{"id":87680,"date":"2026-10-23T02:58:55","date_gmt":"2026-10-23T07:58:55","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=87680"},"modified":"2026-10-23T02:58:56","modified_gmt":"2026-10-23T07:58:56","slug":"sarkisten-gerilla-girlse-ayni-mavinin-altinda","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=87680","title":{"rendered":"\u201cSarkis\u2019ten Gerilla Girls\u2019e: Ayn\u0131 mavinin alt\u0131nda"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><em>\u0130stanbul Modern\u2019in onuncu koleksiyon sergisi \u201cAyn\u0131 Mavinin Alt\u0131nda\u201d, 119 sanat\u00e7\u0131n\u0131n 230 yap\u0131t\u0131n\u0131 bir araya getiriyor. Sarkis\u2019in vitraylar\u0131ndan Hera B\u00fcy\u00fckta\u015f\u00e7\u0131yan\u2019\u0131n ge\u00e7mi\u015ften kalan nesnelere verdi\u011fi yeni hayata, Elif Uras\u2019\u0131n kad\u0131n eme\u011fine odaklanan seramiklerinden Gerilla Girls\u2019\u00fcn sanat d\u00fcnyas\u0131ndaki e\u015fitsizliklere y\u00f6neltti\u011fi ele\u015ftirilere uzanan sergide, radar\u0131m\u0131za tak\u0131lan eserleri e\u015f k\u00fcrat\u00f6r Deniz Pehlivaner e\u015fli\u011finde ke\u015ffettik.<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ilgaz G\u00f6k\u0131rmakl\u0131<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hepimiz ayn\u0131 g\u00f6\u011f\u00fcn alt\u0131nday\u0131z. Bazen bir sergi, bunu yeniden hat\u0131rlamak i\u00e7in yeterli olabilir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Her \u015feyin manas\u0131z, bunalt\u0131c\u0131 ve zor geldi\u011fi zamanlardan ge\u00e7iyoruz. G\u00fcndem, kalbimizin ve zihnimizin \u00fczerine hi\u00e7 kalkmayacakm\u0131\u015f gibi bir a\u011f\u0131rl\u0131kla \u00e7\u00f6k\u00fcyor. Birbirimizden nefret etmeye meylediyor, \u00f6fkemizi her yere ta\u015f\u0131yoruz. B\u00fct\u00fcn bunlara s\u00f6yleyecek bir s\u00f6z\u00fcm, \u00e7are olacak bir \u00e7\u00f6z\u00fcm\u00fcm yok. Ama hepimize, ne olursa olsun, ayn\u0131 g\u00f6\u011f\u00fcn alt\u0131nda oldu\u011fumuzu hat\u0131rlatmay\u0131 ama\u00e7layan bir sergi \u00f6nerebilirim.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130stanbul Modern\u2019in onuncu koleksiyon sergisi Ayn\u0131 Mavinin Alt\u0131nda, T\u00fcrkiye\u2019den ve d\u00fcnyan\u0131n farkl\u0131 co\u011frafyalar\u0131ndan sanat\u00e7\u0131lar\u0131n \u00e7e\u015fitli d\u00f6nemlerde \u00fcretti\u011fi yap\u0131tlar\u0131 tarihsel ve tematik bir \u00e7er\u00e7evede bir araya getiriyor. T\u00fcrkiye\u2019de modern ve \u00e7a\u011fda\u015f sanat\u0131n 1940\u2019lardan bu yana ge\u00e7irdi\u011fi d\u00f6n\u00fc\u015f\u00fcm\u00fc ele alan sergi, uluslararas\u0131 sanat\u00e7\u0131lar\u0131n yap\u0131tlar\u0131yla koleksiyona farkl\u0131 a\u00e7\u0131lardan bakma olana\u011f\u0131 sunuyor.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">\u0130lk kez izleyiciyle bulu\u015fan yap\u0131tlar<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u0130stanbul Modern\u2019in yeni artistik direkt\u00f6r\u00fc \u00c7elenk Bafra ile uzun y\u0131llard\u0131r m\u00fczenin koleksiyon ve e\u011fitim b\u00f6l\u00fcmlerinde g\u00f6rev yapan k\u00fcrat\u00f6r Deniz Pehlivaner\u2019in \u00fcstlendi\u011fi Ayn\u0131 Mavinin Alt\u0131nda, m\u00fczenin d\u00f6rt kat\u0131na yay\u0131lan kapsaml\u0131 bir koleksiyon sergisi. 