{"id":22140,"date":"2013-03-08T01:55:25","date_gmt":"2013-03-08T06:55:25","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=22140"},"modified":"2013-03-08T01:55:25","modified_gmt":"2013-03-08T06:55:25","slug":"sirpuhi-dusap-ilk-feminist-ermeni-kadin-romancidir","status":"publish","type":"post","link":"https:\/\/akunq.net\/turkish\/2013\/03\/08\/sirpuhi-dusap-ilk-feminist-ermeni-kadin-romancidir\/","title":{"rendered":"S\u0131rpuhi D\u00fcsap ilk feminist Ermeni kad\u0131n romanc\u0131d\u0131r"},"content":{"rendered":"

\"\u054d\u0580\u0562\u0578\u0582\u0570\u056b<\/a>“Bu yolda defne yapraklar\u0131ndan \u00e7ok u\u00e7urumlar var”<\/i><\/b><\/p>\n

Etkinlik Alan\u0131<\/h4>\n
Roman<\/b><\/h5>\n

S\u0131rpuhi D\u00fcsap, bilinen ilk Ermenice yazan kad\u0131n romanc\u0131d\u0131r. Ermenice deneme, makale ve romanlar\u0131nda, kad\u0131nlar\u0131n ya\u015fam modellerini se\u00e7imde ataerkil sistemin kurallar\u0131ndan ba\u011f\u0131ms\u0131z karar vermelerinin \u00f6nemi konusunu i\u015flemi\u015ftir.<\/p>\n

“\u0130ki cins aras\u0131nda e\u015fitlik oldu\u011funda, yani hayat\u0131n zevklerinde, cezalar\u0131nda, \u00e7al\u0131\u015fmada ve \u00f6d\u00fcllendirmede e\u015fitlik sa\u011fland\u0131\u011f\u0131nda zincirler k\u0131r\u0131lacak, riyak\u00e2rl\u0131k son bulacak ve toplum, g\u00fc\u00e7lerin e\u015fitsizli\u011finden kaynaklanan kay\u0131plar\u0131 telafi edip dengeye ula\u015facakt\u0131r.”<\/p>\n

“Avrupa’da ilan edilen o y\u00fcce ilkeler, yani \u00f6zg\u00fcrl\u00fck ve e\u015fitlik ilkeleri, a\u00e7\u0131k\u00e7a b\u00fcy\u00fck laflar olarak kald\u0131lar. Bu nas\u0131l e\u015fitliktir ki insanl\u0131\u011f\u0131n yar\u0131s\u0131n\u0131 erkekli\u011fin ayaklar\u0131 dibine serer? Bu ne bi\u00e7im \u00f6zg\u00fcrl\u00fckt\u00fcr ki kad\u0131n\u0131 kar\u015f\u0131 \u00e7\u0131kmaktan, bir i\u015fe giri\u015fmekten, itiraz etme hakk\u0131ndan yoksun b\u0131rak\u0131r? Bu nas\u0131l g\u00fc\u00e7t\u00fcr ki erkeklere, “Korkmadan \u00e7al\u0131\u015f, istedi\u011fin y\u00f6ne ilerle, \u00f6zg\u00fcrs\u00fcn!” diye seslenirken, kad\u0131nlara ‘Zincirlerinin tad\u0131n\u0131 \u00e7\u0131kar ve sak\u0131n ses \u00e7\u0131karma!’ der.”
\n(S\u0131rpuhi D\u00fcsap, Mayda)
\nLerna Ekmek\u00e7io\u011flu; Melissa Bilal, Bir Adalet Feryad\u0131: Osmanl\u0131’dan T\u00fcrkiye’ye Be\u015f Ermeni Feminist Yazar<\/strong>, \u0130stanbul, 2010, ikinci bask\u0131, s.109).<\/p>\n

S\u0131rpuhi D\u00fcsap, ilk roman\u0131 Mayda’n\u0131n (1882) \u00f6ns\u00f6z\u00fcnde haks\u0131zl\u0131\u011fa ve \u00f6n yarg\u0131lara kar\u015f\u0131 oldu\u011funu ve kad\u0131n cinsini engelleyen zincirlerin kendisini \u00f6fkelendirdi\u011fini belirtmi\u015ftir. Kad\u0131n “toplumun zavall\u0131 kurban\u0131” olmamal\u0131d\u0131r. Ermeni erkek entellekt\u00fceller, Mayda roman\u0131nda sunulan rol modellerinden rahats\u0131zl\u0131klar\u0131n\u0131 belirten ele\u015ftiri yaz\u0131lar\u0131 yazarlar.<\/p>\n

“Mayda’n\u0131n yay\u0131mlanmas\u0131 bir\u00e7ok erke\u011fin fazlas\u0131yla can\u0131n\u0131 s\u0131kt\u0131 ve onlar\u0131 deh\u015fete d\u00fc\u015f\u00fcrd\u00fc. Neden bu can s\u0131k\u0131nt\u0131s\u0131? Neden bu \u00f6fke? E\u011fer benim s\u00f6ylediklerim me\u015fruysa, o zaman ben adalet davas\u0131na hizmet ediyorum demektir ve bu, korku ve \u00f6fke yerine \u015f\u00fckran do\u011furmal\u0131d\u0131r.”
\n(S\u0131rpuhi D\u00fcsap)
\nLerna Ekmek\u00e7io\u011flu; Melissa Bilal, Bir Adalet Feryad\u0131: Osmanl\u0131’dan T\u00fcrkiye’ye Be\u015f Ermeni Feminist Yazar<\/strong>, \u0130stanbul, 2010, ikinci bask\u0131, s. 60.<\/p>\n

