{"id":80203,"date":"2024-07-04T03:11:44","date_gmt":"2024-07-04T08:11:44","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=80203"},"modified":"2024-07-04T03:11:44","modified_gmt":"2024-07-04T08:11:44","slug":"email-tarihin-dipsiz-cukurlari","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=80203","title":{"rendered":"Email Tarihin dipsiz \u00e7ukurlar\u0131"},"content":{"rendered":"
P\u0131nar \u00d6\u011f\u00fcn\u00e7<\/a><\/span> \u00a0<\/span><\/strong><\/div>\n
Bu klasik bir aile tarihi arama hik\u00e2yesi say\u0131lmaz. 16 ya\u015f\u0131ndayken kaybetti\u011fi ve \u00f6zellikle bir s\u0131r gibi saklad\u0131\u011f\u0131 i\u00e7in Ermeni kimli\u011fine dair hi\u00e7bir \u015fey bilmedi\u011fi anneannesini ve tabii onun annesi Maria’y\u0131 k\u00f6y\u00fcnde, resmi belgelerde, olas\u0131 kilise kay\u0131tlar\u0131nda soru\u015fturuyor Uskan. Ya\u015fananlar\u0131n bilincinde oldu\u011fundan hi\u00e7bir \u015fey bulamamay\u0131 do\u011fal sayan bir aray\u0131\u015f bu. Adana’n\u0131n dar sokaklar\u0131nda, Apkaryan Okulu’nun harap koridorlar\u0131nda, k\u0131rsal\u0131n yaban do\u011fas\u0131nda, kameray\u0131 bug\u00fcne dokunan bir ele d\u00f6n\u00fc\u015ft\u00fcrerek geziyor.<\/span><\/strong><\/em><\/div>\n
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Buzul \u00c7a\u011f\u0131’nda bu topraklar nas\u0131l g\u00f6r\u00fcn\u00fcyordu, ne t\u00fcr canl\u0131lar geziyordu, nas\u0131l f\u0131rt\u0131nalar kopuyordu acaba o zamanlar? Bir belgeselden s\u00f6z edece\u011fim. Hay\u0131r, ne d\u00fcnyan\u0131n, ne de insan\u0131n bu gezegendeki tarihi \u00fczerine, fakat mevzu \u00f6nce Buzul \u00c7a\u011f\u0131’ndan kalma dev bir \u00e7ukurla beliriveriyor zihnimde.<\/p>\n

Oraya Dipsiz G\u00f6l isminin verilmesinin ard\u0131nda Buzul \u00c7a\u011f\u0131’n\u0131n insan t\u00fcr\u00fcn\u00fcn yeti\u015fti\u011fi son evrelerine, 12 bin y\u0131l \u00f6ncesine uzanan tarihi yat\u0131yor olmal\u0131; belki ger\u00e7ekten dibinin nerelere eri\u015fti\u011fi de bilinmiyor. Milattan sonra 2020 y\u0131l\u0131nda birtak\u0131m ki\u015filer G\u00fcm\u00fc\u015fhane’nin elli kilometre uza\u011f\u0131na denk d\u00fc\u015fen Ta\u015fk\u00f6pr\u00fc Yaylas\u0131\u2019ndaki bu g\u00f6lde kaz\u0131 yapmak i\u00e7in ilgili makamlara ba\u015fvurdu. Dibinde define oldu\u011funa dair s\u00f6ylentiler y\u00fcz\u00fcnden iki bin metreden y\u00fcksekteki bu buzul g\u00f6l\u00fcnde ne aranabilir diye kimse garipsemedi, izin \u00e7\u0131kt\u0131. \u0130nsan\u0131n inanas\u0131 gelmiyor ama bu \u00fclkede define u\u011fruna jandarma g\u00f6zetiminde bir g\u00f6l\u00fcn b\u00fct\u00fcn suyu tahliye edildi. Kimse kaz\u0131 alan\u0131na yakla\u015ft\u0131r\u0131lmad\u0131; hatta o d\u00f6nem Ek\u015fi S\u00f6zl\u00fck\u2019teki \u201cDipsiz G\u00f6l\u2019\u00fcn valilik izniyle yok edilmesi\u201d, \u201cDipsiz G\u00f6l\u2019e tankerlerle su doldurulmas\u0131\u201d gibi ba\u015fl\u0131klar mahkeme karar\u0131yla eri\u015fime kapat\u0131ld\u0131.<\/p>\n

