{"id":85402,"date":"2026-02-09T00:41:37","date_gmt":"2026-02-09T05:41:37","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=85402"},"modified":"2026-02-09T00:41:37","modified_gmt":"2026-02-09T05:41:37","slug":"yikimin-kiyisinda-hafizanin-izinde-dunden-bugune-antakya","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=85402","title":{"rendered":"Y\u0131k\u0131m\u0131n k\u0131y\u0131s\u0131nda, haf\u0131zan\u0131n izinde: \u201cD\u00fcnden Bug\u00fcne Antakya\u201d"},"content":{"rendered":"\n

Hat\u0131rlamak, sars\u0131lmak, duyumsamak ve iyile\u015fmek\u2026 Antakya\u2019n\u0131n 6 \u015eubat 2023 depremi sonras\u0131 h\u00e2lini bu d\u00f6rt kavram etraf\u0131nda ele alan \u201cD\u00fcnden Bug\u00fcne Antakya\u201d sergisi, y\u0131k\u0131m\u0131n ard\u0131ndan kentin belle\u011finde a\u00e7\u0131lan \u00e7atlaklar\u0131 ve bu \u00e7atlaklardan s\u0131zan umudu, foto\u011fraf ve ses enstalasyonlar\u0131yla g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. Kentin \u00e7ok inan\u00e7l\u0131 ve \u00e7ok k\u00fclt\u00fcrl\u00fc yap\u0131s\u0131n\u0131 hat\u0131rlamak amac\u0131yla haz\u0131rlanan, y\u0131k\u0131m\u0131n sessizli\u011fini ses haf\u0131zas\u0131yla, kayb\u0131 ise d\u00f6n\u00fc\u015f\u00fcm ihtimaliyle yan yana getiren sergi, 500. Y\u0131l Vakf\u0131 T\u00fcrk Musevileri M\u00fczesi\u2019nde 30 Haziran\u2019a kadar gezilebilir.<\/em><\/strong><\/p>\n\n\n\n

Marta S\u00f6mek <\/strong><\/a><\/p>\n\n\n\n

6 \u015eubat 2023\u2019te Mara\u015f merkezli meydana gelen ve 11 kenti etkileyen depremler nedeniyle binlerce ki\u015fi ya\u015fam\u0131n\u0131 yitirdi. Evler, i\u015fyerleri, hastaneler, okullar, ibadethaneler yerle bir oldu. Depremin a\u011f\u0131r hasar yaratt\u0131\u011f\u0131 kentlerden biri de Hatay oldu. H\u0131ristiyan ve Musevilerin de ya\u015fad\u0131\u011f\u0131 \u015fehirde kiliseler, sinagoglar y\u0131k\u0131ld\u0131, bu toplumlar\u0131n \u00fcyeleri ya\u015fam\u0131n\u0131 yitirdi.<\/p>\n\n\n\n

\"\"Hatay\u2019daki H\u0131ristiyan ve Musevi topluluklar, tuzla buz olan kilise ve sinagoglar\u0131nda kendi imk\u00e2nlar\u0131 ile yaratt\u0131klar\u0131 sunak veya prefabrik kiliselerde ibadet etmeye \u00e7al\u0131\u015f\u0131yor. \u201cD\u00fcnyan\u0131n ilk ma\u011fara kilisesi\u201dnin bulundu\u011fu, \u0130sa Mesih\u2019in 12 havarisinden biri olan Aziz Petrus\u2019un, M.S. 29-40 tarihleri aras\u0131nda gelerek H\u0131ristiyanl\u0131\u011f\u0131 yaymaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 ve ilk inananlara da \u201cH\u0131ristiyan\u201d ad\u0131n\u0131n burada verildi\u011fi bilinen Antakya, H\u0131ristiyan d\u00fcnyas\u0131 i\u00e7in hem tarihi hem de dini bir \u00f6nem ta\u015f\u0131yor.<\/p>\n\n\n\n

