlerde bulunmak zorunda kald\u0131k. Zaten bu kay\u0131tlarda bir otantiklik kayg\u0131s\u0131n\u0131n pe\u015finde olmad\u0131\u011f\u0131m\u0131z\u0131 \u00f6zellikle belirtiyoruz. \u00c7\u00fcnk\u00fc her kay\u0131t alt\u0131na alma \u00e7abas\u0131 asl\u0131nda yeni bir yarat\u0131m ortaya \u00e7\u0131kar\u0131yor. Tabii, derleme kitaplar\u0131n\u0131n sonlar\u0131nda verilen \u00e7e\u015fitli tarihsel referanslar\u0131n ve icra ortam\u0131na dair betimlemeler i\u00e7eren etnografik notlar\u0131n, \u015fark\u0131lar\u0131n d\u00fczenlenmesinde \u00e7ok fayda sa\u011flad\u0131\u011f\u0131n\u0131 da s\u00f6ylemek laz\u0131m.<\/p>\n

A.H.- Gomidas\u2019\u0131n k\u00e2\u011f\u0131da d\u00f6kt\u00fc\u011f\u00fc notalar\u0131 \u00e7al\u0131p, sadece ar\u015fiv i\u015fi yapm\u0131\u015f olmak istemedik. Dinleyiciler bu alb\u00fcm\u00fc dinlediklerinde belleklerine bir \u015fark\u0131 daha girmi\u015f olsun, sadece raflar\u0131nda ar\u015fiv olarak saklayacaklar\u0131 bir alb\u00fcm olmas\u0131n dedik.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alb\u00fcmdeki d\u00fczenleme ve icralar, \u0130stanbul, diaspora ve Ermenistan\u2019da yerle\u015fik olan Gomidas alg\u0131s\u0131n\u0131n epey uza\u011f\u0131nda…<\/h3>\n

A.H.- Bu \u015fark\u0131lar\u0131, Gomidas, K\u00fctahya\u2019da akrabalar\u0131ndan, yak\u0131nlar\u0131ndan veya Osmanl\u0131 topraklar\u0131ndaki herhangi ba\u015fka bir kaynaktan derlemi\u015f. Notaya al\u0131rken, piyanoda \u00e7alarken ya da okurken, kendisi de bunlara bir yorum getiriyor asl\u0131nda. Dolay\u0131s\u0131yla, biz onun yorumlar\u0131n\u0131 yorumlam\u0131\u015f olduk. Gomidas T\u00fcrk\u00e7e par\u00e7alar\u0131n ba\u015f\u0131nda makam belirtmi\u015f olsa da, bunlar\u0131 kim okursa okusun eminiz her seferinde ba\u015fka bir ses \u00e7\u0131kacak. Biz kendi m\u00fczikal perspektifimizi yans\u0131tabildi\u011fimiz bir alb\u00fcm yapmak istedik, ancak bunu yaparken Gomidas\u2019\u0131n makalelerini taray\u0131p, onun \u00e7okseslilik anlay\u0131\u015f\u0131n\u0131 da hesaba katt\u0131k. \u0130stihareye yat\u0131p i\u00e7imizden geleni yapmad\u0131k yani. Melodik hatt\u0131 g\u00f6zeterek, buldu\u011fumuz detay bilgileri de yorumun i\u00e7ine katarak yapt\u0131k bu i\u015fi. Ancak alb\u00fcmdeki \u015fark\u0131lar\u0131n, Gomidas\u2019\u0131n derledi\u011fi notalar\u0131 bire bir yans\u0131tt\u0131\u011f\u0131 gibi bir iddiam\u0131z yok. Bizce Gomidas\u2019\u0131n d\u00fc\u015f\u00fcncelerine ters bir alb\u00fcm olmad\u0131 ama, klasik Gomidas dinleyicisi memnun kal\u0131r m\u0131 bilemiyoruz. Be\u011fenenin \u00e7ok be\u011fenece\u011fi, be\u011fenmeyenin ise yerden yere vuraca\u011f\u0131 bir i\u015f yapm\u0131\u015f olabiliriz.<\/p>\n

