{"id":23605,"date":"2013-05-24T05:22:44","date_gmt":"2013-05-24T10:22:44","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=23605"},"modified":"2013-05-24T05:22:44","modified_gmt":"2013-05-24T10:22:44","slug":"basrolde-aram-degil-ali-olsaydi-filmim-desteklenecekti","status":"publish","type":"post","link":"https:\/\/akunq.net\/turkish\/2013\/05\/24\/basrolde-aram-degil-ali-olsaydi-filmim-desteklenecekti\/","title":{"rendered":"‘Ba\u015frolde Aram de\u011fil Ali olsayd\u0131 filmim desteklenecekti’"},"content":{"rendered":"

\"\u00d6zcan<\/a>Selin Girit\/BBC T\u00fcrk\u00e7e, Cannes<\/b><\/p>\n

\u00c7al\u0131nan milyon dolarl\u0131k m\u00fccevherler, kuru s\u0131k\u0131 tabancayla havaya ate\u015f a\u00e7anlar, bardaktan bo\u015fan\u0131rcas\u0131na ya\u011fan, insan\u0131 oldu\u011fu yere saatlerce m\u0131hlayan deli ya\u011fmur ve art\u0131k klasikle\u015fmi\u015f k\u0131rm\u0131z\u0131 hal\u0131 sahneleri… Ha, tabii bir de Michael Douglas’\u0131n g\u00f6zya\u015flar\u0131…<\/i><\/strong><\/p>\n

66. Cannes Film Festivali ba\u015flayal\u0131 on g\u00fcn oluyor. Festivalde yar\u0131\u015fan\/yar\u0131\u015fmayan, be\u011fenilen\/burun k\u0131vr\u0131lan filmler kadar bunlar da on g\u00fcnd\u00fcr man\u015fetlerde…<\/p>\n

Tabii T\u00fcrk bas\u0131n\u0131na bakt\u0131\u011f\u0131m\u0131zda, eksi\u011fi yok fazlas\u0131 var da denilebilir, \u00e7\u00fcnk\u00fc H\u00fclya Av\u015far’\u0131n k\u0131rm\u0131z\u0131 hal\u0131da arz-\u0131 endam etmesi bir\u00e7ok insan\u0131 hayli heyecanland\u0131rm\u0131\u015f. Ama bunun d\u0131\u015f\u0131nda T\u00fcrkiye a\u00e7\u0131s\u0131ndan s\u00f6n\u00fck bir festival demek herhalde yanl\u0131\u015f olmaz. Ya da \u015f\u00f6yle diyelim: Festivalde g\u00f6sterime sunulan T\u00fcrk filmleri a\u00e7\u0131s\u0131ndan s\u00f6n\u00fck…<\/p>\n

Ge\u00e7mi\u015f y\u0131llarda Nuri Bilge Ceylan’\u0131n “yaln\u0131z ve g\u00fczel \u00fclke”sine ithaf etti\u011fi \u00f6d\u00fcllere, en iyi k\u0131sa film dal\u0131nda Rezan Ye\u015filba\u015f’\u0131n Sessiz’iyle ald\u0131\u011f\u0131 birinciliklere al\u0131\u015fan T\u00fcrkiye’yi bu y\u0131lki festivalde temsil eden bir film yok. Ama T\u00fcrkiye’yi temsil eden isimler yine de var ku\u015fkusuz. Y\u00f6netmen Semih Kaplano\u011flu k\u0131sa film ve Cinefondation jurisinde yer al\u0131yor. T\u00fcrkiye’den bir di\u011fer isim ise Alt\u0131n Koza \u00f6d\u00fcll\u00fc y\u00f6netmen \u00d6zcan Alper…<\/p>\n

\u00d6zcan Alper’in \u00fc\u00e7\u00fcnc\u00fc film projesi R\u00fczgar\u0131n Hat\u0131ralar\u0131, Cannes Film Festivali kapsam\u0131nda ger\u00e7ekle\u015ftirilen Cinefondation, L’Atelier program\u0131na d\u00fcnya genelinden se\u00e7ilen 15 filmden biri… Program\u0131n amac\u0131 gen\u00e7 y\u00f6netmenlerin projelerini, yap\u0131mc\u0131 ve da\u011f\u0131t\u0131mc\u0131larla bulu\u015fturmak… Yani finansman s\u0131k\u0131nt\u0131s\u0131 ya\u015fayan y\u00f6netmenler i\u00e7in neredeyse alt\u0131n tepside sunulan bir f\u0131rsat…<\/p>\n

