{"id":78432,"date":"2024-02-28T03:12:21","date_gmt":"2024-02-28T08:12:21","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=78432"},"modified":"2024-02-28T03:12:21","modified_gmt":"2024-02-28T08:12:21","slug":"yasi-tasimak","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=78432","title":{"rendered":"Yas\u0131 ta\u015f\u0131mak"},"content":{"rendered":"

\"\"<\/p>\n

\u00c7a\u011fr\u0131\u015f\u0131mlar\u0131 \u00e7ok y\u00fcksek olan bu performans\u0131, depremin, sava\u015flar\u0131n, dolay\u0131s\u0131yla zorunlu g\u00f6\u00e7lerin t\u00fcm h\u00fccrelerimizde \u00e7ok yer kaplad\u0131\u011f\u0131 bir zamanda her izleyici farkl\u0131 \u015fekillerde yorumlayabilir. Aile tarihindeki g\u00f6\u00e7 hik\u00e2yelerindeki bo\u015fluklar\u0131 tamamlamaya \u00e7al\u0131\u015fan benim gibi Ermeniler i\u00e7in bu hik\u00e2yenin, i\u00e7 d\u00fcnyalar\u0131ndaki yank\u0131lar\u0131 \u00e7ok g\u00fc\u00e7l\u00fc.<\/span><\/strong><\/em><\/p>\n

AYL\u0130N VARTANYAN<\/strong><\/p>\n

\u00c7\u0131plak Ayaklar Kumpanyas\u0131\u2019n\u0131n sahneledi\u011fi son eserlerden biri olan \u2018Ta\u015f\u0131d\u0131klar\u0131m\u0131z\u2019, Portekizli koreograf Francisco Camacho\u2019nun g\u00fc\u00e7l\u00fc kurgusu, Leyla Postalc\u0131o\u011flu ve Mihran Tomasyan\u2019\u0131n e\u015fsiz performanslar\u0131yla hayat buluyor. \u0130kilinin sahnedeki \u00e7a\u011fr\u0131\u015f\u0131mlarla dolu hareketlerine m\u00fczisyen Berke Can \u00d6zcan vurmal\u0131 \u00e7alg\u0131lar\u0131yla y\u00f6n veriyor. Anlat\u0131lan, bir g\u00f6\u00e7 ve yerle\u015f(eme)me hik\u00e2yesi.<\/p>\n

Ta\u015f\u0131(n)ma s\u00fcreci iki dans\u00e7\u0131n\u0131n kare bir alan i\u00e7inde yan yana dizilmi\u015f e\u015fyalar y\u0131\u011f\u0131n\u0131na bakmalar\u0131yla ba\u015fl\u0131yor. Hemen yanlar\u0131nda vurmal\u0131 \u00e7alg\u0131lardan olu\u015fan ba\u015fka bir obje y\u0131\u011f\u0131n\u0131n\u0131n alt\u0131ndan bir m\u00fczisyen beliriyor ve zamanla, mini bir vurmal\u0131 \u00e7alg\u0131lar orkestras\u0131 in\u015fa ediyor. \u0130ki dans\u00e7\u0131 yerdeki objeleri bedenleriyle en olmad\u0131k \u015fekillerde bulu\u015fturmaya \u00e7al\u0131\u015f\u0131rken, ritmin hareketlerle uyumu koca bir bedeni seyrediyormu\u015fuz etkisi yarat\u0131yor. Sahnenin merkezinden gelen ritim, kalbin kan pompalamas\u0131 gibi, dans\u00e7\u0131lar\u0131n hareketlerine can veriyor. Dans\u00e7\u0131lar\u0131n bedenlerine, kimonodan yer f\u0131r\u00e7as\u0131na, makrame saks\u0131l\u0131ktan bilgisayar \u00e7iplerine, kovadan tu\u011flaya, iplerden \u00e7er\u00e7evelere kadar, \u00e7ok \u00e7e\u015fitli objeler \u00fcst \u00fcste ekleniyor.<\/p>\n

