{"id":71486,"date":"2022-12-09T06:06:05","date_gmt":"2022-12-09T11:06:05","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=71486"},"modified":"2022-12-09T06:06:05","modified_gmt":"2022-12-09T11:06:05","slug":"yapi-kredi-yayinlarindan-ustalar-gecidi","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=71486","title":{"rendered":"Yap\u0131 Kredi Yay\u0131nlar\u0131\u2019ndan ustalar ge\u00e7idi!"},"content":{"rendered":"

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Yap\u0131 Kredi Yay\u0131nlar\u0131 okuyucular\u0131 yerli ve yabanc\u0131 edebiyat ba\u015fta olmak \u00fczere \u00e7e\u015fitli alanlarda usta isimlerin yap\u0131tlar\u0131 ve incelemeleriyle bulu\u015fturmaya devam ediyor.<\/strong><\/em><\/p>\n

Demir \u00d6zl\u00fc \/ Tatl\u0131 Bir Eyl\u00fcl:\u00a0Tatl\u0131 Bir Eyl\u00fcl<\/em>\u00a0roman\u0131nda yitirilmi\u015f zamanlar\u0131n izi s\u00fcr\u00fcl\u00fcyor,\u00a0Kafka<\/em>\u2019n\u0131n ya\u015fad\u0131\u011f\u0131 sokaklarda ve mezarl\u0131\u011f\u0131nda ya\u015famla yaz\u0131n i\u00e7 i\u00e7e ge\u00e7iyor, her \u015fey bir metafora d\u00f6n\u00fc\u015f\u00fcyor. Roman\u0131n yazar kahraman\u0131 Avrupa kentlerinde gezinirken, bir zamanlar ait oldu\u011fu ama h\u0131zla de\u011fi\u015ferek art\u0131k sadece h\u00fcz\u00fcn veren \u0130stanbul\u2019u an\u0131ms\u0131yor. \u00d6te yanda ise derin bir yaln\u0131zl\u0131k duygusuyla sar\u0131l\u0131p sarmalanan kasabalarda ge\u00e7mi\u015f \u00e7ocukluk y\u0131llar\u0131, cinsel uyan\u0131\u015flar; Beyo\u011flu\u2019nda ya\u015fanm\u0131\u015f a\u015fklar ve yabanc\u0131l\u0131klar\u2026 Yer ve zaman katmanlar\u0131n\u0131 par\u00e7alayan, bir melankoliyi s\u00fcr\u00fckleyen bu a\u015fk roman\u0131n\u0131 \u00e7ok sevdi\u011fini ifade eden\u00a0Demir \u00d6zl\u00fc<\/em>\u2019n\u00fcn usta kaleminde dil, adeta kendi ser\u00fcvenini ya\u015f\u0131yor.<\/p>\n

Ne Yalan S\u00f6yleyeyim-Salon Dergilerindeki Yaz\u0131lar \/ Nurullah Ata\u015f:\u00a0Ne Yalan S\u00f6yleyeyim<\/em>\u2019de\u00a0Nurullah Ata\u00e7<\/em>\u2019\u0131n hemen her konuya el att\u0131\u011f\u0131, klasik denemenin t\u00fcm \u00f6zelliklerini ta\u015f\u0131yan serbest yaz\u0131lar\u0131 bir araya geliyor. 1923-1942 y\u0131llar\u0131\u00a0Aydabir, Resimli Her \u015eey, Her \u015eey, Foto Magazin, Resimli Hafta, Yeni Mecmua<\/em>\u00a0gibi belli ba\u015fl\u0131\u00a0\u201csalon\u201d<\/em>\u00a0dergilerinde\u00a0Ata\u00e7<\/em>, \u015fiirden m\u00fczi\u011fe, romandan sinemaya uzan\u0131yor. G\u00fcncel yaz\u0131nsal konular\u0131, toplumsal sorunlar\u0131 ve baz\u0131 insanl\u0131k durumlar\u0131n\u0131 yorumluyor.<\/p>\n