B.Y.- Kendimiz i\u00e7in de m\u00fczikal bir icra ve d\u00fczenleme alan\u0131 yaratmak istedik. \u00d6rne\u011fin, alb\u00fcmde ilk s\u0131rada yer alan \u2018Ay A\u00e7\u0131lsa\u2019 makamsal olarak \u00e7ok g\u00fc\u00e7l\u00fc bir par\u00e7a. Bir g\u00fcn Ermenice \u015fark\u0131lar\u0131 tararken \u2018\u0130 N\u0131n\u00e7manet Arkayagan\u2019\u0131n ezgisinin, bu \u015fark\u0131n\u0131n ezgisine \u00e7ok benzedi\u011fini fark ettim. Yak\u0131ndan inceledi\u011fimizde, iki par\u00e7an\u0131n melodik \u00f6rg\u00fclerinin birbirine \u00e7ok yak\u0131n oldu\u011funu g\u00f6rd\u00fck. Biri din d\u0131\u015f\u0131, biri dini olan bu iki eseri birlikte yorumlaman\u0131n halk m\u00fczi\u011fi ile dini m\u00fcziklerin i\u00e7 i\u00e7e geli\u015fen gelenekler oldu\u011funu vurgulayabilmemiz a\u00e7\u0131s\u0131ndan \u00f6nemli olaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fck, ve ikisini art arda icra ettik.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alb\u00fcm repertuvar\u0131n\u0131 sahneye ta\u015f\u0131yacak m\u0131s\u0131n\u0131z?<\/h3>\n

A.H.- Asl\u0131nda sahneye ta\u015f\u0131nmazsa bu \u00e7al\u0131\u015fman\u0131n eksik kalaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyoruz fakat alb\u00fcm\u00fcn m\u00fczikal \u00e7e\u015fitlili\u011fi ve par\u00e7alar\u0131n yap\u0131s\u0131 gere\u011fi olu\u015fan farkl\u0131 d\u00fczenleme anlay\u0131\u015flar\u0131 bu i\u015fi zorla\u015ft\u0131r\u0131yor. Formlara uygun olarak se\u00e7ilen \u00e7alg\u0131lar m\u00fczikal dilde \u00e7ok belirleyici; \u00f6rne\u011fin sadece bir par\u00e7ada \u00e7alan tambur veya \u00e7ello o par\u00e7adaki t\u00fcm hissiyat\u0131 yans\u0131t\u0131yor. Sahneleme ad\u0131na yap\u0131lacak de\u011fi\u015fiklikler veya ortakla\u015ft\u0131rma \u00e7abas\u0131, par\u00e7alar\u0131n karakterini biraz bozabilir; alb\u00fcmdeki her \u015feyi sahneye ta\u015f\u0131maya \u00e7al\u0131\u015fmak da prod\u00fcksiyonu \u00e7ok b\u00fcy\u00fct\u00fcp uygulanabilirli\u011fi zorla\u015ft\u0131rabilir. Alb\u00fcm\u00fcn \u00e7ok solistli ve uluslararas\u0131, kolektif bir i\u015f olmas\u0131 da ayr\u0131 bir zorluk kayna\u011f\u0131, ama uygun bir ara yol bulursak, konserin, yap\u0131lan i\u015fin yay\u0131lmas\u0131nda en uygun ara\u00e7 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyoruz.<\/p>\n