‘\u00dczerini \u00f6rterek gelecek kuramazs\u0131n\u0131z’<\/b><\/p>\n

Asl\u0131nda \u00d6zcan Alper, “finansman s\u0131k\u0131nt\u0131s\u0131 ya\u015famamas\u0131 gerekir” diye d\u00fc\u015f\u00fcnebilece\u011finiz bir y\u00f6netmen… \u00c7ekmeye haz\u0131rland\u0131\u011f\u0131 son projesi G\u00fcney Kore’de ger\u00e7ekle\u015ftirilen Asya Film Marketi’ne se\u00e7ilmi\u015f, Fransa’n\u0131n Montpellier kentinde d\u00fczenlenen Cinemed Senaryo Yar\u0131\u015fmas\u0131’ndan birincilik \u00f6d\u00fcl\u00fcyle ayr\u0131lm\u0131\u015f, Rotterdam Film Festivali’nin destekledi\u011fi Hubert Bals Fonu’ndan senaryo ve proje geli\u015ftirme deste\u011fi alm\u0131\u015f. Liste uzun… Ancak K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 projesine destek vermemi\u015f. Peki ama neden? 100’\u00fcn \u00fczerinde festivale kat\u0131lm\u0131\u015f, 50’nin \u00fczerinde \u00f6d\u00fcl alm\u0131\u015f bir y\u00f6netmene neden destek verilmemi\u015f?<\/p>\n

\u00d6zcan Alper’le \u0130stanbul Film Festivali’nin Cannes’da, Plage des Palmes’da verdi\u011fi kokteylde konu\u015fuyoruz. Sorumu buruk bir tebess\u00fcmle yan\u0131tl\u0131yor: “Belki ana karakterin isminin Aram olmas\u0131, Ermeni olmas\u0131… Oradaki isim Aram de\u011fil Ali olsayd\u0131, biliyorum ki (filmim) desteklenecekti.”<\/p>\n

R\u00fczgar\u0131n Hat\u0131ralar\u0131, \u0130kinci D\u00fcnya Sava\u015f\u0131 T\u00fcrkiye’sinde ge\u00e7iyor. \u00dclkeden iltica etmek isteyen Aram, \u0130stanbul’dan Hopa’ya ka\u00e7\u0131yor ve iltica i\u00e7in gerekli belgeleri beklemeye ba\u015fl\u0131yor. \u0130\u015fin i\u00e7ine a\u015fk, ihanet, paranoya, kin, k\u0131skan\u00e7l\u0131k ve nihayet \u00f6l\u00fcm giriyor. (Kusura bak\u0131lmas\u0131n: Hen\u00fcz \u00e7ekilmemi\u015f bir film hakk\u0131nda bu kadar ipucu vermeyi reva g\u00f6r\u00fcyorum.) Yani ilk filmi Sonbahar’da Hayata D\u00f6n\u00fc\u015f operasyonlar\u0131n\u0131, SSCB’nin da\u011f\u0131lmas\u0131n\u0131n nas\u0131l bir izd\u00fc\u015f\u00fcm\u00fc b\u0131rakt\u0131\u011f\u0131n\u0131; ikinci filmi Gelecek Uzun S\u00fcrer’de faili me\u00e7hulleri ve kendi s\u00f6zleriyle “a\u00e7\u0131k a\u00e7\u0131k s\u00f6yleyelim: K\u00fcrt meselesini” ele alan Alper, bu kez de “tehlikeli” sularda y\u00fcz\u00fcyor.<\/p>\n

“Peki e\u011fer yeterli finansman bulunursa, ne zaman g\u00f6sterime girecek film?” diye soruyorum.<\/p>\n

“\u00d6n\u00fcm\u00fczdeki Nisan-May\u0131s gibi ba\u015flamay\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. 2-3 ayl\u0131k \u00e7ekim s\u00fcreci, sonras\u0131nda post-prod\u00fcksiyon ve 2015’te de ortaya \u00e7\u0131kar diye d\u00fc\u015f\u00fcn\u00fcyorum.”<\/p>\n

Yani 1915 olaylar\u0131n\u0131n y\u00fcz\u00fcnc\u00fc y\u0131ld\u00f6n\u00fcm\u00fcnde mi g\u00f6sterime girecek? \u00d6zcan Alper bunu planlamad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. “\u00c7\u00fcnk\u00fc,” diyor, “K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 projemi destekleseydi ben bu A\u011fustos filmi \u00e7ekiyordum ve film 2014’te ortaya \u00e7\u0131kacakt\u0131. Hi\u00e7 2015 gibi bir (niyetim) yoktu.” Ama eklemeden de edemiyor: “Ermeni soyk\u0131r\u0131m\u0131n\u0131n y\u00fcz y\u0131l sonra bile bir paranayoya d\u00f6n\u00fc\u015fmesi \u00fcz\u00fcc\u00fc olan \u015fey… \u00c7\u00fcnk\u00fc ge\u00e7mi\u015fin \u00fczerini \u00f6rterek iyi bir gelecek kuramazs\u0131n\u0131z. Tam tersine ge\u00e7mi\u015fle y\u00fczle\u015ferek, konu\u015farak, hesapla\u015farak, hat\u0131rlayarak yeni nesle hakiki bir gelecek b\u0131rakabilirsiniz.”<\/p>\n

