{"id":87640,"date":"2026-10-21T02:29:34","date_gmt":"2026-10-21T07:29:34","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=87640"},"modified":"2026-10-21T02:29:34","modified_gmt":"2026-10-21T07:29:34","slug":"sibil-ile-zamani-asan-yuzyillik-bir-duet-uzerine","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=87640","title":{"rendered":"Sibil ile: Zaman\u0131 A\u015fan Y\u00fczy\u0131ll\u0131k Bir D\u00fcet \u00dczerine"},"content":{"rendered":"\n

S\u00fcmeyra G\u00fcmrah<\/strong><\/a><\/p>\n\n\n\n

<\/a>\u201c\u2026 Gomidas\u2019\u0131n \u015fark\u0131s\u0131 do\u011fdu\u011fu topraklarda yeniden ya\u015fas\u0131n diye.\u201d diyor \u0130stanbullu \u015fark\u0131c\u0131 Sibil. Gomidas\u2019\u0131n y\u00fczy\u0131l\u0131 a\u015fk\u0131n s\u00fcre \u00f6nce pla\u011fa okudu\u011fu \u201cArorn Ou Tatrakn\u201d\u0131 (\u00c7ulluk ile Kumru) onun kendi sesiyle birlikte s\u00f6yledi. Ge\u00e7ti\u011fimiz aylarda yay\u0131mlanan, alt\u0131 y\u0131ll\u0131k bir hayalden do\u011fan bu d\u00fcetin ve kilise korosundan bug\u00fcne uzanan bir sesin hikayesini Sibil\u2019le konu\u015ftum.<\/em><\/strong><\/p>\n\n\n\n

1881, E\u00e7miadzin. Bug\u00fcnk\u00fc Ermenistan\u2019da, Ermeni Kilisesi\u2019nin merkezinde, K\u00fctahya\u2019dan getirilen on iki ya\u015f\u0131nda bir \u00e7ocuk kilisenin ba\u015f\u0131 Katolikos IV. Kevork\u2019un kar\u015f\u0131s\u0131nda. Annesini bebekken, babas\u0131n\u0131 da k\u0131sa s\u00fcre \u00f6nce kaybetmi\u015f; T\u00fcrk\u00e7e konu\u015fulan bir evde b\u00fcy\u00fcd\u00fc\u011f\u00fc i\u00e7in Ermenice bilmiyor. Katolikos onu Ermenice selaml\u0131yor. Anlat\u0131lana g\u00f6re \u00e7ocuk, \u201cErmenice bilmiyorum, isterseniz \u015fark\u0131 s\u00f6yleyeyim,\u201d diye kar\u015f\u0131l\u0131k verip s\u00f6zlerini anlamad\u0131\u011f\u0131 bir \u015farakan, yani kilise ilahisi s\u00f6yl\u00fcyor. Sesi Katolikos\u2019u \u00f6ylesine etkiliyor ki sonras\u0131nda s\u0131k s\u0131k misafirlerine \u015fark\u0131 s\u00f6ylemesi i\u00e7in \u00e7a\u011fr\u0131l\u0131yor.<\/p>\n\n\n\n

\u00c7ocu\u011fun ad\u0131 So\u011fomon So\u011fomonyan. D\u00fcnya onu, 1894\u2019te rahip olurken ald\u0131\u011f\u0131 Gomidas (Komitas) ad\u0131yla tan\u0131yacak. Besteci, \u015fark\u0131c\u0131 ve ara\u015ft\u0131rmac\u0131 olarak tarlalarda, d\u00fc\u011f\u00fcnlerde s\u00f6ylenen binlerce halk ezgisini derleyip notaya ge\u00e7irecek; 1910\u2019da \u0130stanbul\u2019a yerle\u015fip Kusan (ozan) korosunu kuracak. Yaln\u0131zca kendi sesiyle de\u011fil, kaybolmas\u0131n\u0131 \u00f6nledi\u011fi ezgilerle de sonraki ku\u015faklar\u0131n hayat\u0131nda yer alacak. O sesin kendisi de bug\u00fcne ula\u015ft\u0131. Gomidas\u2019\u0131n y\u00fczy\u0131l\u0131 a\u015fk\u0131n s\u00fcre \u00f6nce pla\u011fa okudu\u011fu par\u00e7alardan biri \u201cArorn Ou Tatrakn\u201d, yani \u201c\u00c7ulluk ile Kumru\u201d. D\u00f6nemin kay\u0131t teknolojisi ve sonraki aktar\u0131mlar, sesin baz\u0131 ayr\u0131nt\u0131lar\u0131n\u0131 eksiltmi\u015f. Yine de o kayd\u0131 dinlerken E\u00e7miadzin\u2019deki \u00e7ocu\u011fun sesinin Katolikos\u2019u neden etkiledi\u011fini anlar gibi oluyor insan.<\/p>\n\n\n\n

