{"id":72976,"date":"2023-03-09T08:23:04","date_gmt":"2023-03-09T13:23:04","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=72976"},"modified":"2023-03-09T08:23:04","modified_gmt":"2023-03-09T13:23:04","slug":"kahire-sikintisi-serguzest-i-munevver-bey","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=72976","title":{"rendered":"Kahire S\u0131k\u0131nt\u0131s\u0131: Serg\u00fcze\u015ft-i \u2018M\u00fcnevver\u2019 Bey"},"content":{"rendered":"

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Bekir Fahri\u2019nin, J\u00f6n T\u00fcrklerin bir d\u00f6nemini ger\u00e7ek isimlerle, muhtemelen kendi tan\u0131kl\u0131klar\u0131yla anlatt\u0131\u011f\u0131 romanda, Osmanl\u0131 yar\u0131 ayd\u0131n\u0131n\u0131n ufku, soyut bir h\u00fcrriyet fikriyle s\u0131n\u0131rl\u0131d\u0131r.<\/strong><\/em><\/p>\n

Asl\u0131 G\u00fcne\u015f<\/a><\/strong><\/p>\n

Yakup Kadri, \u2018Bir S\u00fcrg\u00fcn\u2019 adl\u0131 roman\u0131na bir J\u00f6n T\u00fcrk\u2019\u00fcn Paris\u2019e ka\u00e7\u0131\u015f\u0131yla ba\u015flar. \u0130zmir\u2019de bindi\u011fi vapurla kendini Paris\u2019te bulan Dr. Hikmet, bohem kahvelerde Y\u0131ld\u0131z\u2019daki \u201cbaba\u201dn\u0131n \u00f6l\u00fcm\u00fcn\u00fc ya da onun taraf\u0131ndan affedilmenin hazz\u0131n\u0131 tatmak i\u00e7in bekleyen J\u00f6n T\u00fcrkleri bo\u015f verip zihnindeki Paris imgelerini ger\u00e7ekle bulu\u015fturmaya koyulur. Sokaklar, insanlar, e\u015fyalar, her \u015fey ne kadar da tan\u0131d\u0131kt\u0131r. Her \u015fey, Hugo\u2019nun, Balzac\u2019\u0131n sat\u0131rlar\u0131ndaki gibidir. Rastignac da muhakkak Dr. Hikmet\u2019le ayn\u0131 kald\u0131r\u0131mlar\u0131 ar\u015f\u0131nlam\u0131\u015f olmal\u0131d\u0131r. Paris\u2019in sefaleti bile Dr. Hikmet\u2019e edebi bir yak\u0131nl\u0131k i\u00e7erisindedir. Osmanl\u0131 ayd\u0131n\u0131n\u0131n Bovarizmi ancak yoksullu\u011fun duvar\u0131na \u00e7arp\u0131nca son bulacak, sefil, hasta bir vaziyete d\u00fc\u015ft\u00fc\u011f\u00fcnde Dr. Hikmet\u2019in Paris sokaklar\u0131ndaki mihmandar\u0131, Frans\u0131z muharrirlerin kelimeleri de\u011fil, Rus devrimcilerinin nutuklar\u0131 olacakt\u0131r.<\/p>\n

Paris\u2019te tan\u0131\u015ft\u0131\u011f\u0131 bir Rus devrimcisi, J\u00f6n T\u00fcrklerin kim olduklar\u0131n\u0131, ne istediklerini sordu\u011funda, Dr. Hikmet\u2019in dudaklar\u0131ndan, t\u0131ls\u0131ml\u0131 oldu\u011funa inand\u0131\u011f\u0131 bir kelime d\u00f6k\u00fcl\u00fcverir: \u201cH\u00fcrriyet!\u201d Ne var ki, Rus devrimcinin ikna olmaya niyeti yoktur: \u201cH\u00fcrriyet mi? Ne yapmak i\u00e7in?\u201d Rus, kar\u015f\u0131 kar\u015f\u0131ya oldu\u011fu naif idealizmi yerle bir etmek i\u00e7in uzun bir tirada ba\u015flar, Dr. Hikmet\u2019e Osmanl\u0131 Bankas\u0131\u2019n\u0131, kapitalizmi, s\u0131n\u0131flar\u0131, emperyalizmi, azgeli\u015fmi\u015fli\u011fi vs. vs. anlat\u0131r. O anlatt\u0131k\u00e7a, Osmanl\u0131 ayd\u0131n\u0131n\u0131n y\u0131llarca terenn\u00fcm etti\u011fi h\u00fcrriyet \u015fark\u0131s\u0131 art\u0131k duyulmaz olmu\u015ftur.<\/p>\n