\n
\n<\/div>\n

GOM\u0130DAS VARTABED<\/h3>\n

As\u0131l ad\u0131 So\u011fomon So\u011fomonyan\u2019d\u0131r. 1869\u2019da K\u00fctahya\u2019da do\u011far. Her ikisi de m\u00fczisyen olan anne ve babas\u0131n\u0131 k\u00fc\u00e7\u00fck ya\u015fta kaybeder. 1882\u2019de dini e\u011fitim almas\u0131 i\u00e7in E\u00e7miadzin\u2019e g\u00f6nderilir. Oradaki ruhban okulunda (Kevorkyan Cemaran) Ermenice \u00f6\u011frenir, Klasik Bat\u0131 M\u00fczi\u011fi ve Ermeni Kilise M\u00fczi\u011fi ile tan\u0131\u015f\u0131r.<\/p>\n

1890 y\u0131l\u0131nda ba\u015fdiyakoz r\u00fctbesini al\u0131r.<\/p>\n

1893\u2019te \u2018Gomidas\u2019 ad\u0131 ile rahip olarak atan\u0131r ve Kevorkyan Cemaran\u2019da m\u00fczik \u00f6\u011fretmeni olarak g\u00f6rev yapmaya ba\u015flar. Bu d\u00f6nemde halk m\u00fczi\u011fi ile ilgilenir, yaz\u0131ya d\u00f6kt\u00fc\u011f\u00fc halk \u015fark\u0131lar\u0131 i\u00e7in \u00e7oksesli d\u00fczenlemeler yapar ve bunlar\u0131 korolara okutur.<\/p>\n

1896\u2019da, m\u00fczik e\u011fitimi i\u00e7in Berlin\u2019e g\u00f6nderilir. Oradaki konservatuarda kompozisyon, orkestra \u015fefli\u011fi, \u015fan ve m\u00fczikoloji e\u011fitimi al\u0131rken, bir yandan da konferanslar verir ve makaleler yazar.<\/p>\n

1899\u2019da E\u00e7miadzin\u2019e d\u00f6nerek m\u00fczik \u00f6\u011fretmenli\u011fi ve koro \u015fefli\u011fi g\u00f6revlerini yeniden \u00fcstlenir. Bu d\u00f6nemde \u00e7al\u0131\u015fmalar\u0131n\u0131 Ermeni Halk M\u00fczi\u011fi \u00fczerinde yo\u011funla\u015ft\u0131rarak bir\u00e7ok makale yay\u0131mlar; Tiflis, Berlin, Paris, Cenevre, Venedik, I\u011fd\u0131r, Bak\u00fc ve Batum\u2019da konferanslar ve konserler verir.<\/p>\n

Derleme \u00e7al\u0131\u015fmalar\u0131na Cemaran \u00f6\u011frencilerinden ve E\u00e7miadzin\u2019deki rahiplerden derledi\u011fi \u015fark\u0131 ve dini eserlerle ba\u015flar. E\u00e7miadzin \u00e7evresindeki k\u00f6ylerden Ermenice halk \u015fark\u0131lar\u0131 kaydeder. K\u00fctahya, \u0130stanbul ve E\u00e7miadzin\u2019de T\u00fcrk\u00e7e, Va\u011far\u015fabad civar\u0131ndaki Ezidi k\u00f6ylerinden K\u00fcrt\u00e7e \u015fark\u0131lar derler. Derlemeleri aras\u0131nda halk \u015fark\u0131lar\u0131n\u0131n yan\u0131 s\u0131ra, Osmanl\u0131 \u0130mparatorlu\u011fu ve Rus \u00c7arl\u0131\u011f\u0131 s\u0131n\u0131rlar\u0131 i\u00e7inde ya\u015fayan Ermenilerin kentlerde \u00fcrettikleri \u015fark\u0131lar, devrimci \u015fark\u0131lar ve a\u015fu\u011f \u015fark\u0131lar\u0131 da vard\u0131r.<\/p>\n