Ten ve G\u00f6lge \/ Hulki Aktun\u00e7:\u00a0Cemal S\u00fcreya<\/em>\u2019n\u0131n\u00a0\u201cHulki: T\u00fcrk\u00e7e\u2019nin seramik ustas\u0131.\u201d<\/em>\u00a0s\u00f6zleriyle niteledi\u011fi usta yazar\u00a0Hulki Aktun\u00e7<\/em>, \u00fc\u00e7\u00fcnc\u00fc \u00f6yk\u00fc kitab\u0131\u00a0Ten ve G\u00f6lge<\/em>\u00a0i\u00e7in bir s\u00f6yle\u015fisinde \u015f\u00f6yle der:\u00a0\u201cKentli bireyin k\u0131st\u0131r\u0131lmak istendi\u011fi \u015fablondan d\u0131\u015far\u0131ya s\u0131\u00e7rama \u00e7abalar\u0131n\u0131 saptayan \u00f6yk\u00fcler.\u201d<\/em>\u00a0Ten ve G\u00f6lge<\/em>, ger\u00e7e\u011fin alg\u0131lanma bi\u00e7imi; bi\u00e7emi; dili ve modern \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fcm\u00fcze getirdi\u011fi yenilikler bak\u0131m\u0131ndan her zaman \u00f6ne \u00e7\u0131kan bir yap\u0131t.<\/p>\n

Kay\u0131p Destan\u0131n \u0130zinde-N\u00e2z\u0131m Hikmet, \u0130deoloji ve Yeniden Yazmak \/ Erkan Irmak:\u00a0Kay\u0131p Destan\u2019\u0131n \u0130zinde, N\u00e2z\u0131m Hikmet<\/em>\u2019in\u00a0Kuvayi Milliye\u2019nin Memleketimden \u0130nsan Manzaralar\u0131<\/em>\u2019na uzanan yolculu\u011funu anlat\u0131yor. Erkan Irmak kitab\u0131nda bu iki yap\u0131t\u0131n yaz\u0131l\u0131\u015f ve yay\u0131mlanma s\u00fcre\u00e7lerini, T\u00fcrkiye\u2019deki rejim ve tarih anlay\u0131\u015f\u0131yla ili\u015fkilerini, okur taraf\u0131ndan al\u0131mlan\u0131\u015flar\u0131n\u0131 ve t\u00fcr olarak konumlar\u0131n\u0131 tart\u0131\u015f\u0131yor ve iki yap\u0131t\u0131 kar\u015f\u0131la\u015ft\u0131rarak\u00a0Kuvayi Milliye<\/em>\u2019nin\u00a0Memleketimden \u0130nsan Manzaralar\u0131<\/em>\u00a0i\u00e7inde nas\u0131l yeniden yaz\u0131ld\u0131\u011f\u0131n\u0131 ve bu yeniden yaz\u0131lman\u0131n ne anlama geldi\u011fini sorguluyor.<\/p>\n

Uzak Da\u011flar ve Hat\u0131ralar \/ Orhan Pamuk:\u00a0Uzak Da\u011flar ve Hat\u0131ralar, Orhan Pamuk<\/em>\u2019un resimli ve \u00f6zel hat\u0131ra defterlerinden se\u00e7meler\u2026\u00a0Pamuk<\/em>, on d\u00f6rt y\u0131ld\u0131r her g\u00fcn k\u00fc\u00e7\u00fck not defterlerine notlar al\u0131yor ve resimler yap\u0131yor. Sayfalarda g\u00fcnl\u00fck ya\u015fam\u0131n\u0131, g\u00fcncel geli\u015fmeleri, duygular\u0131n\u0131, r\u00fcyalar\u0131n\u0131, yazmakta oldu\u011fu romanlar\u0131n sorunlar\u0131n\u0131 anlat\u0131yor ve tart\u0131\u015f\u0131yor. Kitap yazar\u0131n g\u00fcnce tutan ressam yan\u0131n\u0131, g\u00fcnl\u00fck ya\u015fam\u0131n\u0131, \u015fa\u015f\u0131rt\u0131c\u0131 hayallerini ve deneyimlerini sunuyor.<\/p>\n