S\u0131rpuhi D\u00fcsap’\u0131n romanlar\u0131 a\u00e7\u0131k sa\u00e7\u0131k anlam\u0131n\u0131 i\u00e7eren “dekolte” edebiyat, yani toplumun de\u011fer yarg\u0131lar\u0131 d\u0131\u015f\u0131nda olan ve yaz\u0131lmas\u0131 ve okunmas\u0131 utand\u0131r\u0131c\u0131 olarak nitelendirilerek ele\u015ftirilmesine ra\u011fmen, yaz\u0131lar\u0131ndaki feminist talepler, Ermeni kad\u0131nlar aras\u0131nda yank\u0131 buldu. S\u0131rpuhi D\u00fcsap ara\u015ft\u0131rmac\u0131s\u0131 Maral Aktokmakyan, S\u0131rpuhi D\u00fcsap’\u0131n Mayda roman\u0131n\u0131n, onun en asi duru\u015flu eseri oldu\u011funu belirtmi\u015f ve romandaki kahramanlardan S\u0131ra Han\u0131m’\u0131n Mayda’ya tekrar sevebilmesini \u00f6\u011f\u00fctledi\u011fi b\u00f6l\u00fcmlerin, dul ve \u00e7ocuklu bir kad\u0131n i\u00e7in yak\u0131\u015f\u0131ks\u0131z bulunarak “dekolte” ele\u015ftirisine yol a\u00e7t\u0131\u011f\u0131n\u0131 yazm\u0131\u015ft\u0131r.<\/p>\n

Deneme, Makale ve Kitaplar\u0131<\/b><\/h5>\n

\n

“Kad\u0131nlar \u00e7al\u0131\u015f\u0131n, \u00e7al\u0131\u015f\u0131n ki \u00f6nyarg\u0131lar ayaklar\u0131n\u0131z\u0131n alt\u0131nda parampar\u00e7a olsun; aya\u011fa kalk\u0131n, \u00e7al\u0131\u015fmaktan utanmay\u0131n, insanl\u0131\u011f\u0131n \u00e7a\u011fr\u0131s\u0131 budur.”
\n(S\u0131rpuhi D\u00fcsap)<\/p>\n

S\u0131rpuhi D\u00fcsap, \u0130stanbul ve \u0130zmir`de yay\u0131mlanan \u00e7e\u015fitli gazetelere yazd\u0131\u011f\u0131 makalelerde, ekonomik ve toplumsal \u00f6zg\u00fcrl\u00fcg\u00fc olmayan kad\u0131n\u0131n durumunu sorgulam\u0131\u015ft\u0131r. \u0130lk Osmanl\u0131 Ermeni feminist kad\u0131n yazar ve sava\u015f kar\u015f\u0131t\u0131 fikirleri savunan Zabel Yesayan<\/a> (1878-1934), Silihdari Bardezneri (Silahdar\u0131n Bah\u00e7eleri) adl\u0131 an\u0131 kitab\u0131nda, ilk gen\u00e7lik \u00e7a\u011flar\u0131nda kad\u0131n arkada\u015flar\u0131yla birlikte D\u00fcsap`in yaz\u0131lar\u0131n\u0131 okuduklar\u0131n\u0131, kendi deneyimlerini ve maruz kald\u0131klar\u0131 haks\u0131zl\u0131klar\u0131 tart\u0131\u015f\u0131rken bu yaz\u0131lar\u0131n etkisinde olduklar\u0131n\u0131 anlatmaktad\u0131r:<\/p>\n

“Bayan D\u00fcsap edebiyat d\u00fcnyas\u0131na at\u0131lmaya aday oldu\u011fumu duydu\u011funda, bu yolda kad\u0131nlar\u0131 defne yaprakl\u0131 ta\u00e7lar\u0131n \u00e7ok dikenlerin bekledi\u011fi konusunda beni uyard\u0131. Bizim ger\u00e7ekli\u011fimizde, bir kad\u0131n\u0131n ortaya \u00e7\u0131k\u0131p kendisine bir yer edinmek istemesine tahamm\u00fcl edilmedi\u011fini, bunu a\u015fabilmek i\u00e7in, vasat\u0131n \u00e7ok \u00fczerine \u00e7\u0131kmak gerekti\u011fini s\u00f6yledi ve ekledi: “Bir erkek vasat bir yazar olabilir, ama bir kad\u0131n asla.”
\nZabel Yesayan, Silihdari Bardezneri\/ Silahdar’\u0131n Bah\u00e7eleri<\/strong>, Yerevan, 1935, s. 203.<\/p>\n

Eserleri<\/b><\/h5>\n

\u00a0<\/strong><\/p>\n

Kitaplar\u0131<\/strong><\/p>\n