119 sanat\u00e7\u0131n\u0131n 230 yap\u0131t\u0131n\u0131 bir araya getiren sergide, 43 yap\u0131t ilk kez izleyiciyle bulu\u015fuyor. \u0130lk kez sergilenen eserler aras\u0131nda Fato\u015f \u0130rwen\u2019in \u201cRosa\u201ds\u0131, Ya\u015fam \u015ea\u015fmazer\u2019in \u201cKaranl\u0131\u011f\u0131 Ehlile\u015ftirmek\u201di, Asl\u0131 \u00c7avu\u015fo\u011flu\u2019nun \u201cANNEX\u201di, Cande\u011fer Furtun\u2019un \u201cAlk\u0131\u015f\u201d\u0131 ve Bur\u00e7ak Bing\u00f6l\u2019\u00fcn \u201cHatayi\u201dsi gibi isimler var. Ayr\u0131ca G\u00fcls\u00fcn Karamustafa, Elif Uras, Attila Galatal\u0131, Mirak Jamal, Antonis Donef, Julie Mehretu gibi sanat\u00e7\u0131lar\u0131n baz\u0131 yeni yap\u0131tlar\u0131 da ilk kez sergileniyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Biz de yolumuzu \u0130stanbul Modern\u2019e d\u00fc\u015f\u00fcrd\u00fck, serginin hik\u00e2yesini ve koleksiyona getirdi\u011fi yeni bak\u0131\u015flar\u0131 e\u015f k\u00fcrat\u00f6r Deniz Pehlivaner\u2019den dinledik.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Tarih ve temalar aras\u0131nda<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Serginin ilk b\u00f6l\u00fcm\u00fc, 1940\u2019lardan 2000\u2019li y\u0131llara kadar T\u00fcrkiye\u2019de modern ve \u00e7a\u011fda\u015f sanat\u0131n geli\u015fimini tarihsel bir ak\u0131\u015f i\u00e7inde inceliyor. Soyut sanat\u0131n ilk \u00f6rneklerinden fig\u00fcratif anlat\u0131m\u0131n farkl\u0131 bi\u00e7imlerine, sanat\u00e7\u0131lar\u0131n de\u011fi\u015fen estetik yakla\u015f\u0131mlar\u0131ndan toplumsal ve k\u00fclt\u00fcrel d\u00f6n\u00fc\u015f\u00fcmlere uzanan bir se\u00e7ki sunuyor. \u0130kinci b\u00f6l\u00fcmde, 2000 sonras\u0131 sanat \u00fcretimleri tematik ba\u015fl\u0131klar alt\u0131nda bir araya geliyor. Farkl\u0131 ku\u015faklardan ve co\u011frafyalardan sanat\u00e7\u0131lar\u0131n yap\u0131tlar\u0131, g\u00fcncel meselelere farkl\u0131 sanat pratikleri \u00fczerinden bak\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cSava\u015f, Y\u0131k\u0131m, Yerinden Edilme\u201d ba\u015fl\u0131kl\u0131 b\u00f6l\u00fcmde g\u00f6\u00e7, otorite ve tarihsel travmalar\u0131n yan\u0131 s\u0131ra kolektif bellek ve ge\u00e7mi\u015fle kurulan ili\u015fkiler \u00f6ne \u00e7\u0131k\u0131yor. \u201cDo\u011fa, Motif, D\u00f6n\u00fc\u015f\u00fcm\u201d b\u00f6l\u00fcm\u00fcnde insan, hayvan, bitki ve \u00e7evre aras\u0131ndaki ili\u015fkiler d\u00f6n\u00fc\u015f\u00fcm, ekolojik k\u0131r\u0131lma ve k\u00fclt\u00fcrel haf\u0131za ekseninde inceleniyor. \u201cTemsil, Anlat\u0131, Gelenek\u201d ba\u015fl\u0131\u011f\u0131 alt\u0131nda bedenin temsili, toplumsal cinsiyet, zanaat, g\u00f6r\u00fcnmeyen emek ve kimlik meseleleri sanat\u00e7\u0131lar\u0131n yap\u0131tlar\u0131 arac\u0131l\u0131\u011f\u0131yla aktar\u0131l\u0131yor. \u201cKent, Mek\u00e2n, Katman\u201d b\u00f6l\u00fcm\u00fcnde ise kent, haf\u0131za, hareket, mimari ve k\u00fclt\u00fcrel dola\u015f\u0131m\u0131n s\u00fcrekli de\u011fi\u015fti\u011fi bir alan olarak \u00f6ne \u00e7\u0131k\u0131yor. Bu nedenle sergiyi gezerken temalar ve yap\u0131tlar aras\u0131ndaki diyaloglardan \u00e7ok, eserlerin ve sanat\u00e7\u0131lar\u0131n kendi hik\u00e2yelerine odaklanmak daha iyi bir fikir olabilir.