Sibil de bu kayda alt\u0131 y\u0131l kadar \u00f6nce tesad\u00fcfen rastlam\u0131\u015f. Dinler dinlemez i\u00e7inden bir dilek ge\u00e7mi\u015f: Bu \u015fark\u0131y\u0131 Gomidas\u2019\u0131n sesiyle birlikte s\u00f6ylemek. Sibil\u2019in kilise m\u00fczi\u011fiyle ili\u015fkisi ise \u00e7ok daha \u00f6nce, koroda s\u00f6yleyen babas\u0131n\u0131n pe\u015finden gitmesiyle ba\u015flam\u0131\u015f. Ferik\u00f6y\u2019deki Surp Vartanants Korosu\u2019nda yakla\u015f\u0131k yirmi y\u0131l korist ve solist olarak s\u00f6ylemi\u015f; bir yandan da bir finans \u015firketinde \u00e7al\u0131\u015fm\u0131\u015f. 2010\u2019da, tamam\u0131 Ermenice \u015fark\u0131lardan olu\u015fan ilk alb\u00fcm\u00fc \u201cSibil\u201d yay\u0131mlanm\u0131\u015f; 2014\u2019te \u201cSer\u201d (A\u015fk) gelmi\u015f.<\/p>\n\n\n\n

Alt\u0131 y\u0131ll\u0131k hayal, Temmuz 2026\u2019da \u201cArorn Ou Tatrakn\u201d d\u00fcetine d\u00f6n\u00fc\u015ft\u00fc. Vahan Nahapetyan\u2019\u0131n d\u00fczenledi\u011fi \u015fark\u0131da, Hasmik Muradyan Harutyunyan da kaval\u0131 and\u0131ran geleneksel bir Ermeni fl\u00fct\u00fc olan blulle e\u015flik ediyor. Klibi 22 Temmuz\u2019da yay\u0131mlanan \u00e7al\u0131\u015fmada, Gomidas\u2019\u0131n g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc yeniden canland\u0131rmak i\u00e7in yapay zek\u00e2dan yararlan\u0131lm\u0131\u015f. D\u00fceti dinlerken akl\u0131m E\u00e7miadzin\u2019deki \u00e7ocu\u011fa gidiyor. Sibil de s\u00f6yle\u015fide anlatt\u0131\u011f\u0131 gibi, \u00e7ocukken Gomidas\u2019\u0131n kim oldu\u011funu bilmeden onun ezgileriyle b\u00fcy\u00fcm\u00fc\u015f. Ermenice bilmeden \u015fark\u0131lar\u0131na e\u015flik etmek isteyen dinleyicileri d\u00fc\u015f\u00fcn\u00fcnce, bu m\u00fczi\u011fin insanlara s\u00f6zc\u00fcklerden \u00f6nce sesiyle ula\u015fabildi\u011fini hissediyorum.<\/p>\n\n\n\n

Sibil ile s\u00f6yle\u015fimizde sadece Gomidas yok; mesafelere ra\u011fmen s\u00fcren bir a\u015fk\u0131 anlatan \u201cArevin Mot\u201da (G\u00fcne\u015fe Yak\u0131n) ve \u015fark\u0131n\u0131n klibini yaz\u0131p y\u00f6neten Oscar k\u0131sa listesine giren y\u00f6netmen, Emmy \u00f6d\u00fcll\u00fc oyuncu Michael A. Goorjian ile kar\u015f\u0131la\u015fmas\u0131 da var. Ama \u00f6nce \u00e7ocuklu\u011fundan ba\u015flayal\u0131m.<\/p>\n\n\n\n

M\u00fczikle ilk temas\u0131n\u0131z ne zamana uzan\u0131yor. O y\u0131llardan bug\u00fcne kula\u011f\u0131n\u0131zda kalan ilk ses ya da ilk m\u00fczikal sahne hangisi?<\/strong><\/p>\n\n\n\n

Babam kilise korosunda \u015fark\u0131 s\u00f6yl\u00fcyordu ve pazar g\u00fcnleri beni de yan\u0131nda g\u00f6t\u00fcr\u00fcrd\u00fc. \u00d6zellikle Gomidas\u2019\u0131n d\u00fczenledi\u011fi ayinleri dinleyerek, hatta baz\u0131 b\u00f6l\u00fcmlerini kendi kendime s\u00f6yleyerek b\u00fcy\u00fcd\u00fcm. San\u0131r\u0131m m\u00fczikle kurdu\u011fum ilk ba\u011flardan biri de buydu. Ama kula\u011f\u0131mda kalan ilk ve en \u00f6zel ses, annemin melek sesidir. Annem de babam da bana ve ablama \u201cOror\u201d (Ninni) adl\u0131 \u015fark\u0131y\u0131 s\u00f6ylerlerdi. Bug\u00fcn bile \u201cOror\u201du s\u00f6yledi\u011fimde duygulan\u0131r\u0131m. \u00c7\u00fcnk\u00fc o ezginin i\u00e7inde \u00e7ocuklu\u011fum var. \u0130lk ger\u00e7ek m\u00fczikal sahne deneyimim ise yan\u0131lm\u0131yorsam Harbiye A\u00e7\u0131k Hava\u2019da izledi\u011fim, Zuhal Olcay ve Cihan \u00dcnal\u2019\u0131n ba\u015frollerini oynad\u0131\u011f\u0131 \u201cEvita\u201d m\u00fczikalidir. \u00c7ok k\u00fc\u00e7\u00fck ya\u015ftayd\u0131m ama sahneden o kadar etkilenmi\u015ftim ki g\u00f6zlerimden ya\u015flar s\u00fcz\u00fclm\u00fc\u015f ve i\u00e7imden \u201cBen de bir g\u00fcn sahnede olmak istiyorum\u201d demi\u015ftim.<\/p>\n\n\n\n

