{"id":15350,"date":"2012-05-28T01:21:44","date_gmt":"2012-05-28T06:21:44","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=15350"},"modified":"2012-05-28T01:21:44","modified_gmt":"2012-05-28T06:21:44","slug":"eski-cagdan-gunumuze-kadar-ermenistanin-kisa-tarihi","status":"publish","type":"post","link":"https:\/\/akunq.net\/turkish\/2012\/05\/28\/eski-cagdan-gunumuze-kadar-ermenistanin-kisa-tarihi\/","title":{"rendered":"1. Eski \u00e7a\u011fdan g\u00fcn\u00fcm\u00fcze kadar Ermenistan\u2019\u0131n k\u0131sa tarihi"},"content":{"rendered":"

ESK\u0130 \u00c7A\u011e<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Ermeni Y\u00fcksek Platosu<\/em><\/em><\/p>\n

Ermeni halk\u0131n\u0131n binlerce y\u0131ll\u0131k ge\u00e7mi\u015fi, K\u00fc\u00e7\u00fck Asya ve \u0130ran platolar\u0131 aras\u0131nda yay\u0131lm\u0131\u015f olan Ermeni Y\u00fcksek Platosu<\/em><\/strong>\u2019nda \u015fekillenmi\u015ftir. Bu b\u00f6lgenin g\u00fcney s\u0131n\u0131r\u0131n\u0131 Mezopotamya te\u015fkil etmekte, kuzeyde ise K\u00fc\u00e7\u00fck Kafkasya Da\u011f silsilesini i\u00e7ine almaktad\u0131r. Ermeniler, \u0130ndo-German orijinlidir. \u0130ndo-German \u00f6n vatan\u0131n\u0131 olu\u015fturan \u00d6n Asya\u2019n\u0131n kuzeyinde (daha kesin olarak K\u00fc\u00e7\u00fck Asya\u2019n\u0131n do\u011fu k\u0131sm\u0131nda, Ermeni Y\u00fcksek Platosu\u2019nda, Mezopotamya\u2019n\u0131n kuzeyi ve \u0130ran Platosu\u2019nun kuzeybat\u0131s\u0131nda) milattan binlerce y\u0131l \u00f6nce ana halk grubuna ba\u011fl\u0131 olmu\u015flard\u0131r.<\/p>\n

M.\u00d6. III.-IV. biny\u0131llarda Ermeni halk\u0131n\u0131n \u015fekillenmesi ba\u015flay\u0131p, M.\u00d6. I. biny\u0131l ortalar\u0131nda ortak devletin kurulmas\u0131yla sona ermi\u015ftir. Ermeniler ve Ermeni Y\u00fcksek Platosu\u2019yla ilgili ilk kay\u0131tlar M.\u00d6. XVIII. y\u00fczy\u0131la aittir.<\/p>\n

\"\"<\/p>\n

M.\u00d6. III. ve II. biny\u0131llarda <\/em>Ermeni Y\u00fcksek Platosu<\/em> ve <\/em>\u00d6n Asya: <\/em>\u0130lk Ermeni devletl te\u015fekk\u00fclleri<\/em><\/p>\n

S\u00fcmer kay\u0131tlar\u0131nda, \u0130ncil\u2019deki Ararat-Hayastan\u2019la (Ermenistan) \u00f6zde\u015fle\u015fen, Aratta ad\u0131nda bir erken devlet olu\u015fumu belirtilmektedir. Bu halk\u0131n kendi kendisini betimledi\u011fi HAY ismi de M.\u00d6. XXVI. y\u00fczy\u0131ldan itibaren yaz\u0131l\u0131 kaynaklarda belirtilmekte, M.\u00d6. XXIV.-XXIII. y\u00fczy\u0131ldan itibaren ise yabanc\u0131lar taraf\u0131ndan Ermenilere ve Ermenistan\u2019a verilen ARMEN ve ARMEN\u0130A isimlerinin \u00f6n \u015fekilleri belirtilmektedir. M.\u00d6. II. biny\u0131lda, G\u00fcney Ermenistan\u2019da ve Mezopotamya\u2019n\u0131n kuzeyinde Mittani devleti g\u00fc\u00e7lenmeye ba\u015flar ve \u00d6n Asya\u2019da \u00fcst\u00fcnl\u00fc\u011f\u00fc ele ge\u00e7irmek i\u00e7in M\u0131s\u0131rla m\u00fccadele etmeye ba\u015flar.<\/p>\n

\"\"<\/a><\/p>\n

Hayasa<\/em><\/p>\n

Hitit kaynaklar\u0131, M.\u00d6. XV.-XIII. y\u00fczy\u0131llarda Ermenistan\u2019\u0131n kuzey ve do\u011fu b\u00f6lgelerinde Hayasa<\/em><\/strong> adl\u0131 bir krall\u0131ktan bahsetmektedir (yer isimleri Hitit dilinde \u2013(a)sa sonekiyle kurulmakta, Hayasa <\/em><\/strong>ismi, Hay\u2019lar\u0131n (Ermenilerin) \u00fclkesi, Hayk<\/em><\/strong> ifade etmektedir).<\/p>\n

URARTU D\u00d6NEM\u0130<\/strong><\/p>\n

\"\"<\/a><\/p>\n

M.\u00d6. XI.-VII. y\u00fczy\u0131llarda Van krall\u0131\u011f\u0131<\/em><\/p>\n

M.\u00d6. XII.-IX. y\u00fczy\u0131llarda Ararat Ovas\u0131\u2019na yerle\u015ferek, Armavir\u2019i ba\u015fkent ilan eden Haykazun<\/strong>\u2019lar hanedanl\u0131\u011f\u0131n\u0131n iktidar\u0131 s\u00fcresinde Ararat<\/em><\/strong> (Asur-Babil dilindeUrartu<\/em><\/strong>) ismi t\u00fcm platoya yay\u0131larak, Mezopotamya an\u0131tlar\u0131 ve \u0130ncil\u2019de, Hayastan <\/em><\/strong>(Ermenistan) isminin anlamda\u015f\u0131 olur.<\/p>\n

\"\"<\/p>\n

Van i<\/em>\u00e7<\/em> kalesi<\/em><\/p>\n

M.\u00d6. IX. y\u00fczy\u0131l ortalar\u0131nda Ermeni Y\u00fcksek Platosu\u2019nda, ba\u015fkenti Tu\u015fba <\/em><\/strong>(Van) olan, Van <\/em><\/strong>(Biainili, Urartu, Ararat) krall\u0131\u011f\u0131 g\u00fc\u00e7lenir.<\/p>\n

\"\"<\/a><\/p>\n

I. Argi\u015fti\u2019nin Erebuni \u015fehrinin kurulu\u015funa dair <\/em>yaz\u0131t\u0131<\/em><\/em><\/p>\n

\"\"<\/a>
Van krall\u0131\u011f\u0131 d\u00f6nemine ait heykelcikler<\/figcaption><\/figure>\n

M.\u00d6. VIII. y\u00fczy\u0131l\u0131n ilk yar\u0131s\u0131nda (\u00f6zellikle I. Argi\u015fti 786-764<\/strong> d\u00f6neminde) Van Krall\u0131\u011f\u0131, \u00d6n Asya\u2019n\u0131n en g\u00fc\u00e7l\u00fc devleti durumuna gelir.<\/p>\n

Van <\/em><\/strong>(Biainili, Urartu, Ararat) Krall\u0131\u011f\u0131\u2019n\u0131n kendi e\u011fitim sistemi (Asur-Babil \u00e7ivi yaz\u0131s\u0131, yerel \u00e7ivi yaz\u0131s\u0131 ve yerel hiyeroglifler olmak \u00fczere 3 yaz\u0131 sistemi kullan\u0131lmaktayd\u0131), yaz\u0131s\u0131, geli\u015fmi\u015f matematik bilgisi ve mimarl\u0131\u011f\u0131 vard\u0131.<\/p>\n

Tu\u015fba (Van), Erebuni, Tey\u015febaini ve di\u011fer \u015fehirlerin kaleleri ile Musasir ve di\u011fer mabetler \u00fcnl\u00fcyd\u00fc. D\u00f6nemin heykel sanat\u0131n\u0131n \u00e7ok say\u0131da \u00f6rne\u011fi g\u00fcn\u00fcm\u00fczde Ermenistan\u2019da ve d\u00fcnyan\u0131n \u00e7e\u015fitli m\u00fczelerinde (Sankt Peterburg\u2019daki Ermitaj, Londra\u2019daki British, Berlin\u2019deki \u00d6n Asya, Paris\u2019teki Louvre vs.) sergilenmektedir.<\/p>\n

URARTU SONRASI D\u00d6NEM<\/strong><\/p>\n

M.\u00d6. VII. y\u00fczy\u0131l sonu ve VI. y\u00fczy\u0131l ba\u015flar\u0131nda Haykazunlar <\/strong>hanedanl\u0131\u011f\u0131, iktidar\u0131n\u0131 tekrar tesis ettikten sonra M.\u00d6. 201 y\u0131l\u0131na kadar Ermenistan\u2019da Haykazunlar\u0131n Yervanduni <\/strong>s\u00fclalesi h\u00fck\u00fcm s\u00fcrer.<\/p>\n

\"\"<\/a><\/p>\n

B\u00fc<\/em>y\u00fck Tigran\u2019\u0131n \u0130mparatorlu\u011fu (M.\u00d6. 69 y\u0131l\u0131 itibar\u0131yla)<\/em><\/em><\/p>\n