\u00dczerinden \u00fc\u00e7 y\u0131l ge\u00e7en depremin ard\u0131ndan Antakya’y\u0131 anmak, hat\u0131rlamak ve kent haf\u0131zas\u0131n\u0131 canl\u0131 tutmak amac\u0131yla \u0130stanbul\u2019da, \u201cD\u00fcnden Bug\u00fcne Antakya: Y\u0131k\u0131m\u0131n K\u0131y\u0131s\u0131nda – Antakya\u2019n\u0131n \u0130zinde\u201d isimli sergi haz\u0131rland\u0131. Sergi, 16 Ekim 2025\u2019te temas\u0131 \u201c\u00dc\u00e7 Ayakl\u0131 Kedi\u201d olarak a\u00e7\u0131klanan 18. \u0130stanbul Bienali ile paralel d\u00fczenlendi. <\/p>\n\n\n\n

Karma foto\u011fraf sergisi ile ses enstalasyonu i\u00e7eren sergiye, 500. Y\u0131l Vakf\u0131 T\u00fcrk Musevileri M\u00fczesi ev sahipli\u011fi yap\u0131yor. Serginin koordinat\u00f6rl\u00fc\u011f\u00fcn\u00fc y\u00fcksek mimar Rubi Asa ile 500. Y\u0131l Vakf\u0131 T\u00fcrk Musevileri M\u00fczesi M\u00fcd\u00fcr\u00fc Nisya \u0130\u015fman Allovi \u00fcstlendi. Sergiye, Rubi Asa ve Liza Cemel foto\u011fraflar\u0131yla, piyanist ve besteci Renan Koen ses haf\u0131zas\u0131 ve video enstalasyonlar\u0131yla, \u00d6nem \u00c7er\u00e7el ise grafik tasar\u0131mlar\u0131yla katk\u0131 sundu.<\/p>\n\n\n\n

\"\"30 Haziran\u2019a kadar \u00fccretsiz ziyaret edilebilecek olan sergiyi, foto\u011fraf\u00e7\u0131 arkada\u015f\u0131m Berge Arabian ile Nisya \u0130\u015fman Allovi rehberli\u011finde gezdik.<\/p>\n\n\n\n

\u0130yile\u015fme \u00e7abalar\u0131, yeniden a\u00e7\u0131lan \u00e7atlaklar\u2026<\/h4>\n\n\n\n

Proje, \u201cHat\u0131rlamak, sars\u0131lmak, duyumsamak ve iyile\u015fmek\u201d ba\u015fl\u0131klar\u0131 alt\u0131nda d\u00f6rt a\u015famal\u0131 bir d\u00fc\u015f\u00fcnme eksenine yaslan\u0131yor: Hat\u0131rlamak; deprem \u00f6ncesi Antakya\u2019n\u0131n sesi, kokusu, g\u00fcndelik ya\u015fam\u0131, gelenekleri, inan\u00e7lar\u0131… Sars\u0131lmak; y\u0131k\u0131m an\u0131, kay\u0131plar, bo\u015fluklar, sesin yerini alan sessizlik… Duyumsamak; kokular\u0131, sesleri, tatlar\u0131 hissetmek ve hissedememek… D\u00f6n\u00fc\u015fmek; diren\u00e7, dayan\u0131\u015fma, iyile\u015fme \u00e7abalar\u0131, yeniden a\u00e7\u0131lan \u00e7atlaklar… Katmanlar, t\u0131pk\u0131 \u00fc\u00e7 ayakl\u0131 bir kedi gibi ilerliyor. Bir aya\u011f\u0131nda ge\u00e7mi\u015fin belle\u011fi, bir aya\u011f\u0131nda bug\u00fcn\u00fcn k\u0131r\u0131lganl\u0131\u011f\u0131, bir aya\u011f\u0131nda da gelece\u011fin olanaklar\u0131. Her ad\u0131m bir \u00e7aba ve yeniden denge aray\u0131\u015f\u0131.<\/p>\n\n\n\n