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Ayn\u0131 mavinin alt\u0131nda<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">E\u015f k\u00fcrat\u00f6r Deniz Pehlivaner, serginin ad\u0131n\u0131n romantik bir isim aray\u0131\u015f\u0131yla ortaya \u00e7\u0131kmad\u0131\u011f\u0131n\u0131 belirterek mavinin kapsay\u0131c\u0131 anlam\u0131na dikkat \u00e7ekiyor: \u201cMavi, deniz de olabilir, zeminsizlik de yaratabilir, bir s\u0131n\u0131rs\u0131zl\u0131k da verebilir. Farkl\u0131 ku\u015faklardan, sosyolojik ve e\u011fitimsel arka planlardan gelen sanat\u00e7\u0131lar\u0131 bir araya getiren, hepsini kucaklayan ve aralar\u0131ndaki s\u0131n\u0131rlar\u0131 ortadan kald\u0131ran bir isim oldu\u011fu i\u00e7in \u00f6zellikle bu ismi verdik.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sergi, dokuz tematik metnin yan\u0131 s\u0131ra sesli tur ve videolu anlat\u0131mlarla koleksiyon hakk\u0131nda daha kapsaml\u0131 bilgi edinme olana\u011f\u0131 sunuyor. Bu geni\u015f se\u00e7kide bizim radar\u0131m\u0131za giren eserlerden baz\u0131lar\u0131n\u0131 da yak\u0131ndan inceledik.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ziyaret\u00e7ilere not: Pazartesi g\u00fcnleri kapal\u0131 olan \u0130stanbul Modern, per\u015fembe g\u00fcnleri 10.00-14.00 saatleri aras\u0131nda T\u00fcrkiye\u2019de ikamet eden ziyaret\u00e7ilere, sal\u0131 g\u00fcnleri ayn\u0131 saatlerde ise T\u00fcrkiye\u2019de ikamet eden 18-25 ya\u015f aras\u0131 gen\u00e7lere \u00fccretsiz.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Koleksiyondan duraklar<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Korkunun kayna\u011f\u0131 nerede?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ya\u015fam \u015ea\u015fmazer\u2019in \u201cKaranl\u0131\u011f\u0131 Ehlile\u015ftirmek\u201d adl\u0131 eseri, \u0130stanbul Modern koleksiyonuna yeni kat\u0131ld\u0131 ve ilk kez bu sergide izleyiciyle bulu\u015fuyor. Sanat\u00e7\u0131n\u0131n do\u011frudan duvara yapt\u0131\u011f\u0131 resimde, delici bak\u0131\u015flar\u0131yla izleyiciye y\u00f6nelen, duygusuz g\u00f6r\u00fcnen bir k\u0131z \u00e7ocu\u011fu fig\u00fcr\u00fc yer al\u0131yor. Arka plandaki s\u0131rtlan fig\u00fcr\u00fc ve resmin kesilmi\u015f formu, k\u0131z \u00e7ocu\u011fuyla hayvan aras\u0131nda kar\u015f\u0131l\u0131kl\u0131 bir bak\u0131\u015fma hissi yarat\u0131yor. Karanl\u0131k ve korku kavramlar\u0131 \u00fczerinden ilerleyen eser, korkunun kayna\u011f\u0131n\u0131 ve kimin kimi d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fcn\u00fc sorguluyor. Arkadaki \u00e7izimi de sanat\u00e7\u0131 bizzat m\u00fczeye gelerek \u00e7izmi\u015f.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sarkis\u2019e ait bir oda<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Serginin Sarkis\u2019e ayr\u0131lan b\u00f6l\u00fcm\u00fcnde, sanat\u00e7\u0131n\u0131n sava\u015f, yerinden edilme ve g\u00f6\u00e7 gibi konulara tarihsel referanslarla yakla\u015fan be\u015f i\u015fi yer al\u0131yor. Pehlivaner, Sarkis\u2019in zamanla kurdu\u011fu ili\u015fkiyi kasalar \u00fczerinden anlatt\u0131\u011f\u0131n\u0131, tarihlere s\u0131f\u0131rlar ekleyerek zaman\u0131 