Ermenistan, M.\u00d6. VI. y\u00fczy\u0131lda, Akemenik kral\u0131 I. Darius\u2019un <\/strong>Behistun yaz\u0131tlar\u0131n\u0131n eski Fars\u00e7a ve Elamca b\u00f6l\u00fcm\u00fcnde Armenia<\/em><\/strong>, Babilce\u2019de ise Urartu <\/em><\/strong>olarak an\u0131lmaktad\u0131r. B\u00f6ylece, bu iki ismin anlamda\u015f olup, paralel kullan\u0131ld\u0131klar\u0131 kan\u0131tlanmaktad\u0131r.<\/p>\n

\"\"<\/a>
K\u0131z\u0131l renkli Arta\u015fesyan hanedanl\u0131\u011f\u0131 bayra\u011f\u0131<\/figcaption><\/figure>\n

M.\u00d6. II.-I. y\u00fczy\u0131llarda kral Arta\u015fes (M.\u00d6. 189-160)<\/strong> taraf\u0131ndan kurulan hanedanl\u0131k Ermenistan\u2019\u0131 y\u00f6netmekte oldu\u011fundan dolay\u0131, hanedanl\u0131k Arta\u015fesyan<\/strong> olarak an\u0131lmaktayd\u0131. Bu hanedanl\u0131k, II. Tigran<\/strong> (B\u00fcy\u00fck Tigran, M.\u00d6. 95-55) d\u00f6neminde g\u00fcc\u00fcn\u00fcn doruk noktas\u0131na ula\u015f\u0131p, iktidar\u0131n\u0131 At\u0131rpatakan (g\u00fcn\u00fcm\u00fcz Bat\u0131 Azerbaycan-\u0130ran), Marastan, Kuzey Mezopotomya, Selefk\u00fcs, Finike, Filistin ve Kilikya\u2019ya kadar (M.\u00d6. 66 y\u0131l\u0131nda, Pompeos\u2019un ak\u0131nlar\u0131 sonucunda bu b\u00f6lgeler Roma\u2019ya b\u0131rak\u0131l\u0131r) yaym\u0131\u015ft\u0131.<\/p>\n

Ayn\u0131 y\u00fczy\u0131llarda, Ermenistan\u2019\u0131n ekonomik ve siyasi geli\u015fmesine paralel olarak, Ermeni k\u00fclt\u00fcr\u00fc ve \u00f6zellikle de tiyatro geli\u015fme ya\u015far. Ermenice olarak sergilenen halk tiyatrosu da geli\u015fir. Ermenistan tarihi ve Ermeni krallar\u0131n\u0131n ya\u015fam\u0131yla ilgili g\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015f \u00e7ok say\u0131da anlat\u0131 ve efsane, halk edebiyat\u0131 ve \u015fiirlerinden \u00f6rnekler, Ermeni halk\u0131n\u0131n o d\u00f6nemdeki ya\u015fam\u0131, ayinleri ve inan\u00e7lar\u0131 hakk\u0131nda de\u011ferli veriler sunmaktad\u0131r.<\/p>\n

\"\"<\/a><\/p>\n

Musasir tap\u0131na\u011f\u0131<\/em><\/p>\n

Ermeni mimarisi, Helenistik d\u00f6nemde yeni bir geli\u015fim safhas\u0131na girer. Garni pagan tap\u0131na\u011f\u0131, saray\u0131n mozaik kaplamal\u0131 hamam\u0131, arkeolojik kaz\u0131lar sonucunda Arta\u015fat ve di\u011fer \u015fehirlerde ortaya \u00e7\u0131kart\u0131lan \u00e7e\u015fitli buluntular bunun en \u00e7arp\u0131c\u0131 kan\u0131t\u0131d\u0131r.<\/p>\n

\"\"<\/a><\/p>\n

Muzaffer kral Arta\u015fes ve B\u00fcy\u00fck Tigran<\/em><\/p>\n

Mabetlerin ve saraylar\u0131n s\u00fcslemeleri de antik Ermenistan\u2019\u0131n heykelt\u0131ra\u015fl\u0131k ve uygulamal\u0131 sanat alan\u0131nda ula\u015fm\u0131\u015f oldu\u011fu y\u00fcksek seviyenin ispat\u0131d\u0131r. Madeni ve de\u011ferli ta\u015flarla s\u00fcsl\u00fc ziynet e\u015fyalar\u0131 da an\u0131lmaya de\u011ferdir. Madeni paralar, krallar\u0131n, \u00f6zellikle de II. Tigran ve II. Artavazd\u2019\u0131n <\/strong>resimleriyle bezeli m\u00fch\u00fcrler ve i\u015flemeli kadehler, bilezikler, alt\u0131n ve g\u00fcm\u00fc\u015f ziynet e\u015fyalar\u0131, uygulamal\u0131 sanat\u0131n nadide \u00f6rnekleridir.<\/p>\n

M\u0130LATTAN SONRA<\/strong><\/p>\n

Arta\u015fesyan hanedanl\u0131\u011f\u0131n\u0131n \u00e7\u00f6k\u00fc\u015f\u00fcnden sonra B\u00fcy\u00fck Hayk\u2019\u0131n krall\u0131k stat\u00fcs\u00fc korunur, fakat Roma ve Pert krall\u0131\u011f\u0131, s\u00fcrekli olarak kendilerine ba\u011fl\u0131 krallar yerle\u015ftirme \u00e7abas\u0131nda olur. B\u00fcy\u00fck Hayk taht\u0131na Ermeni Ar\u015fakuni<\/strong> hanedan\u0131n\u0131n (66-428) yerle\u015fmesinden sonra ge\u00e7ici istikrars\u0131zl\u0131k sona erer.<\/p>\n

\"\"<\/a><\/p>\n

387-428 y\u0131llar\u0131 aras\u0131nda Ermenistan<\/em><\/p>\n

Ermenistan, 387 y\u0131l\u0131nda Roma ve Pers Krall\u0131\u011f\u0131 <\/em><\/strong>aras\u0131nda payla\u015f\u0131l\u0131r, iki y\u0131l sonra Roma\u2019ya ait olan k\u0131s\u0131m olan Bat\u0131 Ermenistan\u2019da<\/em><\/strong> krall\u0131k ortadan kald\u0131r\u0131l\u0131r, Do\u011fu Ermenistan\u2019da <\/em><\/strong>ise Ar\u015fakuni\u2019ler, 428 y\u0131l\u0131na<\/em><\/strong> kadar egemenliklerini s\u00fcrd\u00fcr\u00fcr.<\/p>\n

Din<\/strong><\/p>\n

H\u0131ristiyanl\u0131k \u00f6ncesinde Ermenistan\u2019da pagan dini h\u00fck\u00fcm s\u00fcrmekteydi. Ba\u015fl\u0131ca tanr\u0131 \u00fc\u00e7l\u00fcs\u00fc, her \u015feyi yaratan baba tanr\u0131 Aramazd<\/strong>, tanr\u0131\u00e7a Anahit<\/strong> (anal\u0131k ve bereket tanr\u0131\u00e7as\u0131) ile cesaret, g\u00fc\u00e7 ve sava\u015f tanr\u0131s\u0131 Vahag\u0131n\u2019dan<\/strong> olu\u015fmaktayd\u0131.<\/p>\n

\"\"<\/a><\/em><\/p>\n

Anahit\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Vahag\u0131n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0\u00a0 Vanatur<\/em><\/p>\n

Di\u011fer tanr\u0131lar, halk taraf\u0131ndan en sevilen bayramlardan biri olan Vardavar\u2019\u0131n<\/em><\/strong> ithaf edildi\u011fi, ulvi \u0131\u015f\u0131k ve sevgi tanr\u0131\u00e7as\u0131 Ast\u011fik<\/strong>, sa\u011fduyunun ve aile oca\u011f\u0131n\u0131n koruyucu tanr\u0131\u00e7as\u0131 Nane<\/strong>, g\u00fcne\u015f, ate\u015f ve demircilik tanr\u0131s\u0131 Mihr<\/strong>, bilim tanr\u0131s\u0131 Tir<\/strong>, misafirperverlik tanr\u0131s\u0131 Vanatur<\/strong> vb. idi.<\/p>\n

\"\"<\/a><\/p>\n

\u00a0Ecmiadsin Katedrali<\/em><\/p>\n

H\u0131ristiyanl\u0131k, daha I. y\u00fczy\u0131ldan itibaren, havariler Tadeos<\/strong> (Tadeus) ve Bardu\u011fimeos<\/strong>\u2019un (Bartolomeus) vaazlar\u0131 sayesinde Ermenistan\u2019da yay\u0131lmaya ba\u015flam\u0131\u015f, 301 y\u0131l\u0131nda ise Ermenistan, d\u00fcnyada ilk olarak H\u0131ristiyanl\u0131\u011f\u0131 resmi din olarak kabul etmi\u015ftir.<\/p>\n