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Dipsiz G\u00f6l’\u00fcn dibi tarand\u0131; Ermeni, Rum definesi arand\u0131 bal\u00e7\u0131kta d\u00f6rt g\u00fcn boyunca. Dipsizmi\u015f, bir \u015fey \u00e7\u0131kmad\u0131. \u0130nsana oldu\u011fu gibi g\u00f6le de h\u00fcrmet eksikti, i\u015f bitince eski haline d\u00f6ns\u00fcn diye g\u00f6l tankerlerle suyla dolduruldu sonra. Fakat g\u00f6l bir canl\u0131yd\u0131, havuz muamelesi g\u00f6r\u00fcnce k\u00fcst\u00fc, rengi buland\u0131, i\u00e7indeki hayat bitti. Define hezeyanlar\u0131 y\u00fcz\u00fcnden g\u00f6l \u00f6ld\u00fc. Hakikatin do\u011fal alegorisi ba\u015fka laf b\u0131rakm\u0131yor.<\/p>\n

Yatay ve dikey aray\u0131\u015flar<\/strong><\/p>\n

\u201cAnneannem yere d\u00fc\u015f\u00fcp g\u00f6zden kaybolan bir \u015feyi bulmak i\u00e7in ellerini yava\u015f yava\u015f y\u00fczeyde gezdirirdi. G\u00f6z\u00fcn g\u00f6rmedi\u011fine dokunarak el yordam\u0131yla ula\u015f\u0131rd\u0131.\u201d Y\u00f6netmen Nagehan Uskan’\u0131n sesiyle a\u00e7\u0131l\u0131yor film. Documentarist 17. \u0130stanbul Belgesel G\u00fcnleri\u2019nde Johan van der Keuken Yeni Yetenek \u00d6d\u00fcl\u00fc\u2019ne de\u011fer g\u00f6r\u00fclen \u201cSweet Home Adana\u201d, bug\u00fcn g\u00f6zden kaybolmu\u015f olanlar\u0131 aramak i\u00e7in b\u00f6yle yava\u015f yava\u015f gezinme ihtiyac\u0131n\u0131n \u00fcr\u00fcn\u00fc zaten. Daha \u00f6nce yap\u0131mc\u0131l\u0131k yapan Uskan, yirmi dakikal\u0131k bu ilk belgesel filminde ki\u015fisel gibi g\u00f6r\u00fcnen bir aray\u0131\u015ftan yola \u00e7\u0131k\u0131yor, Adana’da anneannesinin ve onun annesinin Ermeni k\u00f6klerinin pe\u015fine d\u00fc\u015f\u00fcyor.<\/p><\/div>\n

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Bu klasik bir aile tarihi arama hik\u00e2yesi say\u0131lmaz. 16 ya\u015f\u0131ndayken kaybetti\u011fi ve \u00f6zellikle bir s\u0131r gibi saklad\u0131\u011f\u0131 i\u00e7in Ermeni kimli\u011fine dair hi\u00e7bir \u015fey bilmedi\u011fi anneannesini ve tabii onun annesi Maria’y\u0131 k\u00f6y\u00fcnde, resmi belgelerde, olas\u0131 kilise kay\u0131tlar\u0131nda soru\u015fturuyor Uskan. Ya\u015fananlar\u0131n bilincinde oldu\u011fundan hi\u00e7bir \u015fey bulamamay\u0131 do\u011fal sayan bir aray\u0131\u015f bu. Adana’n\u0131n dar sokaklar\u0131nda, Apkaryan Okulu’nun harap koridorlar\u0131nda, k\u0131rsal\u0131n yaban do\u011fas\u0131nda, kameray\u0131 bug\u00fcne dokunan bir ele d\u00f6n\u00fc\u015ft\u00fcrerek geziyor. Bitkilerden ila\u00e7 yapan \u015fifac\u0131 Maria’n\u0131n Melek olarak s\u00fcren hayat\u0131n\u0131 Adana Katliam\u0131’na, M\u00fcsl\u00fcmanla\u015ft\u0131r\u0131lm\u0131\u015f Ermenilere dair bildiklerimizle g\u00f6z\u00fcm\u00fczde canland\u0131rmaya \u00e7al\u0131\u015f\u0131yoruz. Bir ku\u015fak sonras\u0131na, k\u0131z\u0131na aktar\u0131lan ise kapal\u0131 bir kutu.<\/p>\n