Sergi giri\u015finde bizi \u015fu c\u00fcmleler kar\u015f\u0131l\u0131yor: \u201cBir \u015fehir, bir haf\u0131za, bir beden gibi… Antakya, tarih boyunca katman katman \u00f6r\u00fclm\u00fc\u015f, zaman\u0131n i\u00e7inden s\u00fcz\u00fclerek gelen bir dokuya sahipti. O doku, bir sabah ans\u0131z\u0131n \u00e7atlad\u0131. Ta\u015flar yerinden oynad\u0131, sesler sustu, hik\u00e2yeler yar\u0131m kald\u0131. T\u0131pk\u0131 \u00fc\u00e7 ayakl\u0131 bir kedinin aksak y\u00fcr\u00fcy\u00fc\u015f\u00fc gibi, bug\u00fcn bu \u015fehir de bir dengesizlik h\u00e2li i\u00e7inde. Ama h\u00e2l\u00e2 ya\u015f\u0131yor, yer yer k\u0131p\u0131rdan\u0131yor. Kay\u0131p par\u00e7alar\u0131n\u0131n ard\u0131ndan sessizce dolan\u0131yor. Hem ge\u00e7mi\u015fin a\u011f\u0131rl\u0131\u011f\u0131n\u0131 hem gelece\u011fin belirsizli\u011fini bedeninde ta\u015f\u0131yor. Bu sergi, felaket sonras\u0131 yaln\u0131zca kayb\u0131 de\u011fil, d\u00f6n\u00fc\u015f\u00fcm potansiyelini de g\u00f6r\u00fcn\u00fcr k\u0131lmay\u0131 ama\u00e7l\u0131yor.<\/p>\n\n\n\n

\"\"Kendini koruma i\u00e7g\u00fcd\u00fcs\u00fcyle hareket eden topluluklar\u0131, enkaz alt\u0131ndan \u00e7\u0131kan hik\u00e2yeleri, g\u00f6\u00e7 eden bedenleri ve d\u00f6nen ruhlar\u0131 izliyor. K\u0131r\u0131lgan olan\u0131 y\u00fcceltiyor, eksik olana alan a\u00e7\u0131yor. Antakya\u2019n\u0131n y\u0131k\u0131lm\u0131\u015f ama kaybolmam\u0131\u015f ruhu, gelece\u011fe uzanan bir \u00fc\u00e7\u00fcnc\u00fc ayak gibi yere bas\u0131yor. Bu ad\u0131m sendeleyebilir, t\u00f6kezleyebilir ama zarafetini kaybetmeden, yeni bir dengeyi deniyor. Ve biz, bu kediye kulak vererek, onunla birlikte sokak sokak gezerek, hem hat\u0131rlaman\u0131n hem de onarman\u0131n yollar\u0131n\u0131 ar\u0131yoruz.\u201d<\/p>\n\n\n\n

Antakya halk\u0131n\u0131n deprem ve sonras\u0131ndaki toplumsal diren\u00e7, dayan\u0131\u015fma ve yeniden in\u015fa s\u00fcre\u00e7lerini g\u00f6r\u00fcn\u00fcr k\u0131lan sergi, ya\u015fanan a\u011f\u0131r kay\u0131plar\u0131n ve enkaz\u0131n ard\u0131ndan ye\u015feren umudu da sanatla g\u00f6zler \u00f6n\u00fcne seriyor.<\/p>\n\n\n\n

D\u00fcnden Bug\u00fcne Antakya sergisi i\u00e7in \u201ckolektif bir \u00e7al\u0131\u015fma oldu\u201d diyen 500. Y\u0131l Vakf\u0131 T\u00fcrk Musevileri M\u00fczesi M\u00fcd\u00fcr\u00fc Allovi serginin amac\u0131n\u0131, \u201cBu sergi ile art\u0131k \u00fc\u00e7\u00fcnc\u00fc senesini dolduran depremler nedeniyle Antakya konusunu yeniden irdelemek istedik. Deprem bu toplumun yaras\u0131 oldu\u011fu, g\u00fcndem yo\u011funlu\u011fundan dolay\u0131 unutuldu\u011fu i\u00e7in sergiyle yeniden hat\u0131rlatmak istedik\u201d s\u00f6zleriyle \u00f6zetliyor.<\/p>\n\n\n\n

\u2018Hem fiziksel hem de ruhsal bir ar\u0131nma alan\u0131\u2019<\/h4>\n\n\n\n

\"\"\u00d6zellikle sergi mek\u00e2n\u0131 dikkat \u00e7ekici. Sergi, Yahudi ar\u0131nma rit\u00fceli i\u00e7in tasarlanm\u0131\u015f ve bir rit\u00fcel banyosu olan eski bir mikvenin \u00fczerinde kurulu. \u201cHem fiziksel hem de ruhsal bir ar\u0131nma alan\u0131\u201d olan mikvenin \u00fczeri de kapat\u0131lm\u0131\u015f. Mikvenin, Neve \u015ealom Sinagogu\u2019na ait oldu\u011funu s\u00f6yleyen Allovi\u2019den, \u201cKullan\u0131lmad\u0131\u011f\u0131 i\u00e7in biz buray\u0131 bir sergi alan\u0131na d\u00f6n\u00fc\u015ft\u00fcrmek istedik ve camla kaplad\u0131k\u201d bilgisini al\u0131yoruz.<\/p>\n\n\n\n