1910\u2019da E\u00e7miadzin\u2019den ayr\u0131l\u0131p \u0130stanbul\u2019a gelir. Burada, Getronagan ve Esayan okullar\u0131n\u0131n \u00f6\u011frencilerinden olu\u015fan \u00fc\u00e7 y\u00fcz ki\u015filik \u2018Kusan Korosu\u2019nu kurar. 1915\u2019e kadar Ermeni Kilise M\u00fczi\u011fi\u2019nin \u00e7okseslendirme y\u00f6n\u00fcnde \u00e7al\u0131\u015fmalar yapar; koro \u00e7al\u0131\u015fmalar\u0131n\u0131, konserlerini ve konferanslar\u0131n\u0131 s\u00fcrd\u00fcr\u00fcr.<\/p>\n

24 Nisan 1915\u2019te, \u0130stanbul\u2019daki bir\u00e7ok di\u011fer Ermeni ayd\u0131nla birlikte tutuklan\u0131p \u00c7ank\u0131r\u0131\u2019ya s\u00fcrg\u00fcne g\u00f6nderilir. Birka\u00e7 ay sonra, ABD b\u00fcy\u00fckel\u00e7isi Morgenthau\u2019nun arabuluculu\u011fu sayesinde \u0130stanbul\u2019a d\u00f6nebilir, fakat bir s\u00fcre sonra, akli dengesinin ciddi \u015fekilde bozulmu\u015f oldu\u011fu g\u00f6r\u00fcl\u00fcr. \u00dc\u00e7 y\u0131l \u0130stanbul \u015ei\u015fli\u2019deki Lape Hastanesi\u2019nde kal\u0131r, ard\u0131ndan Paris yak\u0131nlar\u0131ndaki bir psikiyatri klini\u011fine nakledilir. Burada gitgide i\u00e7ine kapan\u0131p etraf\u0131yla ili\u015fkisini keser ve 1935\u2019te vefat eder.<\/p>\n\n\n\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Vartabed\u2019i anlayan ve anlatan bir \u00e7al\u0131\u015fma<\/h3>\n

PAKRAT ESTUKYAN<\/strong><\/p>\n

\u00c7a\u011fda\u015f Ermeni m\u00fczi\u011finin kurucusu olarak tan\u0131nan Rahip Gomidas suskunlu\u011fa mahk\u00fbm edili\u015finden ancak y\u00fcz y\u0131l sonra T\u00fcrkiye\u2019de, en az\u0131ndan m\u00fczikle ilgili \u00e7evrelerde tan\u0131nmaya ba\u015flad\u0131. Son birka\u00e7 y\u0131l i\u00e7inde yay\u0131nlanan eserleri T\u00fcrkiyeli m\u00fczikseverler i\u00e7in oldu\u011fu kadar, Ermeniler i\u00e7in de yenilikler ta\u015f\u0131yor. \u00dcnl\u00fc besteci ve derlemecinin Ermenice halk \u015fark\u0131lar\u0131na a\u015fina olanlar, art\u0131k onun T\u00fcrk\u00e7e ve K\u00fcrt\u00e7e derlemeleri ve besteleriyle de kar\u015f\u0131la\u015f\u0131yorlar. Bug\u00fcn i\u011fneyle kuyu kazar misali yo\u011fun emeklerle g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131lan pek \u00e7ok eser ge\u00e7mi\u015fte \u00e7e\u015fitli ortamlarda seslendirilmi\u015fti, ama bu icralar kay\u0131t alt\u0131na al\u0131nmam\u0131\u015f, unutulmaya terk edilmi\u015flerdi. O y\u00fczden de, Burcu Y\u0131ld\u0131z ve Ari Hergel\u2019in haz\u0131rlad\u0131\u011f\u0131 alb\u00fcm, \u00e7ok \u00f6nemli bir eksikli\u011fi tamaml\u0131yor.<\/p>\n