belirsiz ve sonsuz bir d\u00fczleme ta\u015f\u0131d\u0131\u011f\u0131n\u0131 belirtiyor. I\u015f\u0131\u011f\u0131n art\u0131p azalmas\u0131yla nefes al\u0131p verme hissi yaratan eser de sanat\u00e7\u0131n\u0131n ya\u015famla kurdu\u011fu ba\u011f\u0131 g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sarkis\u2019in vitray \u00e7al\u0131\u015fmalar\u0131 da b\u00f6l\u00fcm\u00fcn \u00f6nemli par\u00e7alar\u0131 aras\u0131nda. Sanat\u00e7\u0131, \u00fcretme tutkusuna duydu\u011fu hayranl\u0131kla Aliye Berger\u2019in bir resmini vitray olarak yeniden yorumluyor. Berger\u2019in 1970\u2019lerin ba\u015f\u0131nda Narmanl\u0131 Han\u2019daki at\u00f6lyesinde \u00e7\u0131kan yang\u0131n s\u0131ras\u0131nda resim yapmay\u0131 s\u00fcrd\u00fcrmesinden etkilenen Sarkis, \u201cK\u0131rm\u0131z\u0131 vitraylar serisi No: 8,\u201d isimli vitray\u0131yla&nbsp; sanat\u00e7\u0131y\u0131 en \u00fcretken ve hayat dolu h\u00e2liyle anmay\u0131 ama\u00e7l\u0131yor. Sarkis, \u201cMasumlar\u0131n Vitraylar\u0131\u201d adl\u0131 eserinde Y\u00fcz\u00fcklerin Efendisi filminin imgelerini kullanarak g\u00fcn\u00fcm\u00fcz\u00fcn canavarlar\u0131n\u0131 vitraylara hapsediyor. K\u00fcrat\u00f6r Deniz Pehlivaner\u2019e g\u00f6re eser, izleyiciyi g\u00fcven ve umut kavramlar\u0131 \u00fczerine d\u00fc\u015f\u00fcnmeye davet ediyor. Sanat\u00e7\u0131n\u0131n havai fi\u015fekleri Orta\u00e7a\u011f resmiyle bulu\u015fturdu\u011fu di\u011fer i\u015fi ise sava\u015f, y\u0131k\u0131m, yard\u0131m ve kutlama gibi farkl\u0131 \u00e7a\u011fr\u0131\u015f\u0131mlar\u0131 bir araya getiriyor. Sarkis, imgelerin anlam\u0131n\u0131 izleyiciye b\u0131rakarak ge\u00e7mi\u015fteki \u00e7at\u0131\u015fmalarla bug\u00fcn\u00fcn ger\u00e7ekleri aras\u0131nda ba\u011f kuruyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ge\u00e7mi\u015ften kalan par\u00e7alara ikinci bir hayat<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sergide, hemen Sarkis\u2019e konuk olan Hera B\u00fcy\u00fckta\u015f\u00e7\u0131yan\u2019\u0131n yerle\u015ftirmesinde, Heybeliada\u2019daki bir manast\u0131rdan sanat\u00e7\u0131n\u0131n toplad\u0131\u011f\u0131 tu\u011fla, fayans ve ba\u015fka nesneler yer al\u0131yor. Manast\u0131r\u0131n tarihine ve zaman i\u00e7inde ge\u00e7irdi\u011fi d\u00f6n\u00fc\u015f\u00fcme i\u015faret eden bu par\u00e7alar, bronz ayaklar eklenerek yeni bir kimlik kazan\u0131yor. B\u00f6ylece B\u00fcy\u00fckta\u015f\u00e7\u0131yan, ge\u00e7mi\u015ften kalan nesnelere adeta ikinci bir hayat veriyor. Yerle\u015ftirme, bir yandan tarih\u00ee mek\u00e2n\u0131n yitip giden izlerini hat\u0131rlat\u0131rken di\u011fer yandan bu par\u00e7alar\u0131n d\u00f6n\u00fc\u015ferek ya\u015famay\u0131 s\u00fcrd\u00fcrmesine odaklan\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ara G\u00fcler de burada!