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Bu s\u00f6zler \u015fair dostum Refik Durba\u015f\u2019\u0131n. 6. Mardin Bienali\u2019nde bir sergiden \u00f6tekine, in merdiven, \u00e7\u0131k merdiven ko\u015farken bu s\u00f6zler y\u00fcre\u011fimdeydi. \u0130nsan seli sokaklar\u0131nda Arap\u00e7a, K\u00fcrt\u00e7e, T\u00fcrk\u00e7e s\u00f6zc\u00fcklerin u\u011fultusu, ta\u015f\u0131n ve r\u00fczg\u00e2r\u0131n b\u00fcy\u00fcs\u00fcne kar\u0131\u015f\u0131rken \u201cMardin, a\u015fk\u0131n ve ta\u015f\u0131n \u015fiiri\u201d diyen \u015fair Murathan Mungan\u2019la kucakla\u015fmak \u00e7ok g\u00fczeldi. Yaln\u0131z \u0130stanbul\u2019dan de\u011fil, t\u00fcm \u00e7evreden millet ak\u0131n etmi\u015f. Burada t\u00fcneller yery\u00fcz\u00fcne uzan\u0131yor, \u00e7\u0131kmaz sokaklar g\u00f6ky\u00fcz\u00fcne a\u00e7\u0131l\u0131yor. Ya\u015fas\u0131n damlar\u0131n, teraslar\u0131n h\u00fck\u00fcmranl\u0131\u011f\u0131\u2026<\/strong><\/em><\/p>\n GEN\u0130\u015e YELPAZE<\/strong><\/p>\n 1. Mardin Bienali, Mardin Sinema Derne\u011fi taraf\u0131ndan, \u00f6zel sekt\u00f6r ve sanat kurumlar\u0131n\u0131n deste\u011fiyle D\u00f6ne Otyam ve Hakan Irmak direkt\u00f6rl\u00fc\u011f\u00fcnde d\u00fczenleniyor. K\u00fcrat\u00f6r\u00fc Ali Akay. 10 Haziran\u2019a dek s\u00fcrecek.<\/p>\n Mardin Bienali\u2019nin \u201cDaha Uzaklara\u201d ba\u015fl\u0131\u011f\u0131n\u0131 ta\u015f\u0131yan konseptini daha \u00f6nce yazm\u0131\u015ft\u0131m. \u015eiddetin, totalitarizmin, militarizmin artt\u0131\u011f\u0131; \u0131rksal, s\u0131n\u0131fsal, etnik, dil, din ayr\u0131mc\u0131l\u0131\u011f\u0131n\u0131n, yabanc\u0131la\u015fman\u0131n yo\u011funla\u015ft\u0131\u011f\u0131 ve ekosistemin \u00e7\u00f6kt\u00fc\u011f\u00fc g\u00fcn\u00fcm\u00fczde, Ali Akay\u2019\u0131n deyi\u015fiyle \u201cDaha uzaklar\u0131 hedefleyerek bu sorunlar\u0131n \u00fczerinden ge\u00e7meyi ve ya\u015famakta oldu\u011fumuz d\u00f6nemi a\u015fmay\u0131 nas\u0131l d\u00fc\u015f\u00fcnebiliriz?\u201d<\/p>\n Yerli ve yabanc\u0131 50 sanat\u00e7\u0131n\u0131n geni\u015f yelpazeye yay\u0131lan \u00e7al\u0131\u015fmalar\u0131, farkl\u0131 mek\u00e2nlarda a\u00e7\u0131lan sergiler, paralel etkinlikler, at\u00f6lyeler, konferanslar, konserler. \u0130\u015fte kimi kareler:<\/p>\n MEK\u00c2NLA B\u00dcT\u00dcNLE\u015eMELER<\/strong><\/p>\n A\u00e7\u0131lan sergilerin \u00e7o\u011funda, mek\u00e2nla b\u00fct\u00fcnle\u015fen, mimariye, kentin ta\u015f dokusuna \u00e7a\u011fr\u0131\u015f\u0131mlara yol a\u00e7an \u00e7al\u0131\u015fmalar g\u00f6ze \u00e7arp\u0131yordu.