{"id":85908,"date":"2026-04-02T01:29:55","date_gmt":"2026-04-02T06:29:55","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=85908"},"modified":"2026-04-02T01:29:55","modified_gmt":"2026-04-02T06:29:55","slug":"sahnenin-unutulanlari","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=85908","title":{"rendered":"Sahnenin unutulanlar\u0131"},"content":{"rendered":"\n<p><strong><em>\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc\u2019n\u00fcn \u2018Arka Oda Toplant\u0131lar\u0131\u2019, Osmanl\u0131 sahnesinin kurucu fig\u00fcrleri olan Ermeni kad\u0131n oyuncular i\u00e7erikli bulu\u015fma, tiyatro tarihine ba\u015fka bir yerden bakmay\u0131 \u00f6neriyor.<\/em><\/strong><\/p>\n\n\n\n<p><strong>Suzan Somal\u0131 S\u00f6nmez<\/strong><\/p>\n\n\n\n<p>\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc\u2019n\u00fcn uzun soluklu tart\u0131\u015fma serisi \u2018Arka Oda Toplant\u0131lar\u0131\u2019, Mart ay\u0131n\u0131n son g\u00fcn\u00fc \u201cAr\u015fivin Sessizli\u011fini K\u0131rmak: Osmanl\u0131 Sahnesinde Ermeni Kad\u0131n Oyuncular\u201d ba\u015fl\u0131kl\u0131 s\u00f6yle\u015fiyle devam ediyor. 31 Mart ak\u015fam\u0131 ger\u00e7ekle\u015fecek etkinlikte ara\u015ft\u0131rmac\u0131 ve tiyatro sanat\u00e7\u0131s\u0131 Duygu Dalyano\u011flu ile Do\u00e7. Dr. Esra Dicle, Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nda Bat\u0131l\u0131 anlamda tiyatronun kurulu\u015f s\u00fcrecinde belirleyici rol oynayan Ermeni kad\u0131n oyuncular\u0131n sahne \u00fczerindeki ve sahne d\u0131\u015f\u0131ndaki varolu\u015f m\u00fccadelelerini ele al\u0131yor.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.milliyet.com.tr\/MilliyetSanatHaberIci\/2026\/03\/31\/fft251_mf33180378.Jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>Sahnenin kurucu \u00f6znelerini yeniden yazmak<\/strong><\/p>\n\n\n\n<p>On dokuzuncu y\u00fczy\u0131l Osmanl\u0131 toplumunda M\u00fcsl\u00fcman-T\u00fcrk kad\u0131nlar\u0131n sahneye \u00e7\u0131kmas\u0131n\u0131n yasak oldu\u011fu bir d\u00f6nemde, tiyatronun g\u00f6r\u00fcn\u00fcr y\u00fcz\u00fcn\u00fc Ermeni kad\u0131n oyuncular olu\u015fturuyordu. Bu durum, yaln\u0131zca bir temsil meselesi de\u011fil, ayn\u0131 zamanda modernle\u015fme s\u00fcrecinin k\u00fclt\u00fcrel dinamiklerine dair g\u00fc\u00e7l\u00fc bir g\u00f6stergeydi. Duygu Dalyano\u011flu\u2019nun \u201cOsmanl\u0131 \u0130mparatorlu\u011fu\u2019nda Bat\u0131l\u0131 Anlamda Tiyatronun Kurulu\u015f S\u00fcrecinde Ermeni Kad\u0131n Oyucular\u0131n Deneyimleri\u201d ba\u015fl\u0131kl\u0131 doktora tezine&nbsp; dayanan s\u00f6yle\u015fi, Arusyak Papazyan, Yeranuhi Karaka\u015fyan ve Azniv Hra\u00e7ya gibi oyuncular\u0131n sahne deneyimlerini \u2019do\u011fu\u015ftan yetenek\u2019 mitiyle a\u00e7\u0131klayan geleneksel yakla\u015f\u0131mlar\u0131n \u00f6tesine ta\u015f\u0131yor. Bunun yerine, bu oyuncular\u0131n \u00fcretimlerini \u2018bedenle\u015fmi\u015f emek\u2019 kavram\u0131 \u00fczerinden yeniden d\u00fc\u015f\u00fcnmeyi \u00f6neriyor.<\/p>\n\n\n\n<p>Bu perspektif, oyunculu\u011fu yaln\u0131zca sahne \u00fczerindeki performansla s\u0131n\u0131rlam\u0131yor; prova s\u00fcre\u00e7lerinden turnelere, g\u00fcndelik ya\u015famdan mesleki dayan\u0131\u015fma a\u011flar\u0131na kadar uzanan geni\u015f bir \u00fcretim alan\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. B\u00f6ylece tiyatro tarihi bireysel dehalar\u0131n de\u011fil, kolektif emek s\u00fcre\u00e7lerinin bir sonucu olarak yeniden konumlan\u0131yor.