<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Koleksiyon sergisi, T\u00fcrkiye\u2019nin foto\u011fraf alan\u0131ndaki en \u00f6nemli ustalar\u0131ndan yap\u0131tlar da bar\u0131nd\u0131r\u0131yor. Disiplinleraras\u0131 yakla\u015f\u0131m\u0131 T\u00fcrkiye foto\u011fraf k\u00fclt\u00fcr\u00fcne kazand\u0131ran Ersin Alok, 1962 y\u0131l\u0131nda \u201cMaster of Leica\u201d unvan\u0131 verilen Ara G\u00fcler, T\u00fcrkiye\u2019de akademik e\u011fitim alan ilk kad\u0131n foto\u011fraf\u00e7\u0131 Y\u0131ld\u0131z Moran ve Sedat Pakay\u2019\u0131n \u00e7al\u0131\u015fmalar\u0131 da izleyiciyle bulu\u015fuyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kafas\u0131 kar\u0131\u015f\u0131k bir hal\u0131<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Frans\u0131z multimedya sanat\u00e7\u0131s\u0131 ve Turner \u00d6d\u00fcl\u00fc sahibi Laure Prouvost\u2019nun 2018\u2019de \u00fcretti\u011fi \u201cSanat\u00e7\u0131 At\u00f6lyesi\u201d \u0130stanbul Modern koleksiyonunda yer alan an\u0131tsal bir duvar hal\u0131s\u0131. Sanat\u00e7\u0131n\u0131n at\u00f6lyesini ve zihnini \u00e7a\u011fr\u0131\u015ft\u0131ran eserde zemin, tavan ve belirgin s\u0131n\u0131rlar yok; farkl\u0131 imgeler, notlar ve k\u00fc\u00e7\u00fck mizahi ayr\u0131nt\u0131lar i\u00e7 i\u00e7e ge\u00e7iyor. S\u00fcrekli de\u011fi\u015fen d\u00fc\u015f\u00fcnceler gibi konudan konuya atlayan kompozisyon, hareketli bir mek\u00e2n hissi yarat\u0131yor. Prouvost\u2019nun tasar\u0131m\u0131n\u0131 verdi\u011fi hal\u0131, Bel\u00e7ika\u2019daki hal\u0131 at\u00f6lyelerinde dokunuyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bu \u00e7ark zor d\u00f6ner!<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Elif Uras\u2019\u0131n Bu \u00c7ark Zor D\u00f6n\u00fcyor (2024) adl\u0131 eseri, \u0130stanbul Modern koleksiyonu i\u00e7in \u00f6zel olarak \u00fcretildi ve ilk kez bu sergide izleyiciyle bulu\u015fuyor. Resim e\u011fitimi alan Uras, desenlerini seramik y\u00fczeylere ta\u015f\u0131yor. \u0130znik \u00e7inisinin mavi-beyaz gelene\u011finden yararland\u0131\u011f\u0131 \u00e7al\u0131\u015fmada, vazolar kad\u0131n bedenlerini temsil ediliyor. Eserdeki kad\u0131n fig\u00fcrleri, ay ve dalga motifleri kad\u0131n eme\u011fine ve ya\u015fam d\u00f6ng\u00fclerinden ilhamla yap\u0131lm\u0131\u015f. Her biri el i\u015f\u00e7ili\u011fiyle \u00fcretilen par\u00e7alar, kad\u0131nlar\u0131n seramik \u00fcretimindeki eme\u011fini de g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Gerilla Girls: Kad\u0131n sanat\u00e7\u0131lar\u0131n g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fc<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1985\u2019te, New York\u2019taki Modern Sanat M\u00fczesi\u2019nde (MoMA) d\u00fczenlenen bir sergide yer alan 169 sanat\u00e7\u0131dan yaln\u0131zca 13\u2019\u00fcn\u00fcn kad\u0131n olmas\u0131 \u00fczerine kurulan Gerilla Girls, sanat d\u00fcnyas\u0131ndaki cinsiyet e\u015fitsizli\u011fine dikkat \u00e7ekmek amac\u0131yla ortaya \u00e7\u0131kt\u0131. Grup, posterler, kitaplar ve performanslar arac\u0131l\u0131\u011f\u0131yla sanat kurumlar\u0131ndaki ayr\u0131mc\u0131l\u0131\u011f\u0131 istatistikler ve ironi \u00fczerinden ele\u015ftiriyor. Sergideki \u201cT\u00fcrk Kad\u0131n Sanat\u00e7\u0131lar\u0131n Gelece\u011fi, grubun T\u00fcrkiye\u2019deki sanat d\u00fcnyas\u0131na y\u00f6neltti\u011fi ele\u015ftirileri yeniden g\u00fcndeme getiriyor. Yakla\u015f\u0131k 20 y\u0131ld\u0131r sergilenmeyen eser, kad\u0131n sanat\u00e7\u0131lar\u0131n g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fc ve m\u00fczelerin koleksiyon politikalar\u0131 \u00fczerine