Ge\u00e7mi\u015fte Gomidas o denli y\u00fcceltildi, hatta kutsal say\u0131ld\u0131 ki, onun T\u00fcrk\u00e7e veya K\u00fcrt\u00e7e eserler derlemi\u015f, bestelemi\u015f olmas\u0131, \u00f6zellikle etraf\u0131ndan dola\u015f\u0131lan bir konu oldu. Oysa Gomidas\u2019\u0131n bu alana ilgi duydu\u011fu bir s\u0131r de\u011fildi. Ari Hergel ve Burcu Y\u0131ld\u0131z, bug\u00fcne dek seslendirilmemi\u015f olan bu eserleri sayfalar\u0131 solmu\u015f nota defterlerinden \u00e7\u0131kar\u0131p yeniden d\u00fczenleyerek onlara hayat vermi\u015f oldular.<\/p>\n

Bu \u00e7al\u0131\u015fma, Mikail Aslan\u2019\u0131n, birka\u00e7 y\u0131l \u00f6nce yine Kalan M\u00fczik\u2019ten \u00e7\u0131kan \u2018Petag\u2019 adl\u0131 alb\u00fcm\u00fcn\u00fc an\u0131msatt\u0131 bana. Aslan da, Hergel ve Y\u0131ld\u0131z gibi, kitap sayfalar\u0131nda tozlanm\u0131\u015f \u00c7emi\u015fkezek t\u00fcrk\u00fclerini yeni bir d\u00fczenlemeyle yorumlam\u0131\u015f ve derleni\u015flerinden neredeyse doksan y\u0131l sonra onlara nefes vermi\u015fti. Mihran Tumacan\u2019\u0131n 1920\u2019li y\u0131llarda Boston\u2019da yapt\u0131\u011f\u0131 derleme \u00e7al\u0131\u015fmalar\u0131 ilk kez Mikail Aslan\u2019\u0131n \u00e7abalar\u0131 sonucunda dinleyicisiyle bulu\u015fmu\u015ftu.<\/p>\n

\u2018Yerkaran\u2019 alb\u00fcm\u00fc, yaln\u0131zca titiz bir m\u00fczik arkeolojisinin \u00fcr\u00fcn\u00fc olarak de\u011fil, d\u00fczenlemelerde ve icralarda tutturulan ola\u011fan\u00fcst\u00fc i\u00e7tenlik ve yerellik-geleneksellik-g\u00fcncellik dengesi ile de, d\u00f6n\u00fcp d\u00f6n\u00fcp dinleyece\u011fimiz, referans g\u00f6sterece\u011fimiz bir \u00e7al\u0131\u015fma.<\/p>\n

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\n<\/div>\n

\u2018Ermeni M\u00fczi\u011fi\u2019nin ikonu Rahip Gomidas*<\/h3>\n

Gomidas\u2019\u0131n m\u00fczisyen ve m\u00fczikolog olarak s\u00fcrd\u00fcrd\u00fc\u011f\u00fc \u00e7ok y\u00f6nl\u00fc \u00e7al\u0131\u015fmalar\u0131n, Ermeniler aras\u0131nda 19. y\u00fczy\u0131l\u0131n son \u00e7eyre\u011finde h\u0131zlanan ve genel olarak Osmanl\u0131 d\u00fcnyas\u0131nda da yo\u011fun \u015fekilde s\u00fcren Bat\u0131l\u0131la\u015fma hareketi i\u00e7inde \u00f6nemli bir yeri vard\u0131r. Gomidas, Ermeniler aras\u0131nda 19. y\u00fczy\u0131l\u0131n ortalar\u0131nda ba\u015flam\u0131\u015f olan folklor hareketini halk ezgileri derleyerek ilerletmi\u015ftir (…)<\/p>\n

