{"id":75361,"date":"2023-08-01T02:15:50","date_gmt":"2023-08-01T07:15:50","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=75361"},"modified":"2023-08-01T02:15:50","modified_gmt":"2023-08-01T07:15:50","slug":"tanrica-anahite-odaklanmis-bir-anitsal-deneyim-anahitin-ardindan","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=75361","title":{"rendered":"Tanr\u0131\u00e7a Anahit\u2019e odaklanm\u0131\u015f bir an\u0131tsal deneyim: \u2018Anahit\u2019in Ard\u0131ndan\u2019"},"content":{"rendered":"
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Neslihan Koyuncu Bali<\/a><\/span> \u00a0<\/span><\/strong><\/div>\n
Sanat\u00e7\u0131 Ece G\u00f6kalp ile ilk i\u015flerinden birini g\u00f6r\u00fcp, ona hayranl\u0131kla mesaj atarak tan\u0131\u015fm\u0131\u015ft\u0131m. Foto\u011fraf\u0131n \u00fczerine yapt\u0131\u011f\u0131 \u00e7izimler, i\u015flemeler, foto\u011fraf bask\u0131s\u0131n\u0131n formlar\u0131yla olu\u015fturdu\u011fu dil; 2014\u2019te y\u00fcksek lisans okurken i\u015flerini g\u00f6rd\u00fc\u011f\u00fcm anda bana verdi\u011fi heyecan\u0131 \u015fimdi bile hat\u0131rl\u0131yorum.<\/span><\/strong><\/em><\/div>\n
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Dokuz y\u0131ld\u0131r Berlin\u2019de ya\u015fayan sanat\u00e7\u0131n\u0131n son y\u0131llarda \u00fcretimindeki de\u011fi\u015fimi g\u00f6zlemlemek de benim ad\u0131ma bir o kadar ilgi \u00e7ekici. Yo\u011fun ara\u015ft\u0131rmaya dayal\u0131 foto\u011fraf serilerinde hem co\u011frafyaya hem de zamana yay\u0131lan bir \u00e7al\u0131\u015fma s\u00fcreci oldu\u011funu s\u00f6yleyebiliriz. \u00c7ekti\u011fi bir foto\u011fraf, \u2018g\u00f6sterme\u2019, bazen \u2018belgeleme\u2019 amac\u0131 ta\u015f\u0131sa dahi yal\u0131n bir \u015fiirsellik de bar\u0131nd\u0131r\u0131yor. \u00d6zellikle Ararat Da\u011f\u0131\u2019n\u0131n y\u00fczy\u0131llard\u0131r nas\u0131l an\u0131tsalla\u015ft\u0131\u011f\u0131na odaklanan ve etraf\u0131ndaki anlat\u0131lar\u0131 merkeze alan \u2018Tek Bir Da\u011f Kadar \u00c7ok\u2019 ve T\u00fcrkiye\u2019deki g\u00f6lleri belgeledi\u011fi \u2018Kuruyan G\u00f6ller, Kara Delikler\u2019 adl\u0131 foto\u011fraf serileri ara\u015ft\u0131rma s\u00fcrecinin nas\u0131l ilerledi\u011fini g\u00f6steren iyi \u00f6rnekler.<\/p>\n

Amsterdam\u2019da, FOAM adl\u0131 sanat mek\u00e2n\u0131nda Ara G\u00fcler\u2019in \u2018A Play of Light and Shadow\u2019 adl\u0131 sergisi ile e\u015fzamanl\u0131, farkl\u0131 katta a\u00e7\u0131lan \u2018After Anahit\u2019 [Anahit\u2019in Ard\u0131ndan] adl\u0131 solo sergisini duydu\u011fumda, gidip g\u00f6remeyecek olsam bile sanat\u00e7\u0131n\u0131n yeni i\u015flerine dair sorular\u0131m\u0131 ve onun yan\u0131tlar\u0131n\u0131 benim gibi sergiyi g\u00f6remeyecekler i\u00e7in burada payla\u015fmak istedim. 23 Haziran\u2019da a\u00e7\u0131lan Amsterdam\u2019daki iki sergi 3 Eyl\u00fcl\u2019e kadar g\u00f6r\u00fclebilir.<\/p>\n

