{"id":21103,"date":"2013-01-14T02:28:29","date_gmt":"2013-01-14T07:28:29","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=21103"},"modified":"2013-01-14T02:28:29","modified_gmt":"2013-01-14T07:28:29","slug":"turk-sinemasinda-rumlar","status":"publish","type":"post","link":"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/","title":{"rendered":"T\u00fcrk Sinemas\u0131nda Rumlar"},"content":{"rendered":"

\"T\u00fcrk<\/a>T\u00fcrk sinemas\u0131nda kamera kar\u015f\u0131s\u0131na ge\u00e7en Rumlar as\u0131l kahraman, s\u0131radan bir vatanda\u015f, toplumun bir par\u00e7as\u0131 olarak yer almad\u0131. Farkl\u0131l\u0131klar\u0131 konu\u015fma aksanlar\u0131yla, ya\u015fam bi\u00e7imleriyle filmlerdeki k\u0131sa anlarda bile vurguland\u0131. G\u00fcl Ya\u015fart\u00fcrk kitab\u0131nda bu konuyu sorunsalla\u015ft\u0131r\u0131yor.<\/i><\/b><\/p>\n

Anadolu’nun \u00e7okk\u00fclt\u00fcrl\u00fc \u00e7okdilli, \u00e7okdinli yap\u0131s\u0131 ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze sorunlu ve tart\u0131\u015fmaya a\u00e7\u0131k bir alan olarak hep g\u00fcncelli\u011fini korumu\u015ftur.<\/p>\n

Tarih boyunca farkl\u0131l\u0131klar\u0131n biraradal\u0131\u011f\u0131 bazen \u00f6v\u00fcn\u00fclen, onur duyulan bir olgu olarak vurgulansa da asl\u0131nda her kritik siyasi d\u00f6neme\u00e7te bu yap\u0131 provokasyona, sald\u0131r\u0131ya a\u00e7\u0131k olmu\u015f ve bu d\u00f6nemlere ili\u015fkin konular her zaman tart\u0131\u015fmaya ve soru i\u015faretlerine, farkl\u0131 yorumlara neden olmu\u015ftur.<\/p>\n

\u00d6rne\u011fin resmi tarih bu konular\u0131 ya g\u00f6rmezden gelir ya yok sayar ya da farkl\u0131 bir bi\u00e7imde yorumlar. T\u00fcrkiye’de farkl\u0131 etnik, k\u00fclt\u00fcrel, dinsel gruplar\u0131n edebiyattan tiyatroya bir\u00e7ok sanat dal\u0131nda yer almalar\u0131na kar\u015f\u0131n bu mecralarda temsilleri de \u00e7o\u011fu zaman kli\u015fe ve \u00f6nyarg\u0131lar\u0131 peki\u015ftirici olur.<\/p>\n

M\u00fcsl\u00fcman kad\u0131nlar\u0131n oyuncu olmalar\u0131n\u0131n kabul g\u00f6rmedi\u011fi sineman\u0131n ilk y\u0131llar\u0131nda Rum ve Ermeni k\u00f6kenli oyuncular kamera kar\u015f\u0131s\u0131na ge\u00e7er. Ne var ki sinemada oyuncu olarak yer almalar\u0131na kar\u015f\u0131n filmlerin ana \u00f6yk\u00fcs\u00fcnde konu olarak yer almalar\u0131 o kadar kolay olmaz.<\/p>\n

\u00c7o\u011fu zaman tarihi filmlerde d\u00fc\u015fman taraf\u0131 (\u00e7o\u011fu zaman Yunan) karakterize ederler ya da ana karakteri besleyen yan oyuncular, evin hizmet\u00e7isi veya kom\u015fu olarak aksanl\u0131 dilleriyle filmlerde temsil edilirler.<\/p>\n

Ancak t\u0131pk\u0131 tarihte oldu\u011fu gibi hi\u00e7bir zaman as\u0131l kahraman, s\u0131radan bir vatanda\u015f, toplumun bir par\u00e7as\u0131 olarak yer almazlar. Farkl\u0131l\u0131klar\u0131 konu\u015fma aksanlar\u0131yla, ya\u015fam bi\u00e7imleriyle bu filmlerdeki k\u0131sa anlarda bile vurgulan\u0131r.<\/p>\n

