{"id":74540,"date":"2023-06-13T01:38:34","date_gmt":"2023-06-13T06:38:34","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=74540"},"modified":"2023-06-13T01:38:34","modified_gmt":"2023-06-13T06:38:34","slug":"egreti-medeniyetler","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=74540","title":{"rendered":"E\u011freti medeniyetler"},"content":{"rendered":"
\"\"<\/div>\n
Neslihan Koyuncu Bali<\/a><\/span> \u00a0<\/span><\/strong><\/div>\n

Foto\u011fraf kadraj\u0131na d\u00e2hil olan mek\u00e2nlar kadar, foto\u011fraflar\u0131n nas\u0131l yan yana geldi\u011fi ve birbiriyle ili\u015fkisi de serginin anlat\u0131s\u0131 a\u00e7\u0131s\u0131ndan \u00f6nem ta\u015f\u0131yor. Orada y\u00fczy\u0131llarca ya\u015fam\u0131\u015f medeniyetlerin y\u0131k\u0131nt\u0131lar\u0131n\u0131n g\u00f6r\u00fcnd\u00fc\u011f\u00fc, Urfa-Harran foto\u011fraf\u0131 ile \u0130stanbul\u2019daki Ata\u015fehir \u2018medeniyeti\u2019ne ait, in\u015fa edilmeyi bekleyen yap\u0131 malzemelerinin g\u00f6r\u00fcnd\u00fc\u011f\u00fc foto\u011fraf\u0131n abs\u00fcrt yan yanal\u0131\u011f\u0131, benim i\u00e7in, yok edilen k\u00fclt\u00fcrel haf\u0131zan\u0131n eksikli\u011finde olu\u015fan e\u011freti k\u00fclt\u00fcr\u00fc temsil ediyor.<\/span><\/em><\/strong><\/p>\n

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Anadolu K\u00fclt\u00fcr\u2019\u00fcn giri\u015fimiyle 2009\u2019da Tophane\u2019de a\u00e7\u0131lan ve k\u00e2r amac\u0131 g\u00fctmeden faaliyet g\u00f6steren DEPO, \u0130stanbul\u2019un k\u00fclt\u00fcr ve sanat hayat\u0131nda b\u00fcy\u00fck bir eksikli\u011fi gideriyor. Sanat piyasas\u0131n\u0131n yaratt\u0131\u011f\u0131 ak\u0131mlardan ve taleplerden etkilenmeden, siyasal ve sosyal i\u00e7erikli projelere ev sahipli\u011fi yapan bu sanat ve tart\u0131\u015fma platformu, ad\u0131 hen\u00fcz \u00e7ok duyulmam\u0131\u015f sanat\u00e7\u0131lara da alan a\u00e7mas\u0131 a\u00e7\u0131s\u0131ndan \u00e7ok de\u011ferli. Bug\u00fcnlerde, DEPO\u2019nun ayr\u0131 katlar\u0131nda, iki farkl\u0131 sanat\u00e7\u0131n\u0131n sergileri yer al\u0131yor: Rezzan G\u00fcmg\u00fcm\u2019\u00fcn \u2018Da\u011fdaki Ke\u00e7i, G\u00f6kteki Ay, Sudaki Bal\u0131k\u2019\u0131 ve Andre\u0301as Lang\u2019\u0131n \u2018K\u0131r\u0131k Hat\u0131ralar\u2019\u0131.<\/p>\n

\"Andre\u0301as<\/div>\n
Andre\u0301as Lang, Khtzkonk, East-Turkey 2018 (Armenia-‘Akunq’ web sitesi)<\/span><\/em><\/div>\n

