![\"\"](\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/2024\/09\/Hangardz-360x239.webp\")
<\/p>\n<\/p>\n
Tiyatro Ele\u015ftirmenleri Birli\u011fi\u2019nin (TEB) bu y\u0131l 31. kez d\u00fczenledi\u011fi \u2018Tiyatro \u00d6d\u00fclleri\u2019nin kazananlar\u0131 belli oldu.<\/strong><\/em><\/p>\n TEB \u00d6zel \u00d6d\u00fcl\u00fc\u2019ne, William Saroyan\u2019\u0131n yazd\u0131\u011f\u0131 \u2018Y\u00fcre\u011fim Da\u011flardad\u0131r\u2019 oyunuyla Hangardz tiyatro toplulu\u011fu lay\u0131k g\u00f6r\u00fcld\u00fc. Erdo\u011fan Mitrani, Hasibe Kalkan, Tijen Sava\u015fkan, Handan Salta, Tuba Aksu \u015eener, Mehmet Konuk, Bahar \u00c7uhadar, G\u00fclin Dede Tekin, \u00d6znur O\u011fra\u015f \u00c7olak, Zeynep Baykal\u2019dan olu\u015fan j\u00fcrinin se\u00e7imiyle verilen \u00f6d\u00fcllerin kazananlar\u0131 \u015f\u00f6yle:<\/p>\n TEB Onur \u00d6d\u00fcl\u00fc: \u015eahika Tekand ve Esat Tekand<\/strong><\/p>\n 1990 y\u0131l\u0131nda birlikte kurduklar\u0131 Studio Oyuncular\u0131 toplulu\u011funda tiyatro oyunlar\u0131 sahnelerken 20 y\u0131ll\u0131k \u00e7al\u0131\u015fma sonucunda geli\u015ftirdi\u011fi, \u00e7e\u015fitli ara\u015ft\u0131rmalara konu olmu\u015f \u2018Performatif Sahneleme ve Oyunculuk Y\u00f6ntemi\u2019 ile say\u0131s\u0131z tiyatrocu ve e\u011fitmen yeti\u015ftiren, tiyatro ve sinema sanat\u00e7\u0131s\u0131, oyuncu, yazar, y\u00f6netmen, ses ve \u0131\u015f\u0131k tasar\u0131mc\u0131s\u0131 \u015eahika Tekand ile \u00e7a\u011fda\u015f T\u00fcrk resminin \u00fcnl\u00fc ustalar\u0131ndan resim ve heykel \u00e7al\u0131\u015fmalar\u0131n\u0131n yan\u0131 s\u0131ra tiyatro ve sinemada sahne tasar\u0131m\u0131 ve sanat y\u00f6netmenli\u011fi yapan Esat Tekand\u2019a verilmesi TEB \u00fcyeleri taraf\u0131ndan kararla\u015ft\u0131r\u0131ld\u0131.<\/p>\n Y\u0131l\u0131n Oyunu: \u2018Titus Kompleks\u2019, DasDas<\/strong><\/p>\n G\u00f6rsel i\u015fitsel bulu\u015flarla Shakespeare\u2019in dramatik a\u00e7\u0131dan en zay\u0131f oyunlar\u0131ndan birini, karakterleri buhranlara ve n\u00fcmayi\u015flere teslim olmu\u015f abs\u00fcrt y\u00fczy\u0131l\u0131m\u0131z\u0131n tam ortas\u0131nda, yeniden canland\u0131rarak ba\u015far\u0131yla sert, \u00e7a\u011fc\u0131l toplumsal ve ekonomik ele\u015ftiriye d\u00f6n\u00fc\u015ft\u00fcrmesi; m\u00fczi\u011fi ve hareketi dengeli kullanan b\u00fct\u00fcnc\u00fcl bir sahneleme anlay\u0131\u015f\u0131, ustaca yarat\u0131lm\u0131\u015f \u00fc\u00e7 boyutlu mek\u00e2nda kurdu\u011fu g\u00f6rkemli dekoru, sahnede teknolojik olanaklardan etkin bir bi\u00e7imde yararlanan; seyircinin kendini ya\u015fananlar\u0131n tam i\u00e7inde hissetti\u011fi \u201cTitus Kompleks\u201d, \u201cY\u0131l\u0131n Oyunu\u201d olarak de\u011ferlendirilmi\u015ftir.