O \u00e7ocukluk h\u00e2l\u00e2 sizinle gelen bir \u015fey var m\u0131?<\/strong><\/p>\n\n\n\n

San\u0131r\u0131m bug\u00fcn sahneye her \u00e7\u0131kt\u0131\u011f\u0131mda o k\u00fc\u00e7\u00fck k\u0131z h\u00e2l\u00e2 benimle. Bug\u00fcne kadar ald\u0131\u011f\u0131m \u00f6d\u00fclleri kucaklad\u0131ktan sonra da kendi kendime \u015funu s\u00f6yl\u00fcyorum: \u201cSibil, bak\u2026 G\u00f6ky\u00fcz\u00fcne bak\u0131p bir dilek dilemi\u015ftin ve bu ger\u00e7ek oldu.\u201d<\/p>\n\n\n\n

Sizinle yollar\u0131m\u0131z y\u0131llar \u00f6nce Aya \u0130rini\u2019de, Uluslararas\u0131 Mistik Sanat Festivali\u2019nde kesi\u015fmi\u015f; tan\u0131\u015fmak bug\u00fcne k\u0131smet oldu. O d\u00f6nemde Surp Vartanants Korosu\u2019nda s\u00f6yl\u00fcyordunuz ve m\u00fczik d\u0131\u015f\u0131nda bir i\u015finiz de varm\u0131\u015f. Yakla\u015f\u0131k yirmi y\u0131l s\u00fcren koro deneyiminiz size ne \u00f6\u011fretti? M\u00fczi\u011fi hayat\u0131n\u0131z\u0131n merkezine al\u0131p kendi ad\u0131n\u0131zla sahneye \u00e7\u0131kmaya ba\u015flad\u0131\u011f\u0131n\u0131zda neler de\u011fi\u015fti; korodan h\u00e2l\u00e2 \u00f6zledi\u011finiz bir \u015fey var m\u0131?<\/strong><\/p>\n\n\n\n

Akademik bir m\u00fczik e\u011fitimi almad\u0131m; dolay\u0131s\u0131yla Surp Vartanants benim okulum oldu. Yakla\u015f\u0131k yirmi y\u0131l boyunca o koronun korist ve solisti olarak \u00e7ok \u015fey \u00f6\u011frendim. Hem T\u00fcrkiye\u2019de hem de yurt d\u0131\u015f\u0131nda sahnelerimiz oldu; Sezen Aksu, N\u00fckhet Duru gibi bir\u00e7ok de\u011ferli sanat\u00e7\u0131ya da e\u015flik ettik. Koroda birlikte \u015fark\u0131 s\u00f6ylemekten ger\u00e7ekten \u00e7ok keyif al\u0131yordum. \u00c7\u00fcnk\u00fc koro size sadece kendi sesinizi de\u011fil, yan\u0131n\u0131zdaki sesleri de dinlemeyi \u00f6\u011fretiyor. Birbirinize uyum sa\u011flamay\u0131, gerekti\u011finde geri \u00e7ekilmeyi, gerekti\u011finde b\u00fct\u00fcn\u00fcn i\u00e7inde sesinizi ortaya koymay\u0131 \u00f6\u011freniyorsunuz. Bana ekip ruhunu, uyumu ve sahne \u00fczerindeki ciddiyeti \u00f6\u011fretti.<\/p>\n\n\n\n

Ama bir yandan da i\u00e7imde hep ba\u015fka bir istek vard\u0131. Belirli kal\u0131plara ba\u011fl\u0131 kalmadan, daha ba\u011f\u0131ms\u0131z ve \u00f6zg\u00fcn bir \u015fekilde, g\u00f6zlerimi kapat\u0131p i\u00e7imden geldi\u011fi gibi \u015fark\u0131 s\u00f6ylemek istiyordum. Solo yolculu\u011fum biraz da bu iste\u011fin pe\u015finden gitmek oldu. Koro repertuar\u0131n\u0131 ve o ekip ruhuyla birlikte \u015fark\u0131 s\u00f6yleme hissini zaman zaman \u00f6zl\u00fcyorum. \u00c7\u00fcnk\u00fc orada \u00e7ok \u00f6zel bir aidiyet duygusu var. Fakat solo sahnede beni en \u00e7ok heyecanland\u0131ran \u015fey, kendi sesimle kendi duygular\u0131ma ses verebilmek. G\u00f6zlerimi kapatt\u0131\u011f\u0131mda ne hissediyorsam onu sesime ta\u015f\u0131yabilmek, san\u0131r\u0131m beni ben yapan en \u00f6nemli \u015feylerden biri.<\/p>\n\n\n\n