Dans\u00e7\u0131lar\u0131n bazen tek ba\u015flar\u0131na, bazen birbirlerine yard\u0131m ederek giydikleri objeler hareketlerini k\u0131s\u0131tlasa da, onlar\u0131 ta\u015f\u0131maktan imtina etmeyen iki beden, yeni ve a\u011f\u0131r y\u00fcr\u00fcme \u015fekilleriyle yola d\u00fc\u015f\u00fcyor. Sonunda yeni bir yerle\u015fme alan\u0131 buluyorlar. Bu zorlu ta\u015f\u0131nma s\u00fcrecinde bir durup dinlenme, b\u0131rakt\u0131klar\u0131 yerle bir vedala\u015fma yok. Zorla evinden ve topra\u011f\u0131ndan edilenlerin \u00e7ok iyi bildikleri bu hik\u00e2yede, hayatta kalma m\u00fccadelesi yas tutmaya zaman b\u0131rakm\u0131yor. O iki beden, e\u015fyalar\u0131 ta\u015f\u0131rken ve e\u011fip b\u00fck\u00fcl\u00fcrken, kendilerine d\u00f6n\u00fcp \u201cNeyi geride b\u0131rak\u0131yoruz?\u201d diyebilecek durumda de\u011filler.<\/p>\n

\"FotoFoto Ilg\u0131n Eraslan Yanmaz<\/p>\n

Vard\u0131klar\u0131 yer, daha geni\u015f bir alan. Ta\u015f\u0131nan nesneler ilk topland\u0131klar\u0131 s\u0131k\u0131\u015f\u0131k alandan farkl\u0131, daha ferah bir yerde ve farkl\u0131 fonksiyonlarda kendilerini buluyorlar. Ritim hep merkezden gelmeye devam ediyor. Ara ara do\u011fadan eklemlenen sesler, yeni yerle\u015fim alan\u0131 hakk\u0131nda ipucu veriyor. Nesnelerin yeni i\u015flevleri dans\u00e7\u0131lar taraf\u0131ndan ad\u0131m ad\u0131m kuruluyor. Mesela bir elektrik kablosu, ucunda bir kanca ile, d\u0131\u015f d\u00fcnyayla ili\u015fki kurmak i\u00e7in sal\u0131veriliyor evin d\u0131\u015f\u0131na. \u00c7er\u00e7eve gibi g\u00f6r\u00fcnen objeler a\u00e7\u0131l\u0131p masa alt\u0131 olabiliyor. Metal bir soba borusunu and\u0131ran silindir, a\u00e7\u0131l\u0131p bir duvara d\u00f6n\u00fc\u015f\u00fcyor. Dans\u00e7\u0131lar h\u00e2liyle yeni ya\u015famlar\u0131n\u0131 kutlamak ve payla\u015fmak i\u00e7in foto\u011fraflar\u0131n\u0131 \u00e7ekiyorlar ve bunlar\u0131 eski usulle, kendi karanl\u0131k odalar\u0131nda tabediyorlar. Kim bilir, geride b\u0131rakt\u0131klar\u0131na \u201cBiz iyiyiz, sa\u011fl\u0131kl\u0131y\u0131z, yeni hayat\u0131m\u0131z \u00e7ok g\u00fczel\u201d mesaj\u0131d\u0131r yollad\u0131klar\u0131.<\/p>\n

Tam da bir yerle\u015fme s\u00fcrecine tan\u0131kl\u0131k etti\u011fimizi d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fcz an, bir k\u0131r\u0131lma noktas\u0131 ya\u015fan\u0131yor. Merkezden gelen ritim ve hareketler aras\u0131ndaki ahenk, uyumsuzlu\u011fa d\u00f6n\u00fc\u015f\u00fcyor. Kurulmu\u015f d\u00fczen k\u0131sac\u0131k bir s\u00fcrede y\u0131k\u0131l\u0131yor ve t\u00fcm nesneler \u00fcst \u00fcste merkezde toplan\u0131yor. M\u00fczisyen, ba\u015flang\u0131\u00e7 noktas\u0131ndaki y\u0131k\u0131nt\u0131 tepesinin alt\u0131na yeniden giriyor. \u0130\u015fte o an dans\u00e7\u0131lar\u0131n bozduklar\u0131 ve ortaya y\u0131\u011fd\u0131klar\u0131 objelerin etraf\u0131nda d\u00f6ne d\u00f6ne yaratt\u0131klar\u0131, t\u00f6rensel bir alana ge\u00e7i\u015fi izliyoruz. Bir a\u015fk\u0131nl\u0131k h\u00e2li \u00e2deta. Geri geri ad\u0131mlarla birbirlerinin g\u00f6z\u00fcn\u00fcn i\u00e7ine bakarak d\u00f6nen dans\u00e7\u0131lar\u0131n y\u00fczlerindeki ifadelerin yumu\u015fad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz.<\/p>\n

