{"id":133,"date":"2010-03-14T06:48:23","date_gmt":"2010-03-14T11:48:23","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=133"},"modified":"2010-03-14T06:48:23","modified_gmt":"2010-03-14T11:48:23","slug":"133","status":"publish","type":"post","link":"https:\/\/akunq.net\/turkish\/2010\/03\/14\/133\/","title":{"rendered":"Manas Ailesi"},"content":{"rendered":"

\"\"<\/a>Balyan<\/strong> ailesi, Dadyan<\/strong> ailesi ve D\u00fczyan<\/strong> ailesinden sonra, \u0130stanbul ‘un d\u00f6rd\u00fcnc\u00fc \u00f6nemli Ermeni ailesidir. Soyadlar\u0131, saray ressam\u0131 Rafayel’in ikinci ismi Manase’den gelir. Manas Ailesi<\/strong> de Balyanlar gibi aslen Kayserilidirler. Ailenin eski bireylerine ait bir kaynak bulunamad\u0131\u011f\u0131 gibi \u0130stanbul’a da ne zaman gelip yerle\u015ftikleri belli de\u011fildir. Rahip Y. G. \u00c7ark’\u0131n anlatt\u0131klar\u0131na g\u00f6re, Manas Ailesi’nin 16. yy’\u0131n ortalar\u0131na do\u011fru ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Ailenin 16. yy’\u0131n sonlar\u0131nda ya da 17.yy’\u0131n ba\u015flar\u0131nda, Celali isyanlar\u0131 zaman\u0131nda \u0130stanbul’a g\u00f6\u00e7 ettikleri d\u00fc\u015f\u00fcn\u00fclmektedir. Saray ressam\u0131 Rafayel<\/strong> ailenin \u0130stanbul’da tan\u0131nan en eski \u015fahs\u0131d\u0131r. D’Ohsson’a g\u00f6re Manasse soyad\u0131n\u0131 ta\u015f\u0131m\u0131\u015ft\u0131r ve ismini zikretmedi\u011fi saray ressam\u0131 olan babas\u0131n\u0131n yerini alm\u0131\u015ft\u0131r. Manas Ailesi mensuplar\u0131 saray ressaml\u0131\u011f\u0131n\u0131n d\u0131\u015f\u0131nda diplomatik g\u00f6revlerde de bulunmu\u015flard\u0131r. Aileden bir de \u00fcnl\u00fc musiki\u015finas yeti\u015frni\u015ftir. Baz\u0131lar\u0131n\u0131n soyad\u0131 kay\u0131tlara Manasyan \u015feklinde de ge\u00e7mi\u015ftir.
\nAleksandr veAleko Manas:<\/strong> Zenop Manas’\u0131n en k\u00fc\u00e7\u00fck o\u011fludur. Hakk\u0131nda 1838’de, Viyana’ daki Osmanl\u0131 El\u00e7ili\u011fi’nde ata\u015felik yapt\u0131\u011f\u0131na ve de 1839’da Viyana’daki G\u00fczel Sanatlar Akademisi’nden mezun oldu\u011funa dair iki farkl\u0131 bilgi vard\u0131r.<\/p>\n

Aleksi Manas: <\/strong>Devlet g\u00f6revlisi olarak \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. 1845- 1850 aras\u0131nda, Paris’teki Muradyan Koleji’nde okumu\u015f, 1870’te, Alt\u0131nc\u0131 Daire-i Belediye’de m\u00fctercim ve evrak m\u00fcd\u00fcrl\u00fc\u011f\u00fc yapm\u0131\u015ft\u0131r.<\/p>\n

Antuan Manas:<\/strong> 1827 y\u0131l\u0131nda do\u011fup 1899’da vefat etmi\u015ftir. Aleksi Manas gibi o da devlet g\u00f6revlisi olarak \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Yenik\u00f6y Sekizinci Daire-i Belediye’de \u015feflik yapm\u0131\u015ft\u0131r. Bunun d\u0131\u015f\u0131nda kay\u0131tlarda 1870’te, \u015eehremaneti Meclisi azas\u0131 olarak ad\u0131 ge\u00e7mektedir.<\/p>\n

Bo\u011fos Manas:<\/strong> Ne zaman do\u011fdu\u011funu bilmedi\u011fimiz Bo\u011fos Manas 1888 y\u0131l\u0131nda vefat etmi\u015ftir. Hariciye g\u00f6revlisi olarak \u00e7al\u0131\u015fm\u0131\u015f, 1855-1859 aras\u0131nda, Paris’teki Osmanl\u0131 El\u00e7ili\u011fi’nde ata\u015felik g\u00f6revinde bulunmu\u015ftur.<\/p>\n