Dr. Hikmet bir t\u00fcrl\u00fc kabul edemez ger\u00e7e\u011fi. \u00d6yle ya, \u201cH\u00fcrriyet davas\u0131n\u0131n b\u00fct\u00fcn lirik ve idealist taraf\u0131n\u0131 birtak\u0131m ekonomi ve finans d\u00fcsturlar\u0131 i\u00e7ine hapsedip ezmek\u201d olacak i\u015f midir? \u201cTayif\u2019te bo\u011fazlanan kahraman\u0131n \u015fahadeti bo\u015f bir hareketin cezas\u0131\u201d m\u0131d\u0131r? \u201cMagosa kalesindeki zincirbent h\u00fcrriyet aslan\u0131n\u0131n Vaveylalar\u0131 beyhude bir \u015famatadan\u201d m\u0131 ibarettir? \u201c[B]\u00fct\u00fcn bunlar\u0131n dini, iman\u0131 olan h\u00fcrriyet ve me\u015frutiyet bir \u00e7ocuk\u00e7a emelden ba\u015fka bir \u015fey de\u011fil\u201d midir?<\/p>\n

O g\u00fcne kadar zihnini \u015fekillendiren Do\u011fu-Bat\u0131, medeni-barbar ayr\u0131m\u0131nda Rus devrimcinin anlatt\u0131\u011f\u0131 s\u0131n\u0131flar\u0131, Osmanl\u0131 Bankas\u0131\u2019n\u0131, kapitalizmi ve emperyalizmi nereye yerle\u015ftirmesi gerekti\u011fini bilemeyen Hikmet, medeni Bat\u0131\u2019n\u0131n par\u0131lt\u0131l\u0131 imgesinden bir t\u00fcrl\u00fc kurtulamamaktad\u0131r:<\/p>\n

\u201cT\u00fcrkiye\u2019nin inhitat ve indiham\u0131na (\u00e7\u00f6k\u00fc\u015f ve y\u0131k\u0131l\u0131\u015f\u0131na) sebep Avrupa devletleriymi\u015f. Ne tuhaf bir iddia! Ne garip bir paradoks! Aksine, Avrupa devletleri nereye gitmi\u015flerse oraya hayat ve medeniyet g\u00f6t\u00fcrm\u00fc\u015flerdir. \u0130\u015fte M\u0131s\u0131r! Daha d\u00fcne kadar bizim idaremiz alt\u0131nda as\u0131rlarca bir mezbele halinde kalm\u0131\u015f olan bu \u00fclkeyi \u0130ngilizler, i\u015fte yirmi be\u015f y\u0131la varmadan bir cennete \u00e7evirdiler. Oraya hem umran hem zenginlik hem de H\u00fcrriyet g\u00f6t\u00fcrd\u00fcler. Doktor Hikmet\u2019e, babas\u0131, daima derdi ki: \u201cO\u011flum, bu i\u015fin yaln\u0131z bir \u00e7\u0131kar yolu var. G\u00fcn\u00fcn birinde \u0130ngilizler mi olur, Frans\u0131zlar m\u0131, Almanlar m\u0131, herhalde D\u00fcveli muazzamadan biri gelip bu memlekete vaziyet edecek ve bizi, kafam\u0131za vura vura insanl\u0131\u011fa, medeniyete al\u0131\u015ft\u0131racak ve ill\u00e2 fel\u00e2\u2026\u201d<\/p>\n

