{"id":84469,"date":"2025-09-19T01:52:32","date_gmt":"2025-09-19T06:52:32","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=84469"},"modified":"2025-09-19T01:52:32","modified_gmt":"2025-09-19T06:52:32","slug":"duvarlarin-ardindan-guc-ve-surgun-30-yillik-tutsaklikta-umudu-resmediyorlar","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=84469","title":{"rendered":"Duvarlar\u0131n ard\u0131ndan \u201cG\u00fc\u00e7 ve S\u00fcrg\u00fcn\u201d: 30 y\u0131ll\u0131k tutsakl\u0131kta umudu resmediyorlar"},"content":{"rendered":"
Marta S\u00f6mek<\/a><\/span> \u00a0<\/span><\/strong><\/div>\n
Zorla yerinden edilmenin, g\u00f6\u00e7\u00fcn ve s\u00fcrg\u00fcn\u00fcn izlerini tutsaklar\u0131n kaleminden, f\u0131r\u00e7as\u0131ndan ve objektifinden aktaran \u201cG\u00f6\u00e7 ve S\u00fcrg\u00fcn\u201d sergisi, \u201ci\u00e7erdeki\u201d ve \u201cd\u0131\u015fardaki\u201d 100 ismin \u00fcretimlerini 12 Eyl\u00fcl\u2019\u00fcn karanl\u0131\u011f\u0131nda bir araya getiriyor. Foto\u011fraf\u00e7\u0131 \u00d6zcan Yaman, 22 Eyl\u00fcl\u2019e kadar Kar\u015f\u0131 Sanat\u2019ta gezilebilecek olan sergiyi, \u201c30 y\u0131l hapiste yatmalar\u0131na ra\u011fmen bu umudu hala resmedebiliyorlar. Derdimiz, i\u00e7erinin sesini d\u0131\u015far\u0131ya, d\u0131\u015far\u0131n\u0131n sesini de i\u00e7eriye duyurmak ve birbirlerini kuvvetlendirebilmelerini sa\u011flamak\u201d s\u00f6zleriyle anlat\u0131yor.<\/strong><\/em><\/div>\n
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Birle\u015fmi\u015f Milletler M\u00fclteciler Y\u00fcksek Komiserli\u011fi\u2019nin (UNHCR) rakamlar\u0131na g\u00f6re d\u00fcnyada zorla yerinden edilmi\u015f ki\u015fi say\u0131s\u0131 103 milyonu ge\u00e7mi\u015f durumda. \u00dclkeler i\u00e7erisinde yerinden edilenlerin say\u0131s\u0131 53 milyonun \u00fczerinde. BM Uluslararas\u0131 G\u00f6\u00e7 \u00d6rg\u00fct\u00fc\u2019n\u00fcn (IOM) \u20182022 D\u00fcnya G\u00f6\u00e7 Raporu\u2019na g\u00f6re ise 2020 itibar\u0131yla d\u00fcnya genelinde 281 milyon g\u00f6\u00e7men bulunuyor.<\/p>\n

G\u00f6r\u00fclm\u00fc\u015ft\u00fcr Kolektifi ve Redfoto\u011fraf\u2019\u0131n ortak \u00e7al\u0131\u015fmas\u0131 \u201cG\u00f6\u00e7 ve S\u00fcrg\u00fcn\u201d adl\u0131 karma sergi de bu konuya dikkat \u00e7ekmek amac\u0131yla Kar\u015f\u0131 Sanat \u00c7al\u0131\u015fmalar\u0131\u2018nda 12 Eyl\u00fcl\u2019de ziyarete a\u00e7\u0131ld\u0131. B\u00fclent Parmaks\u0131z, Erc\u00fcment Akdeniz, Elif Can, Mehmet Bo\u011fatekin, Sami \u00d6zbil gibi cezaevindeki mahpus yazarlar, \u015fairler ve \u00e7izerler ile Redfoto\u011fraf sanat\u00e7\u0131lar\u0131n\u0131n foto\u011fraflar\u0131ndan olu\u015fan \u201cG\u00f6\u00e7 ve S\u00fcrg\u00fcn\u201d sergisi, yar\u0131s\u0131 \u201ci\u00e7eriden\u201d yar\u0131s\u0131 da \u201cd\u0131\u015far\u0131dan\u201d olmak \u00fczere 100 ismin \u00e7al\u0131\u015fmalar\u0131n\u0131 bir araya getiriyor.<\/p>\n