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\u00d6ncelikle, g\u00f6rmedi\u011fim bir sergi hakk\u0131nda neredeyse de\u011ferlendirme yaz\u0131s\u0131 yazabilecek kadar bilgi verdi\u011fin i\u00e7in te\u015fekk\u00fcr ederim. Benim gibi \u015fansl\u0131 olmayanlar i\u00e7in ilk olarak FOAM ve k\u00fcrat\u00f6r Aya Musa ile \u00e7al\u0131\u015fma s\u00fcrecin ve dahil oldu\u011fun K\u0131smet program\u0131yla ilgili biraz bilgi verebilir misin?<\/strong><\/p>\n

Sergi s\u00fcreci, Kas\u0131m 2022\u2019de FOAM Foto\u011fraf M\u00fczesi\u2019nin ana k\u00fcrat\u00f6r\u00fc Claartje van Dijk\u2019tan ald\u0131\u011f\u0131m e-maille ba\u015flad\u0131. Bana \u2018K\u0131smet\u2019 isimli bir proje y\u00fcr\u00fctt\u00fcklerini, ama\u00e7lar\u0131n\u0131n T\u00fcrkiye\u2019den foto\u011fraf sanat\u0131n\u0131n farkl\u0131 y\u00fczlerini Amsterdam\u2019da sergilemek oldu\u011funu anlatt\u0131. Ara G\u00fcler i\u00e7in b\u00fcy\u00fck bir sergi \u00fczerine \u00e7al\u0131\u015ft\u0131klar\u0131n\u0131, bana da m\u00fczenin FOAM 3H isimli alan\u0131nda bir solo sergi teklif ettiklerini, serginin Ara G\u00fcler sergisiyle ayn\u0131 g\u00fcn a\u00e7\u0131laca\u011f\u0131n\u0131 s\u00f6yledi. Tabii ki \u00e7ok \u015fa\u015f\u0131rd\u0131m. Onur duydum fakat bunun b\u00fcy\u00fck bir sorumluluk oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcm. Nihayet tekliflerini kabul ettim ve k\u0131sa bir s\u00fcre sonra Claartje\u2019nin \u00f6nerisiyle k\u00fcrat\u00f6r Aya Musa ile sergi \u00e7al\u0131\u015fmalar\u0131na ba\u015flad\u0131k.<\/p>\n

Yo\u011fun ara\u015ft\u0131rmaya, saha \u00e7al\u0131\u015fmas\u0131na dayal\u0131 belgesel nitelikli foto\u011fraflar\u0131n oldu\u011fu gibi foto\u011fraf\u0131 geleneksel formunun d\u0131\u015f\u0131na ta\u015f\u0131rarak ara\u00e7salla\u015ft\u0131rd\u0131\u011f\u0131n i\u015flerin de yer al\u0131yor. \u00c7al\u0131\u015fma metoduna, dert edindi\u011fin konulara ve foto\u011frafla ili\u015fkine dair neler s\u00f6yleyebilirsin?<\/strong><\/p>\n