Konaklarda b\u00fcy\u00fcm\u00fc\u015f Dr. Hikmet\u2019in Paris\u2019teki rehberi, o pek sevdi\u011fi Frans\u0131zca romanlard\u0131r ama Bekir Fahri\u2019nin \u2018J\u00f6nler\u2019 roman\u0131n\u0131n Necip\u2019i Kahire sokaklar\u0131nda hi\u00e7 bilmedi\u011fi bir d\u00fcnyan\u0131n i\u00e7ine y\u00f6ns\u00fcz ve rehbersiz f\u0131rlat\u0131lm\u0131\u015ft\u0131r. \u0130mparatorlu\u011fun bu azgeli\u015fmi\u015f vilayetini Necip i\u00e7in anla\u015f\u0131labilir ya da a\u015fina k\u0131lacak ne bir roman vard\u0131r ne de bir dil. Necip, yaln\u0131z imparatorlu\u011fun de\u011fil, edebi co\u011frafyan\u0131n da s\u00fcrg\u00fcn yerine d\u00fc\u015fm\u00fc\u015ft\u00fcr.<\/p>\n

\u2018P\u0130S\u2019 OLAN GER\u00c7EK M\u0130D\u0130R?<\/h2>\n

Bekir Fahri\u2019nin \u2018J\u00f6nler\u2019i bir\u00e7ok a\u00e7\u0131dan farkl\u0131 bir roman. Roman i\u00e7in se\u00e7ilen co\u011frafya da kahraman\u0131n s\u0131n\u0131fsal k\u00f6keni de edebiyat\u0131m\u0131zda g\u00f6rmeye al\u0131\u015f\u0131k oldu\u011fumuz t\u00fcrden de\u011fil. Abd\u00fclhamid istibdad\u0131nda, \u201cTa\u015fk\u0131\u015fla, Trablusgarp zindanlar\u0131n\u0131 dola\u015fa dola\u015fa Kahire\u2019ye d\u00fc\u015ft\u00fc\u011f\u00fc g\u00fcnden beri \u00e7ekmedi\u011fi sefalet, ge\u00e7irmedi\u011fi horlanma kalmayan\u201d T\u0131bbiyeli Necip, \u201cAnadolu vil\u00e2yetlerinin birinde esnaf tak\u0131m\u0131ndan birinin o\u011flu\u201ddur. Roman\u0131 okumaya devam ettik\u00e7e \u00f6\u011freniriz ki Necip Sivasl\u0131\u2019d\u0131r. Sivasl\u0131 Ermeni Vartan\u2019dan ailesiyle ilgili haberler al\u0131r. Onu s\u00fcrg\u00fcn hayat\u0131nda rahat ettirecek bir maa\u015f\u0131; ona bakacak zengin bir \u201cpeder\u201di ve \u201cdevletl\u00fc\u201d bir hamisi yoktur. Kahire\u2019deki g\u00fcnlerini J\u00f6n T\u00fcrklerin topland\u0131\u011f\u0131 \u0130stanbul Kahvesi\u2019nde ve a\u00e7 karn\u0131n\u0131 doyurmak i\u00e7in gitti\u011fi s\u00fct\u00e7\u00fc d\u00fckk\u00e2n\u0131nda ge\u00e7irir. Dolay\u0131s\u0131yla M\u0131s\u0131r\u2019daki s\u00fcrg\u00fcn hayat\u0131, T\u00fcrk\u00e7e romanda okumaya al\u0131\u015f\u0131k oldu\u011fumuz, pa\u015fa mahdumlar\u0131n\u0131n serg\u00fcze\u015ftlerinden farkl\u0131 seyreder. M\u0131s\u0131r\u2019\u0131n Ortado\u011fulu fukaral\u0131\u011f\u0131, Necip\u2019in Anadolulu fukaral\u0131\u011f\u0131na m\u00fckemmel bir fon olu\u015fturmu\u015f, payitahttan uzakla\u015ft\u0131k\u00e7a romanc\u0131n\u0131n dili de a\u011fdal\u0131 bir romantizmden co\u015fkun bir ger\u00e7ek\u00e7ili\u011fe ge\u00e7i\u015f yapm\u0131\u015ft\u0131r. \u2018J\u00f6nler\u2019i yay\u0131na haz\u0131rlayan Atilla \u00d6zk\u0131r\u0131ml\u0131\u2019n\u0131n \u00f6ns\u00f6z\u00fcnden \u00f6\u011frendi\u011fimize g\u00f6re, fanatik bir Zola hayran\u0131 olan Bekir Fahri, Zola\u2019ya olan borcunu nat\u00fcralizmle de\u011fil, \u2018Yaban\u2019\u0131n Ahmet Celal\u2019i misali zehirli s\u0131fatlarla \u00f6der:<\/p>\n