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\u201cS\u00fcrg\u00fcnlerle aram\u0131zdaki duvarlar\u201d<\/h4>\n

22 Eyl\u00fcl\u2018e kadar, Beyo\u011flu Aznavur Pasaj\u0131\u2019ndaki Kar\u015f\u0131 Sanat \u00c7al\u0131\u015fmalar\u0131\u2018nda ziyaret\u00e7ilerini a\u011f\u0131rlayacak sergi, \u201cS\u00fcrg\u00fcn ve g\u00f6\u00e7 ger\u00e7e\u011finin betimlemesi zor travmas\u0131n\u0131 ve s\u00fcrg\u00fcnlerin umutlar\u0131n\u0131 tuallere, sat\u0131rlara, enstalasyonlara, ta\u015flara, notalara ve foto\u011fraf karelerine d\u00f6kt\u00fck. Anlamaya, anlatmaya \u00e7al\u0131\u015ft\u0131k. S\u00fcrg\u00fcnlerle aram\u0131zdaki duvarlar\u0131, imgelerimizle y\u0131kmaya \u00e7al\u0131\u015ft\u0131k\u201d s\u00f6zleriyle \u00f6zetleniyor. \u201cG\u00f6\u00e7 ve S\u00fcrg\u00fcn\u201d ayn\u0131 zamanda Kar\u015f\u0131 Sanat\u2019\u0131n sezon a\u00e7\u0131l\u0131\u015f sergisi oluyor.<\/p>\n

Sergideki \u00e7al\u0131\u015fmalar, ipler ile birbirini sarmal\u0131yor. Bu ipler, \u201ci\u00e7eri ile d\u0131\u015far\u0131y\u0131\u201d ba\u011fda\u015ft\u0131ran ba\u011f\u0131 sembolize ediyor. B\u00f6ylelikle sergiyi saran bir ileti\u015fim a\u011f\u0131 olu\u015fturuluyor ipler e\u015fli\u011finde.<\/p>\n

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\u2018G\u00f6r\u00fclm\u00fc\u015ft\u00fcr\u2019 mektuplar\u0131<\/h4>\n

Sergi alan\u0131n\u0131, \u201cG\u00f6r\u00fclm\u00fc\u015ft\u00fcr\u201d m\u00fchr\u00fcn\u00fcn bas\u0131ld\u0131\u011f\u0131, cezaevlerindeki tutsaklar\u0131n g\u00f6nderdi\u011fi \u015fiir, \u00f6yk\u00fc ve mektuplardan olu\u015fan b\u00f6l\u00fcmle gezmeye ba\u015fl\u0131yoruz. \u201cS\u00fcrg\u00fcn\u00fcn A\u011f\u0131d\u0131, Ressam\u0131n S\u00fcrg\u00fcn\u00fc, Hayriye\u2019nin S\u00fcrg\u00fcn\u00fc, Mavi Ringte 11 Saat, S\u00fcrg\u00fcn A\u011fac\u0131\u201d ve daha bir\u00e7ok \u00e7al\u0131\u015fma, okuyucular\u0131 tutsaklar\u0131n s\u00fcrg\u00fcn hik\u00e2yeleri ile sars\u0131yor. Song\u00fcl Y\u00fccel Acar, Bak\u0131rk\u00f6y Kad\u0131n Kapal\u0131 Cezaevi\u2019nden g\u00f6nderdi\u011fi mektupta \u015f\u00f6yle diyor: \u201cDuvarlar\u0131n k\u00f6rl\u00fc\u011f\u00fcne umutla i\u015fli \u00f6zg\u00fcrl\u00fck a\u00e7an bir mevsim koyduk.\u201d<\/p>\n

\u0130kinci b\u00f6l\u00fcmde de tutsaklar\u0131n \u201ci\u00e7erideki\u201d yiyecek ve \u00e7e\u015fitli g\u0131dalardan elde etti\u011fi renkleri boyaya d\u00f6n\u00fc\u015ft\u00fcr\u00fcp \u00e7izdikleri resimleri inceliyoruz. Engin Bulut, \u00e7izdi\u011fi resimde s\u00fcrg\u00fcn\u00fc \u015f\u00f6yle i\u015fliyor: \u201c\u0130nsan mutlulu\u011fa da mutsuzlu\u011fa da al\u0131\u015f\u0131yor. Bizim al\u0131\u015famad\u0131\u011f\u0131m\u0131z tek \u015fey yurtsuzlu\u011fumuz. Ne kadar al\u0131\u015fm\u0131\u015f gibi yapsak da, \u015funu unutma adam: Kalplerimiz bir g\u00fcn mutlaka s\u00fcrg\u00fcn edildi\u011fimiz topra\u011f\u0131m\u0131za kar\u0131\u015facak.\u201d<\/p>\n