Foto\u011fraf bir ifade arac\u0131. Bir dil gibi. Y\u0131llar i\u00e7inde kulland\u0131\u011f\u0131m b\u00fct\u00fcn sanatsal \u00fcretim ara\u00e7lar\u0131n\u0131n i\u00e7inde en yatk\u0131n oldu\u011fumu hissetti\u011fim ve en ak\u0131c\u0131 konu\u015ftu\u011fum dil. Foto\u011fraf benim i\u00e7in an\u0131 belgelemekle s\u0131n\u0131rl\u0131 de\u011fil. Ben g\u00f6r\u00fcnt\u00fcn\u00fcn bir y\u00fczey \u00fczerinde sabitlenmesinin insanl\u0131\u011f\u0131n geli\u015fimine ne kadar b\u00fcy\u00fck bir etkisi oldu\u011fuyla da ilgileniyorum; yani bizim alg\u0131m\u0131z foto\u011fraf\u0131n icad\u0131ndan beri nas\u0131l de\u011fi\u015fti, foto\u011fraf\u0131 ne ama\u00e7larla kulland\u0131k, kurgu ya da de\u011fil, g\u00f6r\u00fcnt\u00fcleri saklamak bizim i\u00e7in ne ifade ediyor gibi t\u00fcrl\u00fc sorular. Ben foto\u011frafa ger\u00e7e\u011fi an\u0131msatan imgeler b\u00fct\u00fcn\u00fc olarak bak\u0131yorum ve bunun ortaya \u00e7\u0131kard\u0131\u011f\u0131 kaydetme, yan\u0131lsama, manip\u00fclasyon, propoganda ve nice olas\u0131l\u0131\u011f\u0131n foto\u011frafla olan ili\u015fkisini projelerimin merkezinde sorguluyorum. Ve her projede, projenin do\u011fas\u0131na, sorgulad\u0131\u011f\u0131 \u015feylere ve bana an\u0131msatt\u0131klar\u0131na g\u00f6re farkl\u0131 malzeme, tekniklerle bir g\u00f6rsel dil kurguluyorum.<\/p>\n

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\u2018After Anahit\u2019 isimli serginin \u00e7\u0131k\u0131\u015f noktas\u0131n\u0131n Ermeni mitolojisinde \u00f6nemli bir yere sahip olan, do\u011furganl\u0131k, \u015fifa, bilgelik ve su tanr\u0131\u00e7as\u0131 Anahit oldu\u011funu isminden anl\u0131yoruz. T\u00fcrkiye\u2019de g\u00f6lleri ara\u015ft\u0131rd\u0131\u011f\u0131n s\u00fcre\u00e7te yolun su tanr\u0131\u00e7as\u0131 Anahit\u2019le nas\u0131l kesi\u015fti?<\/strong><\/p>\n

Asl\u0131nda projenin \u00e7\u0131k\u0131\u015f noktas\u0131 12 bin y\u0131ll\u0131k bir buzul g\u00f6l\u00fc olan Dipsiz G\u00f6l\u2019\u00fcn iki hazine avc\u0131s\u0131 taraf\u0131ndan 2019\u2019da alt\u0131n aramak maksad\u0131yla bo\u015falt\u0131larak kurutulmas\u0131 haberi \u00fczerine ba\u015flad\u0131. Ara\u015ft\u0131rman\u0131n ortalar\u0131nda Anahit\u2019le kar\u015f\u0131la\u015fmam s\u00fcrpriz oldu. Ayn\u0131 y\u0131l\u0131n \u00f6ncesinde, arkeologlar Dipsiz G\u00f6l\u2019e bir bu\u00e7uk saat mesafede bulunan Satala\u2019da (Sadak K\u00f6y\u00fc) Roma \u0130mparatorlu\u011fu\u2019na ba\u011fl\u0131 15. Apollinaris Lejyonu\u2019nun ana kararg\u00e2hlar\u0131ndan birini ortaya \u00e7\u0131kar\u0131yor. Ard\u0131ndan, g\u00f6lde alt\u0131n sakl\u0131 oldu\u011fu rivayeti iyice g\u00fc\u00e7leniyor ve sonras\u0131 malumumuz. Ben bunu ara\u015ft\u0131r\u0131rken, Satala\u2019da 19. y\u00fczy\u0131lda \u00e7ok \u00fcnl\u00fc bronz bir b\u00fcst\u00fcn de ke\u015ffedildi\u011fine denk geldim. B\u00fcst, ke\u015ffedilmesinden k\u0131sa bir s\u00fcre sonra ka\u00e7ak\u00e7\u0131l\u0131k yoluyla \u0130talyan koleksiyoner Alessandro Castellani\u2019nin eline ge\u00e7iyor ve o da uzun u\u011fra\u015flarla b\u00fcst\u00fc \u0130ngiltere\u2019de British Museum\u2019a sat\u0131yor. B\u00fcst, g\u00fcn\u00fcm\u00fczde, m\u00fczenin Roman \u0130mparatorlu\u011fu k\u0131sm\u0131nda \u2018Afrodit\u2019 ismiyle sergileniyor. Fakat internet sitesine bakt\u0131\u011f\u0131mda a\u00e7\u0131klama olarak \u201cAfrodit veya Artemis k\u0131l\u0131\u011f\u0131ndaki Anahita\u2019n\u0131n bir k\u00fclt heykelinden bronz ba\u015f\u201d, yaz\u0131yor.<\/p>\n