M\u00fczi\u011fe bak\u0131\u015f\u0131m\u0131n en \u00e7ok de\u011fi\u015fen taraf\u0131 da bu oldu. Eskiden belki \u015fark\u0131 s\u00f6ylemek daha \u00e7ok bir tutkuydu; bug\u00fcn ise kendimi ifade etme bi\u00e7imim. Art\u0131k g\u00fczel s\u00f6ylemekten \u00e7ok, s\u00f6yledi\u011fim \u015feyin bana ait olmas\u0131n\u0131 ve kar\u015f\u0131 tarafa ger\u00e7ek bir duygu ge\u00e7irmesini \u00f6nemsiyorum. Bir de art\u0131k bana ait \u015fark\u0131lar\u0131m var. Art\u0131k \u201cSibil \u015fark\u0131lar\u0131\u201d var. San\u0131r\u0131m bunun benim i\u00e7in anlam\u0131 \u00e7ok b\u00fcy\u00fck. \u00c7\u00fcnk\u00fc y\u0131llarca ba\u015fkalar\u0131n\u0131n \u015fark\u0131lar\u0131n\u0131 seslendirdikten sonra, kendi hik\u00e2yemi ve duygular\u0131m\u0131 ta\u015f\u0131yan \u015fark\u0131lar\u0131n olmas\u0131, m\u00fczik yolculu\u011fumda kendime ait bir alan yaratmak gibi.<\/p>\n\n\n\n

Bu s\u00f6yle\u015fiyi Gomidas ile zaman \u00f6tesi d\u00fcetinizin bulundu\u011fu son \u00e7al\u0131\u015fman\u0131z vesilesiyle yap\u0131yoruz. Onun ad\u0131n\u0131 ilk kez bu s\u00f6yle\u015fide duyan bir okura Gomidas\u2019\u0131 bir biyografi c\u00fcmlesiyle de\u011fil de tek bir sahneyle tan\u0131tman\u0131z gerekse, hangi sahneyi anlat\u0131rd\u0131n\u0131z?<\/strong><\/p>\n\n\n\n

Bana g\u00f6re Gomidas, d\u00fcnya Ermenilerinin ge\u00e7mi\u015fi ve ard\u0131nda b\u0131rakt\u0131\u011f\u0131 b\u00fcy\u00fck bir m\u00fczikal miras demek. Ama onu tek bir sahneyle anlatmam gerekirse, sizi \u00e7ocuklu\u011fuma g\u00f6t\u00fcr\u00fcrd\u00fcm: Pazar sabahlar\u0131 babam\u0131n yan\u0131nda kilisede oturup Gomidas\u2019\u0131n ayin ezgilerini dinledi\u011fim o anlara\u2026 O zamanlar Gomidas\u2019\u0131n kim oldu\u011funu bilmiyordum ama m\u00fczi\u011fini biliyordum. Bug\u00fcn h\u00e2l\u00e2 o ezgileri kendi sesimle s\u00f6yleyebiliyor olmak, san\u0131r\u0131m onun miras\u0131n\u0131n ne kadar g\u00fc\u00e7l\u00fc oldu\u011funu anlatman\u0131n en g\u00fczel yolu.<\/p>\n\n\n\n

Gomidas, bestecili\u011finin yan\u0131 s\u0131ra halk ezgilerini derleyip notaya ge\u00e7irerek bir m\u00fczik haf\u0131zas\u0131n\u0131 da korudu. Sizce onu bug\u00fcn h\u00e2l\u00e2 bize yak\u0131n k\u0131lan ne: bestecili\u011fi, ara\u015ft\u0131rmac\u0131l\u0131\u011f\u0131, yoksa bir k\u00fclt\u00fcr\u00fcn sesini gelece\u011fe ta\u015f\u0131mas\u0131 m\u0131?<\/strong><\/p>\n\n\n\n

Hepsi. Gomidas benim i\u00e7in yaln\u0131zca bir din adam\u0131, ara\u015ft\u0131rmac\u0131 ya da besteci de\u011fil; ayn\u0131 zamanda e\u015fsiz bir sese sahip bir m\u00fczisyen. Son \u00e7al\u0131\u015fmamda da ar\u015fivdeki, yakla\u015f\u0131k bir y\u00fczy\u0131l \u00f6nce kaydedilmi\u015f sesini yeniden aranje ederek bug\u00fcn\u00fcn dinleyicisiyle bulu\u015fturduk. Bence onun en \u00e7a\u011fda\u015f taraf\u0131 da tam burada. Bir k\u00fclt\u00fcr\u00fcn ses haf\u0131zas\u0131n\u0131 koruyup, y\u00fczy\u0131l sonra bile o sesi yeniden duyurabilmek.<\/p>\n\n\n\n

Gomidas 1910\u2019da \u0130stanbul\u2019a yerle\u015fip bir koro kuruyor, dersler veriyor. Sizin m\u00fczikle ba\u011f\u0131n\u0131z da bu \u015fehirde \u015fekillenmi\u015f. Aradan ge\u00e7en y\u00fczy\u0131l\u0131 a\u015fk\u0131n zamana ra\u011fmen, onun \u0130stanbul\u2019u ile sizin \u0130stanbul\u2019unuz hangi seslerde ve duygularda bulu\u015fuyor?<\/strong><\/p>\n\n\n\n