\u00c7a\u011fr\u0131\u015f\u0131mlar\u0131 \u00e7ok y\u00fcksek olan bu performans\u0131, depremin, sava\u015flar\u0131n, dolay\u0131s\u0131yla zorunlu g\u00f6\u00e7lerin t\u00fcm h\u00fccrelerimizde \u00e7ok yer kaplad\u0131\u011f\u0131 bir zamanda her izleyici farkl\u0131 \u015fekillerde yorumlayabilir. Aile tarihindeki g\u00f6\u00e7 hik\u00e2yelerindeki bo\u015fluklar\u0131 tamamlamaya \u00e7al\u0131\u015fan benim gibi Ermeniler i\u00e7in bu hik\u00e2yenin, i\u00e7 d\u00fcnyalar\u0131ndaki yank\u0131lar\u0131 \u00e7ok g\u00fc\u00e7l\u00fc. Eserin ba\u015flang\u0131c\u0131nda objelerin her birinin itinayla toplan\u0131p bedene eklemlenmesi, oyuncu bir etki ta\u015f\u0131yor. O ba\u015flang\u0131\u00e7 an\u0131nda ne oldu\u011funu hen\u00fcz tam olarak anlam\u0131yoruz.<\/p>\n

Yeni mek\u00e2na var\u0131ld\u0131\u011f\u0131nda eskinin t\u00fcm d\u00fczeninin ans\u0131z\u0131n unutulmas\u0131, hatta nesnelerin yeni \u015fekillere b\u00fcr\u00fcnmesi kayb\u0131n kaybedilmesine kar\u015f\u0131l\u0131k geliyor \u00e2deta. Oras\u0131 ait olunamayan, olunamayacak bir yer. Sorular sorular\u0131 koval\u0131yor: O kaybedilen yere ne oldu? Kaybolan yerle birlikte neler kayboldu \u2013 dil, k\u00fclt\u00fcr, g\u00fcven duygusu, haysiyet, b\u00fct\u00fcnl\u00fck duygusu, gelecek tasavvuru ve daha niceleri\u2026 Kay\u0131plar tan\u0131nd\u0131 m\u0131? Yeni mek\u00e2nda nesneler bildik dilden \u00e7\u0131k\u0131p farkl\u0131 bir dil \u00fcrettiklerinde ge\u00e7mi\u015f yeniden yap\u0131land\u0131r\u0131labilir mi? Kay\u0131pla gelen yas i\u00e7in gerekli olan enerji, ka\u00e7\u0131\u015f i\u00e7in yola verilecek enerjiyle de\u011fi\u015f toku\u015f ediliyor. Yas \u00f6teleniyor, yas yasaklan\u0131yor, ta ki ruhun notalar\u0131 akordunu kaybedene kadar. Dans\u00e7\u0131lar\u0131n y\u0131k\u0131m\u0131 tekrar etmesiyle kay\u0131p hat\u0131rlan\u0131yor; birbirlerinin g\u00f6zlerinin i\u00e7ine baka baka, tersine y\u00fcr\u00fcmeden gelen farkl\u0131 bir ivmeyle geri sar\u0131l\u0131yor b\u00fct\u00fcn g\u00f6\u00e7 hik\u00e2yesi. Yas\u0131n ba\u015flad\u0131\u011f\u0131 yer, yine bir y\u0131k\u0131m yeri.<\/p>\n