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S\u00fcrg\u00fcn yollar\u0131nda Mavi bebe\u011fin hik\u00e2yesi<\/h4>\n

2019\u2019da Kayseri Kad\u0131n Kapal\u0131 Cezaevi\u2019nden kolektife g\u00f6nderilen \u201cDaha k\u0131rk\u0131 \u00e7\u0131kmayan mavi bebek\u201d isimli mektup, \u201cMavi bebe\u011fi k\u0131rk\u0131 \u00e7\u0131kmadan annenin de diki\u015fleri kapanmadan \u2018tabutluk\u2019 ad\u0131 verilen ring arac\u0131yla 450 km uza\u011fa s\u00fcrg\u00fcne yollad\u0131lar. Hapishane doktoru anne ve bebe\u011fe -muayene etmeden- s\u00fcrg\u00fcne g\u00f6nderilebilir raporu verdi\u201d s\u00f6zleriyle tahliye olan Rabia B\u0131y\u0131kl\u0131\u2019n\u0131n ya\u015fad\u0131\u011f\u0131 trajik olay\u0131 anlat\u0131yor. Bununla birlikte sergide, tutuklu gazeteci Erc\u00fcment Akdeniz\u2019in g\u00f6\u00e7 \u00fczerine \u00e7al\u0131\u015fmalar\u0131 ile foto\u011fraflar\u0131 da yer al\u0131yor.<\/p>\n

Yine 29 y\u0131l sonra cezaevinde kalan ve burada resim \u00e7izmeyi \u00f6\u011frenen Ethem Elma, yak\u0131n bir tarihte tahliye ediliyor. Elma\u2019n\u0131n \u00e7izimleri, \u201ci\u00e7eridekilerin\u201d \u00e7al\u0131\u015fmalar\u0131n\u0131n sonuncusu oluyor. Bu k\u0131s\u0131mdan sonra \u201cd\u0131\u015far\u0131ya\u201d uzan\u0131yoruz.<\/p>\n

\"\u00d6zcan<\/div>\n
\u00d6zcan Yaman<\/span><\/em><\/div>\n

\u201cTarih s\u00fcrg\u00fcne \u2018g\u00f6nderenleri\u2019 yarg\u0131layacak\u201d<\/h4>\n

\u201c\u0130\u00e7eriden d\u0131\u015far\u0131ya\u201d g\u00f6\u00e7 ve s\u00fcrg\u00fcn\u00fc ya\u015fayanlar\u0131n mesajlar\u0131 ise bir g\u00f6rselle sergi duvar\u0131nda yer al\u0131yor: \u201cTarih s\u00fcrg\u00fcne \u2018gidenleri\u2019 de\u011fil, s\u00fcrg\u00fcne \u2018g\u00f6nderenleri\u2019 yarg\u0131layacakt\u0131r.\u201d<\/p>\n

Soyk\u0131r\u0131mlar, katliamlar, s\u00fcrg\u00fcnler<\/h4>\n

Serginin \u201cd\u0131\u015far\u0131dakiler\u201d b\u00f6l\u00fcm\u00fcnde, 1915 Ermeni Soyk\u0131r\u0131m\u0131, 1964 S\u00fcrg\u00fcn\u00fc, Dersim Katliam\u0131\u2019nda Ermeni, Alevi ve Rum halklar\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 g\u00f6\u00e7 ve s\u00fcrg\u00fcne de foto\u011fraflarla dikkat \u00e7ekiliyor.<\/p>\n