1912\u2019de, Trablusgarp Sava\u015f\u0131\u2019nda yaralanan askerler yarar\u0131na (…) Harp Okulu\u2019nun salonunda d\u00fczenlenen bir konsere k\u00fc\u00e7\u00fck bir koro ile kat\u0131lm\u0131\u015f ve T\u00fcrk\u00e7e eserler okutmu\u015ftur. Mart 1915\u2019te, yeni kurulan T\u00fcrk Oca\u011f\u0131\u2019nda dinletili bir konferans vermi\u015ftir. Konu\u015fmas\u0131 s\u0131ras\u0131nda, dernek ba\u015fkan\u0131 Hamdullah Suphi\u2019nin g\u00f6zya\u015flar\u0131n\u0131 tutamad\u0131\u011f\u0131 s\u00f6ylenir. T\u00fcrk Oca\u011f\u0131 \u00fcyelerinden Halide Edip ve \u015fair Mehmet Emin\u2019in (Yurdakul) Gomidas\u2019la yak\u0131n ili\u015fkileri oldu\u011fu, Gomidas\u2019\u0131n, Mehmet Emin\u2019in birka\u00e7 \u015fiirini besteledi\u011fi bilinmektedir. Halide Edip de, hat\u0131ralar\u0131nda, Rahip Gomidas\u2019\u0131n bir\u00e7ok kere evine gelip piyano \u00e7alm\u0131\u015f oldu\u011funu yazar.<\/p>\n

Gomidas\u2019\u0131n, \u00f6zellikle Ermeni Halk M\u00fczi\u011fi alan\u0131ndaki \u00e7al\u0131\u015fmalar\u0131nda \u2018milli m\u00fczik\u2019 anlay\u0131\u015f\u0131n\u0131n \u00f6n planda olmas\u0131 ile, T\u00fcrk Oca\u011f\u0131 \u00fcyeleriyle ki\u015fisel ili\u015fkiler kurmu\u015f olmas\u0131, ilk bak\u0131\u015fta birbiriyle \u00e7eli\u015fen durumlar olarak g\u00f6r\u00fclebilir. Ancak, 20. y\u00fczy\u0131l ba\u015flar\u0131nda, Ermeniler aras\u0131ndaki k\u00fclt\u00fcrel milliyet\u00e7ilik hareketinin halen \u2018Osmanl\u0131l\u0131k\u2019 kimli\u011fi \u00e7er\u00e7evesinde y\u00fcr\u00fct\u00fcld\u00fc\u011f\u00fc g\u00f6z \u00f6n\u00fcnde bulundurulursa, bunun bir \u00e7eli\u015fkiden ziyade, \u2018zaman\u0131n ruhu\u2019na uyan bir durum oldu\u011fu s\u00f6ylenebilir. (…) 1915\u2019te tutuklanan Gomidas\u2019\u0131n ve \u2018Osmanl\u0131\u2019 kimli\u011fi ta\u015f\u0131yan t\u00fcm Ermenilerin ya\u015fad\u0131klar\u0131 ise, bize \u2018zaman\u0131n ruhu\u2019nun, belki de Gomidas\u2019\u0131n alg\u0131lad\u0131\u011f\u0131ndan farkl\u0131 oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor.<\/p>\n

[19. y\u00fczy\u0131lda yay\u0131mlanan Ermeni folkloru derlemeleri], 20. y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda geli\u015fen, yerel gelenekleri estetikle\u015ftirerek Bat\u0131l\u0131 anlamda bir \u2018milli k\u00fclt\u00fcr\u2019 yaratma projesinin ana malzemesi olur. Bu y\u00f6ndeki ilk ad\u0131mlardan biri, m\u00fczik alan\u0131nda, Gomidas taraf\u0131ndan at\u0131lm\u0131\u015ft\u0131r. Gomidas\u2019\u0131n, Ermeni halk ezgilerini \u2018yabanc\u0131 etkilerden ar\u0131nd\u0131r\u0131p\u2019 Bat\u0131 armonisi \u00e7er\u00e7evesinde d\u00fczenleyerek bir \u2018milli m\u00fczik\u2019 yaratmak amac\u0131yla y\u00fcr\u00fctt\u00fc\u011f\u00fc sistematik \u00e7al\u0131\u015fmalar, d\u00f6nemin Ermeni edebiyat\u00e7\u0131lar\u0131 i\u00e7in de bir model olu\u015fturmu\u015ftur. \u00c7a\u011fda\u015f\u0131 olan \u00fcnl\u00fc yazar Hagop O\u015fagan, Gomidas hakk\u0131nda \u015fu ifadeleri kullan\u0131r: \u201cEmektar bir rahip, bize art\u0131k yabanc\u0131 olan \u015fark\u0131lar\u0131m\u0131z\u0131 al\u0131p tecelli kadar mucizevi bir m\u00fczi\u011fe d\u00f6n\u00fc\u015ft\u00fcrd\u00fc.\u201d<\/p>\n