G\u00fcl Ya\u015fart\u00fcrk<\/b> kitab\u0131nda tam da bu konuyu sorunsalla\u015ft\u0131rm\u0131\u015ft\u0131r.<\/p>\n

Yazar be\u015f b\u00f6l\u00fcmden olu\u015fan \u00e7al\u0131\u015fmas\u0131n\u0131n ilk b\u00f6l\u00fcm\u00fcnde kimlik, kimli\u011fin de\u011fi\u015fkenli\u011fi, \u00e7ok kimlilik ve aidiyet konusunu ele al\u0131rken, sorunlu alan\u0131n kimliklerden \u00f6te kimlik\u00e7ilik konusunda odakland\u0131\u011f\u0131na vurgu yapar.<\/p>\n

T\u00fcrkiye Cumhuriyeti tarihinin kimlik \u00e7o\u011fullu\u011funun kar\u015f\u0131s\u0131na homojen k\u00fclt\u00fcrel kimlik yap\u0131s\u0131n\u0131 koymas\u0131 ve asimilasyon politikalar\u0131yla tekil kimlik \u00f6nermesi, farkl\u0131 kimliklerin kamusal alandan d\u0131\u015flanma, \u00f6tekile\u015ftirilme korkusuyla i\u00e7e d\u00f6nmelerine, kimliklerini saklamalar\u0131na, sessizli\u011fe b\u00fcr\u00fcnmelerine ve gizlenmelerine neden olur.<\/p>\n

1980’li y\u0131llar teknolojik geli\u015fmelerin h\u0131zland\u0131\u011f\u0131, neo-liberal politikalar\u0131n benimsendi\u011fi ve yay\u0131ld\u0131\u011f\u0131, sosyalist blok \u00fclkelerinin da\u011f\u0131lma s\u00fcrecine girdi\u011fi bir d\u00f6nem olur. Bu d\u00f6nem ayn\u0131 zamanda etnik, dini, ulusal kimliklerin daha fazla g\u00fcndeme gelmesine ve T\u00fcrkiye’de de kimlik politikalar\u0131n\u0131n y\u00fckseli\u015fe ge\u00e7mesine olanak sa\u011flar.<\/p>\n

K\u00fcreselle\u015fme s\u00fcrecinin etkisi ile b\u00fct\u00fcn d\u00fcnya tek bir pazar haline gelse de, k\u00fclt\u00fcrel farkl\u0131l\u0131klar varl\u0131klar\u0131n\u0131 s\u00fcrd\u00fcrmeye devam eder ve ekonomik k\u00fcreselle\u015fme s\u00fcreci k\u00fclt\u00fcrel farkl\u0131l\u0131klar\u0131 ortadan kald\u0131rmad\u0131\u011f\u0131 gibi, k\u00fclt\u00fcrlerin farkl\u0131l\u0131klar\u0131na kar\u015f\u0131 duyarl\u0131 olma gereksinimini de art\u0131r\u0131r.<\/p>\n

Sonu\u00e7 olarak, 1990’lardan itibaren T\u00fcrk sinemas\u0131nda gayrim\u00fcslim karakterlerin temsilleri daha bir g\u00f6r\u00fcn\u00fcr olur. 2000’li y\u0131larda ise yaln\u0131zca sinema filmlerinde de\u011fil, televizyon dizilerinde de farkl\u0131 etnik kimliklerin temsilleri s\u00f6z konusu olur.<\/p>\n

Rumlar\u0131n temsili<\/b><\/p>\n

Kitab\u0131n ikinci b\u00f6l\u00fcm\u00fc “T\u00fcrkiye’de Rum Olmak” ba\u015fl\u0131\u011f\u0131n\u0131 ta\u015f\u0131maktad\u0131r. \u00c7\u00fcnk\u00fc yazar \u00e7al\u0131\u015fmas\u0131n\u0131 Rumlarla s\u0131n\u0131rlam\u0131\u015ft\u0131r ve bu nedenle \u00f6ncelikli olarak Rumlar\u0131n ko\u015fullar\u0131n\u0131 tarihsel olarak \u0130stanbul’un Fethi’nden ba\u015flayarak g\u00fcn\u00fcm\u00fcze kadar incelemektedir.<\/p>\n