Klibimi izleyenler a\u00e7\u0131l\u0131\u015fta \u015fu c\u00fcmleyi g\u00f6recekler:\u201c\u2026 Gomidas\u2019\u0131n \u015fark\u0131s\u0131 do\u011fdu\u011fu topraklarda yeniden ya\u015fas\u0131n diye.\u201d Gomidas\u2019\u0131n sesini, do\u011fdu\u011fu ve m\u00fczi\u011fini \u015fekillendirdi\u011fi bu topraklarda yeniden duyurma fikrimin temelinde, ayn\u0131 \u015fehirde ya\u015fam\u0131\u015f olmam\u0131z\u0131n da \u00f6nemli bir pay\u0131 var. \u0130stanbul \u00e7ok kozmopolit bir \u015fehir. Bazen ezanla kilise \u00e7anlar\u0131n\u0131n ayn\u0131 anda duyuldu\u011fu anlara tan\u0131kl\u0131k ediyoruz. Gomidas\u2019\u0131n ezan derlemeleri de bunun \u00e7ok g\u00fczel bir \u00f6rne\u011fi. Benim \u0130stanbul\u2019umla Gomidas\u2019\u0131n \u0130stanbul\u2019u, y\u00fczy\u0131l\u0131 a\u015fk\u0131n zaman sonra belki de burada bulu\u015fuyor. \u00c7\u00fcnk\u00fc bu \u015fehir onun i\u00e7in de benim i\u00e7in de hem g\u00fczelliklerin hem de h\u00fczn\u00fcn \u015fehri. Gomidas\u2019\u0131n hayat\u0131nda b\u0131rakt\u0131\u011f\u0131 derin izleri ve ya\u015fad\u0131\u011f\u0131 ac\u0131lar\u0131 g\u00f6z ard\u0131 edemeyiz. Belki bug\u00fcn kula\u011f\u0131m\u0131za ula\u015fan ortak ses de bu; ge\u00e7mi\u015fin h\u00fczn\u00fcn\u00fc ta\u015f\u0131yan ama buna ra\u011fmen ya\u015famaya devam eden bir ses. Bir yanda haf\u0131za, di\u011fer yanda umut\u2026<\/p>\n\n\n\n

Gomidas\u2019\u0131n sesinden \u201cArorn Ou Tatrakn\u201d\u0131 ilk dinledi\u011finizde sizi en \u00e7ok ne etkiledi? G\u00fcn\u00fcm\u00fcze ula\u015fan kay\u0131tlar\u0131 aras\u0131ndan d\u00fcet i\u00e7in neden bu \u015fark\u0131y\u0131 se\u00e7tiniz?<\/strong><\/p>\n\n\n\n

\u00d6ncelikle \u201cArorn Ou Tatrakn\u201d, yani \u201c\u00c7ulluk ile Kumru\u201d, Gomidas\u2019\u0131n \u00e7ok bilinen eserlerinden biri de\u011fildi. Hatta bu \u00e7al\u0131\u015fma sayesinde bir\u00e7ok ki\u015fi ilk kez duydu ve \u201cAa, biz bu \u015fark\u0131y\u0131 bilmiyorduk\u201d dedi. Beni ilk dinleyi\u015fte yakalayan s\u00f6zlerindeki duygu oldu. G\u00fc\u00e7l\u00fcyle g\u00fc\u00e7s\u00fcz\u00fc, umutla umutsuzlu\u011fu anlat\u0131yor. Asl\u0131nda bug\u00fcn de bu duygular\u0131 ya\u015fam\u0131yor muyuz? \u0130\u00e7imden ilk ge\u00e7en \u015fey \u201cKe\u015fke onunla birlikte s\u00f6yleyebilseydim\u201d oldu. O an bu \u015fark\u0131y\u0131 onun sesiyle bulu\u015fturmak ve kendi sesimle yeniden s\u00f6ylemek istedim. Y\u0131llar sonra o fikir h\u00e2l\u00e2 i\u00e7imdeydi ve sonunda bu \u00e7al\u0131\u015fma ortaya \u00e7\u0131kt\u0131.<\/p>\n\n\n\n

Bu d\u00fcette, y\u00fczy\u0131l\u0131 a\u015fk\u0131n s\u00fcre \u00f6nce kaydedilmi\u015f bir sese e\u015flik ediyorsunuz. Kay\u0131t s\u0131ras\u0131nda Gomidas\u2019\u0131n temposuna, nefesine ve yorumuna nas\u0131l uyum sa\u011flad\u0131n\u0131z? Bir eseri yeniden yorumlarken onun \u00f6z\u00fcn\u00fc korumak sizin i\u00e7in ne anlama geliyor?<\/strong>