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J\u00f6nler, Bekir Fahri, 191 syf.,\u00a0\u0130leti\u015fim Yay\u0131nlar\u0131, 2004.<\/em><\/figcaption><\/figure>\n

\u201cNecip ilerledik\u00e7e, kendini me\u00e7hul bir \u00e2lemin i\u00e7ine at\u0131lm\u0131\u015f gibi, kalbinde garib\u00e2ne bir yaln\u0131zl\u0131k duyuyordu. \u00d6n\u00fcnde, gittik\u00e7e bir harapl\u0131\u011fa do\u011fru a\u00e7\u0131lan caddenin dar yollar\u0131 aras\u0131nda g\u00f6z\u00fcne ili\u015fen bir cami eseriyle kendini bir \u0130slam memleketinde bulmaktan ba\u015fka fikrini destekleyecek bir \u015fey g\u00f6remiyordu. Her \u015fey bir pislik, intizams\u0131zl\u0131k i\u00e7inde y\u00fcz\u00fcyordu. [\u2026] Necip ilerlemekten b\u0131km\u0131\u015ft\u0131. Mamafih ekseriya m\u00fcthi\u015f bir bezginli\u011fe u\u011frad\u0131\u011f\u0131 g\u00fcnler kendini b\u00f6yle M\u0131s\u0131r\u2019\u0131n karanl\u0131k k\u00f6\u015felerine atar, nereye gitti\u011fini bilmezdi. O \u00e7ok zamanlar hayat\u0131n\u0131 bir esasa ba\u011flayamamaktan h\u00e2s\u0131l olan yeis ve \u00fcmitsizli\u011fi ile b\u00f6yle serseriy\u00e2ne gezmekten lezzet al\u0131r gibiydi. [\u2026] Necip ili\u011fine kadar i\u015fleyen bir his ve hiddetle M\u0131s\u0131rl\u0131lar\u0131n g\u00fczellikten yoksun hayatlar\u0131n\u0131 beceriksizce buluyordu. [\u2026] Her \u015fey kendine mahsus miskinlik, intizams\u0131zl\u0131k i\u00e7inde g\u00f6z\u00fck\u00fcyordu. \u00c7ar\u015f\u0131n\u0131n karanl\u0131k, sakin m\u00fc\u015fteri[si] i\u00e7inde birka\u00e7 ayak sat\u0131c\u0131s\u0131, acayip bir cezvesiyle d\u00fckk\u00e2nlar\u0131 dola\u015fan kahveciler g\u00f6z\u00fck\u00fcyordu. D\u00fckk\u00e2nlar, karanl\u0131k \u00e7at\u0131 alt\u0131nda birtak\u0131m kirli metalarla dolu idi. Ekserisinin sahipleri kadere boyun e\u011fen bir duru\u015fla bekliyordu.<\/p>\n

Necip \u015fimdi \u00e7ar\u015f\u0131n\u0131n sonundan k\u0131vr\u0131ld\u0131\u011f\u0131 zaman daha \u00e7irkin bir yol a\u011fz\u0131nda bulundu. Buras\u0131 art\u0131k ne mahalle, ne Pazar denilecek bir halde de\u011fildi. Yaln\u0131z ileride seyrek birtak\u0131m y\u00fck arabalar\u0131 g\u00f6z\u00fck\u00fcyordu. Yol ileriye do\u011fru kuru, harap bir manzara ile uzuyor, iki tarafl\u0131 bo\u015f d\u00fckk\u00e2n a\u011f\u0131zlar\u0131nda hi\u00e7le me\u015fgul olan esnaf bozuntular\u0131 g\u00f6z\u00fck\u00fcyordu.\u201d<\/p>\n

Bekir Fahri\u2019nin kahraman\u0131n\u0131n g\u00f6zleri Kahire\u2019de g\u00fczel tek bir \u015fey g\u00f6rmez, g\u00f6remez, \u201cM\u0131s\u0131r\u2019\u0131n yabanc\u0131 \u00e7ehresine\u201d al\u0131\u015famaz. G\u00f6rd\u00fc\u011f\u00fc her \u015fey, sokaklar, caddeler, insanlar ve mek\u00e2nlar kir i\u00e7indedir; her yerde Necip\u2019in i\u00e7inden \u00e7\u0131kamad\u0131\u011f\u0131 \u201cmelez\u201d bir kaos vard\u0131r. J\u00f6n T\u00fcrk s\u00fcrg\u00fcnlerinin her g\u00fcn kar\u0131nlar\u0131n\u0131 doyurduklar\u0131 s\u00fct\u00e7\u00fc d\u00fckk\u00e2n\u0131n\u0131 ve onun ihtiyar sahibesini \u015f\u00f6yle tarif eder anlat\u0131c\u0131:<\/p>\n