Buna g\u00f6re, Osmanl\u0131 \u0130mparatorlu\u011fu’nun da\u011f\u0131lma s\u00fcreci ve ulusal ba\u011f\u0131ms\u0131zl\u0131k hareketleri, Kurtulu\u015f Sava\u015f\u0131 ve T\u00fcrkiye Cumhuriyeti’nin kurulmas\u0131, dolay\u0131s\u0131yla yeni kimlik politikalar\u0131, m\u00fcbadele, varl\u0131k vergisi, 6-7 Eyl\u00fcl olaylar\u0131 ve geriye kalan gayrim\u00fcslimlerin kendilerini g\u00fcvende hissetmemeleriyle g\u00f6\u00e7\u00fcn s\u00fcreklilik kazanmas\u0131 sonucu g\u00fcn\u00fcm\u00fczde T\u00fcrkiye’de ya\u015fayan Rumlar\u0131n say\u0131s\u0131 giderek azalm\u0131\u015ft\u0131r.<\/p>\n

Yazar, bug\u00fcn i\u00e7in Rum k\u00f6kenli vatanda\u015flar\u0131n yo\u011funluklu olarak \u0130stanbul ve Adalar’da konumland\u0131klar\u0131n\u0131 ve toplam n\u00fcfuslar\u0131n\u0131n da 1500 civar\u0131nda oldu\u011funu belirtirken, T\u00fcrkiye’de ya\u015fad\u0131klar\u0131 olumsuz deneyimlerle giderek i\u00e7e kapal\u0131 bir toplum olarak ya\u015famlar\u0131n\u0131 idame ettirmek durumunda kalan Rumlar\u0131n, \u00e7ocuklar\u0131n\u0131 genellikle e\u011fitim i\u00e7in Yunanistan’a g\u00f6ndermeyi tercih ettiklerine dikkat \u00e7ekiyor.<\/p>\n

Bu durum ise Rum n\u00fcfusunun giderek azalmas\u0131na neden oluyor.<\/p>\n

Sonu\u00e7 olarak farkl\u0131 dil, farkl\u0131 din ve farkl\u0131 kimlikleriyle uzun y\u0131llar kendilerini kendi memleketlerinde soyutlamak zorunda kalan, yaln\u0131zl\u0131\u011fa mahk\u00fbm olan ve korkuyla, g\u00fcvensizlikle ba\u015fba\u015fa ya\u015famak durumunda kalan bir grubun bug\u00fcn say\u0131lar\u0131n\u0131n bu derece azalm\u0131\u015f olmas\u0131 da \u015fa\u015f\u0131rt\u0131c\u0131 olmamal\u0131d\u0131r.<\/p>\n

As\u0131l \u015fa\u015f\u0131rt\u0131c\u0131 olan, bu denli \u00f6nemli ve sorunlu bir konuya, toplumsal ger\u00e7ekli\u011fi belirleyen ve bu ger\u00e7eklikten beslenen sineman\u0131n bu denli duyars\u0131z kalmas\u0131 ya da yeterince ve gere\u011fince yer vermemesidir.<\/p>\n

Tam da bu noktada Ya\u015fart\u00fcrk kitab\u0131n\u0131n \u00fc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm\u00fcnde T\u00fcrk sinemas\u0131nda gayrim\u00fcslim karakterlerin nas\u0131l temsil edildikleri konusuna e\u011filir.<\/p>\n

Bu b\u00f6l\u00fcmde, orta oyunundan ba\u015flayarak gayrim\u00fcslimlerin temsillerini ele al\u0131r ve sineman\u0131n orta oyunu gelene\u011fini s\u00fcrd\u00fcrerek ilk y\u0131llar\u0131ndan itibaren daha \u00e7ok komedi unsuru olarak dil ve aksandan kaynakl\u0131 yanl\u0131\u015f anlamalar \u00fczerine yap\u0131lan g\u00fcld\u00fcr\u00fclere yer verdi\u011fini s\u00f6yler. Ya da ilk sans\u00fcrlenen T\u00fcrk filmi M\u00fcrebbiye’den ba\u015flamak \u00fczere gayrim\u00fcslim kad\u0131nlara ili\u015fkin k\u00f6t\u00fc, evli erkekleri ayartan Rum dilberleri, hizmet\u00e7i, h\u0131rs\u0131z, vatana ihanet eden g\u00fcvenilmez Rum \u00e7eteleri gibi genellikle kli\u015fe ve milliyet\u00e7i ideoloji \u00e7er\u00e7evesinde \u00f6tekile\u015ftirilerek T\u00fcrk sinemas\u0131nda sunulduklar\u0131na dikkat \u00e7eker.<\/p>\n