Bu \u00e7al\u0131\u015fmada ekip olarak fazlas\u0131yla dikkatli ve \u00f6zenli davrand\u0131k. Aranje a\u015famas\u0131ndan kayda, hatta video \u00e7ekimine kadar her detay \u00fczerinde titizlikle \u00e7al\u0131\u015ft\u0131k. St\u00fcdyo kay\u0131tlar\u0131m iki g\u00fcn s\u00fcrd\u00fc. \u0130lk g\u00fcn \u00f6zellikle Gomidas\u2019\u0131n sesini, yorumunu ve en \u00f6nemlisi duygusunu anlamaya \u00e7al\u0131\u015ft\u0131m. Farkl\u0131 bir yorum ortaya koymak yerine, onun orijinal kayd\u0131ndaki yorumuna m\u00fcmk\u00fcn oldu\u011funca sad\u0131k kalmak istedim. Benim i\u00e7in \u00f6nemli olan kendi yorumumu \u00f6ne \u00e7\u0131karmaktan \u00e7ok, y\u00fczy\u0131l\u0131 a\u015fk\u0131n bir s\u00fcre sonra onun sesini do\u011fru \u015fekilde bug\u00fcne ta\u015f\u0131makt\u0131. Kay\u0131t s\u0131ras\u0131nda \u00e7ok dua ettim. Gomidas\u2019\u0131n ruhundan bana g\u00fc\u00e7 vermesini ve bu eseri elimden gelenin en iyi \u015fekliyle yorumlayabilmeyi diledim. Kay\u0131t aralar\u0131nda g\u00f6zlerimin ya\u015fard\u0131\u011f\u0131 \u00e7ok an oldu. San\u0131r\u0131m bu \u00e7al\u0131\u015fma bana \u015funu \u00f6\u011fretti: Bazen yeniden yorumlamak, mutlaka de\u011fi\u015ftirmek demek de\u011fil. Bazen bir mirasa sad\u0131k kalman\u0131n en g\u00fczel yolu, onu kendi sesinle ama \u00f6z\u00fcn\u00fc koruyarak yeniden duyulur h\u00e2le getirmek. \u015eimdi en b\u00fcy\u00fck dile\u011fim, Gomidas\u2019\u0131n bu e\u015fsiz sesini ve bu \u015fark\u0131y\u0131 m\u00fcmk\u00fcn oldu\u011funca \u00e7ok ki\u015fiye ula\u015ft\u0131rmak.<\/p>\n\n\n\n

Ermenice bilmeyen dinleyicileriniz, size e\u015flik edebilmek i\u00e7in \u015fark\u0131lar\u0131n\u0131z\u0131n s\u00f6zlerini Latin harfleriyle payla\u015fman\u0131z\u0131 istiyor. Sizce bir m\u00fczik miras\u0131 farkl\u0131 dillerden insanlara ula\u015f\u0131p yeni seslerle yorumland\u0131\u011f\u0131nda ne kazan\u0131r? Yeniden yorumlan\u0131rken mutlaka korunmas\u0131 gereken \u015fey nedir?<\/strong><\/p>\n\n\n\n

Bir sanat\u00e7\u0131 i\u00e7in hayatta ard\u0131nda b\u0131rakabilece\u011fi en de\u011ferli \u015feylerden biri, yapt\u0131\u011f\u0131 eserlerin ya\u015fat\u0131lmas\u0131 ve k\u00fclt\u00fcrel miras\u0131n gelecek nesillere aktar\u0131lmas\u0131d\u0131r. Bir m\u00fczik miras\u0131 da ne kadar \u00e7ok insana ula\u015f\u0131r ve farkl\u0131 seslerle yeniden hayat bulursa, o kadar g\u00fc\u00e7l\u00fc bir \u015fekilde ya\u015famaya devam eder.<\/p>\n\n\n\n

Nas\u0131l ki \u0130ngilizce \u015fark\u0131lar\u0131 sadece ana dili \u0130ngilizce olanlar yorumlam\u0131yorsa, Ermenice \u015fark\u0131lar\u0131 da o ezgiyi seven ve s\u00f6zlerini hisseden herkes s\u00f6yleyebilir. Ben \u015fahsen, \u015fark\u0131lar\u0131ma e\u015flik edebilmek i\u00e7in s\u00f6zleri Latin harfleriyle payla\u015fmam\u0131 isteyen dinleyicilerle kar\u015f\u0131la\u015ft\u0131\u011f\u0131mda bundan son derece mutlu oluyorum. \u00c7\u00fcnk\u00fc o zaman \u015fark\u0131n\u0131n s\u0131n\u0131rlar\u0131n\u0131 a\u015ft\u0131\u011f\u0131n\u0131 ve ba\u015fka insanlar\u0131n da hayat\u0131na dokundu\u011funu hissediyorum.<\/p>\n\n\n\n

Ama elbette bir eserin farkl\u0131 insanlar taraf\u0131ndan yeniden yorumlanmas\u0131, \u00f6z\u00fcnden ve ta\u015f\u0131d\u0131\u011f\u0131 de\u011ferden uzakla\u015fmas\u0131 anlam\u0131na gelmemeli. Bence b\u00f6yle bir miras, belli bir kalite ve \u00f6zen \u00e7er\u00e7evesinde yorumlanmal\u0131. Farkl\u0131 yorumlara a\u00e7\u0131k olabilir ama eserin ruhuna, hik\u00e2yesine ve k\u00fclt\u00fcrel de\u011ferine sayg\u0131 g\u00f6sterilmeli.<\/p>\n\n\n\n

\u201cArevin Mot\u201dun (G\u00fcne\u015fe Yak\u0131n) klibini Michael A. Goorjian yaz\u0131p y\u00f6netiyor. Emmy \u00f6d\u00fcll\u00fc bir oyuncu olan Goorjian\u2019\u0131n y\u00f6netti\u011fi \u201cAmerikatsi\u201d, Oscar\u2019da En \u0130yi Uluslararas\u0131 Film k\u0131sa listesine girmi\u015fti. Onunla yollar\u0131n\u0131z nas\u0131l kesi\u015fti? \u015eark\u0131y\u0131 onunla bir klibe d\u00f6n\u00fc\u015ft\u00fcrme fikri nas\u0131l do\u011fdu?<\/strong><\/p>\n\n\n\n