Edgar Manas:<\/strong> Hakk\u0131nda en fazla bilgiye sahip oldu\u011fumuz aile bireylerindendir. 12 Nisan 1875’de do\u011fmu\u015f 9 Mart 1964’de hayata veda etmi\u015ftir. Bestekar, maestro ve musiki hocas\u0131 olarak hayat\u0131n\u0131 s\u00fcrd\u00fcrm\u00fc\u015ft\u00fcr. Aleksi Manas’\u0131n o\u011fludur. Babas\u0131n\u0131n \u00f6l\u00fcm\u00fcnden sonra 13 ya\u015f\u0131nda \u0130talya’ya gidip, be\u015f sene Venedik’teki Murad-Rapayelyan Koleji’nde okuyan Edgar Manas Padova Konservatuvar\u0131’n\u0131n kontrpuan ve f\u00fcg b\u00f6l\u00fcmlerinden mezun olmu\u015f ve maestro unvan\u0131n\u0131 alm\u0131\u015ft\u0131r. 1905’te \u0130stanbul’a d\u00f6nen Edgar Manas, Union Fran\u00e7aise’in yeni kurulan Gallia korosuna y\u00f6netmen olarak atanm\u0131\u015ft\u0131r. 1912-1921 y\u0131llar\u0131 aras\u0131nda, Dar\u00fc’I-Elhan’da armoni, kontrpuan ve piyano hocal\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. 1923-1933 y\u0131llar\u0131 aras\u0131nda ise, Belediye Konservatuar\u0131’nda armoni ve kompozisyon dersleri vermi\u015ftir. Konservatuvar’\u0131n kad\u0131nlar korosunun ve orkestras\u0131n\u0131n y\u00f6netmenli\u011fini de yapan Edgar Manas 1937’de, Patrikhane Meryem Ana Kilisesi’nin Ko\u011ftan Korosu’nun y\u00f6netmeni oldu ve yirmi y\u0131l bu g\u00f6revde hizmet verdi. 1954’te Atlas Sinemas\u0131’nda, musiki hayat\u0131n\u0131 60’\u0131nc\u0131 y\u0131ld\u00f6n\u00fcm\u00fc kutlanan Edgar Manas Ermeni okular\u0131nda solfej dersleri de vermi\u015ftir. T\u00fcm bunlar\u0131n d\u0131\u015f\u0131nda \u0130stiklal Mar\u015f\u0131’n\u0131n orkestrasyonu da Edgar Manas’a aittir. Eserlerine gelince, ilk bestesi “Menune Valsi”dir. Di\u011fer besteleri aras\u0131nda Kuddas-\u0131 \u015eerif Ay\u0131n\u0131 , Oratorya , \u00e7ocuklara ait iki operet, “Andante Symphonique”, “Tantum Ergo”, “Quartette”, “Prens Adalar\u0131” (piyano i\u00e7in), “Suite”(\u00fc\u00e7 k\u0131s\u0131ml\u0131), prel\u00fcdler ve f\u00fcgler “Rapsodie de l’Orient”, “Symphonique Allegro”, be\u015f Ermenice ve 1934’te seslendirilen “Ahmet”, ”Kara Tavuk” ”A\u015fk\u0131n”, ”Yal\u0131 Havas\u0131” ve “Dama \u00c7\u0131kma” adl\u0131 be\u015f de T\u00fcrk\u00e7e \u015fark\u0131s\u0131 vard\u0131r.<\/p>\n

Edvar Manas:<\/strong> Do\u011fum tarihi bilmedi\u011fimiz Edvar Manas 14 Ocak 1927’de vefat etmi\u015ftir. Uzun y\u0131llar gazete y\u00f6netmenli\u011fi yapan Edvar Manas, Antuan Manas’\u0131n o\u011fludur. 1900 y\u0131l\u0131nda, Frans\u0131zca “Servet” dergisinin ve \u0130stanbul’da yay\u0131nlanan Frans\u0131zca “Stamboul” gazetesinin yaz\u0131 i\u015fleri y\u00f6netmenli\u011fini yapm\u0131\u015ft\u0131r. Bu \u00e7al\u0131\u015fmalar dolay\u0131s\u0131yla Frans\u0131z Akademisi taraf\u0131ndan da \u00f6d\u00fcllendirilmi\u015ftir.<\/p>\n