K\u00fclt\u00fcr ve bilim<\/strong><\/p>\n

\"\"<\/a>
Mesrop Ma\u015ftots<\/figcaption><\/figure>\n

Ermeni k\u00fclt\u00fcr\u00fcn\u00fcn en b\u00fcy\u00fcn edinimlerinden biri, alfabenin d\u00fczenlenmesidir (405), ulusun m\u00fcmtaz evlatlar\u0131ndan biri, ayd\u0131nlat\u0131c\u0131 Mesrop Ma\u015ftots<\/strong>, bu eme\u011fiyle hem kendi, hem de t\u00fcm Ermeni ulusu i\u00e7in \u015ferefli bir yol \u00e7izmi\u015ftir. Bu bulu\u015f, g\u00fc\u00e7l\u00fc bir k\u00fclt\u00fcr edinimi olmas\u0131 haricinde (Ermenicenin her bir sesi i\u00e7in bir harf vard\u0131r), d\u00f6nemin toplumsal ve siyasi ihtiya\u00e7lar\u0131na da uygundu. Alfabenin d\u00fczenlenmesi, Ermeni ulusu ve k\u00fclt\u00fcr\u00fcn\u00fcn korunmas\u0131, Ermenistan\u2019da H\u0131ristiyanl\u0131\u011f\u0131n yay\u0131lmas\u0131, k\u00f6k salmas\u0131 ve Ermeni dilinde \u00f6zg\u00fcn edebiyat eserlerinin olu\u015fmas\u0131na katk\u0131 sa\u011flam\u0131\u015ft\u0131r.<\/p>\n

G\u00fcn\u00fcm\u00fcze ula\u015fan Ermenice eserlerden \u00f6zellikle Ermeni tarih\u00e7ili\u011finin babas\u0131 olarak kabul edilen Movses Khorenatsi<\/strong> ve Pavstos B\u00fczand<\/strong>, \u011eazar Parpetsi<\/strong>, Ye\u011fi\u015fe<\/strong> (V. y\u00fczy\u0131l), Sebeos<\/strong> (VII. y\u00fczy\u0131l), \u011eevond<\/strong> (VIII. y\u00fczy\u0131l), Tovma Ardsruni<\/strong> (X. y\u00fczy\u0131l) ile di\u011fer tarih\u00e7ilerin eserleri belirtmeye lay\u0131kt\u0131r. V.-VIII. y\u00fczy\u0131l Ermeni orta\u00e7a\u011f bilimsel eserlerinin \u00f6nemli bir k\u0131sm\u0131n\u0131 felsefe \u00e7al\u0131\u015fmalar\u0131 olu\u015fturmaktad\u0131r. Anadilde \u00f6nemli felsefi eserler yarat\u0131l\u0131p, tan\u0131nm\u0131\u015f Yunan filozoflar\u0131n (Eflatun<\/strong> ve Aristotel<\/strong> de d\u00e2hil olmak \u00fczere) \u00e7al\u0131\u015fmalar\u0131 \u00e7evrilmi\u015ftir.<\/p>\n

\"\"<\/a>
Movses Khorenatsi<\/figcaption><\/figure>\n

Erken orta\u00e7a\u011f Ermenicesine \u00e7evrilmi\u015f bir\u00e7ok eser, Yunanca orijinallerinin yok olmalar\u0131ndan dolay\u0131, g\u00fcn\u00fcm\u00fczde sadece Ermenice terc\u00fcmeleriyle geldiklerinden, bu \u00e7eviriler b\u00fcy\u00fck de\u011fer arz etmektedir.<\/p>\n

Ermeni d\u00fc\u015f\u00fcn adamlar\u0131, \u00f6zellikle Yeznik Ko\u011fbatsi<\/strong> ve Davit Anha\u011ft\u2019\u0131n<\/strong> (V. y\u00fczy\u0131l) teorileri bug\u00fcn de ilgi oda\u011f\u0131 olmaktad\u0131r. Bu \u00e7al\u0131\u015fmalar, k\u00e2inat ve \u00e7evreleyen tabiat\u0131n olgular\u0131yla ilgilidir. VII. y\u00fczy\u0131l\u0131n tan\u0131nm\u0131\u015f Ermeni bilim adam\u0131 Anania \u015eirakatsi<\/strong> ise matematik, uzay bilimi, co\u011frafya, tabiat felsefesi ve takvim bilimlerini Aristotel<\/strong> ve Ptolemeus<\/strong> gibi derinlemesine ve ayr\u0131nt\u0131l\u0131 olarak inceleyerek d\u00fcnyan\u0131n yuvarlak oldu\u011funa dair<\/em><\/strong> teorisini a\u00e7\u0131klay\u0131p, g\u00fcne\u015f ve ay tutulmalar\u0131 ile di\u011fer uzay olaylar\u0131 hakk\u0131nda a\u00e7\u0131klamalarda bulunmu\u015ftur. \u015eirakatsi, \u201cA\u015fkharatsuyts<\/em><\/strong>\u201d adl\u0131 \u00e7al\u0131\u015fmas\u0131nda, Ermenistan haricinde t\u00fcm d\u00fcnyan\u0131n da co\u011frafyas\u0131n\u0131, d\u00f6nemin anlay\u0131\u015f\u0131na istinaden takdim etmektedir.<\/p>\n

Belirtilen d\u00f6nemde yap\u0131 zanaat\u0131 ve mimarl\u0131k g\u00f6r\u00fclmemi\u015f bir \u015fekilde geli\u015fti ve k\u0131smen g\u00fcn\u00fcm\u00fcze kadar ula\u015fm\u0131\u015f olan saraylar, mabetler, kervansaraylar, konaklama binalar\u0131 ve an\u0131tmezarlar in\u015fa edildi. Bunlardan ba\u015fl\u0131calar Ecmiadsin<\/em><\/strong> Katedrali<\/strong><\/em> (301-303), Yereruyk<\/em><\/strong> kilisesi<\/strong><\/em> (V. yy.), Ecmiadsin Surb<\/em><\/strong> (Aziz) H\u0131ripsime<\/em><\/strong> kilisesi<\/strong><\/em> (VII. yy.), D\u0131vin katolikosluk saray\u0131<\/em><\/strong> (VI.-VII. yy.), Amberd Kalesi<\/em><\/strong> (VII. yy.) vs.dir.<\/p>\n

\"\"<\/a><\/p>\n

Yereruyk kilisesi<\/em> (V. yy.)<\/em><\/em><\/p>\n

Orta\u00e7a\u011f Ermeni mimarisinin ba\u015fyap\u0131t\u0131, \u00fc\u00e7 katl\u0131, kabartmalarla bezeli, yap\u0131sal-hacimsel \u00f6zg\u00fcnl\u00fc\u011f\u00fcyle g\u00f6ze \u00e7arpan benzersiz bir yap\u0131 olan Z\u0131vartnots Katedrali\u2019dir<\/em><\/strong> (VII. yy.).<\/p>\n

\"\"<\/a><\/p>\n

Z\u0131vartnots Katedrali<\/em> (VII. yy.)<\/em><\/em><\/p>\n

Ermeni orta\u00e7a\u011f k\u00fclt\u00fcr\u00fcn\u00fcn \u00f6zg\u00fcn d\u0131\u015favurumlar\u0131ndan biri fresk<\/em><\/strong> ve minyat\u00fcr<\/em><\/strong> sanat\u0131d\u0131r. Birincisi, kiliseler ve di\u011fer yap\u0131lar\u0131n duvarlar\u0131n\u0131n, ikincisi ise elyazmalar\u0131n\u0131n s\u00fcslenmesi i\u00e7in kullan\u0131lm\u0131\u015ft\u0131r. Yerevan\u2019daki, e\u015fi bulunmayan eski elyazmalar\u0131 enstit\u00fcs\u00fc Matenadaran\u2019da<\/em><\/strong> ve d\u00fcnyan\u0131n bir\u00e7ok m\u00fczesinde Ermeni minyat\u00fcr sanat\u00e7\u0131lar\u0131ndan Manase, Margare Dsa\u011fko\u011f, Toros Roslin, Sargis Pidsak, Simeon<\/strong> ve di\u011ferlerinin resimlendirdi\u011fi say\u0131s\u0131z elyazmalar\u0131 (\u0130ncil, ruhani ve \u00f6zg\u00fcn edebiyat eserleri, \u00e7eviriler vs.) korunmaktad\u0131r.<\/p>\n

\"\"<\/a>
Toros Roslin<\/figcaption><\/figure>\n

\u0130ncil ve di\u011fer elyazmalar\u0131 s\u0131kl\u0131kla s\u00fcslemeli resimlerle bezenmi\u015f, bu resimlerde \u00fclkenin hayvan ve bitki d\u00fcnyas\u0131, halk\u0131n al\u0131\u015fkanl\u0131klar\u0131, t\u00f6renleri vs. resmedilmi\u015ftir.<\/p>\n

Ermeni dini m\u00fczik k\u00fclt\u00fcr\u00fc<\/em><\/strong> de g\u00fc\u00e7l\u00fc y\u00fckseli\u015fiyle g\u00f6ze \u00e7arpmaktad\u0131r. Yarat\u0131lan say\u0131s\u0131z de\u011ferli eser khaz olarak an\u0131lan eski Ermeni notalar\u0131yla k\u00e2\u011f\u0131da d\u00f6k\u00fcl\u00fcr. D\u00fcnyevi m\u00fczik de durmaks\u0131z\u0131n geli\u015fimini s\u00fcrd\u00fcr\u00fcr.<\/p>\n

Ermeni Ar\u015fakuni<\/em><\/strong> hanedanl\u0131\u011f\u0131n\u0131n y\u0131k\u0131l\u0131\u015f\u0131ndan sonra (428) Ermenistan\u2019\u0131n do\u011fu b\u00f6lgesi \u0130ran\u2019a tabi olup, i\u00e7 ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n\u0131 koruyarak (428-630) marzpanlar (b\u00f6lge y\u00f6neticileri) taraf\u0131ndan idare edilir.<\/p>\n