<\/p>\n Sarkis\u2019in Ayasofya vitraylar\u0131na ve Mardin\u2019in ta\u015f\u0131na g\u00f6nderme yapan \u201cG\u00f6kku\u015fa\u011f\u0131 Renkleriyle Do\u011faya Bakmak\u201d adl\u0131 eseri: O g\u00f6kku\u015fa\u011f\u0131 renkleri Mardinli \u00e7ocuklar\u0131n parmak izleri\u2026<\/p>\n Ay\u015fe Erkmen\u2019in u\u00e7suz bucaks\u0131z ovaya \u201cMardin Denizi\u201dne b\u0131rakt\u0131\u011f\u0131 beyaz bir bulut ya da bir akarsu\u2026<\/p>\n Y\u0131ld\u0131z Moran\u2019\u0131n 50\u2019lerin sonlar\u0131nda \u00e7ekti\u011fi Mardin foto\u011fraflar\u0131n\u0131n sadece ta\u015f\u0131n de\u011fil insan\u0131n da \u015fiirini yakalamas\u0131 ve Mardin do\u011fumlu Kanadal\u0131 foto\u011fraf ustas\u0131 Yousuf Karsh\u2019a g\u00f6z k\u0131rpmas\u0131\u2026<\/p>\n Mardin ve \u00e7evresinin kolektif belle\u011fini \u00f6n\u00fcm\u00fcze seren Amar K\u0131l\u0131\u00e7\u2019\u0131n \u00e7arp\u0131c\u0131 i\u015fleri\u2026 Ezidi, S\u00fcryani, K\u00fcrt ve Arap halklar\u0131n\u0131n k\u00fclt\u00fcr\u00fcn\u00fc, g\u00fcndelik ya\u015fam pratiklerini sunan g\u00f6rsel belgeler\u2026<\/p>\n Mardin do\u011fumlu T\u0131fak Arslan\u2019\u0131n kad\u0131n ger\u00e7eklerimizle bizleri y\u00fcz y\u00fcze getiren yerle\u015ftirmeleri ve resimleri\u2026<\/p>\n Yine Mardin do\u011fumlu Halil Alt\u0131ndere\u2019nin bilimkurguyla gelene\u011fi kucakla\u015ft\u0131rd\u0131\u011f\u0131 \u201cAnayurt\u201d ba\u015fl\u0131kl\u0131 ki\u015fisel sergisi.<\/p>\n Ahmet \u00d6\u011f\u00fct\u2019\u00fcn farkl\u0131 ama zor co\u011frafyalardan, zor zamanlardan dam\u0131tt\u0131\u011f\u0131 ya\u011fl\u0131boya portreleri\u2026<\/p>\n \u00c7al\u0131\u015fmalar\u0131n\u0131 Berlin\u2019de s\u00fcrd\u00fcren Nasan Tur\u2019un bu bienal i\u00e7in \u00fcretti\u011fi \u201cMardin\u2019in G\u00f6lgesi\u201d\u2026 (\u00d6zellikle vurguluyorum \u00e7\u00fcnk\u00fc bir\u00e7ok eser daha \u00f6nce yap\u0131lm\u0131\u015flar\u0131n varyasyonlar\u0131yd\u0131.)<\/p>\n EN YEN\u0130L\u0130K\u00c7\u0130<\/strong><\/p>\n Beni en heyecanland\u0131ran, \u201cInvited: M\u00fc\u015fterek\/Unified\u201d ba\u015fl\u0131kl\u0131 sergiydi. Davet edilenin, ba\u015fka sanat\u00e7\u0131lar\u0131 da davet etti\u011fi, misafirlik hukukuyla ilerleyen bir \u00e7al\u0131\u015fma\u2026 Borsanat\u2019\u0131n katk\u0131lar\u0131yla Ebru Nalan S\u00fcl\u00fcn koordinat\u00f6rl\u00fc\u011f\u00fcnde ger\u00e7ekle\u015fmi\u015f. Ahmet R\u00fcstem Ekici, Hakan Sorar, Cansu S\u00f6nmez, Mehmet \u00c7imen\u2019in eserleri d\u00f6rt ayr\u0131 odada Exit Kolektif mek\u00e2n\u0131nda yer al\u0131yor. Geleneksel mek\u00e2nda f\u00fct\u00fcrist i\u015fler.