Ara\u00e7 de\u011fil ama\u00e7<\/b><\/p>\n

\u00d6zcan Alper, politik bir duru\u015fu oldu\u011funu gizlemiyor. “Bu d\u00fcnyada, bu evrende, sadece insanlar i\u00e7in de\u011fil, do\u011fadaki b\u00fct\u00fcn canl\u0131lar i\u00e7in, kimsenin kimseye tahakk\u00fcm etmedi\u011fi ve kimsenin sadece bir ev ya da \u00e7ocu\u011funu doktora g\u00f6t\u00fcrmek i\u00e7in ya da e\u011fitim alabilmek i\u00e7in altm\u0131\u015f y\u0131l boyunca k\u00f6le gibi \u00e7al\u0131\u015fmad\u0131\u011f\u0131 bir d\u00fcnya arzuluyoruz.” diyor.<\/p>\n

Ancak filmlerini asla bir politik ara\u00e7 olarak g\u00f6rmedi\u011fini s\u00f6yl\u00fcyor. Peki ama neden o zaman \u00fc\u00e7 filminin \u00fc\u00e7\u00fc de politik unsurlar ta\u015f\u0131yor?<\/p>\n

“T\u00fcrkiye’de ya\u015fayan bir entelekt\u00fcel olarak T\u00fcrkiye’nin meseleleriyle bo\u011fu\u015fuyorsam bu meselelerin benim sinemamda olmas\u0131ndan daha do\u011fal ne olabilir ki? Ne yapaca\u011f\u0131m? Kendimi kapatacak m\u0131y\u0131m? ‘D\u00fc\u015f\u00fcncem bu, ama ben b\u00f6yle sinema yap\u0131yorum.’ (‘mu diyece\u011fim?’) B\u00f6yle sa\u00e7ma bir \u015fey olabilir mi?”<\/p>\n

\u00d6zcan Alper’in filmlerinde politik g\u00f6ndermeler kadar edebi g\u00f6ndermeler de var. D\u00fcnya tiyatrosunun en \u00f6nemli yazarlar\u0131ndan Anton \u00c7ehov her iki filminde de do\u011frudan ya da dolayl\u0131 kendine rol bulmu\u015f mesela. Yine Rus edebiyat\u0131ndan Andrey Vosnesenski’nin Oza’dan \u015fiirinden iki dize Gelecek Uzun S\u00fcrer’de sigara dumanlar\u0131 aras\u0131nda okunuyor. Tabii “bizim topraklardan” Naz\u0131m Hikmet de var filmlerinde. Ama \u00f6zellikle \u00c7ehov’un oyunlar\u0131ndaki umut \u00f6\u011fesini kendi filmlerinin de ta\u015f\u0131mas\u0131n\u0131 istiyor.<\/p>\n

“\u0130yi de”, diyorum, “filmleriniz hep birilerinin \u00f6l\u00fcm\u00fcyle bitiyor. Bu nas\u0131l umut?”<\/p>\n

G\u00fcl\u00fcyor. “\u00d6l\u00fcm ve a\u015fk” diyor. “Filmlerime belki bir \u00fc\u00e7leme, bir be\u015fleme olarak da bakabiliriz. \u00d6l\u00fcmde umut var demiyorum ama \u00f6l\u00fcm de bu hayat\u0131n bir ger\u00e7ekli\u011fi…”<\/p>\n

Vandalizm<\/b><\/p>\n

Cannes’da \u00d6zcan Alper’i bulmu\u015fken daha birka\u00e7 g\u00fcn \u00f6nce Emek Sinemas\u0131’n\u0131n y\u0131k\u0131lmas\u0131yla ilgili ne d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fc sormadan da edemiyorum. Kar\u015f\u0131mda vitesi bo\u015fa alm\u0131\u015f, yoku\u015f a\u015fa\u011f\u0131 inen k\u0131rm\u0131z\u0131 bir minib\u00fcs\u00fc and\u0131r\u0131rcas\u0131na, tepkisi g\u00f6zlerinde \u00e7akmak \u00e7akmak okunur bir \u015fekilde anlatmaya ba\u015fl\u0131yor:<\/p>\n