<\/p>\n Y\u0131l\u0131n Y\u00f6netmeni: Naz Erayda ve Kerem Kurdo\u011flu, \u2018Ge\u00e7en G\u00fcn\u2019<\/strong><\/p>\n \u2018Ge\u00e7en G\u00fcn\u2019 oyununda yenilik\u00e7i, muzip bir m\u00fczik ve ses d\u00fczeni, dans tiyatrosuna yak\u0131n hareket tasar\u0131m\u0131 ve iki oyuncunun performans\u0131n\u0131n kusursuz bir uyum ve disiplinler aras\u0131 bir sentezle harmanlanm\u0131\u015f olmas\u0131; oyunun ba\u015f ki\u015fisi \u0130stanbul\u2019un yoku\u015flar\u0131, geni\u015fleyen ve daralan yollar\u0131yla bo\u015f bir sahnede, kentin sar\u0131p sarmalayan, al\u00e7al\u0131p y\u00fckselen, kimi zaman neredeyse sessizli\u011fe d\u00f6n\u00fc\u015fse de hi\u00e7 susmayan sesiyle farkl\u0131 bi\u00e7em ve anlat\u0131m katmanlar\u0131 kullan\u0131larak seyirciye aktarmay\u0131 ba\u015farabilmeleri hasebiyle \u201cKerem Kurdo\u011flu ve Naz Erayda\u201d, \u201cY\u0131l\u0131n Y\u00f6netmeni\u201d olarak de\u011ferlendirilmi\u015flerdir<\/p>\n Y\u0131l\u0131n Oyuncular\u0131: Pelin Abay \u201839 Bu\u00e7uk Basamak\u2019, Senan Kara \u2018Sivrisinekler\u2019, Onur Berk Arslano\u011flu \u2018\u00c7irkin\u2019, Onur \u00dcnsal \u2018D\u0131k\u015f\u0131n: B\u00fcy\u00fck \u015eans\u2019<\/strong><\/p>\n O\u011fuz Utku G\u00fcne\u015f\u2019in yaz\u0131p y\u00f6netti\u011fi \u201839 Bu\u00e7uk Basamak\u2019ta birbirinden olduk\u00e7a z\u0131t, birden \u00e7ok karakteri oyunun y\u00fcksek enerjili temposunu bir an d\u00fc\u015f\u00fcrmeden \u00fczerine kolayca ge\u00e7irebilmesi, dili, bedeni ve sahneyi kullan\u0131m\u0131ndaki do\u011fall\u0131k, deneyimli oyuncu kadrosu i\u00e7erisinde ansambl ruhun ta\u015f\u0131y\u0131c\u0131 \u00f6gesi olmas\u0131 ve yaratt\u0131\u011f\u0131 \u0131\u015f\u0131lt\u0131 ile parlayan Pelin Abay\u2026<\/p>\n Koffi Kwahul\u00e9 taraf\u0131ndan kaleme al\u0131nan g\u00fcn\u00fcm\u00fczde \u00f6l\u00fcm\u00fcn dahi art\u0131k bir t\u00fcketici deneyimine d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc yans\u0131tan, \u00e7\u0131lg\u0131n bir sirk g\u00f6sterisi, kapkaranl\u0131k h\u0131nz\u0131r bir g\u00fcld\u00fcr\u00fc olarak yorumlanan \u2018D\u0131k\u015f\u0131n: B\u00fcy\u00fck \u015eans\u2019ta dur durak bilmeyen, u\u00e7uk ka\u00e7\u0131k, komik ve ayn\u0131 zamanda \u00fcrk\u00fct\u00fcc\u00fc i\u015fkenceci karakterini, Kwahul\u00e9\u2019nin hayran\u0131 oldu\u011fu caz m\u00fczi\u011finden esinlenen, ger\u00e7ek\u00fcst\u00fc ve abs\u00fcrtle fl\u00f6rt eden, ak\u0131\u015fkan, do\u011fa\u00e7lamaya yatk\u0131n bir yorumla ortaya koyan Onur \u00dcnsal.<\/p>\n Gen\u00e7 \u0130ngiliz yazar Lucy Kirkwood\u2019un \u2018Sivrisinekler\u201d\u2019 metnindeki \u00e7ok katmanl\u0131 Jenny karakterini, dinmeyen ac\u0131s\u0131n\u0131 bask\u0131 alt\u0131na alan g\u00f6receli umursamazl\u0131\u011f\u0131 ve bir koruyucu maske gibi kulland\u0131\u011f\u0131 duygusuzlu\u011funun alt\u0131nda yatan f\u0131rt\u0131nalar\u0131, sakince duyumsatan kuvvetli bir yorumla ortaya \u00e7\u0131karmas\u0131yla Senan Kara\u2026<\/p>\n Firuze Engin\u2019in yazd\u0131\u011f\u0131, \u2018\u00c7irkin\u2019de binlerce y\u0131ld\u0131r ya\u015fayan \u00e7irkin mahl\u00fbk \u015eiva\u2019yla birlikte lanetlenerek \u00f6l\u00fcms\u00fczl\u00fck cezas\u0131na \u00e7arpt\u0131r\u0131lm\u0131\u015f ge\u00e7mi\u015fle bug\u00fcn aras\u0131nda gezinen