Greguar Manas:<\/strong> Selanik’te d\u00fcnyaya gelen Greguar Manas, 11 Ekim 1885’te vefat etmi\u015ftir. 1870’te, Alt\u0131nc\u0131 Daire-i Belediye’de s\u0131r katibi muavini ve muhakeme m\u00fcmeyyizli\u011fi yapm\u0131\u015f olan Greguar Manas 8 May\u0131s 1860 tarihli bir mektuba g\u00f6re de, uzun y\u0131llar bu g\u00f6revde kald\u0131.<\/p>\n

Jozef Manas:<\/strong> Manas ailesinin son saray ressam\u0131 olan Jozef Manas 1835 y\u0131l\u0131nda do\u011fmu\u015f, 1916 y\u0131l\u0131nda vefat etmi\u015ftir. Zenop Manas’\u0131n karde\u015fi M\u0131g\u0131rdi\u00e7’in o\u011fludur. Abd\u00fclmecid d\u00f6neminde Avrupa’da \u00f6\u011frenim g\u00f6rm\u00fc\u015f, \u00fclkeye d\u00f6nd\u00fc\u011f\u00fcnde saray ressamm\u0131 olarak, Sebuh Manas’\u0131n yerine ge\u00e7mi\u015ftir. Arkas\u0131nda bir\u00e7ok eser b\u0131rakan Jozef Manas’\u0131n en \u00f6nemli i\u015flerinden biri Alrnanya \u0130mparatori\u00e7esi Augusta Victorya’n\u0131n minyat\u00fcr\u00fcd\u00fcr. Tablolar\u0131 aras\u0131nda ise Deli Fuad Pa\u015fa’n\u0131n ya\u011fl\u0131boya portresi \u00f6nemli say\u0131l\u0131r.<\/p>\n

Kasbar Manas: <\/strong>Hariciye g\u00f6revlisi ve saray ressam\u0131 olarak g\u00f6rev yapan Kasbar Manas’\u0131n 1885 y\u0131l\u0131nda Paris’te \u00f6ld\u00fc\u011f\u00fc san\u0131lmaktad\u0131r. Zenop Manas’\u0131n \u00fc\u00e7\u00fcnc\u00fc o\u011fludur. 31 y\u0131l Osmanl\u0131 Devleti’nin Viyana El\u00e7ili\u011fi’nde birinci katipli\u011fini ve terc\u00fcmanl\u0131\u011f\u0131n\u0131 yapt\u0131ktan sonra ayn\u0131 g\u00f6reve Paris’te devam etmi\u015ftir.<\/p>\n

Manase Manas: <\/strong>Saray ressam\u0131 Rafayel’in o\u011fludur. I. Abd\u00fclhamid d\u00f6neminde saray ressam\u0131 olmu\u015ftur. Sultan\u0131n b\u00fcy\u00fck boy bir ka\u00e7 tablosunu \u00e7izmi\u015ftir. 1785 y\u0131llar\u0131 civar\u0131nda Giambatista Toderini Fener’deki at\u00f6lyesini ziyaret etmi\u015f ve Kantemiro\u011flu ‘nun Osmanl\u0131 tarihiyle ilgili kitab\u0131 i\u00e7in, sultanlar\u0131n portreleri konusunda ona dan\u0131\u015fm\u0131\u015ft\u0131r.<\/p>\n