\u201cErmeni M\u00fczi\u011fi Gomidas\u2019la ba\u015flar\u201d gibi bir \u00f6nermenin bug\u00fcn Ermeniler aras\u0131nda (…) genel kabul g\u00f6r\u00fcyor olmas\u0131, Bat\u0131l\u0131la\u015fman\u0131n ve \u015earkiyat\u00e7\u0131l\u0131k \u00fcr\u00fcn\u00fc bir \u2018ulusal k\u00fclt\u00fcr\u2019 anlay\u0131\u015f\u0131n\u0131n ne denli i\u00e7selle\u015ftirilmi\u015f oldu\u011funu g\u00f6sterir.<\/p>\n

* Aram Kerovpyan, Altu\u011f Y\u0131lmaz, Klasik Osmanl\u0131 M\u00fczi\u011fi ve Ermeniler<\/em>, Surp P\u0131rgi\u00e7 Ermeni Hastanesi Vakf\u0131 K\u00fclt\u00fcr Yay., \u0130st., 2010, s. 140-143.<\/p>\n

altugyilmaz@gmail.com<\/i><\/strong>
\nlorasari@agos.com.tr<\/strong><\/i><\/b><\/p>\n

http:\/\/www.agos.com.tr\/gomidasin-derlemeleri-yerkaranla-ses-buldu-6566.html<\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