Lang\u2019\u0131n, Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun son d\u00f6nemine, Ermeni miras\u0131na, 1915\u2019in ve Cumhuriyet d\u00f6neminin ba\u015flang\u0131c\u0131n\u0131n haf\u0131zas\u0131na ve izlerine odaklanan foto\u011fraflar ve videolardan olu\u015fan sergisini ge\u00e7 de olsa g\u00f6rebildim. Se\u00e7imden sonra T\u00fcrkiye\u2019nin tarihine k\u0131z\u0131m Defne\u2019yle birlikte geni\u015f bir perspektiften bakmak bana \u015fu \u00e2n\u0131n da ge\u00e7mi\u015f olaca\u011f\u0131n\u0131 hat\u0131rlat\u0131rken, Defne ve neslini neler bekledi\u011fini, \u00fcrkerek sorgulad\u0131m. Yo\u011fun bir ara\u015ft\u0131rman\u0131n \u00fcr\u00fcn\u00fc olan sergi, geni\u015f bir tarihi ve co\u011frafyay\u0131, hat\u0131rlama ve unutma kavramlar\u0131 ile, ac\u0131 olaylara tan\u0131k olmu\u015f haf\u0131za mek\u00e2nlar\u0131 ekseninde ele al\u0131yor. K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc, Geni\u015f A\u00e7\u0131 Proje Ofisi\u2019nden Refik Aky\u00fcz ve Serdar Darendeliler\u2019in \u00fcstlendi\u011fi sergiye bir yandan, \u00f6zellikle son y\u0131llarda ki\u015fisel ve toplumsal haf\u0131zaya dair \u00e7ok fazla s\u00f6z s\u00f6ylendi\u011fi i\u00e7in yeni bir \u015fey g\u00f6rebilece\u011fime dair \u015f\u00fcphelerle, bir yandan da, Lang ait olmad\u0131\u011f\u0131 bir co\u011frafyan\u0131n haf\u0131zas\u0131na dair i\u015fler \u00fcretti\u011finden, merakla gittim. (Aky\u00fcz ve Darendeliler\u2019in k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131, \u2018Zamane \u0130stanbullular\u0131\u2019 ba\u015fl\u0131kl\u0131 bir ba\u015fka sergi de Pera M\u00fczesi\u2019nde devam ediyor; \u00e7a\u011fda\u015f foto\u011fraf\u00e7\u0131l\u0131\u011fa merak\u0131 olanlar muhakkak g\u00f6rmeli.)<\/p>\n

\u00c7al\u0131\u015fma y\u00f6ntemini \u2018g\u00f6rsel arkeoloji\u2019 olarak nitelendiren Lang\u2019\u0131n sergisinde, ziyaret\u00e7iyi, sergideki di\u011fer foto\u011fraflar\u0131 nas\u0131l \u2018okuyaca\u011f\u0131na\u2019 dair ipucu veren bir foto\u011fraf kar\u015f\u0131l\u0131yor. Foto\u011frafta, Panorama 1453 M\u00fczesi\u2019nde, \u0130stanbul\u2019un Osmanl\u0131lar taraf\u0131ndan al\u0131nmas\u0131n\u0131n tasvir edildi\u011fi bir ya\u011fl\u0131boya resmin duvar\u0131 kaplayan boyutta ozalit bask\u0131s\u0131 ve onun \u00f6n\u00fcnde, sava\u015f\u0131 kay\u0131ts\u0131z bir h\u00e2lde izleyen g\u00fcn\u00fcm\u00fcz insanlar\u0131n\u0131 g\u00f6r\u00fcyoruz. Devam\u0131nda, \u2018Osmanl\u0131 Tamircisi\u2019 ve \u2018Atat\u00fcrk Cumhuriyet Tamirhanesi\u2019 isimli iki foto\u011fraf, ge\u00e7mi\u015fin \u015fu anda nas\u0131l sahnelendi\u011fine, tamir edilerek g\u00f6m\u00fcld\u00fc\u011f\u00fc yerden diriltilmeye veya zorla ya\u015fat\u0131lmaya \u00e7al\u0131\u015f\u0131ld\u0131\u011f\u0131na g\u00f6nderme yapan eser isimleriyle, serginin \u00e7er\u00e7evesini olu\u015fturuyor. Tarihyaz\u0131m\u0131n\u0131n g\u00fcn\u00fcm\u00fcze aktard\u0131\u011f\u0131 \u2018ger\u00e7ek\u2019, hangi katmanlar\u0131n eklenmesi veya eksiltilmesiyle, nas\u0131l \u015fekillendiriliyor? Korkun\u00e7 ac\u0131lara ve kay\u0131plara tan\u0131k olmu\u015f bir co\u011frafyan\u0131n haf\u0131zas\u0131, mek\u00e2ndan tamamen silinebilir mi? Lang\u2019\u0131n foto\u011fraflar\u0131nda, ya\u015fad\u0131\u011f\u0131m\u0131z \u00fclkede s\u0131k\u00e7a kar\u015f\u0131la\u015f\u0131lan e\u011fretilik, unutturulmak istenen, \u00f6rt\u00fcl\u00fc haf\u0131zaya dair \u00f6nemli bir ipucu i\u015flevi g\u00f6r\u00fcyor. Y\u00fczeydeki izlere (\u00f6rne\u011fin arazide do\u011fal yollarla olu\u015fmas\u0131 beklenmeyen bir tepeye) dayanarak ba\u015flayan arkeolojik kaz\u0131 \u00e7al\u0131\u015fmalar\u0131nda oldu\u011fu gibi, Lang\u2019\u0131n \u00e7al\u0131\u015fmalar\u0131 da e\u011fretili\u011fi takip ederek, alt\u0131nda g\u00f6m\u00fcl\u00fc olan ge\u00e7mi\u015fe ve ger\u00e7e\u011fe ait anlat\u0131y\u0131 ortaya \u00e7\u0131karabilece\u011fi d\u00fc\u015f\u00fcncesini bar\u0131nd\u0131r\u0131yor.<\/p>\n