Bagratuni hanedanl\u0131\u011f\u0131 d\u00f6nemi<\/strong><\/p>\n

\"\"<\/a><\/p>\n

VII.-IX. yy. (640-849 y\u0131llar\u0131 aras\u0131nda) Ermenistan\u2019\u0131n idari ve siyasi durumu<\/em><\/p>\n

Ermenistan\u2019\u0131n siyasi stat\u00fcs\u00fc \u00fczerinde temel etkiyi Araplar taraf\u0131ndan \u0130ran\u2019\u0131n ve Bizans\u2019\u0131n do\u011fu eyaletlerinin i\u015fgali yapm\u0131\u015ft\u0131r. Ermenistan k\u00fclt\u00fcr\u00fc bu d\u00f6nemde geli\u015fmeye, sosyoekonomik durumu bariz bir \u015fekilde iyile\u015fmeye ba\u015flam\u0131\u015ft\u0131r. Kalelerin in\u015fas\u0131 s\u00fcreci ba\u015flay\u0131p h\u0131zl\u0131 bir \u015fekilde geli\u015fmi\u015ftir. Arap egemenli\u011fini kabul eden Ermenistan, sosyoekonomik ve milli-k\u00fclt\u00fcrel \u00f6zg\u00fcnl\u00fc\u011f\u00fcn\u00fc korumakla kalmay\u0131p, Bagratuni<\/strong> hanedanl\u0131\u011f\u0131 \u00f6nderli\u011finde milli-siyasi ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n\u0131 da tesis etmeyi ba\u015farm\u0131\u015ft\u0131r.<\/p>\n

Ermenistan taht\u0131na yerle\u015fen Bagratuni<\/strong> hanedanl\u0131\u011f\u0131 bir bu\u00e7uk y\u00fczy\u0131ldan (885-1045) uzun bir s\u00fcre h\u00fck\u00fcm s\u00fcrm\u00fc\u015ft\u00fcr.<\/p>\n

K\u00fclt\u00fcr ve bilim<\/strong><\/p>\n

Ani<\/em><\/strong> ve A\u011ftamar\u2019daki<\/em><\/strong> mimari an\u0131tlar, Grigor Narekatsi\u2019nin<\/strong> (X. yy.) \u201cMatyan vo\u011fbergutyun\u201d (Trajedi Kitab\u0131) \u015fiiri, Ermeni tarih\u00e7ili\u011finin (Hovhannes Draskhanakerttsi, Stepanos Tarontsi, Aso\u011fik, Mateos Urhayetsi, Aristakes Lastivertsi<\/strong> vb.) say\u0131s\u0131z edinimi o d\u00f6nemin Ermenistan\u2019\u0131n\u0131n toplumsal, ekonomik ve k\u00fclt\u00fcrel geli\u015fmesinin y\u00fcksek seviyesinin kan\u0131t\u0131d\u0131r.<\/p>\n

\"\"<\/a><\/p>\n

Zakaryanlar Beyli\u011fi<\/em><\/p>\n

XII.-XIII. y\u00fczy\u0131llar, Bizans\u2019\u0131n yay\u0131lmac\u0131 siyaseti ve Sel\u00e7uklu sald\u0131r\u0131lar\u0131na kar\u015f\u0131 y\u00fcr\u00fct\u00fclen a\u011f\u0131r sava\u015flar\u0131n kay\u0131plarla y\u00fckl\u00fc d\u00f6nemleri olmu\u015ftur. Lakin Zakaryan<\/strong> beylerinin egemenli\u011fi alt\u0131nda Ermenistan\u2019da ba\u015flayan ekonomik ve siyasi y\u00fckseli\u015f d\u00f6nemi k\u00fclt\u00fcr alan\u0131na da olumlu etki eder. Bu d\u00f6nem, Ermenistan\u2019\u0131n k\u00fclt\u00fcr tarihinde \u201cG\u00fcm\u00fc\u015f \u00e7a\u011f\u201d olarak adland\u0131r\u0131l\u0131p, \u201cAlt\u0131n \u00e7a\u011f\u201dda (V. yy.) yarat\u0131lan k\u00fclt\u00fcr de\u011ferlerinin tabii devam\u0131 (en tan\u0131nm\u0131\u015f isimlerden M\u0131khitar Go\u015f, Kirakos Gandzaketsi<\/strong> ve Vardan Areveltsi\u2019dir<\/strong>) kabul edilmektedir.<\/p>\n

\"\"<\/a><\/p>\n

Grigor Narekatsi\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0M\u0131khitar Go\u015f\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0\u00a0 Vardan Areveltsi<\/em><\/p>\n

XI. y\u00fczy\u0131lda Ermenistan\u2019\u0131n do\u011fu b\u00f6l\u00fcm\u00fcnde ilan edilen bir dizi Ermeni beyliklerinde Rubinyanlar<\/strong>, egemenliklerini muhkem etmeyi ba\u015fararak Kilikya\u2019da<\/em><\/strong> Ermeni egemenli\u011fini yeniden tesis etmeye (1080-1375) muvaffak olurlar. Kilikya Ermenistan\u2019\u0131<\/em><\/strong>, do\u011fu devletleriyle oldu\u011fu kadar, ha\u00e7l\u0131lar ve Avrupa devletleriyle de iyi ekonomik ve siyasi ili\u015fkiler i\u00e7indeydi.<\/p>\n

\"\"<\/a><\/p>\n

Kilikya Ermeni Krall\u0131\u011f\u0131<\/em><\/p>\n

X.-XIV. y\u00fczy\u0131llarda, tarihi Ermenistan topraklar\u0131nda birka\u00e7 Ermeni krall\u0131\u011f\u0131 (Vaspurakan\/Van, Kars, S\u00fcnik, Ta\u015fir-Dzoraget\/Lori<\/strong>) ve beylik (Orbelyanlar, Vahramyanlar, Hasan-Calalyanlar<\/strong>) birbirlerinden ayr\u0131 bir \u015fekilde varl\u0131klar\u0131n\u0131 s\u00fcrd\u00fcrmekteydi.<\/p>\n

\"\"<\/a>
Ha\u011fpat<\/figcaption><\/figure>\n

Bu d\u00f6nemde sanat\u0131n geli\u015fmesi i\u00e7in uygun \u015fartlar olu\u015fmu\u015ftu. Tarih, felsefe, astronomi, teoloji, edebiyat, hukuk, minyat\u00fcr resim sanat\u0131, mimari ve di\u011fer alanlarda yeni bir d\u00f6nem ba\u015flam\u0131\u015ft\u0131.<\/p>\n

\u0130ki basamakl\u0131 e\u011fitim sistemi<\/em><\/strong> vard\u0131. Genelde kilise ve manast\u0131rlara ba\u011fl\u0131 ilkokullardaki e\u011fitim 3-4 y\u0131ll\u0131kt\u0131. Bu okullarda okuryazarl\u0131k d\u00fczeyinde genel bilgiler \u00f6\u011fretilmekteydi. Kurulmu\u015f olan y\u00fcksekokullar\u0131n en tan\u0131nm\u0131\u015flar\u0131 Sanahin<\/em><\/strong> ve Ha\u011fpat<\/em><\/strong> (X.-XI. yy.), Ani<\/em><\/strong> (XI.-XIII. yy.), G\u0131ladzor<\/em><\/strong> (XIII.-XIV. yy.), Tatev<\/em><\/strong> (XIV.-XV. yy.) \u00fcniversiteleriydi. Bu e\u011fitim kurumlar\u0131nda tabii bilimler ve toplum bilimleri, yabanc\u0131 diller \u00f6\u011fretiliyor, \u00e7ok y\u00f6nl\u00fc e\u011fitim sunulmaktayd\u0131.<\/p>\n

X. y\u00fczy\u0131ldan itibaren Ermeni edebiyat\u0131nda d\u00fcnyevi y\u00f6nelim a\u011f\u0131r basmaya ba\u015flar. Bu ak\u0131m\u0131n ba\u015flat\u0131c\u0131s\u0131 Grigor Narekatsi<\/strong> olmu\u015f ve \u015fiirleri, \u00f6zellikle de \u201cMadyan vo\u011fbergutyan\u201d uzun \u015fiiri \u00e7ok say\u0131da dillere \u00e7evrilmi\u015ftir.<\/p>\n

\"\"<\/a>
Sanahin<\/figcaption><\/figure>\n

Daha VIII. y\u00fczy\u0131lda, \u00fcnl\u00fc din adam\u0131 Hovnan Odznetsi,<\/strong> Ermeni kilisesi taraf\u0131ndan yarat\u0131lm\u0131\u015f kanunlar\u0131 d\u00fczenleyerek \u201cErmenilerin Kanun Kitab\u0131\u201d ad\u0131yla, Ermeni milli-dini kanunlar\u0131n antolojisi ortaya \u00e7\u0131kartm\u0131\u015ft\u0131r.<\/p>\n

XII. y\u00fczy\u0131l Ermeni \u00e7evrelerinde ilk olarak M\u0131khitar Go\u015f<\/strong>, tarihsel-hukuksal<\/em><\/strong> ender bir an\u0131t-eser olan \u201cDatastanagirk\u201di ortaya \u00e7\u0131kar\u0131r. Bu eser resmi, siyasi, ceza hukuku, m\u00fclk, toprak, toplumsal olmak \u00fczere, \u00fclkenin t\u00fcm alanlar\u0131ndaki ili\u015fkileri d\u00fczenleyen bir kanun kitab\u0131yd\u0131.<\/p>\n

Tabii bilimlerden<\/em><\/strong> matematik, kimya, y\u0131ld\u0131z bilimi, co\u011frafya g\u00f6r\u00fclmemi\u015f ba\u015far\u0131lara ula\u015f\u0131r.<\/p>\n