Buna kar\u015f\u0131n 1970 ve 1980’lerden itibaren filmlerde yan karakterler olarak T\u00fcrkiye’de \u00f6tekinin arkada\u015fl\u0131\u011f\u0131 ve dayan\u0131\u015fmas\u0131na, \u00e7okk\u00fclt\u00fcrl\u00fcl\u00fc\u011f\u00fc yans\u0131tan zengin karakterlere, d\u00fc\u015flenen, \u00f6zlenen Rum dostluklar\u0131na, bilgili ve yol g\u00f6sterici yol arkada\u015fl\u0131klar\u0131na ili\u015fkin temsillerle de \u00f6ne \u00e7\u0131kmalar\u0131na ra\u011fmen bu filmlerde de dilleri ve inan\u00e7lar\u0131na, k\u00fclt\u00fcrel farkl\u0131l\u0131klar\u0131na vurgu yap\u0131larak, tam anlam\u0131yla toplumun \u00f6tekisi olmadan, toplumun do\u011fal bireyleri olarak filmlerde konu edilmezler.<\/p>\n

\u0130kili kar\u015f\u0131tl\u0131klar<\/b><\/p>\n

Ya\u015fart\u00fcrk kitab\u0131n d\u00f6rd\u00fcnc\u00fc b\u00f6l\u00fcm\u00fcnde Dost Denizin \u00c7ocuklar\u0131 ba\u015fl\u0131\u011f\u0131 ile Bulutlar\u0131 Beklerken, Y\u00fcre\u011fine Sor, Sen Ne Dilersen, Sis ve Gece, G\u00fcz Sanc\u0131s\u0131 ve S\u0131cak filmlerini, be\u015finci b\u00f6l\u00fcmde ise Gidenlerin G\u00f6z\u00fcnden ba\u015fl\u0131\u011f\u0131 ile 1964 S\u00fcrg\u00fcn\u00fc ba\u011flam\u0131nda Politiki Kouzina (Bir Tutam Baharat) filmini analiz eder.<\/p>\n

Yazar b\u00f6ylece son d\u00f6nem bir\u00e7ok film ve filmlerdeki gayrim\u00fcslim karakterleri \u00f6zellikle Rumlar \u00fczerinden inceleyerek eskinin kli\u015fe temsillerinin d\u0131\u015f\u0131na \u00e7\u0131kabilen, hem dost, arkada\u015f ve s\u0131\u011f\u0131n\u0131lan bir liman olarak hem de \u00f6telenen, tekrar tekrar farkl\u0131l\u0131klar\u0131 vurgulanan ve T\u00fcrkl\u00fckle \u00f6zde\u015fle\u015ftirilen kimlikler olarak ikili kar\u015f\u0131tl\u0131klarla sunulduklar\u0131n\u0131 ortaya koyar.<\/p>\n

G\u00fcl Ya\u015fart\u00fcrk T\u00fcrk Sinemas\u0131nda Rumlar kitab\u0131nda tarihsel olarak gayrim\u00fcslimler konusunu ele al\u0131rken bir\u00e7ok alanda oldu\u011fu gibi T\u00fcrk sinemas\u0131nda da farkl\u0131l\u0131klara bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131n de\u011fi\u015fmedi\u011fini ortaya koyar.<\/p>\n

\u0130ncelenen filmlerde Rumlar daha \u00e7ok bildik, tan\u0131d\u0131k kli\u015felerle ve ger\u00e7eklikten uzak tiplemelerle ortaya koyulur.<\/p>\n