Michael ile Ermenistan\u2019da d\u00fczenlenen bir etkinlikte tan\u0131\u015ft\u0131k. Kendisinin daha \u00f6nce filmini izlemi\u015f ve sinema diline hayranl\u0131k duymu\u015ftum. Tan\u0131\u015ft\u0131\u011f\u0131m\u0131zda aram\u0131zda hemen bir sinerji hissettim. K\u0131sa bir sohbetimiz oldu ama ba\u011f\u0131m\u0131z daha sonra sosyal medya \u00fczerinden devam etti. Arevin Mot\u2019u kaydedeli hen\u00fcz birka\u00e7 hafta olmu\u015ftu ve \u015fark\u0131n\u0131n klibi i\u00e7in nas\u0131l bir yol izleyebilece\u011fimi d\u00fc\u015f\u00fcn\u00fcyordum. Tam o s\u0131rada i\u00e7 sesim bana, \u201cNeden olmas\u0131n? Neden Michael\u2019a teklif etmiyorsun?\u201d dedi. Ben de bu hissin pe\u015finden gittim ve ona \u015fark\u0131dan bahsederek bir klip \u00e7ekmek isteyip istemeyece\u011fini sordum.<\/p>\n\n\n\n

Michael\u2019\u0131n teklife yakla\u015f\u0131m\u0131 beni \u00e7ok mutlu etti. O kadar m\u00fctevaz\u0131, samimi ve i\u00e7tendi ki hi\u00e7 teredd\u00fct etmeden kabul etti. Arevin Mot\u2019un klip hik\u00e2yesi de b\u00f6yle ba\u015flad\u0131. Ona duydu\u011fum g\u00fcven o kadar b\u00fcy\u00fckt\u00fc ki yarat\u0131c\u0131 s\u00fcrecin i\u00e7inde kendimi tamamen ak\u0131\u015fa b\u0131rakabildim. \u00d6nerilerini b\u00fcy\u00fck bir g\u00f6n\u00fcl rahatl\u0131\u011f\u0131yla kabul ettim ve ortaya nas\u0131l bir hik\u00e2ye \u00e7\u0131kaca\u011f\u0131n\u0131 merakla bekledim. \u00c7ekimler i\u00e7in Amerika\u2019ya gittim ve sonunda hayat\u0131n i\u00e7inden, son derece do\u011fal ve sahici anlarla \u00f6r\u00fcl\u00fc bir hik\u00e2ye ortaya \u00e7\u0131kt\u0131 Arevin Mot\u2019un Michael\u2019\u0131n sinema diliyle bulu\u015fmas\u0131, \u015fark\u0131n\u0131n ruhunu bamba\u015fka bir \u015fekilde g\u00f6r\u00fcn\u00fcr h\u00e2le getirdi. Bunun i\u00e7in kendimi \u00e7ok \u015fansl\u0131 hissediyorum.<\/p>\n\n\n\n

Arevin Mot, kavu\u015famaman\u0131n mutlaka bir son anlam\u0131na gelmedi\u011fi, kimi a\u015fklar\u0131n mesafeyle birlikte ba\u015fka bir varolu\u015fa d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc fikrini ta\u015f\u0131yor. Sizce insan\u0131n ula\u015famad\u0131\u011f\u0131 \u015feylere duydu\u011fu \u00f6zlem mi daha kal\u0131c\u0131? Bu \u015fark\u0131y\u0131 s\u00f6ylerken siz ne hissediyorsunuz?<\/strong>

A\u015fk benim i\u00e7in \u00f6ylesine sihirli bir duygu ki\u2026 Mesafeler olsa bile insan sevdi\u011fini y\u00fcre\u011finin en derininde ta\u015f\u0131maya devam ediyor. Elbette insan sevdi\u011finin yan\u0131nda olmak, ona dokunmak, onunla ayn\u0131 an\u0131 payla\u015fmak istiyor. Ama ben ger\u00e7ek sevginin mesafeleri, hatta pek \u00e7ok engeli a\u015fabilece\u011fine inan\u0131yorum. \u00c7\u00fcnk\u00fc bazen kavu\u015famasan\u0131z da i\u00e7inizde ta\u015f\u0131d\u0131\u011f\u0131n\u0131z sevgi hi\u00e7 eksilmiyor; belki de zamanla ba\u015fka bir h\u00e2le d\u00f6n\u00fc\u015f\u00fcyor. Arevin Mot\u2019u s\u00f6ylerken asl\u0131nda biraz kendimi anlat\u0131yorum. \u00c7\u00fcnk\u00fc mesafelere ra\u011fmen a\u015fk\u0131n nas\u0131l ya\u015fanabildi\u011fini, nas\u0131l hissedilebildi\u011fini \u00e7ok iyi biliyorum. Bu y\u00fczden s\u00f6ylerken sadece \u015fark\u0131n\u0131n hikayesini de\u011fil, kendi hislerimi de seslendiriyorum. Belki de bu y\u00fczden benim i\u00e7in bu kadar \u00f6zel.<\/p>\n\n\n\n