karakterinde, a\u011f\u0131r makyaj\u0131 ve bedensel protezi ile bi\u00e7im de\u011fi\u015ftirirken, bu g\u00f6rsel d\u00f6n\u00fc\u015f\u00fcm\u00fc a\u015fan bir yorumla, sesi, g\u0131daklamas\u0131, mimikleri ve benzersiz beden kullan\u0131m\u0131yla adeta bir tavu\u011fa d\u00f6n\u00fc\u015fen Onur Berk Arslano\u011flu\u2026<\/p>\n Y\u0131l\u0131n Oyun Metni: \u2018Treplev\u2019, Ba\u015fak K\u0131v\u0131lc\u0131m Ertano\u011flu ve \u00dcmit Erlim<\/strong><\/p>\n \u00c7ehov\u2019un \u2018Mart\u0131\u2019 oyununun karakterlerinden Treplev\u2019in hik\u00e2yesini kendisinin g\u00f6z\u00fcnden kurgulayarak ortaya \u00e7\u0131kard\u0131klar\u0131, bir uyarlaman\u0131n \u00f6tesinde karamsar bir hikayeye umutlu bir yorum getiren parlak ve yarat\u0131c\u0131 bir yeniden yaz\u0131m olarak tan\u0131mlanabilmesi; bunu yaparken hikayenin -t\u00fcm ciddiyetine ra\u011fmen- g\u00fcn\u00fcm\u00fcz\u00fcn ileti\u015fim ara\u00e7lar\u0131 ve diliyle yaratt\u0131klar\u0131 kendini ciddiye almayan tonlamalar\u0131n\u0131n metne, yeni bi\u00e7im aray\u0131\u015f\u0131nda ba\u015far\u0131yla yerle\u015ftirilmi\u015f olmas\u0131 ve seyircilerin Treplev\u2019in d\u00fcnyas\u0131n\u0131n i\u00e7ine dahil olarak onu derinlemesine tan\u0131mas\u0131n\u0131 ve anlamas\u0131n\u0131 sa\u011flamas\u0131yla \u2018Treplev\u2019, \u2018Y\u0131l\u0131n Oyun Metni\u2019 olarak de\u011ferlendirildi.<\/p>\n Y\u0131l\u0131n Gen\u00e7 Ekibi: Reka Kolektif<\/strong><\/p>\n Kadir Has \u00dcniversitesi \u00e7at\u0131s\u0131 alt\u0131nda kolektif oyun \u00fcretim (devising theatre) metodu ara\u015ft\u0131rmalar\u0131 \u00fczerine bir araya gelen ve bu ara\u015ft\u0131rmalar\u0131n\u0131n ilk \u00fcr\u00fcn\u00fc \u2018A\u015fal\u0131m Bunlar\u0131\u2019nda g\u00fcn\u00fcm\u00fcz gen\u00e7li\u011finin sorunlar\u0131na, ne\u015feli, karakterlerin kendilerini ve dertlerini pek ciddiye almad\u0131\u011f\u0131 bir tonlamayla bakarken, umursamazl\u0131\u011f\u0131n perdeledi\u011fi \u00e7ok ciddi kayg\u0131lar\u0131 da ustal\u0131kla duyumsatmas\u0131yla Film ve Drama Y\u00fcksek Lisans \u00f6\u011frencileri Ceren Ka\u00e7ar, G\u00f6rkem \u00d6rsk\u0131ran, Asl\u0131 Ekici ve R\u0131za Efe Reis taraf\u0131ndan kurulan Reka Kolektif \u2018Y\u0131l\u0131n Gen\u00e7 Ekibi\u2019 olarak de\u011ferlendirildi.<\/p>\n TEB \u00d6zel \u00d6d\u00fcl\u00fc: Hangardz Tiyatro<\/strong><\/p>\n Garine Maral \u00c7izmeciyan, Lara Narin, Tara Demircio\u011flu ve Ye\u011fya Akg\u00fcn taraf\u0131ndan kurulan, sezonda William Saroyan\u2019\u0131n \u2018Y\u00fcre\u011fim Da\u011flardad\u0131r\u2019 oyunuyla sahnelerde yer alan \u2018Hangardz\u2019 tiyatro toplulu\u011fu, T\u00fcrkiye tiyatrosunun kurulu\u015funun temellerinde var olan Ermeni k\u00fclt\u00fcr sanat\u0131 hakk\u0131nda ulusal ve uluslararas\u0131 fark\u0131ndal\u0131k olu\u015fturmaya ve yok olma tehlikesi alt\u0131ndaki Bat\u0131 Ermenicesini ya\u015fatmaya katk\u0131lar\u0131ndan dolay\u0131, bu y\u0131lki TEB \u00d6zel \u00d6d\u00fcl\u00fc\u2019n\u00fcn sahibi oldu.<\/p>\n