\"\"<\/a>
G\u0131ladzor<\/figcaption><\/figure>\n

\u00d6zellikle M\u0131khitar Heratsi\u2019nin<\/strong> (XII. yy.) t\u0131p \u00e7al\u0131\u015fmalar\u0131 belirtilmeye de\u011ferdir. G\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015f olan \u201cCermants M\u0131khitarutyun\u201d (Y\u00fcksek ate\u015fli hastal\u0131klar\u0131n tedavisi) \u00e7al\u0131\u015fmas\u0131nda, y\u00fcksek ate\u015fli hastal\u0131klar\u0131n te\u015fhisi ve tedavisinin bilimsel metotlar\u0131 belirtilmektedir.<\/p>\n

Bu alanda \u00f6nemli yeri olanlardan biri de \u201cba\u015fhekim\u201d unvan\u0131 ta\u015f\u0131yan Amirdovlat Amasiatsi<\/strong> (XV. yy.) olmu\u015f, \u00e7al\u0131\u015fmalar\u0131nda 200 k\u00fcsur hastal\u0131k ve bunlar\u0131n tedavi usullerini ayr\u0131nt\u0131l\u0131 bir \u015fekilde a\u00e7\u0131klam\u0131\u015ft\u0131r.<\/p>\n

Belirtilen d\u00f6nem, mimari<\/em><\/strong> ba\u015fyap\u0131tlar a\u00e7\u0131s\u0131ndan da zengindir, \u00f6rne\u011fin A\u011ftamar<\/em><\/strong>, Ani<\/strong><\/em> ve di\u011fer an\u0131tlar.<\/p>\n

\"\"<\/a>
M\u0131khitar Heratsi<\/figcaption><\/figure>\n

Ermeni minyat\u00fcr sanat\u0131n\u0131n<\/em><\/strong> y\u00fckseli\u015fi, binalar\u0131n, \u00f6zellikle de kiliselerin duvarlar\u0131n\u0131 s\u00fcsleyen bir sanat dal\u0131 olan fresk<\/em><\/strong> sanat\u0131n\u0131n geli\u015fmesiyle paraleldir. Ermeni ustalar\u0131n kulland\u0131klar\u0131 nadide boyalar y\u00fczy\u0131llar i\u00e7inde solmam\u0131\u015ft\u0131r.<\/p>\n

IX.-XIV. y\u00fczy\u0131llarda Ermeni tiyatrosu<\/em><\/strong> da geli\u015fir ve \u00f6zellikle komedi t\u00fcr\u00fc temsiller reva\u00e7ta olur.<\/p>\n

Uygulamal\u0131 sanatta<\/em><\/strong> da geli\u015fme belirgin olmu\u015f, \u00f6zellikle tahta oymac\u0131l\u0131\u011f\u0131 sanat\u0131 b\u00fcy\u00fck ba\u015far\u0131lar kaydetmi\u015ftir.<\/p>\n

Tahta oymas\u0131 mimari ba\u015fyap\u0131tlar\u0131ndan, harikulade kabartmalarla bezeli kilise kap\u0131lar\u0131 dikkate \u015fayand\u0131r.<\/p>\n

Alt\u0131n ve g\u00fcm\u00fc\u015f objeler de \u00fcnl\u00fcyd\u00fc, fakat \u00f6zellikle Ermeni hal\u0131c\u0131l\u0131\u011f\u0131<\/em><\/strong> g\u00f6ze \u00e7arpmaktayd\u0131.<\/p>\n

\"\"<\/a><\/p>\n

X.-XIV. yy. Ermeni hal\u0131lar\u0131<\/em><\/p>\n

Kilise esvaplar\u0131 ve perdeler dahi sanat eseri olarak haz\u0131rlan\u0131yor, \u00fczerlerine aziz resimleri ve \u0130ncil\u2019den sahneler i\u015fleniyordu.<\/p>\n

\"\"<\/a><\/em><\/p>\n

1. \u201cKud\u00fcs\u2019e Giri\u015f\u201d, \u2018Haghpat \u0130ncili\u2019nden bir minyat\u00fcr (1211, istinsah eden: Hakob, ressam: Margare, Matenadaran)<\/em><\/em><\/p>\n

2. \u201cVaftiz\u201d, G\u0131ladzor manast\u0131r\u0131nda Toros Taronatsi\u2019nin <\/em>resimledi\u011fi <\/em>\u0130ncil\u2019den bir minyat\u00fcr (1323, Matenadaran)<\/em><\/em><\/p>\n

3. \u201cM\u00fcjde\u201d, Tatev manast\u0131r\u0131nda resimlendirilmi\u015f \u0130ncil\u2019den bir minyat\u00fcr (XIV yy., ressam: Grigor Tatevatsi, Matenadaran)<\/em><\/em><\/p>\n

Orta\u00e7a\u011f Ermeni k\u00fclt\u00fcr\u00fc, kendine \u00f6zg\u00fc ve ilgin\u00e7 oldu\u011fundan dolay\u0131, uluslar aras\u0131 medeniyet i\u00e7inde \u00f6zg\u00fcn bir yer tutmaktad\u0131r. Ayn\u0131 zamanda dinamiktir, \u00e7\u00fcnk\u00fc XIV. y\u00fczy\u0131ldan sonra siyasi a\u00e7\u0131dan nam\u00fcsait geli\u015fmeler sonucunda Ermeniler merkezi devlet sistemini kaybetmi\u015f olup, k\u0131smen yabanc\u0131 \u00fclkelere g\u00f6\u00e7melerine ra\u011fmen Ermeni k\u00fclt\u00fcr\u00fc, d\u00fcnyan\u0131n d\u00f6rt taraf\u0131na yay\u0131lm\u0131\u015f cemaatlerde de geli\u015fmeye devam etmi\u015ftir.<\/p>\n

Osmanl\u0131 devleti ve Safevi \u0130ran\u2019\u0131n h\u00e2kimiyeti alt\u0131nda<\/strong><\/p>\n

Osmanl\u0131 devleti<\/em><\/strong> ve Safevi \u0130ran<\/em><\/strong> aras\u0131nda patlak veren kanl\u0131 sava\u015flar, uzunca bir s\u00fcre Ermenistan topraklar\u0131nda cereyan etmekteydi. Bu amans\u0131z m\u00fccadelenin trajik sonu\u00e7lar\u0131na ve meydana getirdi\u011fi a\u011f\u0131r kay\u0131plara ra\u011fmen Ermenistan, XVI.-XVIII. y\u00fczy\u0131llarda b\u00fcy\u00fck zorluklarla milli karakterini, devleti yeniden tesis etme konusunda inanc\u0131n\u0131, k\u00fclt\u00fcrel de\u011ferlerinin b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131 korumaya muvaffak olmu\u015f ve uluslar aras\u0131 medeniyetin \u00f6nemli edinimleriyle ili\u015fkiyi koparmam\u0131\u015ft\u0131r.<\/p>\n

\u00dclke d\u0131\u015f\u0131ndaki Ermeni cemaatleri de bu d\u00f6nemde Ermenistan\u2019\u0131n milli geli\u015fimine kat\u0131l\u0131m g\u00f6stermi\u015flerdir. B\u00f6ylece, ilk Ermenice kitaplar olan \u201cUrbatagirk\u201d, \u201cParzatumar\u201d vs. 1512 y\u0131l\u0131nda Venedik\u2019te bas\u0131l\u0131r. Yeni okullar kurulur, kiliseler ve manast\u0131rlar in\u015fa edilir. Ayn\u0131 s\u00fcre i\u00e7inde tan\u0131nm\u0131\u015f ki\u015filikler, vatan\u0131n kurtulu\u015fu niyetiyle, farkl\u0131 \u00fclkelerle diplomatik g\u00f6r\u00fc\u015fmelerde bulunup, ulusal ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131 ve devleti tekrar kurmak i\u00e7in silahl\u0131 m\u00fccadele denemelerinde bulunur.<\/p>\n

\"\"<\/a><\/p>\n

XVIII. y\u00fczy\u0131l ortalar\u0131nda <\/em>Artsakh\u2019ta (Karaba\u011f) be\u015f meliklikler birli\u011fi (Khamsa)<\/em><\/p>\n

1722-1730 y\u0131llar\u0131nda Artsakh<\/strong> (Karaba\u011f) ve S\u00fcnik\u2019te<\/strong> geli\u015fen kurtulu\u015f hareketleri, Ermeniler aras\u0131nda siyasi ve ulusal bilincin yer etmesine b\u00fcy\u00fck oranda katk\u0131 sa\u011flam\u0131\u015ft\u0131r. 1736 y\u0131l\u0131nda Artsakh\u2019ta be\u015f meliklikler birli\u011fi (Khamsa) te\u015fkil edilir, bu beylikler \u0130ran \u015fah\u0131 taraf\u0131ndan, Melik Yegan\u2019\u0131n<\/strong> beylerbeyli\u011finde, i\u00e7 \u00f6zerkli\u011fe sahip idari-siyasi y\u00f6netimler olarak tan\u0131n\u0131r.<\/p>\n

\"\"<\/a>
Azdarar<\/figcaption><\/figure>\n

1772-1773 y\u0131llar\u0131nda yay\u0131nlanan siyasi-toplumsal kitaplarla (\u201cHordorak\u201d, \u201cVorogayt parats<\/em><\/strong>\u201d) sa\u011fl\u0131kl\u0131 ulusal g\u00fc\u00e7lerin birle\u015fmesi s\u00fcreci ele al\u0131n\u0131p Ermenistan\u2019da kurulacak olan demokratik devletin anayasas\u0131 haz\u0131rlan\u0131r.<\/p>\n