Sergi alan\u0131na girdi\u011fimizde, ku\u015f sesleri ve farkl\u0131 bir\u00e7ok ortam sesi i\u015fitiyoruz. Allovi, bu sesleri \u015f\u00f6yle anlat\u0131yor: \u201cSergide, sanat\u00e7\u0131 Renan Koen’in video enstalasyonu var. Antakya b\u00f6lgesine dair s\u00f6zl\u00fc tarih \u00e7al\u0131\u015fmalar\u0131 yapt\u0131. Bu \u00e7al\u0131\u015fma sergide s\u00fcrekli d\u00f6n\u00fcyor. Yine ku\u015f sesleri duyuyorsunuz sergi alan\u0131nda. Renan Koen, Antakya\u2019daki ses haf\u0131zas\u0131n\u0131 kaydetti. Ve sergide g\u00fcn i\u00e7erisinde s\u00fcrekli farkl\u0131 farkl\u0131 sesleri duyabiliyorsunuz.\u201d<\/p>\n\n\n\n

Sergide, \u00fczerlerinde Antakya foto\u011fraflar\u0131ndan olu\u015fan kartpostallar\u0131n bas\u0131ld\u0131\u011f\u0131 kuma\u015flar, sesler e\u015fli\u011finde bizi tarihi Antakya sokaklar\u0131na g\u00f6t\u00fcr\u00fcyor. Bir yanda \u00e7an sesleri, bir yanda ku\u015f c\u0131v\u0131lt\u0131lar\u0131\u2026<\/p>\n\n\n\n

Foto\u011fraf\u00e7\u0131 Liza Cemel, gen\u00e7lik y\u0131llar\u0131n\u0131 ge\u00e7irdi\u011fi Antakya\u2019ya deprem sonras\u0131 d\u00f6nerek foto\u011fraflad\u0131\u011f\u0131 y\u0131k\u0131m\u0131 sergide payla\u015f\u0131yor. Yine sergide Liza Cemel ve foto\u011fraf\u00e7\u0131 Rubi Asa\u2019n\u0131n, Antakya tarihi ve eski sokaklar\u0131ndan il\u00e7enin tarihine, ticaret hayat\u0131ndan inan\u00e7lar\u0131n bulu\u015fma noktas\u0131na, pazarlardan mutfak lezzetlerine, Vak\u0131fk\u00f6y\u2019deki Ermenilerin ya\u015famlar\u0131ndan Saint Pierre Ma\u011fara Kilisesi\u2019ne, ta\u015f evlerden mozaiklere, kiliselerden Antakya Sinagogu\u2019na ve camilere, depremden y\u0131k\u0131mlara ve enkazlara, kay\u0131plardan yaralar\u0131 sarmaya ve korolardan kentteki \u00e7ok dilli m\u00fcziklere uzanan hik\u00e2yeleri kapsayan foto\u011fraflar\u0131 b\u00fcy\u00fck bir yer kapl\u0131yor.<\/p>\n\n\n\n

\u201cBirlikte iyile\u015fiyoruz\u201d<\/h4>\n\n\n\n

Depremin ard\u0131ndan kentte dayan\u0131\u015fmayla, umutla ve farkl\u0131 kesimlerden topluluklar\u0131n kendi imk\u00e2nlar\u0131yla sarmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 yaralar da umuda d\u00f6n\u00fc\u015f\u00fcyor. Foto\u011fraflar\u0131n \u00fczerindeki yaz\u0131lardan al\u0131nt\u0131yla \u015f\u00f6yle diyorlar: \u201cGeriye kalan ta\u015flar konu\u015fmaya ba\u015flad\u0131. Her biri bir hik\u00e2ye anlat\u0131yordu: Bir d\u00fc\u011f\u00fcn, bir bayram, bir \u00e7ocuk kahkahas\u0131. Ama \u015fimdi hepsi griydi. Haf\u0131zam gibi. Antakya art\u0131k bir \u015fehir de\u011fil, bir yara. Ama bu yara bizim. Onu ta\u015f\u0131yoruz, \u00e7\u00fcnk\u00fc ba\u015fka \u00e7aremiz yok. Her ad\u0131mda bir hat\u0131ra, her nefeste bir eksiklik. Ama h\u00e2l\u00e2 buraday\u0131z. \u00c7\u00fcnk\u00fc ta\u015flar y\u0131k\u0131l\u0131r ama haf\u0131za kal\u0131r. Unutmak de\u011fildir; ac\u0131n\u0131n yan\u0131na dayan\u0131\u015fmay\u0131 koymakt\u0131r. Her g\u00f6zya\u015f\u0131nda tuz, her s\u00f6zde direncin s\u0131cakl\u0131\u011f\u0131, her bo\u015flukta yeniye a\u00e7\u0131lan bir umut \u0131\u015f\u0131\u011f\u0131 vard\u0131r. Ve \u015fehir yeniden f\u0131s\u0131ldar: \u2018Ben buraday\u0131m, sen de buradas\u0131n. Birlikte iyile\u015fiyoruz.”<\/p>\n\n\n\n