\u201cSelam\u0131 m\u00fcteakip Avni\u2019nin masas\u0131 hizas\u0131nda, mermeri k\u0131r\u0131k, kirli ikinci masaya ge\u00e7ti.<\/p>\n

[\u2026] Bu s\u0131rada s\u00fct\u00e7\u00fc kad\u0131n \u00f6l\u00fc benzi, patlak g\u00f6z[\u00fc], harice m\u00fctemayil alt duda\u011f\u0131yla elinde tuttu\u011fu s\u00fct kadehini sakin, sessiz Necip\u2019in masas\u0131 \u00fczerine b\u0131rakt\u0131. Yan\u0131ba\u015f\u0131ndaki cam\u0131 k\u0131r\u0131k dolaptan \u00e7ekti\u011fi yuvarlak bir bira f\u0131rancalas\u0131n\u0131 da beraber koydu. D\u00fckk\u00e2n tenha idi. Zeminin topra\u011f\u0131ndan y\u00fcksek tavana do\u011fru nemli bir koku kabar\u0131yordu. Kap\u0131n\u0131n yan\u0131na tutturulmu\u015f kirli bir camek\u00e2n i\u00e7inde birtak\u0131m tur\u015fu \u015fi\u015feleri kapal\u0131 duruyordu. Hari\u00e7ten zorla n\u00fcfuz eden g\u00fcn, d\u00fckk\u00e2n\u0131n ancak yar\u0131s\u0131n\u0131 ayd\u0131nlat\u0131yordu. Duvarlar rutubetin etkisiyle kirli, i\u011fren\u00e7 g\u00f6z\u00fckmekte idi.\u201d<\/p>\n

D\u00fckk\u00e2n sahibesi Hac\u0131 Nine, \u201cyan\u0131ndaki y\u0131l\u0131\u015fkan Arap \u00e7ocu\u011funu k\u0131zg\u0131n bir kedi hiddetiyle ha\u015flay\u0131p \u00e7imdik[lemektedir].\u201d Necip Kahire\u2019yi bir flan\u00f6r\u2019\u00fcn de\u011fil ama d\u00fc\u015fm\u00fc\u015f bir imparatorlu\u011fun alt\u0131n \u00e7a\u011flar\u0131na \u00f6zlem duyan muhalif s\u00fcrg\u00fcn\u00fcn\u00fcn \u00f6fkeli ad\u0131mlar\u0131yla dola\u015f\u0131r. Bekir Fahri\u2019nin, J\u00f6n T\u00fcrklerin bir d\u00f6nemini ger\u00e7ek isimlerle, muhtemelen kendi tan\u0131kl\u0131klar\u0131yla anlatt\u0131\u011f\u0131 romanda, Osmanl\u0131 yar\u0131 ayd\u0131n\u0131n\u0131n ufku, soyut bir h\u00fcrriyet fikriyle s\u0131n\u0131rl\u0131d\u0131r. \u00d6yle ki, bu h\u00fcrriyetle ne Y\u0131ld\u0131z\u2019\u0131 ne \u201chari\u00e7te olduklar\u0131 i\u00e7in oturup memleketi konu\u015fabildi\u011fi\u201d Ermenileri ne K\u00fcrtleri nereye koyaca\u011f\u0131n\u0131, onlarla ne yapmas\u0131 gerekti\u011fini bilemez. Bekledi\u011fi, umut etti\u011fi tek bir \u015fey vard\u0131r, onu arzu nesnesi olan topraklara g\u00f6t\u00fcrecek bir vapur.<\/p>\n