Bu, bana \u00e7ok tuhaf geldi. Bir heykel, ba\u015fka tanr\u0131\u00e7alar\u0131n k\u0131l\u0131\u011f\u0131na neden girsin ki? Kald\u0131 ki bir\u00e7ok ara\u015ft\u0131rmac\u0131ya g\u00f6re b\u00fcst, Ermeni Tanr\u0131\u00e7as\u0131 Anahit\u2019e ait. Pers Tanr\u0131\u00e7as\u0131 Anahita\u2019ya ya da Roma Tanr\u0131\u00e7as\u0131 Afrodit\u2019e de\u011fil. Dolay\u0131s\u0131yla bu iki olay, g\u00f6l\u00fcn farazi bir alt\u0131n g\u00f6m\u00fc u\u011fruna yok edilmesi ve Anahit\u2019in b\u00fcst\u00fcn\u00fcn tarih\u00ee bir kurmacaya dahil edilmesi, yani ba\u011flam\u0131ndan kopar\u0131lmas\u0131 ve temsil etti\u011fi de\u011ferlerin \u00fczerinin kapat\u0131lmas\u0131 bana \u00e7ok benzer geldi. Ben de Dipsiz G\u00f6l ve Anahit b\u00fcst\u00fc \u00fczerinden ekolojik ve k\u00fclt\u00fcrel miras\u0131n benzer sebeplerle ihya edilmesini ve bunun T\u00fcrkiye ve British Museum (dolay\u0131s\u0131yla bat\u0131n\u0131n k\u00fclt\u00fcr ve sanat enstit\u00fcleri) ad\u0131na ne s\u00f6yledi\u011fini ara\u015ft\u0131rmak istedim.<\/p>\n

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Seride \u00f6zel tekniklerle olu\u015fturdu\u011fun foto\u011fraflar \u00e7arp\u0131c\u0131 g\u00f6rsel karakterlere sahip. \u00d6zellikle Anahit b\u00fcst\u00fc i\u00e7in polaroidle uygulad\u0131\u011f\u0131n teknik kendi hik\u00e2yesinden ayr\u0131 d\u00fc\u015fmesiyle de paralellik g\u00f6steriyor. Foto\u011fraflar\u0131n formuna nas\u0131l karar veriyorsun?<\/strong><\/p>\n