T\u00fcrk Sinemas\u0131nda Rumlar kitab\u0131 bu alandaki \u00f6nemli bir eksi\u011fi gidermesi ve Rumlar\u0131n sinemada temsilleri gibi sorunlu bir alana dikkat \u00e7ekmesi bak\u0131m\u0131ndan \u00f6nem ta\u015f\u0131yor.<\/p>\n

T\u00fcrk sinemas\u0131nda farkl\u0131l\u0131klar\u0131n temsillerine ili\u015fkin bir ba\u015fucu kitab\u0131 olarak de\u011ferlendirilebilecek \u00e7al\u0131\u015fma okuyucuyu ger\u00e7eklerle y\u00fczle\u015ftirmesi bak\u0131m\u0131ndan da okunmay\u0131 hak ediyor.<\/p>\n

http:\/\/www.bianet.org\/biamag\/sanat\/143489-turk-sinemasinda-rumlar<\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrk sinemas\u0131nda kamera kar\u015f\u0131s\u0131na ge\u00e7en Rumlar as\u0131l kahraman, s\u0131radan bir vatanda\u015f, toplumun bir par\u00e7as\u0131 olarak yer almad\u0131. Farkl\u0131l\u0131klar\u0131 konu\u015fma aksanlar\u0131yla, ya\u015fam bi\u00e7imleriyle filmlerdeki k\u0131sa anlarda bile vurguland\u0131. G\u00fcl Ya\u015fart\u00fcrk kitab\u0131nda bu konuyu sorunsalla\u015ft\u0131r\u0131yor. Anadolu’nun \u00e7okk\u00fclt\u00fcrl\u00fc \u00e7okdilli, \u00e7okdinli yap\u0131s\u0131 ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze sorunlu ve tart\u0131\u015fmaya a\u00e7\u0131k bir alan olarak hep g\u00fcncelli\u011fini korumu\u015ftur. Tarih boyunca farkl\u0131l\u0131klar\u0131n biraradal\u0131\u011f\u0131 bazen […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-21103","post","type-post","status-publish","format-standard","hentry","category-haberler"],"yoast_head":"\nT\u00fcrk Sinemas\u0131nda Rumlar - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u00fcrk Sinemas\u0131nda Rumlar - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"T\u00fcrk sinemas\u0131nda kamera kar\u015f\u0131s\u0131na ge\u00e7en Rumlar as\u0131l kahraman, s\u0131radan bir vatanda\u015f, toplumun bir par\u00e7as\u0131 olarak yer almad\u0131. Farkl\u0131l\u0131klar\u0131 konu\u015fma aksanlar\u0131yla, ya\u015fam bi\u00e7imleriyle filmlerdeki k\u0131sa anlarda bile vurguland\u0131. G\u00fcl Ya\u015fart\u00fcrk kitab\u0131nda bu konuyu sorunsalla\u015ft\u0131r\u0131yor. Anadolu’nun \u00e7okk\u00fclt\u00fcrl\u00fc \u00e7okdilli, \u00e7okdinli yap\u0131s\u0131 ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze sorunlu ve tart\u0131\u015fmaya a\u00e7\u0131k bir alan olarak hep g\u00fcncelli\u011fini korumu\u015ftur. Tarih boyunca farkl\u0131l\u0131klar\u0131n biraradal\u0131\u011f\u0131 bazen […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/\" \/>\n<meta property=\"og:site_name\" content=\"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"article:published_time\" content=\"2013-01-14T07:28:29+00:00\" \/>\n<meta name=\"author\" content=\"kalem\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"kalem\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/akunq.net\\\/turkish\\\/2013\\\/01\\\/14\\\/turk-sinemasinda-rumlar\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/turkish\\\/2013\\\/01\\\/14\\\/turk-sinemasinda-rumlar\\\/\"},\"author\":{\"name\":\"kalem\",\"@id\":\"https:\\\/\\\/akunq.net\\\/turkish\\\/#\\\/schema\\\/person\\\/135e7923d1aeb8887890799619969a6c\"},\"headline\":\"T\u00fcrk Sinemas\u0131nda Rumlar\",\"datePublished\":\"2013-01-14T07:28:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/turkish\\\/2013\\\/01\\\/14\\\/turk-sinemasinda-rumlar\\\/\"},\"wordCount\":1388,\"commentCount\":0,\"articleSection\":[\"Haberler\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/akunq.net\\\/turkish\\\/2013\\\/01\\\/14\\\/turk-sinemasinda-rumlar\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/akunq.net\\\/turkish\\\/2013\\\/01\\\/14\\\/turk-sinemasinda-rumlar\\\/\",\"url\":\"https:\\\/\\\/akunq.net\\\/turkish\\\/2013\\\/01\\\/14\\\/turk-sinemasinda-rumlar\\\/\",\"name\":\"T\u00fcrk Sinemas\u0131nda Rumlar - 