Her bir k\u00f6\u015fesinde Antakya\u2019y\u0131 hissetti\u011fimiz bu sergi, \u00fc\u00e7 y\u0131l \u00f6nce ya\u015fanan ve kimi yaralar\u0131 h\u00e2l\u00e2 hissedilen a\u011f\u0131r y\u0131k\u0131m\u0131n ard\u0131ndan bir kez daha kentin t\u00fcm rengiyle umudu nas\u0131l ye\u015fertti\u011fini g\u00f6steriyor bize. \u201cD\u00fcnden Bug\u00fcne Antakya\u201d yaln\u0131zca bir sergi de\u011fil; kayb\u0131n, d\u00f6n\u00fc\u015f\u00fcm\u00fcn ve haf\u0131zan\u0131n direncine adanm\u0131\u015f bir bellek alan\u0131 ayn\u0131 zamanda.<\/p>\n\n\n\n

https:\/\/www.agos.com.tr\/tr\/haber\/yikimin-kiyisinda-hafizanin-izinde-dunden-bugune-antakya-39365<\/em><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Hat\u0131rlamak, sars\u0131lmak, duyumsamak ve iyile\u015fmek\u2026 Antakya\u2019n\u0131n 6 \u015eubat 2023 depremi sonras\u0131 h\u00e2lini bu d\u00f6rt kavram etraf\u0131nda ele alan \u201cD\u00fcnden Bug\u00fcne Antakya\u201d sergisi, y\u0131k\u0131m\u0131n ard\u0131ndan kentin belle\u011finde a\u00e7\u0131lan \u00e7atlaklar\u0131 ve bu \u00e7atlaklardan s\u0131zan umudu, foto\u011fraf ve ses enstalasyonlar\u0131yla g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. Kentin \u00e7ok inan\u00e7l\u0131 ve \u00e7ok k\u00fclt\u00fcrl\u00fc yap\u0131s\u0131n\u0131 hat\u0131rlamak amac\u0131yla haz\u0131rlanan, y\u0131k\u0131m\u0131n sessizli\u011fini ses haf\u0131zas\u0131yla, kayb\u0131 ise […]<\/p>\n","protected":false},"author":1,"featured_media":85403,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-85402","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler"],"yoast_head":"\nY\u0131k\u0131m\u0131n k\u0131y\u0131s\u0131nda, haf\u0131zan\u0131n izinde: \u201cD\u00fcnden Bug\u00fcne Antakya\u201d - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=85402\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Y\u0131k\u0131m\u0131n k\u0131y\u0131s\u0131nda, haf\u0131zan\u0131n izinde: \u201cD\u00fcnden Bug\u00fcne Antakya\u201d - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Hat\u0131rlamak, sars\u0131lmak, duyumsamak ve iyile\u015fmek\u2026 Antakya\u2019n\u0131n 6 \u015eubat 2023 depremi sonras\u0131 h\u00e2lini bu d\u00f6rt kavram etraf\u0131nda ele alan \u201cD\u00fcnden Bug\u00fcne Antakya\u201d sergisi, y\u0131k\u0131m\u0131n ard\u0131ndan kentin belle\u011finde a\u00e7\u0131lan \u00e7atlaklar\u0131 ve bu \u00e7atlaklardan s\u0131zan umudu, foto\u011fraf ve ses enstalasyonlar\u0131yla g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. 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