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.milliyet.com.tr\/MilliyetSanatHaberIci\/2026\/03\/31\/fft251_mf33180379.Jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>G\u00f6r\u00fcnmeyen hik\u00e2yelerin izinde<\/strong><\/p>\n\n\n\n<p>S\u00f6yle\u015finin en dikkat \u00e7ekici y\u00f6nlerinden biri, resmi ar\u015fivin d\u0131\u015f\u0131nda kalan anlat\u0131lar\u0131 merkeze almas\u0131. Pera\u2019daki sahnelerin yaratt\u0131\u011f\u0131 k\u00fclt\u00fcrel etki alan\u0131ndan Gedikpa\u015fa\u2019da bug\u00fcn izine rastlanmayan tiyatrolara, Edirne ve Tiflis turnelerinin a\u00e7t\u0131\u011f\u0131 yeni sahne olanaklar\u0131ndan evlilik ya da annelik sonras\u0131nda ar\u015fivden silinen oyuncular\u0131n hik\u00e2yelerine uzanan geni\u015f bir \u00e7er\u00e7eve \u00e7iziliyor. Bu yakla\u015f\u0131m, yaln\u0131zca mevcut bilgiyi geni\u015fletmekle kalm\u0131yor; ayn\u0131 zamanda neyin kay\u0131t alt\u0131na al\u0131nd\u0131\u011f\u0131 ve neyin d\u0131\u015far\u0131da b\u0131rak\u0131ld\u0131\u011f\u0131 sorular\u0131n\u0131 da g\u00fcndeme ta\u015f\u0131yor.<\/p>\n\n\n\n<p>Ermenice s\u00fcreli yay\u0131nlar ve birincil tan\u0131kl\u0131klar \u00fczerinden kurulan bu \u2018kar\u015f\u0131-ar\u015fiv\u2019, Osmanl\u0131 modernle\u015fmesini farkl\u0131 bir yerden okumaya da imk\u00e2n tan\u0131yor. Kad\u0131n oyuncular\u0131n sahnedeki varl\u0131klar\u0131, yaln\u0131zca estetik bir mesele de\u011fil; bedensel, toplumsal ve politik bir eylemlilik bi\u00e7imi olarak de\u011ferlendiriliyor.<\/p>\n\n\n\n<p><strong>\u0130ki ara\u015ft\u0131rmac\u0131, iki perspektif<\/strong><\/p>\n\n\n\n<p>Duygu Dalyano\u011flu, tiyro prati\u011fi ile akademik ara\u015ft\u0131rmay\u0131 bir araya getiren bir tiyatro sanat\u00e7\u0131s\u0131 ve ara\u015ft\u0131rmac\u0131. Lisans e\u011fitimini 2009 y\u0131l\u0131nda Bo\u011fazi\u00e7i \u00dcniversitesi Siyaset Bilimi ve Uluslararas\u0131 \u0130li\u015fkiler b\u00f6l\u00fcm\u00fcnde tamamlad\u0131ktan sonra, 2016 y\u0131l\u0131nda \u0130stanbul \u015eehir \u00dcniversitesi K\u00fclt\u00fcrel \u00c7al\u0131\u015fmalar program\u0131nda y\u00fcksek lisans\u0131n\u0131 tamamlayan, 2026 y\u0131l\u0131nda Kadir Has \u00dcniversitesi Kad\u0131n \u00c7al\u0131\u015fmalar\u0131 program\u0131nda \u201cThe Experience of Armenian Actresses During the Establishment of European-Style Theatre in the Ottoman Empire\u201d ba\u015fl\u0131kl\u0131 doktora tezini veren Dalyano\u011flu, bu \u00e7al\u0131\u015fmas\u0131nda Osmanl\u0131\u2019da Avrupa tarz\u0131 tiyatronun kurulu\u015f s\u00fcrecinde Ermeni aktrislerin deneyimlerine odakland\u0131.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.milliyet.com.tr\/MilliyetSanatHaberIci\/2026\/03\/31\/fft251_mf33180380.Jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p><em>Duygu Dalyano\u011flu<\/em><\/p>\n\n\n\n<p>2009 y\u0131l\u0131ndan bu yana Bo\u011fazi\u00e7i G\u00f6steri Sanatlar\u0131 Toplulu\u011fu b\u00fcnyesinde ve ba\u011f\u0131ms\u0131z projelerde oyunculuk ve oyun yazarl\u0131\u011f\u0131 yapan Dalyano\u011flu, sahne prati\u011fi ile teorik \u00fcretimi kesi\u015ftiren bir hat \u00fczerinde ilerliyor. \u00c7al\u0131\u015fmalar\u0131 Osmanl\u0131 tiyatro tarihi, feminist metodoloji ve tiyatro ile toplumsal cinsiyet ili\u015fkisi etraf\u0131nda yo\u011funla\u015f\u0131rken, Zabel Yesayan ve Sevgi Soysal\u2019\u0131n hayat\u0131 ve edebiyat\u0131n\u0131 merkeze alan iki \u00f6zg\u00fcn oyunda hem yazar hem oyuncu olarak yer ald\u0131.