“Herkes i\u00e7in bir cehennem yarat\u0131lm\u0131\u015f. T\u00fcrkiye’yi bir eve benzetebiliriz bu anlamda. Hep sorun \u00e7\u0131kt\u0131\u011f\u0131nda bir oday\u0131 kapatm\u0131\u015flar ama g\u00fcya o evin sahibi olmak isteyen k\u00fc\u00e7\u00fck bir az\u0131nl\u0131k i\u00e7in de o ev cehenneme d\u00f6n\u00fc\u015fm\u00fc\u015f. Emek Sinemas\u0131, T\u00fcrkiye’nin seksen y\u0131ld\u0131r uygulad\u0131\u011f\u0131 asimilasyon politikas\u0131n\u0131n son temsiliyeti olarak bir binaya yap\u0131lan bir \u015fey… Neden Emek Sinemas\u0131 y\u0131k\u0131l\u0131yor? O bina kimin? Asl\u0131nda hi\u00e7 konu\u015fulmayan bir \u015fey. Muhtemelen bir Rum ya da bir Ermeni’nin binas\u0131… T\u00fcrkiye’nin sorunu bu anlamda T\u00fcrk burjuvazisinin kimliksizlik meselesi. Binan\u0131n sahibi (halen) Rum burjuvazisi olsayd\u0131, 6-7 Eyl\u00fcl olaylar\u0131n\u0131 ya\u015famam\u0131\u015f, Varl\u0131k Vergisi’nden dolay\u0131 binas\u0131na el koyulmam\u0131\u015f bir Rum olsayd\u0131, o binay\u0131 AVM’ye \u00e7evirmezdi, sinema olarak korurdu. Bu bir vandalizm.”<\/p>\n

Ama korunacak diyorlar. “Sadece birka\u00e7 kat yukar\u0131 ta\u015f\u0131yoruz,” diyorlar…<\/p>\n

“‘Y\u0131km\u0131yoruz, ta\u015f\u0131yoruz.’ (diyorlar) \u015e\u00f6yle bir c\u00fcmle s\u00f6ylendi, ben de \u00f6yle d\u00fc\u015f\u00fcn\u00fcyorum: O zaman gidelim, Selimiye Camii’ni de y\u0131kmayal\u0131m, kald\u0131ral\u0131m, alt\u0131na AVM yapal\u0131m de\u011fil mi?”<\/p>\n

\u00d6zcan Alper’le belli ki daha konu\u015facak \u00e7ok \u015fey, soracak \u00e7ok soru var. Ama zaman yok. Benim yolum bir daha Cannes’a d\u00fc\u015fer mi, onu bilmem. Ya bir yerlerde denk gelece\u011fiz art\u0131k ya da kendisinin yolunun Londra’ya d\u00fc\u015fmesini bekleyece\u011fiz.<\/p>\n

http:\/\/www.bbc.co.uk\/turkce\/haberler\/2013\/05\/130523_cannes_ozcan_alper.shtml<\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Selin Girit\/BBC T\u00fcrk\u00e7e, Cannes \u00c7al\u0131nan milyon dolarl\u0131k m\u00fccevherler, kuru s\u0131k\u0131 tabancayla havaya ate\u015f a\u00e7anlar, bardaktan bo\u015fan\u0131rcas\u0131na ya\u011fan, insan\u0131 oldu\u011fu yere saatlerce m\u0131hlayan deli ya\u011fmur ve art\u0131k klasikle\u015fmi\u015f k\u0131rm\u0131z\u0131 hal\u0131 sahneleri… Ha, tabii bir de Michael Douglas’\u0131n g\u00f6zya\u015flar\u0131… 66. Cannes Film Festivali ba\u015flayal\u0131 on g\u00fcn oluyor. Festivalde yar\u0131\u015fan\/yar\u0131\u015fmayan, be\u011fenilen\/burun k\u0131vr\u0131lan filmler kadar bunlar da on g\u00fcnd\u00fcr […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,14,19],"tags":[],"class_list":["post-23605","post","type-post","status-publish","format-standard","hentry","category-filmler","category-haberler","category-hemsin-ve-hemsinliler"],"yoast_head":"\n'Ba\u015frolde Aram de\u011fil Ali olsayd\u0131 filmim desteklenecekti' - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/turkish\/2013\/05\/24\/basrolde-aram-degil-ali-olsaydi-filmim-desteklenecekti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Ba\u015frolde Aram de\u011fil Ali olsayd\u0131 filmim desteklenecekti' - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Selin Girit\/BBC T\u00fcrk\u00e7e, Cannes \u00c7al\u0131nan milyon dolarl\u0131k m\u00fccevherler, kuru s\u0131k\u0131 tabancayla havaya ate\u015f a\u00e7anlar, bardaktan bo\u015fan\u0131rcas\u0131na ya\u011fan, insan\u0131 oldu\u011fu yere saatlerce m\u0131hlayan deli ya\u011fmur ve art\u0131k klasikle\u015fmi\u015f k\u0131rm\u0131z\u0131 hal\u0131 sahneleri… Ha, tabii bir de Michael Douglas’\u0131n g\u00f6zya\u015flar\u0131… 66. Cannes Film Festivali ba\u015flayal\u0131 on g\u00fcn oluyor. 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