1794-1796 y\u0131llar\u0131nda ilk Ermenice dergi olan \u201cAzdarar<\/em><\/strong>\u201d yay\u0131nlan\u0131r.<\/p>\n

1512-1800 y\u0131llar\u0131nda Amsterdam, Roma, Konstantinopel<\/strong> (\u0130stanbul), Lvov, Nor Cu\u011fa<\/strong> (Yeni Culfa), Madras, Ecmiadsin<\/strong> ve di\u011fer \u015fehirlerde yay\u0131mlanan 1000 k\u00fcsur kitap, ulusal k\u00fclt\u00fcr\u00fcn geli\u015fmesine \u00f6nemli bir etki yapm\u0131\u015ft\u0131r.<\/p>\n

M\u00fczik alan\u0131nda, Hambardzum Limoncuyan\u2019\u0131n<\/strong> katk\u0131s\u0131 dikkate \u015fayand\u0131r. Limoncuyan, daha sonra kendi ismiyle an\u0131lacak olan, yeni Ermeni notalar\u0131n\u0131 yaratm\u0131\u015f ve bu sayede orta\u00e7a\u011f kilise \u015fark\u0131lar\u0131 notaya al\u0131nm\u0131\u015ft\u0131r.<\/p>\n

\"\"<\/a>
Sayat-Nova<\/figcaption><\/figure>\n

Bu d\u00f6nemde enstr\u00fcmantal m\u00fczik \u00e7ok yay\u0131lm\u0131\u015ft\u0131. Yetenekli Ermeni m\u00fczisyen ve \u015fair Sayat Nova\u2019n\u0131n<\/strong> eserleri Ermenistan ve kom\u015fu halklar\u0131n m\u00fczik hayat\u0131nda silinmeyen bir iz b\u0131rakm\u0131\u015ft\u0131r. Sayat Nova\u2019n\u0131n \u015fark\u0131lar\u0131 ve \u015fiirleri g\u00fcn\u00fcm\u00fczde de milli k\u00fclt\u00fcr\u00fcn s\u00fcrekli de\u011ferlerindendir.<\/p>\n

1717 y\u0131l\u0131nda Venedik Surb \u011eazar<\/em><\/strong> adas\u0131na yerle\u015fen Mehitarist Birli\u011fi,<\/strong> tarihi-edebi ve toplum bilimi alanlar\u0131nda \u00f6nemli \u00e7al\u0131\u015fmalar ger\u00e7ekle\u015ftirmi\u015ftir.<\/p>\n

Burada, 1780\u2019li y\u0131llarda yeni Ermeni tarihinin kururcusu Mikayel \u00c7am\u00e7\u0131yan\u2019\u0131n<\/strong> \u00fc\u00e7 ciltlik \u201cHayots Patmutyun\u201d (Ermeni tarihi) eseri bas\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\"\"<\/a><\/p>\n

Venedik\u2019te Surb \u011eazar (St. Lazar)<\/em> adas\u0131nda bulunan<\/em> manast\u0131r<\/em><\/em><\/p>\n

1836-37 y\u0131llar\u0131nda, 50 y\u0131ll\u0131k ortak \u00e7al\u0131\u015fman\u0131n \u00fcr\u00fcn\u00fc, \u201cHaykazyan Lezvi Nor Bargirk\u201d (Yeni Ermenice S\u00f6zl\u00fck) yay\u0131nlanm\u0131\u015ft\u0131r.<\/p>\n

Rus \u0130mparatorlu\u011fu\u2019nun egemenlik d\u00f6nemi<\/strong><\/p>\n

Do\u011fu Ermenistan da d\u00e2hil olmak \u00fczere t\u00fcm Kafkasya\u2019n\u0131n g\u00fcneyi 1801-1828 y\u0131llar\u0131nda Rus \u0130mparatorlu\u011fu<\/em> <\/strong>egemenli\u011fine ge\u00e7er. Bu de\u011fi\u015fim, b\u00f6lgenin sosyoekonomik ve k\u00fclt\u00fcrel geli\u015fimine \u00f6nemli katk\u0131 sa\u011flar.<\/p>\n

\"\"<\/a><\/p>\n

Do\u011fu Ermenistan\u2019\u0131n Rusya\u2019yla birle\u015fmesi<\/em><\/p>\n

XIX. y\u00fczy\u0131l\u0131n ilk yar\u0131s\u0131na, Dorpat (Estonya) \u00fcniversitesinde temel e\u011fitim alm\u0131\u015f, Ermeni ayd\u0131nlat\u0131c\u0131 Kha\u00e7atur Abovyan\u2019\u0131n<\/strong> s\u00fcrd\u00fcrd\u00fc\u011f\u00fc ulusal \u00e7al\u0131\u015fmalar\u0131 damgas\u0131n\u0131 vurur. \u201cVerk Hayastani\u201d (Ermenistan\u2019\u0131n yaras\u0131) roman\u0131 ve di\u011fer eserleri ile toplumsal \u00e7al\u0131\u015fmalar\u0131yla Abovyan, yeni Ermeni edebiyat\u0131n\u0131n kurucusu olur.<\/p>\n

Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun egemenli\u011fi alt\u0131nda bulunan bat\u0131 Ermenilerinin kurtulu\u015fu sorunu (Ermeni Sorunu<\/strong> olarak), 1878 Berlin<\/strong> kongresinde Ermeni vilayetlerinde reform program\u0131 olarak, uluslar aras\u0131 diplomasi malzemesi olur ve T\u00fcrk bask\u0131 rejimine kar\u015f\u0131 kurtulu\u015f m\u00fccadelesi yeni bir d\u00f6neme girer.<\/p>\n

Ermeni sorunu ve Ermeni Soyk\u0131r\u0131m\u0131<\/strong><\/p>\n

1885-1890 y\u0131llar\u0131nda Ermeni ulusal partileri Armenakanlar, H\u0131n\u00e7akyanlar<\/em><\/strong> ve Hay He\u011fapokhakan Da\u015fnaktsutyun<\/em> <\/strong>(Ermeni Devrimci Federasyonu) \u015fekillenir ve kendilerini tamamen Ermeni sorununun \u00e7\u00f6z\u00fcm\u00fcne adarlar. II. Abd\u00fclhamit<\/strong>, Avrupa devletlerine s\u00f6z verdi\u011fi Ermeni reformlar\u0131n\u0131 ger\u00e7ekle\u015ftirmez, dahas\u0131 1894-1896 y\u0131llar\u0131nda Ermeni n\u00fcfusuna y\u00f6nelik, 1915 Soyk\u0131r\u0131m\u0131n\u0131n provas\u0131 mahiyetindeki toplu katliamlar d\u00fczenler.<\/p>\n

\"\"<\/a><\/p>\n

Ermeni Soyk\u0131r\u0131m\u0131 haritas\u0131<\/em><\/em><\/p>\n

Osmanl\u0131 devletinin \u0131rk\u00e7\u0131 y\u00f6neticileri, Birinci D\u00fcnya Sava\u015f\u0131 bahanesini <\/em><\/strong>kullanarak, Ermeni halk\u0131n\u0131 yok etmeye ve ait oldu\u011fu topraklardan silmeye karar verir. Baba ocaklar\u0131nda, tehcir ve s\u00fcrg\u00fcn yollar\u0131nda bir bu\u00e7uk milyonun \u00fczerinde Ermeni imha edilir, y\u00fcz binlerce m\u00fclteci d\u00fcnyan\u0131n farkl\u0131 \u00fclkelerine s\u0131\u011f\u0131n\u0131r. Ermeni diasporas\u0131 olu\u015fur.<\/p>\n

Yery\u00fcz\u00fcndeki ilerici insanlar Ermeni Soyk\u0131r\u0131m\u0131\u2019n\u0131<\/em> <\/strong>telin etmeyi s\u00fcrd\u00fcrmektedir.<\/p>\n

Avrupa Parlamentosu (1987) ve \u00e7ok say\u0131da \u00fclkenin parlamentolar\u0131 (Arjantin, Uruguay, Bel\u00e7ika, Yunanistan, L\u00fcbnan, Bulgaristan, Rusya Federasyonu, Vatikan, K\u0131br\u0131s, \u0130sve\u00e7, Fransa, \u0130talya, \u0130svi\u00e7re, Kanada, Hollanda, Slovakya <\/em>vs.<\/strong>) bu canili\u011fi tan\u0131y\u0131p telin ederek, insanl\u0131\u011fa kar\u015f\u0131 i\u015flenmi\u015f c\u00fcr\u00fcm<\/em><\/strong> olarak adland\u0131rm\u0131\u015flard\u0131r.<\/p>\n

Tarihi Ermenistan<\/em><\/strong> topraklar\u0131n\u0131n b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131 elinde tutan T\u00fcrkiye\u2019de Ermenilerin yok edilmesi, Ermeni k\u00fclt\u00fcr\u00fcne ait an\u0131tlar\u0131n da yok edilmesini beraberinde getirmi\u015ftir. Yakla\u015f\u0131k 2350 kilise ve 1500 kadar okul (Ermenilere ait toplam 66 \u015fehir ve 2500\u2019\u00fcn \u00fczerinde k\u00f6y tahrip edilmi\u015ftir) tahrip edilmi\u015ftir<\/em>.<\/strong><\/p>\n