Bu ak\u0131\u015fa paralel olarak Uskan, internetin YouTube gibi kamusal alanlar\u0131nda define aray\u0131c\u0131lar\u0131n\u0131n payla\u015ft\u0131\u011f\u0131 g\u00f6r\u00fcnt\u00fclere yer veriyor. Ayn\u0131 topra\u011f\u0131 bamba\u015fka bir nedenle \u201carayanlar\u0131n\u201d, niyetlerini saklamad\u0131klar\u0131 i\u00e7in \u00e7i\u011f, katliamlar bug\u00fcne hesapla\u015fma de\u011fil ancak define umuduyla ta\u015f\u0131nabildi\u011fi i\u00e7in hazin g\u00f6r\u00fcnt\u00fcler. Heyecanlar\u0131, \u015fevkleri sinirini bozuyor insan\u0131n, hatta k\u00f6t\u00fc bir komediye d\u00f6n\u00fc\u015f\u00fcyorlar. Baz\u0131 payla\u015f\u0131mlar o kadar g\u00fcl\u00fcn\u00e7m\u00fc\u015f ki, Uskan filmin b\u00f6yle bir tona savrulmamas\u0131 i\u00e7in her g\u00f6r\u00fcnt\u00fcy\u00fc kullanamad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. \u00d6rne\u011fin \u201cErmeni deyince akla \u015fifreli i\u015faretler gelir. Ok, \u00fc\u00e7gen bunlar\u0131n vazge\u00e7meyece\u011fi \u015feylerdir\u201d diyerek \u201ctecr\u00fcbelerini\u201d payla\u015f\u0131yor biri. M\u00fcsl\u00fcman olmayanlar\u0131n mallar\u0131n\u0131n m\u00fclklerinin ya\u011fmaland\u0131\u011f\u0131 zamanlar\u0131 ka\u00e7\u0131rm\u0131\u015f ama bu karanl\u0131k \u00fcle\u015ftirmeden pay\u0131n\u0131 \u015fimdi isteyen, ula\u015famay\u0131nca bunun \u00f6fkesini ta\u015f\u0131yan birtak\u0131m insanlar…<\/p>\n

Nagehan Uskan Adana’da yapt\u0131\u011f\u0131 bir saha ara\u015ft\u0131rmas\u0131 s\u0131ras\u0131nda Ermeni haf\u0131za mek\u00e2nlar\u0131n\u0131n yak\u0131nlar\u0131nda define \u00e7ukurlar\u0131na denk gelmi\u015f, sonra foto\u011fraflamaya ba\u015flam\u0131\u015f. \u201cBunlar\u0131n bir yandan utan\u00e7, bir yandan inkar\u0131n bamba\u015fka bir boyutu oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcm. Definecilerin YouTube’a y\u00fckledikleri videolara bakt\u0131\u011f\u0131mda, aralar\u0131ndaki sohbetleri, bazen kayalarla ta\u015flar\u0131 konu\u015fmalar\u0131, inatla\u015fmalar\u0131, vurdumduymaz tahribatlar\u0131 ve bunu \u00f6v\u00fcnerek g\u00f6stermeleri \u00e7ok fazla anlam\u0131 bir arada bar\u0131nd\u0131r\u0131yordu. Benim yatay aray\u0131\u015f\u0131ma paralel giden bir dikey aray\u0131\u015f vard\u0131. Bu y\u00fczden de filmin diyalektik ve vazge\u00e7ilmez par\u00e7as\u0131 oldular\u201d diyor ayn\u0131 onun gibi kayalara, ta\u015flara odaklanan defineciler i\u00e7in.<\/p>\n

Y\u0131k\u0131nt\u0131lar aras\u0131nda aray\u0131\u015flar<\/strong><\/p>\n

Filmin yasland\u0131\u011f\u0131 bir duvar da Zabel Yesayan’\u0131n 1909 Adana Katliam\u0131’na dair izlenimlerini payla\u015ft\u0131\u011f\u0131 \u201cY\u0131k\u0131nt\u0131lar Aras\u0131nda\u201d. Uskan, Yesayan’a duydu\u011fu hayranl\u0131\u011f\u0131n kendi k\u00f6kleriyle do\u011frudan ba\u011flant\u0131l\u0131 olmad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor:<\/p>\n

\u201cBu mesele benim i\u00e7in tamamen politik, ki\u015fisel hik\u00e2yem bunu anlatmak i\u00e7in belki sadece bir bahane. Bu yola \u00e7\u0131kmadan k\u00f6kleri bulamayaca\u011f\u0131ma emindim, Nantes’daki ar\u015fivler bir an beklemedi\u011fim bir umut vermi\u015fti ama bulamay\u0131nca \u015fa\u015f\u0131rmad\u0131m, b\u00fcy\u00fck hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011framad\u0131m. \u00c7\u00fcnk\u00fc ya\u015fad\u0131\u011f\u0131m\u0131z \u00fclkenin tarihe yakla\u015f\u0131m\u0131n\u0131 az \u00e7ok biliyoruz. As\u0131l meselem bu bilinmezli\u011fin ard\u0131ndaki unutma, unutturma ve yok etme mekanizmalar\u0131n\u0131n boyutlar\u0131n\u0131 farkl\u0131 bi\u00e7imlerde g\u00f6zler \u00f6n\u00fcne sermekti. Bir yandan da ge\u00e7mi\u015ften kalan haf\u0131zan\u0131n unufak edili\u015fi ve o tahribat h\u00e2l\u00e2 devam ediyor. Y\u0131k\u0131nt\u0131lar aras\u0131nda gezinirken, t\u00fcm bunlara ra\u011fmen yine de o haf\u0131zay\u0131, Ermeni haf\u0131zas\u0131n\u0131 canl\u0131 ve yemye\u015fil bir evde g\u00f6rebilmekti \u00f6nemli olan.\u201d<\/p><\/div>\n