Rafayel veya Rapayel Manase:<\/strong> \u00dcnl\u00fc saray ressam\u0131 ve musiki\u015finas Rafayel Manase 1780 y\u0131l\u0131nda vefat etmi\u015ftir. Kilisede muganni oldu\u011fu i\u00e7in, “Diratzu” (\u00c7elebi) lakab\u0131 ile an\u0131lm\u0131\u015ft\u0131r. Edirnekap\u0131 Ermeni Mezarl\u0131\u011f\u0131’nda yatmakta olan Rafayel Manase, resim e\u011fitimini \u0130talya’da alm\u0131\u015ft\u0131r. I.Mahmud (1730-1754), IlI. Osman (1754-1757) ve IlI. Mustafa (1757-1774) d\u00f6nemlerinde saray ressam\u0131 olmu\u015f ve Toderini’ye g\u00f6re, bu padi\u015fahlar\u0131n portrelerini de \u00e7izmi\u015ftir. Son zamanlarda bulunan ve tarih\u00e7i Sarkis Sarraf-Hovannesyan taraf\u0131ndan kaleme al\u0131nan, 25 Mart 1778 tarihli, Balat Ermeni Kilisesi’nin muganniler heyetinin elyazma t\u00fcz\u00fc\u011f\u00fcn\u00fcn isim sayfas\u0131nda, ba\u015fmuganni olarak ad\u0131 ge\u00e7mektedir. “Diratzu” denilmesinin sebebinin de bundan ileri geldi\u011fi anla\u015f\u0131lmaktad\u0131r. Toderini’nin \u00f6vg\u00fcyle bahsettigi Tanburi Rafayel ile ayn\u0131 ki\u015fi oldu\u011fu d\u00fc\u015f\u00fcn\u00fclmektedir. Rapayel veya Rafayel Ermeniler aras\u0131nda nadir olarak kullan\u0131lan bir isimdir. Manas’\u0131n di\u011fer eserleri de \u015funlard\u0131r: “Hamamda anne ve k\u0131z\u0131”, “Sa\u011f elinde yayl\u0131 ve s\u0131rt\u0131nda tirke\u015fli kad\u0131n”, “Mah\u015fer g\u00fcn\u00fc”, “Sa\u011f elinde bir ok ve sol elinde bir salk\u0131m tutan kad\u0131n”, “Nedime”, “G\u00fclabdan tutan delikanl\u0131”, “K\u00fc\u00e7\u00fck Ven\u00fcs”, “Karpuz dilimi tutan saray kad\u0131n\u0131”.<\/p>\n

\u00a0Rupen Manas:<\/strong> Hariciyeci ve saray ressam\u0131 olan Rupen Manas, Zenop Manas’\u0131n b\u00fcy\u00fck o\u011fludur. May\u0131s 1850’de, Bab\u0131ali, Terc\u00fcme Odas\u0131 \u00fcyesi oldu\u011fu s\u0131rada Abd\u00fclmecid’in emriyle, resim tahsili yapmak \u00fczere Paris’e g\u00f6nderilmi\u015ftir. Daha sonra Paris El\u00e7isi S\u00fcleyman Pa\u015fa ‘n\u0131n terc\u00fcman\u0131 olarak g\u00f6rev yapm\u0131\u015ft\u0131r. 1869’da, Milano ba\u015fkonsoloslu\u011fu yapan Rupen Manas’\u0131n eserleri 1 Temmuz 1875’te Dar\u00fclf\u00fcnun’daki resim sergisinde sergilenmi\u015ftir. Eserleri aras\u0131nda, II. Mahmud’un Tesmi dairelere as\u0131lan portreleri, Fatma Sultan’\u0131n minyat\u00fcr resmi, Damat Fethi Ahmed Pa\u015fa’n\u0131n grav\u00fcr portresi, o\u011flu Mehmed Besim Pa\u015fa’n\u0131n ve k\u0131z\u0131 Yegane Han\u0131m’\u0131n ya\u011fl\u0131boya portreleri zikredilebilir. Paris’te iken Avrupa el\u00e7iliklerine g\u00f6nderilen padi\u015fah tasvirlerinin bir k\u0131sm\u0131n\u0131 da haz\u0131rlam\u0131\u015f olan Rupen Manas, eserlerinde Rubens Manasse imzas\u0131n\u0131 kullanm\u0131\u015ft\u0131r.<\/p>\n

Sebub Manas:<\/strong> Hariciyeci ve saray ressam\u0131 olan Sebub Manas, Zenop Manas’\u0131n ikinci o\u011fludur. Avrupa’da \u00f6\u011frenim g\u00f6rm\u00fc\u015ft\u00fcr. Abd\u00fclmecid ve Abd\u00fclaziz d\u00f6nemlerinde saray ressaml\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. 1852 y\u0131l\u0131nda Paris’teki Osmanl\u0131 El\u00e7ili\u011fi’nin ba\u015fterc\u00fcman\u0131 olarak \u00e7al\u0131\u015ft\u0131\u011f\u0131 bilinmektedir. 30 y\u0131l kadar bu g\u00f6revde kalm\u0131\u015ft\u0131r. 1858’de, Abd\u00fclmecid’in portresini \u0130sve\u00e7-Norve\u00e7 krali\u00e7esine sunmas\u0131 nedeniyle, bir ni\u015fanla \u00f6d\u00fcllendirilmi\u015ftir. Eserleri aras\u0131nda, 1833’te II. Mahmud taraf\u0131ndan Kazaz Artin’e sunulan Tasvir-i H\u00fcmayun ni\u015fan\u0131n\u0131 i\u00e7eren fildi\u015fi minyat\u00fcr, bir T\u00fcrk subay\u0131n\u0131n portresi ile Abd\u00fclmecid’in ve Abd\u00fclaziz’in ya\u011fl\u0131boya tablolar\u0131 say\u0131lmaktad\u0131r.<\/p>\n