Diaspora<\/strong><\/p>\n

Bu facian\u0131n sonucu olarak anayurdundan zorla s\u00fcr\u00fcl\u00fcp d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131na da\u011f\u0131lm\u0131\u015f olan Ermeniler ve onlar\u0131n nesilleri bir\u00e7ok \u00fclkede cemaatler kurarak Ermeni diasporas\u0131n\u0131<\/em><\/strong> olu\u015fturdular. Ermeni diasporas\u0131, bat\u0131 Ermeni edebiyat\u0131 ve sanat\u0131n\u0131n geleneklerini devam ettirip, kay\u0131p vatan\u0131n \u00f6zlemi ve ac\u0131s\u0131yla, ayn\u0131 zamanda d\u00f6n\u00fc\u015f \u00fcmidiyle ulusal ve uluslar aras\u0131 de\u011ferler yaratt\u0131. B\u00f6ylelikle, edebiyat alan\u0131nda, Ermenice yazan (\u015eahan \u015eahnur, M\u0131ndzuri, Andranik Dsarukyan<\/strong>) ve yabanc\u0131 dillerde yazan (Vilyam Saroyan, Vahe Ka\u00e7a, Artur Adamov, Mayk\u0131l Arlen, Piter Balakyan<\/strong>) yazarlar, ressamlar (Ar\u015fil Gorki, Garzu, Jansem<\/strong>), besteciler, m\u00fczisyenler, \u015fark\u0131c\u0131lar (Alan Hovhannes, Hambardzum Berberyan, Barse\u011f Kana\u00e7yan, Tiran Karvarents, Lusin Amara, \u015earl Aznavur<\/strong>), sinemac\u0131lar (Ruben Mamulyan, Anri Vern\u00f6y, Atom Egoyan<\/strong>) ve farkl\u0131 alanlarda \u00fcn sahibi ki\u015filer \u00e7al\u0131\u015fmalarda bulundu.<\/p>\n

Ba\u011f\u0131ms\u0131zl\u0131k d\u00f6nemi<\/strong><\/p>\n

Ermeni halk\u0131, 28 May\u0131s 1918\u2019de<\/em><\/strong> devleti yeniden kurdu, fakat Aral\u0131k 1920\u2019de Bol\u015fevik Rusya\u2019n\u0131n K\u0131z\u0131l Ordusu, Ermenistan Cumhuriyetini ilhak etti. Kars b\u00f6lgesi, Surmal\u0131 b\u00f6lgesi (T\u00fcrkiye\u2019ye ba\u011fland\u0131), Da\u011fl\u0131k Karaba\u011f, Nakhicevan (Azerbaycan\u2019a ba\u011fland\u0131)<\/em><\/strong> Ermenistan\u2019dan kopart\u0131ld\u0131. Kalan k\u00fc\u00e7\u00fck toprak par\u00e7as\u0131 \u00fczerinde Sovyet Ermenistan\u2019\u0131<\/strong> kuruldu.<\/p>\n

Sovyet d\u00f6nemi<\/strong><\/p>\n

\"\"<\/p>\n

Ermenistan Cumhuriyeti\u2019nin s\u0131n\u0131rlar\u0131n\u0131n ve topraklar\u0131n\u0131n \u015fekillendirilmesi<\/em><\/em><\/p>\n

Sovyetle\u015fme ve siyasi-ideolojik de\u011fi\u015fimler, 1920-1930 y\u0131llar\u0131 k\u00fclt\u00fcr\u00fc \u00fczerinde hissedilir derecede etkiler yaratt\u0131. Y\u00fczy\u0131l ba\u015f\u0131nda ortaya \u00e7\u0131kan ideolojik ve ruhani engeller y\u0131llar i\u00e7inde d\u00fczenlenerek k\u00fclt\u00fcr hayat\u0131 normal ak\u0131\u015f\u0131na girdi. Say\u0131s\u0131z k\u00fclt\u00fcr ocaklar\u0131 ve y\u00fcksek\u00f6\u011frenim kurumlar\u0131 yarat\u0131ld\u0131.<\/p>\n

\"\"<\/a><\/strong><\/p>\n

Yerevan Devlet \u00dcniversitesi, Opera ve Bale Binas\u0131<\/em><\/p>\n

Martiros Saryan, Sedrak Arakelyan, Hakob Kocoyan, Yervand Ko\u00e7ar <\/strong>ve \u00e7ok say\u0131da yetenekli sanat\u00e7\u0131 renkli paletleriyle Ermeni resim sanat\u0131n\u0131n yeni okulunu \u015fekillendirdiler.<\/p>\n

\"\"<\/a>
Martiros Saryan<\/figcaption><\/figure>\n

Yeni kurulan devlet tiyatro, opera ve bale salonlar\u0131, orkestralar, topluluklar ve solistler, k\u00fclt\u00fcr hayat\u0131nda g\u00f6r\u00fclmemi\u015f bir hareketlilik getirdi.<\/p>\n

D\u00fcnya co\u011frafyas\u0131na yay\u0131lm\u0131\u015f olan \u00fcnl\u00fc Ermeni artistler, besteciler, \u015fefler, \u015fark\u0131c\u0131lar Ermenistan\u2019a gelerek, burada ya\u015famaya ve \u00e7al\u0131\u015fmaya ba\u015flad\u0131.<\/p>\n

Milli geleneksel m\u00fczik temelli modern eserler yaz\u0131ld\u0131. Yerevan\u2019da ve Ermenistan\u2019\u0131n farkl\u0131 \u015fehirlerinde, repertuarlar\u0131nda Rus, Avrupa ve tabii olarak Ermeni klasik ve modern sanat\u00e7\u0131lar\u0131n\u0131n eserlerinin sahnelendi\u011fi devlet tiyatrolar\u0131 a\u00e7\u0131ld\u0131.<\/p>\n

\u00a0<\/p>\n

\"\"<\/a>
Aram Kha\u00e7aturyan<\/figcaption><\/figure>\n

Bu d\u00f6nem, konut ve kamu binalar\u0131n\u0131n \u00f6zg\u00fcn yap\u0131land\u0131r\u0131lmalar\u0131yla (Yerevan\u2019daki Cumhuriyet Meydan\u0131, Opera ve Bale Salonu, Milli K\u00fct\u00fcphane, bir dizi y\u00fcksek \u00f6\u011frenim kurumlar\u0131) g\u00f6ze \u00e7arpmaktad\u0131r.<\/p>\n

Alman fa\u015fistlerinin ba\u015flatt\u0131\u011f\u0131 \u0130kinci D\u00fcnya Sava\u015f\u0131\u2019n\u0131n zaferle sonu\u00e7lanmas\u0131nda Ermenistan\u2019\u0131n da pay\u0131 vard\u0131r.<\/p>\n

300 binin \u00fczerinde Ermeni bu sava\u015fta hayat\u0131n\u0131 kaybetmi\u015ftir.<\/p>\n

107 Ermeni, SSCB kahraman\u0131 payesine eri\u015fti, 4\u2019\u00fc mare\u015fal, biri amiral, 70 kadar\u0131 ise general r\u00fctbesi ald\u0131.<\/p>\n

\"\"<\/a>
Hamo Beknazaryan<\/figcaption><\/figure>\n

D\u00fcnya sava\u015f\u0131n\u0131n sonunda diasporan\u0131n eve d\u00f6n\u00fc\u015f\u00fc ba\u015flad\u0131 ve bu sayede Sovyet Ermenistan\u2019\u0131n n\u00fcfusu artt\u0131. Stalin\u2019in bask\u0131 rejimi d\u00f6neminde dahi Ermenistan ekonomik ve k\u00fclt\u00fcrel y\u00fckseli\u015f ya\u015fam\u0131\u015ft\u0131r.<\/p>\n

1924 y\u0131l\u0131nda perdeye ta\u015f\u0131nan \u201cSovyet Ermenistan\u2019\u0131\u201d belgeseli ve 1925 y\u0131l\u0131nda Hamo Beknazaryan\u2019\u0131n \u00e7evirdi\u011fi filmle Ermeni sinemas\u0131 kurulmu\u015f<\/em><\/strong> oldu.<\/p>\n

1943 y\u0131l\u0131nda kurulan Ermenistan Bilimler Akademisi<\/em><\/strong>, klasik ve modern bilim dallar\u0131n\u0131n geli\u015fmesine katk\u0131 sa\u011flad\u0131.<\/p>\n

Arkeolojik kaz\u0131lar<\/em><\/strong> da ihmal edilmedi. \u00d6zellikle Van Krall\u0131\u011f\u0131 b\u00f6lgesinde (Armavir, Karmir B\u0131lur, Erebuni, Garni) Ermenistan\u2019\u0131n Helenistik d\u00f6nemiyle ilgili de\u011ferli an\u0131tlar ortaya \u00e7\u0131kart\u0131ld\u0131.<\/p>\n

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Vahram Papazyan<\/figcaption><\/figure>\n

Stalin politikas\u0131 sayesinde isimleri yasaklanm\u0131\u015f olan yazarlar\u0131n eserleri 1950\u2019li y\u0131llarda \u201ckapal\u0131 \u00e7ekmecelerden\u201d \u00e7\u0131kart\u0131ld\u0131. Ulusal kurtulu\u015f konulu \u00e7ok say\u0131da eser yay\u0131nland\u0131.<\/p>\n