\"Nagehan<\/div>\n
Nagehan Uskan FOTO: Ahmet \u00d6\u011f\u00fct<\/span><\/em><\/div>\n
\u201cSweet Home Adana\u201dn\u0131n Documentarist’teki ilk g\u00f6steriminde \u201cY\u0131k\u0131nt\u0131lar Aras\u0131nda\u201dn\u0131n \u00e7evirmeni olan ve belgeselde Yesayan’dan Ermenice okudu\u011fu par\u00e7alarla yer alan Kayu\u015f \u00c7al\u0131kman Gavrilof da vard\u0131. O g\u00fcn orada aktard\u0131\u011f\u0131 tekil olmakla kalmayan bir hik\u00e2yeyi, belgeselin hayat\u0131n i\u00e7inde devam eden ucuna ekleyebiliriz belki. Bir Ermeni ve de \u00e7evirmen olunca tan\u0131\u015ft\u0131\u011f\u0131 baz\u0131 T\u00fcrklerden bir s\u00fcre sonra gelen mesajlar\u0131 aktard\u0131 kendisi: \u201cSana \u015fimdi bir resim yollayaca\u011f\u0131m, orada ne yaz\u0131yor bir bakar m\u0131s\u0131n?\u201d Bunun ucu bir define s\u00f6ylentisidir muhakkak. Bizzat tan\u0131kl\u0131\u011f\u0131m mevcuttur, internette definecileri bulu\u015fturan forumlarda \u00e7ok ge\u00e7er, bir harita ya da bir belge bulduklar\u0131nda b\u00f6yle planlar yaparlar. \u201cNe var, bir Ermeni bulur \u00e7evirtiriz, eline mi yap\u0131\u015f\u0131r\u201d derler. Manzara hazin, \u00e7ukur dipsizdir.<\/div>\n
<\/div>\n
https:\/\/www.agos.com.tr\/tr\/yazi\/30578\/tarihin-dipsiz-cukurlari\u00a0<\/strong><\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

P\u0131nar \u00d6\u011f\u00fcn\u00e7 \u00a0 Bu klasik bir aile tarihi arama hik\u00e2yesi say\u0131lmaz. 16 ya\u015f\u0131ndayken kaybetti\u011fi ve \u00f6zellikle bir s\u0131r gibi saklad\u0131\u011f\u0131 i\u00e7in Ermeni kimli\u011fine dair hi\u00e7bir \u015fey bilmedi\u011fi anneannesini ve tabii onun annesi Maria’y\u0131 k\u00f6y\u00fcnde, resmi belgelerde, olas\u0131 kilise kay\u0131tlar\u0131nda soru\u015fturuyor Uskan. Ya\u015fananlar\u0131n bilincinde oldu\u011fundan hi\u00e7bir \u015fey bulamamay\u0131 do\u011fal sayan bir aray\u0131\u015f bu. Adana’n\u0131n dar sokaklar\u0131nda, […]<\/p>\n","protected":false},"author":7,"featured_media":80204,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,1,70],"tags":[],"class_list":["post-80203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gunumuzde-bati-ermenileri","category-haberler","category-makaleler"],"yoast_head":"\nEmail Tarihin dipsiz \u00e7ukurlar\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=80203\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Email Tarihin dipsiz \u00e7ukurlar\u0131 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"P\u0131nar \u00d6\u011f\u00fcn\u00e7 \u00a0 Bu klasik bir aile tarihi arama hik\u00e2yesi say\u0131lmaz. 16 ya\u015f\u0131ndayken kaybetti\u011fi ve \u00f6zellikle bir s\u0131r gibi saklad\u0131\u011f\u0131 i\u00e7in Ermeni kimli\u011fine dair hi\u00e7bir \u015fey bilmedi\u011fi anneannesini ve tabii onun annesi Maria’y\u0131 k\u00f6y\u00fcnde, resmi belgelerde, olas\u0131 kilise kay\u0131tlar\u0131nda soru\u015fturuyor Uskan. 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