\"Andre\u0301as<\/em><\/div>\n
Andre\u0301as Lang, Byzantine Filmset, Istanbul 2020<\/span><\/em><\/div>\n

Karanl\u0131k, tarih\u00ee bir mek\u00e2nda, \u2018We will rock you\u2019 [Sizi sallayaca\u011f\u0131z] \u015fark\u0131s\u0131n\u0131n e\u015flik etti\u011fi, yan yana iki boks otomat\u0131n\u0131n yan\u0131p s\u00f6nen \u0131\u015f\u0131klar\u0131n\u0131 izledi\u011fimiz \u2018Kars Kalesi Boks\u00f6rleri\u2019 videosu, bahsetti\u011fim e\u011fretili\u011fi, ge\u00e7mi\u015f ile \u015fimdi aras\u0131ndaki uyu\u015fmazl\u0131\u011f\u0131 merkezine alan, etkileyici bir i\u015f. Foto\u011fraf kadraj\u0131na d\u00e2hil olan mek\u00e2nlar kadar, foto\u011fraflar\u0131n nas\u0131l yan yana geldi\u011fi ve birbiriyle ili\u015fkisi de serginin anlat\u0131s\u0131 a\u00e7\u0131s\u0131ndan \u00f6nem ta\u015f\u0131yor. Orada y\u00fczy\u0131llarca ya\u015fam\u0131\u015f medeniyetlerin y\u0131k\u0131nt\u0131lar\u0131n\u0131n g\u00f6r\u00fcnd\u00fc\u011f\u00fc, Urfa-Harran foto\u011fraf\u0131 ile \u0130stanbul\u2019daki Ata\u015fehir \u2018medeniyeti\u2019ne ait, in\u015fa edilmeyi bekleyen yap\u0131 malzemelerinin g\u00f6r\u00fcnd\u00fc\u011f\u00fc foto\u011fraf\u0131n abs\u00fcrt yan yanal\u0131\u011f\u0131, benim i\u00e7in, yok edilen k\u00fclt\u00fcrel haf\u0131zan\u0131n eksikli\u011finde olu\u015fan e\u011freti k\u00fclt\u00fcr\u00fc temsil ediyor. Sergide yer alan Bizans film seti foto\u011fraf\u0131, sahnelenmi\u015f, yeniden yaz\u0131lm\u0131\u015f tarih anlat\u0131m\u0131n\u0131 g\u00fc\u00e7lendiren, ah\u015fap bir geminin arkas\u0131ndaki mavi fon ise egemen tarih anlat\u0131s\u0131n\u0131n g\u00fcn\u00fcm\u00fczden kopuklu\u011funu temsil eden g\u00f6rseller. Sanat\u00e7\u0131n\u0131n sergiye d\u00e2hil etti\u011fi, g\u00fcn\u00fcm\u00fcz televizyon ekran\u0131 g\u00f6r\u00fcnt\u00fclerinin, set foto\u011fraf\u0131ndan sonra bir tekrar hissi olu\u015fturdu\u011fu s\u00f6ylenebilir. Sergide yer alan di\u011fer foto\u011fraflarda, foto\u011fraf\u00e7\u0131, toplumsal haf\u0131zada Ermeni miras\u0131 gibi unutturulmu\u015f, Diyarbak\u0131r-Sur gibi y\u0131k\u0131ma u\u011fram\u0131\u015f tarih\u00ee mek\u00e2nlar\u0131 konu alarak, haf\u0131zadaki bo\u015flu\u011fu g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. Bir\u00e7ok foto\u011frafta insan\u0131n eksik olu\u015fu, bu bo\u015fluk hissini g\u00fc\u00e7lendiriyor. Ge\u00e7mi\u015fte y\u00fczbinlerce insan\u0131n \u00f6ld\u00fcr\u00fcld\u00fc\u011f\u00fc bo\u015f araziler, hayal g\u00fcc\u00fcne \u00e7ok fazla ac\u0131 b\u0131rak\u0131yor.<\/p>\n