d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor. Pehlivaner, sergide y\u00fczde 45\u2019inin kad\u0131n oldu\u011funu belirtiyor. Pehlivaner, koleksiyonda kad\u0131n sanat\u00e7\u0131lar\u0131n temsilini art\u0131rmaya y\u00f6nelik 22 y\u0131ll\u0131k \u00e7aban\u0131n ard\u0131ndan, kad\u0131n ve erkek sanat\u00e7\u0131lar\u0131n temsili aras\u0131ndaki dengenin ilk kez bu d\u00fczeye ula\u015ft\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.agos.com.tr\/tr\/haber\/sarkisten-gerilla-girlse-ayni-mavinin-altinda-42262\"><strong><em>https:\/\/www.agos.com.tr\/tr\/haber\/sarkisten-gerilla-girlse-ayni-mavinin-altinda-42262<\/em><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0130stanbul Modern\u2019in onuncu koleksiyon sergisi \u201cAyn\u0131 Mavinin Alt\u0131nda\u201d, 119 sanat\u00e7\u0131n\u0131n 230 yap\u0131t\u0131n\u0131 bir araya getiriyor. Sarkis\u2019in vitraylar\u0131ndan Hera B\u00fcy\u00fckta\u015f\u00e7\u0131yan\u2019\u0131n ge\u00e7mi\u015ften kalan nesnelere verdi\u011fi yeni hayata, Elif Uras\u2019\u0131n kad\u0131n eme\u011fine odaklanan seramiklerinden Gerilla Girls\u2019\u00fcn sanat d\u00fcnyas\u0131ndaki e\u015fitsizliklere y\u00f6neltti\u011fi ele\u015ftirilere uzanan sergide, radar\u0131m\u0131za tak\u0131lan eserleri e\u015f k\u00fcrat\u00f6r Deniz Pehlivaner e\u015fli\u011finde ke\u015ffettik. Ilgaz G\u00f6k\u0131rmakl\u0131 Hepimiz ayn\u0131 g\u00f6\u011f\u00fcn alt\u0131nday\u0131z. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":87681,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-87680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cSarkis\u2019ten Gerilla Girls\u2019e: Ayn\u0131 mavinin alt\u0131nda - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=87680\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cSarkis\u2019ten Gerilla Girls\u2019e: Ayn\u0131 mavinin alt\u0131nda - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"\u0130stanbul Modern\u2019in onuncu koleksiyon sergisi \u201cAyn\u0131 Mavinin Alt\u0131nda\u201d, 119 sanat\u00e7\u0131n\u0131n 230 yap\u0131t\u0131n\u0131 bir araya getiriyor. Sarkis\u2019in vitraylar\u0131ndan Hera B\u00fcy\u00fckta\u015f\u00e7\u0131yan\u2019\u0131n ge\u00e7mi\u015ften kalan nesnelere verdi\u011fi yeni hayata, Elif Uras\u2019\u0131n kad\u0131n eme\u011fine odaklanan seramiklerinden Gerilla Girls\u2019\u00fcn sanat d\u00fcnyas\u0131ndaki e\u015fitsizliklere y\u00f6neltti\u011fi ele\u015ftirilere uzanan sergide, radar\u0131m\u0131za tak\u0131lan eserleri e\u015f k\u00fcrat\u00f6r Deniz Pehlivaner e\u015fli\u011finde ke\u015ffettik. Ilgaz G\u00f6k\u0131rmakl\u0131 Hepimiz ayn\u0131 g\u00f6\u011f\u00fcn alt\u0131nday\u0131z. 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Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/akunq.net\/tr\/?p=87680","og_locale":"en_US","og_type":"article","og_title":"\u201cSarkis\u2019ten Gerilla Girls\u2019e: Ayn\u0131 mavinin alt\u0131nda - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","og_description":"\u0130stanbul Modern\u2019in onuncu koleksiyon sergisi \u201cAyn\u0131 Mavinin Alt\u0131nda\u201d, 119 sanat\u00e7\u0131n\u0131n 230 yap\u0131t\u0131n\u0131 bir araya getiriyor. 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