\"ekran
Sibil | Foto\u011fraf: Sibil<\/figcaption><\/figure>\n\n\n\n

Son olarak, y\u00fczy\u0131l sonras\u0131n\u0131 d\u00fc\u015f\u00fcnelim. Gen\u00e7 bir \u015fark\u0131c\u0131 sesinizi bir ar\u015fiv kayd\u0131nda bulup, sizin Gomidas\u2019la yapt\u0131\u011f\u0131n\u0131z gibi, sizinle d\u00fcet yapmak istese ne hissederdiniz? Ona nas\u0131l bir \u00f6zg\u00fcrl\u00fck tan\u0131r, neyi yapmas\u0131n\u0131 istemezdiniz?<\/strong><\/p>\n\n\n\n

Bundan fazlas\u0131yla mutlu olurdum. Hatta dile\u011fim \u015fu ki benim Gomidas\u2019a yapt\u0131\u011f\u0131m gibi, umar\u0131m y\u0131llar sonra biri \u00e7\u0131k\u0131p benim sesimle, benim \u015fark\u0131mla bir d\u00fcet yapmak ister. Bir sanat\u00e7\u0131 i\u00e7in bundan daha b\u00fcy\u00fck bir mutluluk olabilir mi, bilmiyorum. Asl\u0131nda hayattaki baz\u0131 g\u00fczellikleri, \u00f6vg\u00fcleri ve de\u011ferleri insan ya\u015farken g\u00f6rmek istiyor. Ben de bunun hem Tanr\u0131\u2019n\u0131n bana bi\u00e7ti\u011fi \u00f6m\u00fcr \u00e7er\u00e7evesinde ger\u00e7ekle\u015fmesini hem de y\u00fczy\u0131l sonra bu m\u00fcziklerin h\u00e2l\u00e2 dinlenebilir olmas\u0131n\u0131 y\u00fcrekten diliyorum. Do\u011frusu, neyi yapmas\u0131n\u0131 istemeyece\u011fim konusunda akl\u0131ma gelen bir \u015fey yok. Sayg\u0131 ve sevgiyle yap\u0131lan her \u015fey benim i\u00e7in \u00e7ok de\u011ferli. Yeter ki o m\u00fczi\u011fin ruhuna ve ta\u015f\u0131d\u0131\u011f\u0131 duyguya sayg\u0131 duyulsun. Bundan sadece gurur ve mutluluk duyar\u0131m.<\/p>\n\n\n\n

Kapak Foto\u011fraf\u0131: Sibil<\/em><\/p>\n\n\n\n

https:\/\/www.themagger.com\/sibil-roportaj<\/em><\/strong><\/a><\/p>\n\n\n\n

<\/h3>\n","protected":false},"excerpt":{"rendered":"

S\u00fcmeyra G\u00fcmrah \u201c\u2026 Gomidas\u2019\u0131n \u015fark\u0131s\u0131 do\u011fdu\u011fu topraklarda yeniden ya\u015fas\u0131n diye.\u201d diyor \u0130stanbullu \u015fark\u0131c\u0131 Sibil. Gomidas\u2019\u0131n y\u00fczy\u0131l\u0131 a\u015fk\u0131n s\u00fcre \u00f6nce pla\u011fa okudu\u011fu \u201cArorn Ou Tatrakn\u201d\u0131 (\u00c7ulluk ile Kumru) onun kendi sesiyle birlikte s\u00f6yledi. Ge\u00e7ti\u011fimiz aylarda yay\u0131mlanan, alt\u0131 y\u0131ll\u0131k bir hayalden do\u011fan bu d\u00fcetin ve kilise korosundan bug\u00fcne uzanan bir sesin hikayesini Sibil\u2019le konu\u015ftum. 1881, E\u00e7miadzin. Bug\u00fcnk\u00fc […]<\/p>\n","protected":false},"author":1,"featured_media":87643,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,71],"tags":[],"class_list":["post-87640","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-mulakatlar"],"yoast_head":"\nSibil ile: Zaman\u0131 A\u015fan Y\u00fczy\u0131ll\u0131k Bir D\u00fcet \u00dczerine - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=87640\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sibil ile: Zaman\u0131 A\u015fan Y\u00fczy\u0131ll\u0131k Bir D\u00fcet \u00dczerine - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"S\u00fcmeyra G\u00fcmrah \u201c\u2026 Gomidas\u2019\u0131n \u015fark\u0131s\u0131 do\u011fdu\u011fu topraklarda yeniden ya\u015fas\u0131n diye.\u201d diyor \u0130stanbullu \u015fark\u0131c\u0131 Sibil. Gomidas\u2019\u0131n y\u00fczy\u0131l\u0131 a\u015fk\u0131n s\u00fcre \u00f6nce pla\u011fa okudu\u011fu \u201cArorn Ou Tatrakn\u201d\u0131 (\u00c7ulluk ile Kumru) onun kendi sesiyle birlikte s\u00f6yledi. Ge\u00e7ti\u011fimiz aylarda yay\u0131mlanan, alt\u0131 y\u0131ll\u0131k bir hayalden do\u011fan bu d\u00fcetin ve kilise korosundan bug\u00fcne uzanan bir sesin hikayesini Sibil\u2019le konu\u015ftum. 1881, E\u00e7miadzin. 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