Sergide \u00fc\u00e7 \u00e7e\u015fit bask\u0131 y\u00f6ntemi kullan\u0131ld\u0131. Biri normal Fine Art bask\u0131 dedi\u011fimiz sistem, di\u011feri siyanotip ve sonuncusu Polaroid em\u00fclsiyon kald\u0131rma (Polaroid emulsion lifting) denen \u00f6zel bir teknik. Bu sergide olduk\u00e7a soyut bir dil kurgulad\u0131m ve anlatmak istedi\u011fim hik\u00e2yelere uygun teknikler se\u00e7tim. Mesela, sergide 36 adet siyanotip bask\u0131dan olu\u015fan bir yerle\u015ftirme var, F\u0131rat Nehri\u2019nin sular\u0131n\u0131n foto\u011fraflar\u0131ndan olu\u015fuyor. Anahit\u2019e adanm\u0131\u015f tap\u0131naklar H\u0131ristiyanl\u0131\u011fa ge\u00e7i\u015f d\u00f6neminde Roma \u0130mparatorlu\u011fu taraf\u0131ndan y\u0131k\u0131lm\u0131\u015f, bildi\u011fin gibi, y\u00fczy\u0131llar sonra bildi\u011fin b\u00fct\u00fcn Ermeni varl\u0131klar\u0131 da harabelere d\u00f6n\u00fc\u015fm\u00fc\u015f durumda; bak\u0131ms\u0131zl\u0131k, istismar ve vandalizme terkedilmi\u015f. Dolay\u0131s\u0131yla zaman\u0131nda F\u0131rat\u2019\u0131n ve Munzur\u2019un \u00e7evresinde Anahit\u2019e inanan insanlar\u0131n ya\u015famlar\u0131ndan bana hayat\u0131 and\u0131ran tek \u015fey b\u00f6lgenin do\u011fas\u0131, nehirlerin suyu. Anahit bereket, bilgelik ve su tanr\u0131\u00e7as\u0131yd\u0131. Siyanotip ile derin bir mavi renginde bask\u0131 elde ediyorsunuz. Pel\u00fcr k\u00e2\u011f\u0131d\u0131na bu teknikle bask\u0131 yapmak da \u00e7ok zor ve uzun s\u00fcren bir s\u00fcre\u00e7. Dolay\u0131s\u0131yla \u00fcretim s\u00fcrecini yava\u015flatm\u0131\u015f ve kendimi F\u0131rat\u2019\u0131n sular\u0131 ve Anahit d\u00fc\u015f\u00fcnceleriyle iki haftay\u0131 a\u015fk\u0131n s\u00fcre ge\u00e7irirken buldum.<\/p>\n

Polaroid em\u00fclsiyon kald\u0131rma tekni\u011fi de olduk\u00e7a narin bir s\u00fcre\u00e7. Bu \u00f6zel teknik sayesinde polaroidin plastik taban\u0131nda hen\u00fcz kuruyup kat\u0131la\u015fmam\u0131\u015f em\u00fclsiyon katman\u0131n\u0131 su i\u00e7erisinde ay\u0131rabiliyorsunuz. Foto\u011fraf hemen par\u00e7alanmaya m\u00fcsait bir hale geliyor ve sizin alt\u0131na yerle\u015ftirece\u011finiz zemin \u00fczerinde istedi\u011finiz \u015fekle girebiliyor. Em\u00fclsiyon katman\u0131 \u00e7ok ince oldu\u011fu i\u00e7in tamamen kontrol etmek \u00e7ok zor, dolay\u0131s\u0131yla foto\u011frafla aran\u0131zda kar\u015f\u0131l\u0131kl\u0131 bir performans ya\u015fan\u0131yor. Ben, Anahit\u2019in bu proje ba\u011flam\u0131nda bana ifade ettiklerini g\u00f6sterebilmek i\u00e7in bir\u00e7ok teknik ara\u015ft\u0131rd\u0131m fakat benim i\u00e7in bu k\u0131r\u0131lganl\u0131k ve ak\u0131\u015fkanl\u0131k akl\u0131mdakileri en iyi ifade eden y\u00f6ntem oldu. S\u0131rf Anahit de\u011fil, g\u00f6l\u00fcn etraf\u0131n\u0131n da foto\u011fraflar\u0131n\u0131 bu teknikle \u00fcrettim, \u00e7\u00fcnk\u00fc o foto\u011fraflar da art\u0131k var olmayan ama varm\u0131\u015f gibi alg\u0131lamaya devam etti\u011fimiz bir g\u00f6le ait.<\/p>\n