<\/p>\n D\u00f6rt \u00e7al\u0131\u015fma da farkl\u0131 teknikler, dijital y\u00f6ntemlerle, do\u011fan\u0131n, ta\u015f\u0131n, topra\u011f\u0131n, tohumun, g\u00fcne\u015fin, r\u00fczg\u00e2r\u0131n, \u0131\u015f\u0131\u011f\u0131n, suyun, tohumun, bast\u0131\u011f\u0131m\u0131z yerdeki ayak izlerimizin, b\u00fct\u00fcn bunlar\u0131n zaman ve mek\u00e2n i\u00e7inde olu\u015fturdu\u011fu katmanlar\u0131n izini s\u00fcr\u00fcyor. Mimarinin ve do\u011fan\u0131n, insan deneyimi \u00fczerine etkilerini sorguluyor.<\/p>\n Bir de anlams\u0131z bir tart\u0131\u015fma s\u00fcr\u00fcyor: \u201cEfendim bienal, Mardinlileri yok say\u0131yor\u201d diyenler var. G\u00fcld\u00fcrmeyin beni. 70\u2019lerdeki \u201cUluslararas\u0131 \u0130stanbul Festivali halktan yana m\u0131 de\u011fil mi?\u201d tart\u0131\u015fmas\u0131 kadar abuk sabuk.<\/p>\n Bienali izlemeye gidenler, sak\u0131n Mardin G\u00fczel Sanatlar Lisesi \u00f6\u011frencilerinin sergisini g\u00f6rmeden kentten ayr\u0131lmay\u0131n!<\/p>\n Eme\u011fi ge\u00e7en, katk\u0131da bulunan herkesi kutluyorum.<\/p>\n SAKIP SABANCI YA\u015eASAYDI\u2026<\/strong><\/p>\n Mardin\u2019de Sak\u0131p Sabanc\u0131 M\u00fczesi, kente art\u0131 de\u011fer katan en \u00f6nemli \u00e7a\u011fda\u015f evrensel \u00f6gelerden biri. Sadece yurt i\u00e7inden de\u011fil yurt d\u0131\u015f\u0131ndan da bu kadim kenti g\u00f6rmeye gelenlerin ilk u\u011frad\u0131\u011f\u0131 yer\u2026 Sak\u0131p Sabanc\u0131\u2019n\u0131n vasiyetiydi 1800\u2019lerden kalan g\u00f6rkemli yap\u0131n\u0131n restore edilip m\u00fcze yap\u0131lmas\u0131.. Nitekim 2004 de vefat\u0131 \u00fczerine Sabanc\u0131 Vakf\u0131 taraf\u0131ndan vasiyet yerine getirdi. 2006 Y\u0131l\u0131nda Sak\u0131p Sabanc\u0131 Mardin Kent M\u00fczesi, kentin ve y\u00f6renin ya\u015fam k\u00fclt\u00fcr\u00fcn\u00fc sergileyen bir m\u00fcze olarak; Dilek Sabanc\u0131 Sanat Galerisi ise ge\u00e7ici sergilere Mardin\u2019de modern ve \u00e7a\u011fda\u015f bir sanat platformu olu\u015fturmak \u00fczere hizmete girdi. Bug\u00fcne dek muhte\u015fem bir i\u015flevi yerine getirdi. Mardin K\u00fclt\u00fcr M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019nden s\u0131zan haberlerle \u00f6\u011frendim ki, art\u0131k m\u00fcze, Sabanc\u0131 Vakf\u0131ndan ve ailesinden ayr\u0131l\u0131p, K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131na veriliyor. Gerek\u00e7eler aras\u0131nda \u201cfazla masrafl\u0131\u201d s\u00f6zleri dola\u015f\u0131yor. \u0130\u00e7im c\u0131zz etti. Sak\u0131p Sabanc\u0131 ya\u015fasayd\u0131 buna izin vermezdi diye d\u00fc\u015f\u00fcnmekten kendimi alamad\u0131m. B\u00f6ylesi itibarl\u0131 bir meselede, tasarruf edilmeyece\u011fini o bilirdi. Yaz\u0131k. Sabanc\u0131 Vakf\u0131 i\u00e7in b\u00fcy\u00fck kay\u0131p. K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 i\u00e7in ( e\u011fer de\u011feri bilinirse) b\u00fcy\u00fck kazan\u00e7!<\/p>\n
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