GEC\u0130KM\u0130\u015e AVRUPA VAPURU<\/h3>\n

Necip bir meslek olarak g\u00f6rd\u00fc\u011f\u00fc J\u00f6n T\u00fcrkl\u00fckten ba\u015fka bir \u015fey yapmay\u0131, karn\u0131n\u0131 doyuracak para kazanmay\u0131 tramvaylar\u0131n etraf\u0131nda dola\u015fan Arap sat\u0131c\u0131lar\u0131 g\u00f6rd\u00fc\u011f\u00fc zaman akl\u0131na getirir ama \u00e7abucak bu d\u00fc\u015f\u00fcnceleri zihninden kovar. \u201cCan\u0131m biraz da insaf laz\u0131m idi. Kendisi bu kadar senelik tahsil hayat\u0131n\u0131 M\u0131s\u0131r\u2019da kartpostal veya gazete satmak i\u00e7in mi ge\u00e7irmi\u015fti?\u201d<\/p>\n

S\u00fcrg\u00fcnler Kahire\u2019de kendilerini Avrupa\u2019ya g\u00f6t\u00fcrecek bir vapura binmeyi hayal ederler. Reformist ayd\u0131n\u0131n Y\u0131ld\u0131z\u2019a \u00f6fkesinin nedenlerinden biri de budur zaten. Y\u0131ld\u0131z istibdad\u0131, s\u00fcz\u00fclerek gelen o nazl\u0131 vapurun k\u0131y\u0131ya demir atmas\u0131na bir t\u00fcrl\u00fc izin vermez. Bu y\u00fczden, Dr. Hikmet \u0130zmir\u2019de kahvesini yudumlay\u0131p Frans\u0131zca gazetesini okuyarak Necip ve arkada\u015flar\u0131 ise Kahire\u2019de sefalet i\u00e7inde gecikmi\u015f Avrupa vapurunu beklerler.<\/p>\n

ZAMANSIZ DO\u011eU\u2019NUN SAAT KULELER\u0130<\/h4>\n

Malum, Bat\u0131\u2019da yeni ortaya \u00e7\u0131kan kentlerde ahalinin ad\u0131mlar\u0131n\u0131 yeni ekonomik d\u00fczene uydurmak i\u00e7in meydanlar\u0131 saat kuleleri s\u00fcsl\u00fcyordu. Saat kulesi art\u0131k horozun \u00f6t\u00fc\u015f\u00fcne, g\u00fcne\u015fin bat\u0131\u015f\u0131na g\u00f6re devinmeyen yeni kentli s\u0131n\u0131fa Protestan ahlak\u0131n\u0131 hi\u00e7 durmaks\u0131z\u0131n hat\u0131rlatacak alametifarikalard\u0131. Gecikmeye, tembelli\u011fe tahamm\u00fcl\u00fc olmayan kapitalizm vaktin nakit oldu\u011funu hat\u0131rlat\u0131rcas\u0131na, devasa saat kulelerini dikiyordu kentin g\u00f6be\u011fine. Oysa, Do\u011fu\u2019ya giden Oryantalist gezginlerin s\u00f6ylediklerine g\u00f6re, orada zaman yoktu, her \u015fey mistik bir varolu\u015f i\u00e7erisinde eriyip gidiyordu. \u201cKat\u0131 olan\u0131n\u201d daha da kat\u0131la\u015ft\u0131\u011f\u0131 bir yerdi Do\u011fu. \u201cKadere boyun e\u011fen duru\u015f\u201dlar\u0131yla bekleyen d\u00fckk\u00e2nlar\u0131n \u201chi\u00e7le me\u015fgul\u201d esnaf bozuntular\u0131 \u00f6l\u00fc bir d\u00fcnyan\u0131n kal\u0131nt\u0131s\u0131d\u0131rlar. Kahire sokaklar\u0131 paran\u0131n \u0131\u015f\u0131lt\u0131s\u0131ndan yoksundur. Bu y\u00fczden Necip durmaks\u0131z\u0131n ar\u015f\u0131nlad\u0131\u011f\u0131 meydandaki saat kulesine bak\u0131p s\u00f6ylenir: \u201cCan\u0131na yand\u0131\u011f\u0131m vakti ge\u00e7miyor.\u201d<\/p>\n