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Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/","og_locale":"en_US","og_type":"article","og_title":"T\u00fcrk Sinemas\u0131nda Rumlar - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","og_description":"T\u00fcrk sinemas\u0131nda kamera kar\u015f\u0131s\u0131na ge\u00e7en Rumlar as\u0131l kahraman, s\u0131radan bir vatanda\u015f, toplumun bir par\u00e7as\u0131 olarak yer almad\u0131. Farkl\u0131l\u0131klar\u0131 konu\u015fma aksanlar\u0131yla, ya\u015fam bi\u00e7imleriyle filmlerdeki k\u0131sa anlarda bile vurguland\u0131. G\u00fcl Ya\u015fart\u00fcrk kitab\u0131nda bu konuyu sorunsalla\u015ft\u0131r\u0131yor. Anadolu’nun \u00e7okk\u00fclt\u00fcrl\u00fc \u00e7okdilli, \u00e7okdinli yap\u0131s\u0131 ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze sorunlu ve tart\u0131\u015fmaya a\u00e7\u0131k bir alan olarak hep g\u00fcncelli\u011fini korumu\u015ftur. Tarih boyunca farkl\u0131l\u0131klar\u0131n biraradal\u0131\u011f\u0131 bazen […]","og_url":"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/","og_site_name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","article_published_time":"2013-01-14T07:28:29+00:00","author":"kalem","twitter_card":"summary_large_image","twitter_misc":{"Written by":"kalem","Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/#article","isPartOf":{"@id":"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/"},"author":{"name":"kalem","@id":"https:\/\/akunq.net\/turkish\/#\/schema\/person\/135e7923d1aeb8887890799619969a6c"},"headline":"T\u00fcrk Sinemas\u0131nda Rumlar","datePublished":"2013-01-14T07:28:29+00:00","mainEntityOfPage":{"@id":"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/"},"wordCount":1388,"commentCount":0,"articleSection":["Haberler"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/","url":"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/","name":"T\u00fcrk Sinemas\u0131nda Rumlar - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","isPartOf":{"@id":"https:\/\/akunq.net\/turkish\/#website"},"datePublished":"2013-01-14T07:28:29+00:00","author":{"@id":"https:\/\/akunq.net\/turkish\/#\/schema\/person\/135e7923d1aeb8887890799619969a6c"},"breadcrumb":{"@id":"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/akunq.net\/turkish\/2013\/01\/14\/turk-sinemasinda-rumlar\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/akunq.net\/turkish\/"},{"@type":"ListItem","position":2,"name":"T\u00fcrk Sinemas\u0131nda Rumlar"}]},{"@type":"WebSite","@id":"https:\/\/akunq.net\/turkish\/#website","url":"https:\/\/akunq.net\/turkish\/","name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/akunq.net\/turkish\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/akunq.net\/turkish\/#\/schema\/person\/135e7923d1aeb8887890799619969a6c","name":"kalem","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/a06875e4b25feb5674296adf8e8a7ae1e587cebce2493fe63c456109967e27d3?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/a06875e4b25feb5674296adf8e8a7ae1e587cebce2493fe63c456109967e27d3?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a06875e4b25feb5674296adf8e8a7ae1e587cebce2493fe63c456109967e27d3?s=96&d=mm&r=g","caption":"kalem"},"url":"https:\/\/akunq.net\/turkish\/author\/kalem\/"}]}},"_links":{"self":[{"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/posts\/21103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/comments?post=21103"}],"version-history":[{"count":0,"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/posts\/21103\/revisions"}],"wp:attachment":[{"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/media?parent=21103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/categories?post=21103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akunq.net\/turkish\/wp-json\/wp\/v2\/tags?post=21103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}