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Sergideki i\u015flerin arkadaki anlat\u0131lar\u0131ndan dolay\u0131 politik olarak y\u00fckl\u00fc anlamlara sahip olsa da foto\u011fraflar\u0131nda hi\u00e7 insan g\u00f6r\u00fcnmemesinin de etkisiyle g\u00f6rsel olarak \u015fiirsel ve yer yer soyut bir anlat\u0131m tercih etti\u011fini s\u00f6yleyebiliriz. Hatta kendini temsilen da\u011f foto\u011fraf\u0131n\u0131 sergiye dahil etti\u011finden bahsettin. Foto\u011frafta fig\u00fcr ve fig\u00fcrle bilgi\/duygu aktar\u0131m\u0131na dair yakla\u015f\u0131m\u0131n nedir?<\/strong><\/p>\n

Bu projeyi yaparken yok edilmi\u015f ve yerinden edilmi\u015f iki \u00f6nemli akt\u00f6rle \u00e7al\u0131\u015ft\u0131\u011f\u0131m i\u00e7in sahada hislerime g\u00fcvenmeyi se\u00e7tim. Bildi\u011fim, okudu\u011fum \u015feylerden ve ara\u015ft\u0131rman\u0131n beni g\u00f6t\u00fcrd\u00fc\u011f\u00fc yerlerden hareketle, do\u011faya dair iki \u00f6nemli varl\u0131k, Dipsiz G\u00f6l ve Tanr\u0131\u00e7a Anahit benim i\u00e7in o co\u011frafyaya olan etkileri ve artlar\u0131nda b\u0131rakt\u0131klar\u0131yla var oldular. Mesela g\u00f6l\u00fcn etraf\u0131ndaki ger\u00e7ekten inan\u0131lmaz zengin flora, y\u00fczy\u0131llard\u0131r g\u00f6l\u00fcn suyundan besleniyordu. Ya da Anahit\u2019e inanan Ermeniler, etraflar\u0131ndaki do\u011fadan ilhamla Anahit\u2019in varl\u0131\u011f\u0131n\u0131 hissediyorlard\u0131. Bu proje g\u00f6le ve Anahit\u2019e adanm\u0131\u015f, onlara odaklanm\u0131\u015f bir an\u0131tsal deneyim benim i\u00e7in, dolay\u0131s\u0131yla insanlar\u0131 dahil etmek istemedim. Projedeki a\u011f\u0131r konular\u0131n i\u00e7inde kendimi turist bir sanat\u00e7\u0131 olarak konumland\u0131rd\u0131\u011f\u0131m\u0131 o da\u011f manzaras\u0131yla ve ondan bir \u00f6nceki foto\u011fraf\u0131n alt\u0131na yazd\u0131\u011f\u0131m notla belirttim. Serginin t\u00fcm\u00fcne uydu\u011funu d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm soyut bir anlat\u0131m yoluyla, baz\u0131 foto\u011fraflar\u0131n alt\u0131nda bir araya geldiklerinde bir \u015fiir olu\u015fturan metinler yazd\u0131m. Genel olarak da foto\u011frafta fig\u00fcr benim i\u00e7in karma\u015f\u0131k bir konu. Ger\u00e7ekten bir ba\u011f kurmad\u0131\u011f\u0131m, iznini almad\u0131\u011f\u0131m ve konuyla ba\u011flant\u0131s\u0131n\u0131 olmazsa olmaz bulmad\u0131\u011f\u0131m projelerde portre \u00e7ekmiyorum.<\/p>\n

Bu sergiyi gelecekte T\u00fcrkiye\u2019de de g\u00f6rebilecek miyiz? Ayr\u0131ca, \u015fu an ba\u015fka bir proje \u00fczerine \u00e7al\u0131\u015f\u0131yor musun?<\/strong><\/p>\n

Sergiyi T\u00fcrkiye\u2019ye ta\u015f\u0131ma plan\u0131 \u015fimdilik olmasa da ileride bu serginin orada da a\u00e7\u0131lmas\u0131n\u0131 \u00e7ok isterim.<\/p>\n