Necip\u2019e zaman\u0131n varl\u0131\u011f\u0131n\u0131 hissettiren \u015fey, zengin mahalleler ve \u0130ngilizlerin kararg\u00e2h binalar\u0131d\u0131r. \u015eehrin melez g\u00f6r\u00fcnt\u00fcs\u00fc de\u011fi\u015fir buralarda. Necip yoksul sokaklar\u0131 ar\u015f\u0131nlarken kendi kendine s\u00f6ylenir: \u201cOh ne pislik, Avrupal\u0131lar\u0131n tahakk\u00fcme hakk\u0131 varm\u0131\u015f.\u201d<\/p>\n

Dr. Hikmet, \u0131\u015f\u0131lt\u0131l\u0131 Paris hayat\u0131nda sefalete s\u00fcr\u00fcklenir. Necip Bulgaristan\u2019a giden bir gemiye biner, o vapurun arzu nesnesine var\u0131p varmad\u0131\u011f\u0131n\u0131 \u00f6\u011frenemeyiz. Osmanl\u0131 m\u00fcnevveri, Rus devrimcisinin s\u00f6ylediklerini hi\u00e7 anlamayacak, g\u00f6zlerini tembelce ufka dikip gecikmi\u015f Avrupa vapurunun gelmesini bekleyecektir. Dilinde o pek sevdi\u011fi h\u00fcrriyet t\u00fcrk\u00fcs\u00fc, soyut kavramlarla, ikili kar\u015f\u0131tl\u0131klarla a\u00e7\u0131klamaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 d\u00fcnyay\u0131 arkas\u0131nda; istibdad\u0131 koltu\u011funda; M\u0131s\u0131rl\u0131lar\u0131 ise \u0130ngiliz efendileriyle ba\u015fba\u015fa \u201ckaderine boyun e\u011fmi\u015f\u201d bir halde b\u0131rak\u0131r. \u201cKahire S\u0131k\u0131nt\u0131s\u0131\u201dna ger\u00e7ekte neyin sebep oldu\u011funu d\u00fc\u015f\u00fcnmez bile.<\/p>\n

https:\/\/www.gazeteduvar.com.tr\/kahire-sikintisi-serguzest-i-munevver-bey-haber-1606316<\/a>\u00a0<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Bekir Fahri\u2019nin, J\u00f6n T\u00fcrklerin bir d\u00f6nemini ger\u00e7ek isimlerle, muhtemelen kendi tan\u0131kl\u0131klar\u0131yla anlatt\u0131\u011f\u0131 romanda, Osmanl\u0131 yar\u0131 ayd\u0131n\u0131n\u0131n ufku, soyut bir h\u00fcrriyet fikriyle s\u0131n\u0131rl\u0131d\u0131r. Asl\u0131 G\u00fcne\u015f Yakup Kadri, \u2018Bir S\u00fcrg\u00fcn\u2019 adl\u0131 roman\u0131na bir J\u00f6n T\u00fcrk\u2019\u00fcn Paris\u2019e ka\u00e7\u0131\u015f\u0131yla ba\u015flar. \u0130zmir\u2019de bindi\u011fi vapurla kendini Paris\u2019te bulan Dr. Hikmet, bohem kahvelerde Y\u0131ld\u0131z\u2019daki \u201cbaba\u201dn\u0131n \u00f6l\u00fcm\u00fcn\u00fc ya da onun taraf\u0131ndan affedilmenin hazz\u0131n\u0131 […]<\/p>\n","protected":false},"author":7,"featured_media":72978,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,70,20],"tags":[],"class_list":["post-72976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-makaleler","category-tarih-sayfalari"],"yoast_head":"\nKahire S\u0131k\u0131nt\u0131s\u0131: Serg\u00fcze\u015ft-i \u2018M\u00fcnevver\u2019 Bey - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=72976\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kahire S\u0131k\u0131nt\u0131s\u0131: Serg\u00fcze\u015ft-i \u2018M\u00fcnevver\u2019 Bey - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Bekir Fahri\u2019nin, J\u00f6n T\u00fcrklerin bir d\u00f6nemini ger\u00e7ek isimlerle, muhtemelen kendi tan\u0131kl\u0131klar\u0131yla anlatt\u0131\u011f\u0131 romanda, Osmanl\u0131 yar\u0131 ayd\u0131n\u0131n\u0131n ufku, soyut bir h\u00fcrriyet fikriyle s\u0131n\u0131rl\u0131d\u0131r. 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