<\/p>\n\n\n\n<p>Do\u00e7. Dr. Esra Dicle ise akademik \u00e7al\u0131\u015fmalar\u0131n\u0131 Osmanl\u0131 ve erken Cumhuriyet d\u00f6nemi tiyatrosu \u00fczerine yo\u011funla\u015ft\u0131ran bir ara\u015ft\u0131rmac\u0131. Lisans, y\u00fcksek lisans ve doktora derecelerini Bo\u011fazi\u00e7i \u00dcniversitesi T\u00fcrk Dili ve Edebiyat\u0131 b\u00f6l\u00fcm\u00fcnde tamamlayan Dicle\u2019nin, Kemalist ideolojinin sahne \u00fczerindeki in\u015fas\u0131n\u0131 ele ald\u0131\u011f\u0131 doktora tezi \u201cResm\u00ee \u0130deoloji Sahnede \/ Kemalist \u0130deolojinin \u0130n\u015fas\u0131nda Halkevleri D\u00f6nemi Tiyatro Oyunlar\u0131n\u0131n Etkisi\u201d ba\u015fl\u0131\u011f\u0131yla \u0130leti\u015fim Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131mland\u0131.<\/p>\n\n\n\n<p>Ara\u015ft\u0131rmalar\u0131n\u0131 tiyatro metinleri, s\u00f6ylem ve duygu politikalar\u0131 ekseninde derinle\u015ftiren Dicle\u2019nin \u201cBen Y\u00fcz \u00c7i\u00e7ekten Yanay\u0131m \/ N\u00e2z\u0131m Hikmet Tiyatrosunda Metinler-T\u00fcrler-S\u00f6ylemler\u201d adl\u0131 kitab\u0131 \u0130mge Kitabevi Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kt\u0131. Dicle ayr\u0131ca Derg\u00e2h Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131nlanan \u201cEdebiyat\u0131n Duygu Haritas\u0131 ve Osmanl\u0131 Sahnesi-19. YY \u00c7ok Dilli Osmanl\u0131 Komedyas\u0131ndan \u00dc\u00e7 Metin\u201d kitaplar\u0131n\u0131 haz\u0131rlad\u0131. 2005 y\u0131l\u0131ndan bu yana Bo\u011fazi\u00e7i \u00dcniversitesi\u2019nde Do\u00e7ent \u00d6\u011fretim G\u00f6revlisi olarak g\u00f6rev yapan Dicle, T\u00fcrk Dili derslerinin yan\u0131 s\u0131ra modern tiyatro, uyarlama kuram\u0131 ve teatrallik \u00fczerine dersler veriyor.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.milliyet.com.tr\/MilliyetSanatHaberIci\/2026\/03\/31\/fft251_mf33180381.Jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p><em>Do\u00e7. Dr. Esra Dicle<\/em><\/p>\n\n\n\n<p><strong>Bug\u00fcnden ge\u00e7mi\u015fe a\u00e7\u0131lan alan<\/strong><\/p>\n\n\n\n<p>\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc\u2019n\u00fcn Arka Oda Toplant\u0131lar\u0131 serisi, mimarl\u0131ktan sinemaya, kent \u00e7al\u0131\u015fmalar\u0131ndan m\u00fczi\u011fe uzanan disiplinleraras\u0131 bir tart\u0131\u015fma zemini kurarken, bu etkinlik \u00f6zelinde tiyatro tarihinin eksik b\u0131rak\u0131lm\u0131\u015f bir sayfas\u0131n\u0131 a\u00e7\u0131yor. \u201cOsmanl\u0131 Sahnesinde Ermeni Kad\u0131n Oyuncular\u201d ba\u015fl\u0131kl\u0131 bulu\u015fma, yaln\u0131zca ge\u00e7mi\u015fi anlatmakla yetinmiyor; ayn\u0131 zamanda bug\u00fcn\u00fcn k\u00fclt\u00fcrel \u00fcretiminde hangi seslerin h\u00e2l\u00e2 duyulmad\u0131\u011f\u0131n\u0131 da hat\u0131rlat\u0131yor.<\/p>\n\n\n\n<p>31 Mart Sal\u0131 g\u00fcn\u00fc saat 18.30\u2019da, \u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc giri\u015f kat\u0131nda \u00fccretsiz olarak d\u00fczenlenen ve rezervasyon gerektirmeyen s\u00f6yle\u015fi, izleyicisini yaln\u0131zca bir dinleyici olmaktan \u00e7\u0131kar\u0131p, tarih yaz\u0131m\u0131n\u0131n s\u0131n\u0131rlar\u0131n\u0131 yeniden d\u00fc\u015f\u00fcnmeye davet ediyor. S\u00f6yle\u015fi, sonras\u0131nda \u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc\u2019n\u00fcn YouTube kanal\u0131nda da yay\u0131nlanacak.