Ermeni bestecilerden Aram Kha\u00e7aturyan, Arno Babacanyan, <\/strong>\u015fark\u0131c\u0131lar Gohar Gasparyan, Lusine Zakaryan, <\/strong>kemanc\u0131lar Ruben Aharonyan, Jan Ter-Merkeryan<\/strong> eserleri ve yorum ustal\u0131klar\u0131 sayesinde uluslar aras\u0131 yar\u0131\u015fmalarda \u00f6d\u00fcl kazanarak, \u00fcnlendiler.<\/p>\n

Ermeni tiyatrosu, <\/strong>1960\u2019l\u0131 y\u0131llarda \u00fcn\u00fcn\u00fcn doruk noktas\u0131na ula\u015ft\u0131. Yetenekli artistler Vahram Papazyan, Hra\u00e7ya Nersesyan, Avet Avetisyan<\/strong> ve di\u011ferleri, Ermenistan\u2019\u0131n s\u0131n\u0131rlar\u0131 d\u0131\u015f\u0131nda da \u00fcnlendi.<\/p>\n

\"\"<\/a>
Sergey Paracanov<\/figcaption><\/figure>\n

Sergey Paracanov\u2019un<\/strong> sanat\u0131, Artavazd Pele\u015fyan\u2019\u0131n s<\/strong>inema belgeselleri, uluslar aras\u0131 sinema \u00f6l\u00e7\u00fctleriyle belgelenecek de\u011ferlerdir.<\/p>\n

S. Paracanov\u2019un sinemas\u0131 fikir derinli\u011fi, resim sanat\u0131 tekniklerinin al\u0131\u015f\u0131lmad\u0131k uygulanmas\u0131, gustosu ve derin resimselli\u011fiyle \u00f6zg\u00fcnd\u00fcr.<\/p>\n

A. Pele\u015fyan\u2019\u0131n filmlerinin benzersiz resim-ses sistemi, \u00f6zg\u00fcn sinema dili, e\u015fsiz montaj ustal\u0131\u011f\u0131 \u201cuzaktan kumandal\u0131 montaj\u201d anlay\u0131\u015f\u0131n\u0131 meydana getirerek, Pele\u015fyan\u2019\u0131n \u00e7al\u0131\u015fkanl\u0131\u011f\u0131 sayesinde, uluslar aras\u0131 film montaj\u0131 alan\u0131nda yeni bir s\u00f6z olmu\u015ftur.<\/p>\n

Yerevan\u2019daki \u201cH\u0131razdan\u201d stadyumu, \u201cZ\u0131vartnots\u201d havaalan\u0131, Spor ve Konser<\/p>\n

\"\"<\/a>
Artavazd Pele\u015fyan<\/figcaption><\/figure>\n

Salonu ile Oda M\u00fczi\u011fi Binas\u0131\u2019n\u0131n yarat\u0131lmas\u0131, Ermeni mimarisinin<\/em><\/strong> g\u00fc\u00e7l\u00fc y\u00fckseli\u015finin bariz g\u00f6stergesidir.<\/p>\n

7 Aral\u0131k 1988 depremi, Ermenistan\u2019a a\u011f\u0131r bir darbe vurdu. Binlerce insan hayat\u0131n\u0131 kaybetti, say\u0131s\u0131z maddi de\u011fer y\u0131k\u0131nt\u0131lar alt\u0131nda kald\u0131 ve yok oldu.<\/p>\n

Uluslar aras\u0131 toplum y\u00fcrekten destek vererek, felakete u\u011frayan \u00fclkenin insanlar\u0131na el uzatt\u0131 ve bu sayede ac\u0131lar hafifledi, dertlerin \u00fcstesinden gelebilme ruhu g\u00fc\u00e7lendi.<\/p>\n

\u00a0<\/p>\n

\n
\n
\"\"<\/a><\/dt>\n
Gohar Gasparyan<\/strong><\/dd>\n<\/dl>\n<\/div>\n

<\/em><\/strong>\u00a0<\/p>\n

\"\"<\/a><\/em><\/strong><\/p>\n

\u201cZ\u0131vartnots\u201d Havaalan\u0131, \u201cHrazdan\u201d Stad\u0131<\/em><\/p>\n

Artsakh (Karaba\u011f) hareketi <\/em><\/strong><\/p>\n

\"\"<\/a><\/p>\n

Ermenistan ve Da\u011fl\u0131k Karaba\u011f Cumhuriyetleri, Da\u011fl\u0131k Karaba\u011f armalar\u0131<\/em><\/p>\n

Felaketten \u00f6nce, \u015eubat 1988\u2019de Artsakh (Karaba\u011f) hareketi <\/em><\/strong>ba\u015flam\u0131\u015ft\u0131. Ulusal uyan\u0131\u015f, idari emir komuta sisteminden \u00fclkeyi kurtar\u0131p, demokratikle\u015fme yolunda ilerleme g\u00fcd\u00fcs\u00fcne g\u00fc\u00e7 verdi. Bu m\u00fccadele sayesinde Da\u011fl\u0131k Karaba\u011f<\/em><\/strong>, kendisine dayat\u0131lan bu sava\u015fta zafer kazand\u0131 ve Azerbaycan\u2019\u0131n hukuk d\u0131\u015f\u0131 egemenli\u011fini \u00fczerinden att\u0131.<\/p>\n

Yeniden ba\u011f\u0131ms\u0131zla\u015fma d\u00f6nemi<\/strong><\/p>\n

21 Eyl\u00fcl 1991<\/em><\/strong> tarihinde Ermenistan\u2019da ba\u011f\u0131ms\u0131zl\u0131k referandumu <\/em><\/strong>yap\u0131ld\u0131 ve ba\u011f\u0131ms\u0131z Ermenistan Cumhuriyeti\u2019nin varl\u0131\u011f\u0131 tasdik edildi.<\/p>\n

\"\"<\/a><\/p>\n

Ermenistan Cumhuriyeti bayra\u011f\u0131 ve armas\u0131<\/em><\/em><\/p>\n

Ermenistan Cumhuriyeti 2 Mart 1992<\/strong> tarihinde Birle\u015fmi\u015f Milletler Te\u015fkilat\u0131\u2019na \u00fcye oldu. \u00dclkemiz, 2001 y\u0131l\u0131nda <\/em><\/strong>Avrupa Parlamentosu\u2019na kat\u0131ld\u0131. Daha sonra da Uluslar aras\u0131 Para Fonu, D\u00fcnya Bankas\u0131, D\u00fcnya Ticaret \u00d6rg\u00fct\u00fc ve daha ba\u015fka te\u015fkilatlara \u00fcye oldu ve sosyoekonomik baz\u0131 zorluklara ra\u011fmen, demokratikle\u015fme s\u00fcrecini kal\u0131c\u0131 k\u0131ld\u0131.<\/p>\n

\"\"<\/a><\/strong><\/p>\n

Ermenistan Cumhuriyeti Parlamento binas\u0131, Ermenistan Cumhuriyeti h\u00fck\u00fcmet binas\u0131 <\/em><\/p>\n

1990\u2019l\u0131 y\u0131llarda, ba\u011f\u0131ms\u0131zl\u0131k ilan\u0131ndan sonra, serbest piyasa ekonomisinin nefesi k\u00fclt\u00fcr alan\u0131na da yay\u0131ld\u0131 ve \u00f6zel te\u015febb\u00fcs \u015fekillenmeye ba\u015flad\u0131. Bu konuda tiyatro-st\u00fcdyolar\u0131 \u00f6nc\u00fcl oldu. Resim galerileri, k\u00fct\u00fcphaneler ve m\u00fczeler, gazeteler ve dergiler ile televizyon kanallar\u0131 bunu takip etti.<\/p>\n

Ermenistan\u2019\u0131n k\u00fclt\u00fcr alan\u0131n\u0131 d\u00fczenleyen devlet kurulu\u015flar\u0131, \u00e7al\u0131\u015fanlar\u0131 ve organizasyonlar\u0131, \u015fimdi uluslar aras\u0131 k\u00fclt\u00fcr s\u00fcre\u00e7lerine e\u015fde\u011fer ad\u0131mlar atmaya \u00e7al\u0131\u015f\u0131p, \u00e7a\u011flar boyu edinilenleri koruyarak, yeniyi, moderni yaratmaya \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\n

T\u00fcrk\u00e7esi: Diran Lokmag\u00f6zyan<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

ESK\u0130 \u00c7A\u011e Ermeni Y\u00fcksek Platosu Ermeni halk\u0131n\u0131n binlerce y\u0131ll\u0131k ge\u00e7mi\u015fi, K\u00fc\u00e7\u00fck Asya ve \u0130ran platolar\u0131 aras\u0131nda yay\u0131lm\u0131\u015f olan Ermeni Y\u00fcksek Platosu\u2019nda \u015fekillenmi\u015ftir. Bu b\u00f6lgenin g\u00fcney s\u0131n\u0131r\u0131n\u0131 Mezopotamya te\u015fkil etmekte, kuzeyde ise K\u00fc\u00e7\u00fck Kafkasya Da\u011f silsilesini i\u00e7ine almaktad\u0131r. Ermeniler, \u0130ndo-German orijinlidir. \u0130ndo-German \u00f6n vatan\u0131n\u0131 olu\u015fturan \u00d6n Asya\u2019n\u0131n kuzeyinde (daha kesin olarak K\u00fc\u00e7\u00fck Asya\u2019n\u0131n do\u011fu k\u0131sm\u0131nda, Ermeni […]<\/p>\n","protected":false},"author":3,"featured_media":15376,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,14],"tags":[],"class_list":["post-15350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ermenilerin-tarihi","category-haberler"],"yoast_head":"\n1. 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