Walter Benjamin, yas s\u00fcrecini \u201ci\u00e7i bo\u015falt\u0131lan bir d\u00fcnyan\u0131n bir maske gibi yeniden canland\u0131\u011f\u0131 his\u201d olarak tan\u0131mlar. \u2018Ta\u015f\u0131d\u0131klar\u0131m\u0131z\u2019, telafisi m\u00fcmk\u00fcn olmayan kay\u0131plar\u0131n bedenlerimizde ve ruhlar\u0131m\u0131zda yaratt\u0131\u011f\u0131 bo\u015fluklar\u0131 y\u00fcksek tempolu bir performansla sahnede g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n

https:\/\/www.agos.com.tr\/tr\/yazi\/29870\/yasi-tasimak<\/a><\/strong><\/em><\/p>\n

\n
\n

<\/h3>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c7a\u011fr\u0131\u015f\u0131mlar\u0131 \u00e7ok y\u00fcksek olan bu performans\u0131, depremin, sava\u015flar\u0131n, dolay\u0131s\u0131yla zorunlu g\u00f6\u00e7lerin t\u00fcm h\u00fccrelerimizde \u00e7ok yer kaplad\u0131\u011f\u0131 bir zamanda her izleyici farkl\u0131 \u015fekillerde yorumlayabilir. Aile tarihindeki g\u00f6\u00e7 hik\u00e2yelerindeki bo\u015fluklar\u0131 tamamlamaya \u00e7al\u0131\u015fan benim gibi Ermeniler i\u00e7in bu hik\u00e2yenin, i\u00e7 d\u00fcnyalar\u0131ndaki yank\u0131lar\u0131 \u00e7ok g\u00fc\u00e7l\u00fc. AYL\u0130N VARTANYAN \u00c7\u0131plak Ayaklar Kumpanyas\u0131\u2019n\u0131n sahneledi\u011fi son eserlerden biri olan \u2018Ta\u015f\u0131d\u0131klar\u0131m\u0131z\u2019, Portekizli koreograf Francisco […]<\/p>\n","protected":false},"author":7,"featured_media":78433,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,70],"tags":[],"class_list":["post-78432","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-makaleler"],"yoast_head":"\nYas\u0131 ta\u015f\u0131mak - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=78432\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yas\u0131 ta\u015f\u0131mak - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"\u00c7a\u011fr\u0131\u015f\u0131mlar\u0131 \u00e7ok y\u00fcksek olan bu performans\u0131, depremin, sava\u015flar\u0131n, dolay\u0131s\u0131yla zorunlu g\u00f6\u00e7lerin t\u00fcm h\u00fccrelerimizde \u00e7ok yer kaplad\u0131\u011f\u0131 bir zamanda her izleyici farkl\u0131 \u015fekillerde yorumlayabilir. Aile tarihindeki g\u00f6\u00e7 hik\u00e2yelerindeki bo\u015fluklar\u0131 tamamlamaya \u00e7al\u0131\u015fan benim gibi Ermeniler i\u00e7in bu hik\u00e2yenin, i\u00e7 d\u00fcnyalar\u0131ndaki yank\u0131lar\u0131 \u00e7ok g\u00fc\u00e7l\u00fc. AYL\u0130N VARTANYAN \u00c7\u0131plak Ayaklar Kumpanyas\u0131\u2019n\u0131n sahneledi\u011fi son eserlerden biri olan \u2018Ta\u015f\u0131d\u0131klar\u0131m\u0131z\u2019, Portekizli koreograf Francisco […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/akunq.net\/tr\/?p=78432\" \/>\n<meta property=\"og:site_name\" content=\"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"article:published_time\" content=\"2024-02-28T08:12:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2024\/02\/PARRHESIAPA.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=78432#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=78432\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/#\\\/schema\\\/person\\\/096f1d38a12cce57fb855b485ed24c9e\"},\"headline\":\"Yas\u0131 ta\u015f\u0131mak\",\"datePublished\":\"2024-02-28T08:12:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=78432\"},\"wordCount\":1007,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=78432#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/akunq.net\\\/tr\\\/wp-content\\\/uploads\\\/sites\\\/6\\\/2024\\\/02\\\/PARRHESIAPA.webp\",\"articleSection\":[\"Haberler\",\"Makaleler\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=78432#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=78432\",\"url\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=78432\",\"name\":\"Yas\u0131 ta\u015f\u0131mak - 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Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/akunq.net\/tr\/?p=78432","og_locale":"en_US","og_type":"article","og_title":"Yas\u0131 ta\u015f\u0131mak - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","og_description":"\u00c7a\u011fr\u0131\u015f\u0131mlar\u0131 \u00e7ok y\u00fcksek olan bu performans\u0131, depremin, sava\u015flar\u0131n, dolay\u0131s\u0131yla zorunlu g\u00f6\u00e7lerin t\u00fcm h\u00fccrelerimizde \u00e7ok yer kaplad\u0131\u011f\u0131 bir zamanda her izleyici farkl\u0131 \u015fekillerde yorumlayabilir. Aile tarihindeki g\u00f6\u00e7 hik\u00e2yelerindeki bo\u015fluklar\u0131 tamamlamaya \u00e7al\u0131\u015fan benim gibi Ermeniler i\u00e7in bu hik\u00e2yenin, i\u00e7 d\u00fcnyalar\u0131ndaki yank\u0131lar\u0131 \u00e7ok g\u00fc\u00e7l\u00fc. AYL\u0130N VARTANYAN \u00c7\u0131plak Ayaklar Kumpanyas\u0131\u2019n\u0131n sahneledi\u011fi son eserlerden biri olan \u2018Ta\u015f\u0131d\u0131klar\u0131m\u0131z\u2019, Portekizli koreograf Francisco […]","og_url":"https:\/\/akunq.net\/tr\/?p=78432","og_site_name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","article_published_time":"2024-02-28T08:12:21+00:00","og_image":[{"width":500,"height":500,"url":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2024\/02\/PARRHESIAPA.webp","type":"image\/webp"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/akunq.net\/tr\/?p=78432#article","isPartOf":{"@id":"https:\/\/akunq.net\/tr\/?p=78432"},"author":{"name":"admin","@id":"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e"},"headline":"Yas\u0131 ta\u015f\u0131mak","datePublished":"2024-02-28T08:12:21+00:00","mainEntityOfPage":{"@id":"https:\/\/akunq.net\/tr\/?p=78432"},"wordCount":1007,"commentCount":0,"image":{"@id":"https:\/\/akunq.net\/tr\/?p=78432#primaryimage"},"thumbnailUrl":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2024\/02\/PARRHESIAPA.webp","articleSection":["Haberler","Makaleler"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/akunq.net\/tr\/?p=78432#respond"]}]},{"@type":"WebPage","@id":"https:\/\/akunq.net\/tr\/?p=78432","url":"https:\/\/akunq.net\/tr\/?p=78432","name":"Yas\u0131 ta\u015f\u0131mak - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","isPartOf":{"@id":"https:\/\/akunq.net\/tr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/akunq.net\/tr\/?p=78432#primaryimage"},"image":{"@id":"https:\/\/akunq.net\/tr\/?p=78432#primaryimage"},"thumbnailUrl":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2024\/02\/PARRHESIAPA.webp","datePublished":"2024-02-28T08:12:21+00:00","author":{"@id":"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e"},"breadcrumb":{"@id":"https:\/\/akunq.net\/tr\/?p=78432#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/akunq.net\/tr\/?p=78432"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/akunq.net\/tr\/?p=78432#primaryimage","url":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2024\/02\/PARRHESIAPA.webp","contentUrl":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2024\/02\/PARRHESIAPA.webp","width":500,"height":500},{"@type":"BreadcrumbList","@id":"https:\/\/akunq.net\/tr\/?p=78432#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/akunq.net\/tr"},{"@type":"ListItem","position":2,"name":"Yas\u0131 ta\u015f\u0131mak"}]},{"@type":"WebSite","@id":"https:\/\/akunq.net\/tr\/#website","url":"https:\/\/akunq.net\/tr\/","name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/akunq.net\/tr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e","name":"admin","url":"https:\/\/akunq.net\/tr\/?author=7"}]}},"_links":{"self":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts\/78432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=78432"}],"version-history":[{"count":1,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts\/78432\/revisions"}],"predecessor-version":[{"id":78434,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts\/78432\/revisions\/78434"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/media\/78433"}],"wp:attachment":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=78432"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=78432"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=78432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}