\u2018Da\u011fdaki Ke\u00e7i, G\u00f6kteki Ay, Sudaki Bal\u0131k\u2019 ve \u2018K\u0131r\u0131k Hat\u0131ralar\u2019 sergileri 14 Temmuz\u2019a kadar s\u00fcrecek.<\/p>\n

https:\/\/www.agos.com.tr\/tr\/yazi\/28759\/egreti-medeniyetler\u00a0<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Neslihan Koyuncu Bali \u00a0 Foto\u011fraf kadraj\u0131na d\u00e2hil olan mek\u00e2nlar kadar, foto\u011fraflar\u0131n nas\u0131l yan yana geldi\u011fi ve birbiriyle ili\u015fkisi de serginin anlat\u0131s\u0131 a\u00e7\u0131s\u0131ndan \u00f6nem ta\u015f\u0131yor. Orada y\u00fczy\u0131llarca ya\u015fam\u0131\u015f medeniyetlerin y\u0131k\u0131nt\u0131lar\u0131n\u0131n g\u00f6r\u00fcnd\u00fc\u011f\u00fc, Urfa-Harran foto\u011fraf\u0131 ile \u0130stanbul\u2019daki Ata\u015fehir \u2018medeniyeti\u2019ne ait, in\u015fa edilmeyi bekleyen yap\u0131 malzemelerinin g\u00f6r\u00fcnd\u00fc\u011f\u00fc foto\u011fraf\u0131n abs\u00fcrt yan yanal\u0131\u011f\u0131, benim i\u00e7in, yok edilen k\u00fclt\u00fcrel haf\u0131zan\u0131n eksikli\u011finde olu\u015fan […]<\/p>\n","protected":false},"author":7,"featured_media":74542,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-74540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler"],"yoast_head":"\nE\u011freti medeniyetler - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=74540\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"E\u011freti medeniyetler - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Neslihan Koyuncu Bali \u00a0 Foto\u011fraf kadraj\u0131na d\u00e2hil olan mek\u00e2nlar kadar, foto\u011fraflar\u0131n nas\u0131l yan yana geldi\u011fi ve birbiriyle ili\u015fkisi de serginin anlat\u0131s\u0131 a\u00e7\u0131s\u0131ndan \u00f6nem ta\u015f\u0131yor. 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