\u2018\u0130\u00e7eriden\u2019 Filistin\u2019e dayan\u0131\u015fma\u2026<\/h4>\n

Redfoto\u011fraf Kolektifi\u2019nden foto\u011fraf\u00e7\u0131 \u00d6zcan Yaman ile sergiyi gezmeye devam ediyoruz. Hem tutsaklar\u0131n hem de kolektifin eme\u011fi ile haz\u0131rlanan Gazze k\u00f6\u015fesini \u00d6zcan Yaman\u2019dan dinliyoruz: \u201cGazze ve Filistin meselesi \u00e7ok \u00f6nemli. Tutsaklar hapiste olduklar\u0131 h\u00e2lde, dertlerini ve s\u00fcrg\u00fcn hayatlar\u0131n\u0131 anlat\u0131yor. Ama bunun yan\u0131nda a\u011f\u0131rl\u0131kl\u0131 olarak hem mektuplar\u0131nda hem de resimlerinde Gazze ve Filistin sorununa ili\u015fkin \u00e7al\u0131\u015fmalar yap\u0131yorlar.<\/p>\n

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Bir duvar\u0131m\u0131z Filistin k\u00f6\u015fesi oldu. Gemilerle Filistin’e do\u011fru bir sefer ba\u015flat\u0131ld\u0131. Biz de ka\u011f\u0131ttan yap\u0131lan kay\u0131klarla gemileri sim\u00fcle etmeye \u00e7al\u0131\u015farak bir g\u00f6nderme yapt\u0131k. \u2018\u0130\u00e7eride\u2019 Filistin’le ilgili yap\u0131lan \u00e7al\u0131\u015fmalar\u0131 sergileyerek Filistin k\u00f6\u015fesi yapt\u0131k. Bir de T\u00fcrkiye’de 1968-78 ku\u015fa\u011f\u0131ndan Filistin’e gidip sava\u015fan ve orada \u00f6len devrimcilerin foto\u011fraflar\u0131ndan olu\u015fan bir afi\u015f haz\u0131rlad\u0131k.\u201d<\/p>\n

Yaman\u2019a, sergiye neden \u201cS\u00fcrg\u00fcn ve g\u00f6\u00e7\u201d ismini verildi\u011fini ise \u015fu s\u00f6zlerle anlat\u0131yor: \u201cHapishaneler ger\u00e7ekli\u011finde iktidar\u0131n s\u0131rf hapse atmakla de\u011fil, cezaland\u0131rman\u0131n d\u0131\u015f\u0131nda ailesiyle ve akrabalar\u0131yla ili\u015fkiyi kesmesi de mevcut. Diyarbak\u0131r’daki cezaevinde yatarken al\u0131yor Silivri\u2019ye, Kand\u0131ra\u2019dan Urfa\u2019ya s\u00fcrg\u00fcn ediyor. Mektuplardan okudu\u011fumuz kadar\u0131yla, bir sabah gardiyan geliyor \u2018hadi toparlan gidiyorsun\u2019 diyor. Bir\u00e7ok \u015feyi orada b\u0131rakarak, bazen de hi\u00e7bir \u015fey ald\u0131rtmadan oldu\u011fu gibi g\u00f6t\u00fcr\u00fcyorlar. Sonra aileleri 2000 kilometre yol yapamad\u0131\u011f\u0131 ve bir\u00e7o\u011fu da yoksul oldu\u011fu i\u00e7in g\u00f6r\u00fc\u015fe y\u0131lda bir kere gidebiliyor.<\/p>\n

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Dolay\u0131s\u0131yla bu bir s\u00fcrg\u00fcn hayat\u0131. Yola buradan \u00e7\u0131kt\u0131k. Mahkumlardan gelen mektuplarda da g\u00f6\u00e7 olgusu \u00f6ne \u00e7\u0131kt\u0131. Biz de bunlar\u0131 birle\u015ftirerek \u2018G\u00f6\u00e7 ve S\u00fcrg\u00fcn\u2019 dedik. Yine 1980 darbesinden sonra yurt d\u0131\u015f\u0131na gidip m\u00fclteci hayat\u0131 ya\u015fayan ve m\u00fccadelelerini oralardan s\u00fcrd\u00fcrmeye \u00e7al\u0131\u015fan insanlar var. Erdal Boyo\u011flu, yurt d\u0131\u015f\u0131nda uzun y\u0131llar kald\u0131\u011f\u0131 s\u00fcre zarf\u0131nda \u00fcretti\u011fi dergi, gazete ve \u00e7al\u0131\u015fmalarla g\u00f6\u00e7 \u00fczerine Almanca, T\u00fcrk\u00e7e, Frans\u0131zca ve T\u00fcrk\u00e7e olu\u015fturdu\u011fu ar\u015fivini sergimize g\u00f6nderdi. Bar\u0131\u015f\u0131n tart\u0131\u015f\u0131ld\u0131\u011f\u0131 \u015fu g\u00fcnlerde, e\u011fer demokratikle\u015fme ya\u015fan\u0131rsa \u00fclke i\u00e7in bir kazan\u0131m olacak.\u201d<\/p>\n