ALTU\u011e YILMAZ LORA SARI \u2018Yerkaran: Gomidas Vartabed\u2019in Ermenice, K\u00fcrt\u00e7e ve T\u00fcrk\u00e7e Derlemelerinden D\u00fczenlemeler\u2019 adl\u0131 alb\u00fcm ge\u00e7en hafta Kalan M\u00fczik etiketiyle \u00e7\u0131kt\u0131. Aralar\u0131nda Aram Kerovpyan, Murat Aydemir, Ara Dinkjian, Murat \u0130\u00e7linal\u00e7a, A\u015fu\u011f Bing\u00f6l, Ali Tekba\u015f, Ertan Tekin ve \u015eevval Sam\u2019\u0131n da bulundu\u011fu \u00e7ok say\u0131da m\u00fczisyenin sesi ve saz\u0131yla katk\u0131da bulundu\u011fu alb\u00fcm\u00fcn repertuar\u0131ndaki \u00e7e\u015fitlilik, Gomidas\u2019\u0131n derleme \u00e7al\u0131\u015fmalar\u0131na […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,29],"tags":[],"class_list":["post-28396","post","type-post","status-publish","format-standard","hentry","category-haberler","category-mulakatlar"],"yoast_head":"\nGomidas\u2019\u0131n derlemeleri \u2018Yerkaran\u2019la ses buldu - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/turkish\/2014\/02\/12\/gomidasin-derlemeleri-yerkaranla-ses-buldu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gomidas\u2019\u0131n derlemeleri \u2018Yerkaran\u2019la ses buldu - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"ALTU\u011e YILMAZ LORA SARI \u2018Yerkaran: Gomidas Vartabed\u2019in Ermenice, K\u00fcrt\u00e7e ve T\u00fcrk\u00e7e Derlemelerinden D\u00fczenlemeler\u2019 adl\u0131 alb\u00fcm ge\u00e7en hafta Kalan M\u00fczik etiketiyle \u00e7\u0131kt\u0131. Aralar\u0131nda Aram Kerovpyan, Murat Aydemir, Ara Dinkjian, Murat \u0130\u00e7linal\u00e7a, A\u015fu\u011f Bing\u00f6l, Ali Tekba\u015f, Ertan Tekin ve \u015eevval Sam\u2019\u0131n da bulundu\u011fu \u00e7ok say\u0131da m\u00fczisyenin sesi ve saz\u0131yla katk\u0131da bulundu\u011fu alb\u00fcm\u00fcn repertuar\u0131ndaki \u00e7e\u015fitlilik, Gomidas\u2019\u0131n derleme \u00e7al\u0131\u015fmalar\u0131na […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/akunq.net\/turkish\/2014\/02\/12\/gomidasin-derlemeleri-yerkaranla-ses-buldu\/\" \/>\n<meta property=\"og:site_name\" content=\"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"article:published_time\" content=\"2014-02-12T07:52:35+00:00\" \/>\n<meta name=\"author\" content=\"kalem\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"kalem\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"18 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/akunq.net\/turkish\/2014\/02\/12\/gomidasin-derlemeleri-yerkaranla-ses-buldu\/\",\"url\":\"https:\/\/akunq.net\/turkish\/2014\/02\/12\/gomidasin-derlemeleri-yerkaranla-ses-buldu\/\",\"name\":\"Gomidas\u2019\u0131n derlemeleri \u2018Yerkaran\u2019la ses buldu - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\",\"isPartOf\":{\"@id\":\"https:\/\/akunq.net\/turkish\/#website\"},\"datePublished\":\"2014-02-12T07:52:35+00:00\",\"author\":{\"@id\":\"https:\/\/akunq.net\/turkish\/#\/schema\/person\/135e7923d1aeb8887890799619969a6c\"},\"breadcrumb\":{\"@id\":\"https:\/\/akunq.net\/turkish\/2014\/02\/12\/gomidasin-derlemeleri-yerkaranla-ses-buldu\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/akunq.net\/turkish\/2014\/02\/12\/gomidasin-derlemeleri-yerkaranla-ses-buldu\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/akunq.net\/turkish\/2014\/02\/12\/gomidasin-derlemeleri-yerkaranla-ses-buldu\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/akunq.net\/turkish\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Gomidas\u2019\u0131n derlemeleri \u2018Yerkaran\u2019la ses buldu\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/akunq.net\/turkish\/#website\",\"url\":\"https:\/\/akunq.net\/turkish\/\",\"name\":\"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/akunq.net\/turkish\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/akunq.net\/turkish\/#\/schema\/person\/135e7923d1aeb8887890799619969a6c\",\"name\":\"kalem\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/akunq.net\/turkish\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/a06875e4b25feb5674296adf8e8a7ae1e587cebce2493fe63c456109967e27d3?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/a06875e4b25feb5674296adf8e8a7ae1e587cebce2493fe63c456109967e27d3?s=96&d=mm&r=g\",\"caption\":\"kalem\"},\"url\":\"https:\/\/akunq.net\/turkish\/author\/kalem\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Gomidas\u2019\u0131n derlemeleri \u2018Yerkaran\u2019la ses buldu - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/akunq.net\/turkish\/2014\/02\/12\/gomidasin-derlemeleri-yerkaranla-ses-buldu\/","og_locale":"en_US","og_type":"article","og_title":"Gomidas\u2019\u0131n derlemeleri \u2018Yerkaran\u2019la ses buldu - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","og_description":"ALTU\u011e YILMAZ LORA SARI \u2018Yerkaran: Gomidas Vartabed\u2019in Ermenice, K\u00fcrt\u00e7e ve T\u00fcrk\u00e7e Derlemelerinden D\u00fczenlemeler\u2019 adl\u0131 alb\u00fcm ge\u00e7en hafta Kalan M\u00fczik etiketiyle \u00e7\u0131kt\u0131. 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