Srapion Manas: <\/strong>Tiyatro y\u00f6netmeni, m\u00fctercim, m\u00fcellif ve akt\u00f6r olan T\u00fcrkiye Ermenileri aras\u0131nda ilk defa m\u00fczikli tiyatro eseri yazan ve sahneye koyan ki\u015fidir Sarpion Manas. Hagop Baronyan’a g\u00f6re, \u0130stanbul’da bir Frans\u0131z tiyatrosu kurmu\u015f ve burada 7 y\u0131l y\u00f6netmenlik yapm\u0131\u015ft\u0131r. Daha sonra M\u0131s\u0131r’a giderek, Kahire’de tiyatro y\u00f6netmenli\u011fi yapm\u0131\u015ft\u0131r. Oradan da Paris’e ge\u00e7erek, Dejazet Tiyatrosu’nun m\u00fcd\u00fcr\u00fc olmu\u015ftur. Ancak Paris’te ba\u015far\u0131 elde edemedi\u011finden, \u0130stanbul’ a d\u00f6nm\u00fc\u015f ve 1874 y\u0131l\u0131nda tekrar bir Frans\u0131z tiyatro heyetine y\u00f6netmen ve Beyo\u011flu’ndaki Palais de Cristal Tiyatrosu’na m\u00fcd\u00fcr olarak atanm\u0131\u015ft\u0131r. 1883y\u0131l\u0131nda bug\u00fcnk\u00fc Tokatl\u0131yan Han\u0131’n\u0131n yerinde \u0130n\u015fa edilen Yeni Tiyatro’da 1886’da y\u00f6netmenlik yapm\u0131\u015ft\u0131r. Eserleri aras\u0131nda, De\u011firmencinin K\u0131z\u0131 ve Pamela adl\u0131 vodviller (Ermenice) ile, La Vie a Milan adl\u0131 bir kitap ve Victor Hugo’dan \u00e7evirdi\u011fi Angelo ismindeki dram say\u0131lmaktad\u0131r.<\/p>\n

http:\/\/www.minidev.com\/kulturler\/kulturler_ermeni_mimar5.asp<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Balyan ailesi, Dadyan ailesi ve D\u00fczyan ailesinden sonra, \u0130stanbul ‘un d\u00f6rd\u00fcnc\u00fc \u00f6nemli Ermeni ailesidir. Soyadlar\u0131, saray ressam\u0131 Rafayel’in ikinci ismi Manase’den gelir. Manas Ailesi de Balyanlar gibi aslen Kayserilidirler. Ailenin eski bireylerine ait bir kaynak bulunamad\u0131\u011f\u0131 gibi \u0130stanbul’a da ne zaman gelip yerle\u015ftikleri belli de\u011fildir. Rahip Y. G. \u00c7ark’\u0131n anlatt\u0131klar\u0131na g\u00f6re, Manas Ailesi’nin 16. yy’\u0131n […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44],"tags":[],"class_list":["post-133","post","type-post","status-publish","format-standard","hentry","category-unluler"],"yoast_head":"\nManas Ailesi - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/turkish\/2010\/03\/14\/133\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manas Ailesi - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Balyan ailesi, Dadyan ailesi ve D\u00fczyan ailesinden sonra, \u0130stanbul ‘un d\u00f6rd\u00fcnc\u00fc \u00f6nemli Ermeni ailesidir. Soyadlar\u0131, saray ressam\u0131 Rafayel’in ikinci ismi Manase’den gelir. Manas Ailesi de Balyanlar gibi aslen Kayserilidirler. Ailenin eski bireylerine ait bir kaynak bulunamad\u0131\u011f\u0131 gibi \u0130stanbul’a da ne zaman gelip yerle\u015ftikleri belli de\u011fildir. Rahip Y. 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Soyadlar\u0131, saray ressam\u0131 Rafayel’in ikinci ismi Manase’den gelir. Manas Ailesi de Balyanlar gibi aslen Kayserilidirler. Ailenin eski bireylerine ait bir kaynak bulunamad\u0131\u011f\u0131 gibi \u0130stanbul’a da ne zaman gelip yerle\u015ftikleri belli de\u011fildir. Rahip Y. 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