\u015eu s\u0131ralar, son y\u0131llarda ara s\u0131ra \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131m projeye odakland\u0131m. K\u0131smen otobiyografik bir ara\u015ft\u0131rma projesi. Mental hastal\u0131klar ba\u011flam\u0131nda g\u00fcnl\u00fck ya\u015fam\u0131n normal aktivitelerini \u00f6nemli \u00f6l\u00e7\u00fcde bozan kronik hastal\u0131klar ve durumlar olan \u2018g\u00f6r\u00fcnmeyen engeller\u2019 ve bu engellerin ki\u015filer \u00fczerindeki etkileri, ki\u015filerin toplumdaki var olma sava\u015flar\u0131, mental hastal\u0131klar\u0131n tarihteki ve sanattaki yans\u0131malar\u0131 \u00fczerine \u00e7al\u0131\u015f\u0131yorum. Foucault\u2019nun \u2018Ship of Fools\u2019 metnini Rhein Nehri\u2019yle ba\u011fda\u015ft\u0131rmas\u0131ndan hareketle, projenin yeni a\u015famas\u0131n\u0131 Rhein Nehri etraf\u0131nda planl\u0131yorum. Daha \u00f6nceki a\u015famalarda Berlin\u2019in ormanlar\u0131nda ve psikosomatik klini\u011finde \u00e7al\u0131\u015fm\u0131\u015ft\u0131m.<\/p>\n

https:\/\/www.agos.com.tr\/tr\/yazi\/28944\/tanrica-anahite-odaklanmis-bir-anitsal-deneyim-anahitin-ardindan\u00a0<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Neslihan Koyuncu Bali \u00a0 Sanat\u00e7\u0131 Ece G\u00f6kalp ile ilk i\u015flerinden birini g\u00f6r\u00fcp, ona hayranl\u0131kla mesaj atarak tan\u0131\u015fm\u0131\u015ft\u0131m. Foto\u011fraf\u0131n \u00fczerine yapt\u0131\u011f\u0131 \u00e7izimler, i\u015flemeler, foto\u011fraf bask\u0131s\u0131n\u0131n formlar\u0131yla olu\u015fturdu\u011fu dil; 2014\u2019te y\u00fcksek lisans okurken i\u015flerini g\u00f6rd\u00fc\u011f\u00fcm anda bana verdi\u011fi heyecan\u0131 \u015fimdi bile hat\u0131rl\u0131yorum. Dokuz y\u0131ld\u0131r Berlin\u2019de ya\u015fayan sanat\u00e7\u0131n\u0131n son y\u0131llarda \u00fcretimindeki de\u011fi\u015fimi g\u00f6zlemlemek de benim ad\u0131ma bir o […]<\/p>\n","protected":false},"author":7,"featured_media":75362,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,71],"tags":[],"class_list":["post-75361","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-mulakatlar"],"yoast_head":"\nTanr\u0131\u00e7a Anahit\u2019e odaklanm\u0131\u015f bir an\u0131tsal deneyim: \u2018Anahit\u2019in Ard\u0131ndan\u2019 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=75361\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tanr\u0131\u00e7a Anahit\u2019e odaklanm\u0131\u015f bir an\u0131tsal deneyim: \u2018Anahit\u2019in Ard\u0131ndan\u2019 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Neslihan Koyuncu Bali \u00a0 Sanat\u00e7\u0131 Ece G\u00f6kalp ile ilk i\u015flerinden birini g\u00f6r\u00fcp, ona hayranl\u0131kla mesaj atarak tan\u0131\u015fm\u0131\u015ft\u0131m. Foto\u011fraf\u0131n \u00fczerine yapt\u0131\u011f\u0131 \u00e7izimler, i\u015flemeler, foto\u011fraf bask\u0131s\u0131n\u0131n formlar\u0131yla olu\u015fturdu\u011fu dil; 2014\u2019te y\u00fcksek lisans okurken i\u015flerini g\u00f6rd\u00fc\u011f\u00fcm anda bana verdi\u011fi heyecan\u0131 \u015fimdi bile hat\u0131rl\u0131yorum. 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