12 Eyl\u00fcl ve k\u0131r\u0131lma noktas\u0131<\/h4>\n

Yaman, serginin neden 12 Eyl\u00fcl\u2019de a\u00e7\u0131ld\u0131\u011f\u0131n\u0131 \u015f\u00f6yle yan\u0131tl\u0131yor: \u201c12 Eyl\u00fcl, hem siyasi olarak hem de k\u00fclt\u00fcrel olarak \u00fclke tarihinin en karanl\u0131k sayfas\u0131. Kenan Evren, diktat\u00f6rl\u00fc\u011f\u00fcn\u00fc ayakta tutan b\u00fcy\u00fck bir sermayeydi. Hatta Vehbi Ko\u00e7’un, \u2018B\u00fct\u00fcn Ermeniler, Rumlar, K\u00fcrtler d\u00fc\u015fmand\u0131r. Emrinize amadeyiz pa\u015fam\u2019 diye bir mektubu vard\u0131r Kenan Evren’e. Bu b\u00fcy\u00fck sermayenin darbeyle olan ili\u015fkisinin \u00e7ok bariz bir \u00f6rne\u011fi. Bug\u00fcn \u0130stanbul Bienali\u2019ni yapanlard\u0131 onlar. K\u00fclt\u00fcr hayat\u0131nda sermaye g\u00fczel pay da\u011f\u0131t\u0131yor.<\/p>\n

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Fikret Otyam, Kenan Evren\u2019e resmini izinsiz portre olarak yapt\u0131\u011f\u0131 i\u00e7in dava a\u00e7\u0131yor. Fikret Otyam\u2019a neden bir liral\u0131k tazminat davas\u0131 a\u00e7t\u0131\u011f\u0131 soruldu\u011funda, \u2018Ben onu yarg\u0131lamak i\u00e7in yapt\u0131m. Adliye koridoruna girince heyecanla oradaki insanlar\u0131n daval\u0131 Kenan Evren diye ba\u011f\u0131rtmak i\u00e7in yapt\u0131m\u2019 diyor. Ve kazan\u0131yor davay\u0131. Sanat, en diktat\u00f6r dedi\u011fimiz insanlar\u0131 bile bir yerde rezil edebilecek de bir \u015fey. Bir darbenin sanatla ili\u015fkisi var. 12 Eyl\u00fcl g\u00fcn\u00fc burada bu serginin a\u00e7\u0131lmas\u0131 nedeni, oraya da bir g\u00f6nderme yapmakt\u0131. M\u00fclteciler, 12 Eyl\u00fcl sonras\u0131 s\u00fcrg\u00fcn edilenler, vatanda\u015fl\u0131ktan \u00e7\u0131kar\u0131lanlar\u2026 K\u0131r\u0131lma noktas\u0131 12 Eyl\u00fcl’d\u00fcr. Dolay\u0131s\u0131yla b\u00f6yle bir sergi 12 Eyl\u00fcl’de a\u00e7\u0131lmay\u0131 hak ediyordu.<\/p>\n

Orman yang\u0131nlar\u0131, hayvan g\u00f6\u00e7leri\u2026<\/h4>\n

Sergi alan\u0131nda \u00d6nder Atakul\u2019un geyik ve ceylan \u00e7al\u0131\u015fmalar\u0131 bulunuyor. Hayvanlar, orman yang\u0131nlar\u0131, g\u00f6\u00e7 ve \u00e7ok me\u015fakkatli mesafeler katetmeleri nedeniyle sergide yer al\u0131yor.<\/p>\n

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Yaman, sergideki \u00e7e\u015fitlili\u011fi, \u201cHer alanda demokrasi m\u00fccadelesinin sanatla olan ili\u015fkisini g\u00f6stermeye \u00e7al\u0131\u015ft\u0131k. \u00d6rne\u011fin 1915 Ermeni Soyk\u0131r\u0131m\u0131 \u00e7ok \u00f6nemli bir tarih. Biz art\u0131k bu tarihin, belleklerde k\u00f6t\u00fc yan\u0131yla de\u011fil, Hrant’\u0131n da bize dedi\u011fi gibi, o karde\u015flik e\u011fer ger\u00e7ekten test edilecekse b\u00fct\u00fcn bunlar\u0131n sorgulanmas\u0131 ve toplumsalla\u015ft\u0131r\u0131lmas\u0131 gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcyoruz\u201d \u015feklinde aktar\u0131yor.<\/p>\n