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.milliyetsanat.com\/haberler\/diger\/sahnenin-unutulanlari\/24027\"><strong><em>https:\/\/www.milliyetsanat.com\/haberler\/diger\/sahnenin-unutulanlari\/24027<\/em><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc\u2019n\u00fcn \u2018Arka Oda Toplant\u0131lar\u0131\u2019, Osmanl\u0131 sahnesinin kurucu fig\u00fcrleri olan Ermeni kad\u0131n oyuncular i\u00e7erikli bulu\u015fma, tiyatro tarihine ba\u015fka bir yerden bakmay\u0131 \u00f6neriyor. Suzan Somal\u0131 S\u00f6nmez \u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc\u2019n\u00fcn uzun soluklu tart\u0131\u015fma serisi \u2018Arka Oda Toplant\u0131lar\u0131\u2019, Mart ay\u0131n\u0131n son g\u00fcn\u00fc \u201cAr\u015fivin Sessizli\u011fini K\u0131rmak: Osmanl\u0131 Sahnesinde Ermeni Kad\u0131n Oyuncular\u201d ba\u015fl\u0131kl\u0131 s\u00f6yle\u015fiyle devam ediyor. 31 Mart ak\u015fam\u0131 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":85909,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-85908","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sahnenin unutulanlar\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=85908\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sahnenin unutulanlar\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"\u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc\u2019n\u00fcn \u2018Arka Oda Toplant\u0131lar\u0131\u2019, Osmanl\u0131 sahnesinin kurucu fig\u00fcrleri olan Ermeni kad\u0131n oyuncular i\u00e7erikli bulu\u015fma, tiyatro tarihine ba\u015fka bir yerden bakmay\u0131 \u00f6neriyor. Suzan Somal\u0131 S\u00f6nmez \u0130stanbul Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc\u2019n\u00fcn uzun soluklu tart\u0131\u015fma serisi \u2018Arka Oda Toplant\u0131lar\u0131\u2019, Mart ay\u0131n\u0131n son g\u00fcn\u00fc \u201cAr\u015fivin Sessizli\u011fini K\u0131rmak: Osmanl\u0131 Sahnesinde Ermeni Kad\u0131n Oyuncular\u201d ba\u015fl\u0131kl\u0131 s\u00f6yle\u015fiyle devam ediyor. 31 Mart ak\u015fam\u0131 [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/akunq.net\/tr\/?p=85908\" \/>\n<meta property=\"og:site_name\" content=\"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-02T06:29:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2026\/04\/Ermeni-kadin-oyuncular.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"960\" \/>\n\t<meta property=\"og:image:height\" content=\"540\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=85908#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=85908\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/#\\\/schema\\\/person\\\/42a46675f00a8f1e84520e8c56500de3\"},\"headline\":\"Sahnenin unutulanlar\u0131\",\"datePublished\":\"2026-04-02T06:29:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=85908\"},\"wordCount\":1061,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=85908#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/akunq.net\\\/tr\\\/wp-content\\\/uploads\\\/sites\\\/6\\\/2026\\\/04\\\/Ermeni-kadin-oyuncular.webp\",\"articleSection\":[\"Haberler\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=85908#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=85908\",\"url\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=85908\",\"name\":\"Sahnenin unutulanlar\u0131 - 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