Serginin \u0130stanbul\u2019dan sonra Ankara, Diyarbak\u0131r, Urfa, Malatya, K\u00f6ln, Bel\u00e7ika ve Fransa’da da sergilenece\u011finin bilgisini veren Yaman, \u201cKuyu tipi hapishanelerden, tutsaklar\u0131n pek \u00e7ok sorunlar\u0131na yer vermek istedik. \u0130\u00e7eride \u00fcretilen i\u015flere bakt\u0131\u011f\u0131m\u0131zda inan\u0131lmaz bir umut var. Ve 30 y\u0131l hapiste yatmalar\u0131na ra\u011fmen bu umudu h\u00e2l\u00e2 resmedebiliyorlar, \u015fiir, \u00f6yk\u00fc yaz\u0131yorlar. Derdimiz, i\u00e7erinin sesini d\u0131\u015far\u0131ya, d\u0131\u015far\u0131n\u0131n sesini de i\u00e7eriye duyurmak ve birbirlerini kuvvetlendirebilmelerini sa\u011flamak\u201d diyor.<\/p>\n

https:\/\/www.agos.com.tr\/tr\/yazi\/35752\/duvarlarin-ardindan-guc-ve-surgun-30-yillik-tutsaklikta-umudu-resmediyorlar\u00a0<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Marta S\u00f6mek \u00a0 Zorla yerinden edilmenin, g\u00f6\u00e7\u00fcn ve s\u00fcrg\u00fcn\u00fcn izlerini tutsaklar\u0131n kaleminden, f\u0131r\u00e7as\u0131ndan ve objektifinden aktaran \u201cG\u00f6\u00e7 ve S\u00fcrg\u00fcn\u201d sergisi, \u201ci\u00e7erdeki\u201d ve \u201cd\u0131\u015fardaki\u201d 100 ismin \u00fcretimlerini 12 Eyl\u00fcl\u2019\u00fcn karanl\u0131\u011f\u0131nda bir araya getiriyor. Foto\u011fraf\u00e7\u0131 \u00d6zcan Yaman, 22 Eyl\u00fcl\u2019e kadar Kar\u015f\u0131 Sanat\u2019ta gezilebilecek olan sergiyi, \u201c30 y\u0131l hapiste yatmalar\u0131na ra\u011fmen bu umudu hala resmedebiliyorlar. Derdimiz, i\u00e7erinin sesini […]<\/p>\n","protected":false},"author":7,"featured_media":84470,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-84469","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler"],"yoast_head":"\nDuvarlar\u0131n ard\u0131ndan \u201cG\u00fc\u00e7 ve S\u00fcrg\u00fcn\u201d: 30 y\u0131ll\u0131k tutsakl\u0131kta umudu resmediyorlar - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=84469\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Duvarlar\u0131n ard\u0131ndan \u201cG\u00fc\u00e7 ve S\u00fcrg\u00fcn\u201d: 30 y\u0131ll\u0131k tutsakl\u0131kta umudu resmediyorlar - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Marta S\u00f6mek \u00a0 Zorla yerinden edilmenin, g\u00f6\u00e7\u00fcn ve s\u00fcrg\u00fcn\u00fcn izlerini tutsaklar\u0131n kaleminden, f\u0131r\u00e7as\u0131ndan ve objektifinden aktaran \u201cG\u00f6\u00e7 ve S\u00fcrg\u00fcn\u201d sergisi, \u201ci\u00e7erdeki\u201d ve \u201cd\u0131\u015fardaki\u201d 100 ismin \u00fcretimlerini 12 Eyl\u00fcl\u2019\u00fcn karanl\u0131\u011f\u0131nda bir araya getiriyor. Foto\u011fraf\u00e7\u0131 \u00d6zcan Yaman, 22 Eyl\u00fcl\u2019e kadar Kar\u015f\u0131 Sanat\u2019ta gezilebilecek olan sergiyi, \u201c30 y\u0131l hapiste yatmalar\u0131na ra\u011fmen bu umudu hala resmedebiliyorlar. 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