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Bir A\u015fk Masal\u0131 \/ Ahmet \u00dcmit:\u00a0Bir A\u015fk Masal\u0131, Ahmet \u00dcmit<\/em>\u2019ten insanl\u0131\u011f\u0131n en y\u00fcce duygusu a\u015fk\u0131n do\u011fas\u0131na dair bir hik\u00e2yat. Be\u015f prensin sevda u\u011fruna revan olduklar\u0131 bir yol ve hal maceras\u0131.\u00a0Kaf Da\u011f\u0131<\/em>\u2019ndan \u0131ss\u0131z \u00e7\u00f6llere, \u00fccra hanlardan sava\u015f\u00e7\u0131 kabilelerin \u00e7ad\u0131rlar\u0131na, devlerden denizk\u0131zlar\u0131na, balinalardan devasa y\u0131lanlara, c\u00fcmle tabiat\u0131n ve mahlukat\u0131n ge\u00e7i\u015f yapt\u0131\u011f\u0131 bir hayal perdesi.<\/p>\n

Mutedil Dalgal\u0131 \/ \u00d6m\u00fcr \u0130klim Demir:<\/em>\u00a0Mutedil Dalgal\u0131<\/em>\u2019da yer alan on d\u00f6rt \u00f6yk\u00fcs\u00fcnde, her katman\u0131yla derinle\u015fen, \u015fiirsel bir anlat\u0131n\u0131n kap\u0131lar\u0131n\u0131 a\u00e7\u0131yor\u00a0\u00d6m\u00fcr \u0130klim Demir<\/em>. Her \u00f6yk\u00fcde dalgalan\u0131yor ya\u015famlar, ge\u00e7mi\u015fle gelece\u011fin, olmu\u015fla olmam\u0131\u015f\u0131n aras\u0131nda. Her \u00f6yk\u00fcde biraz daha \u00f6l\u00fcyor ve biraz daha ya\u015f\u0131yor her karakter. Bunlarla d\u00f6n\u00fcyor d\u00fcnya, devasa bir sarmal\u0131n i\u00e7inde; bunlarla d\u00f6n\u00fcyor sandalyeler, ruhlar, kelimeler, karasinekler, eski ceketler, oyuncak ay\u0131lar, \u00e7alakalem notlar, tuhaf aynalar ve b\u00fct\u00fcn o ta\u015f\u0131namayan s\u0131rlar.<\/p>\n

Majestelerinin Gemisi Beagle G\u00fcnl\u00fc\u011f\u00fc \/ Charles Darwin \/ \u00c7eviren: \u00d6mer Bozkurt:\u00a0Evrim<\/em>\u00a0teorisi deyince akla hi\u00e7 ku\u015fkusuz\u00a0Darwin<\/em>\u00a0kadar onun\u00a0Beagle<\/em>\u00a0seyahati ve Galapagos Adalar\u0131 gelir.\u00a0Darwin<\/em>\u2019in seyahatteyken Britanya\u2019ya yollad\u0131\u011f\u0131 mektuplar, fosil \u00f6rnekleri ve hayvan numuneleri, eski \u00f6\u011fretmeni\u00a0Henslow<\/em>\u00a0arac\u0131l\u0131\u011f\u0131yla \u0130ngiliz do\u011fabilimcilerine aktar\u0131l\u0131yor, Darwin\u2019in \u00fcn\u00fc bu sayede gittik\u00e7e yay\u0131l\u0131yordu. Beagle 2 Ekim 1836\u2019da Britanya\u2019ya d\u00f6nd\u00fc\u011f\u00fcnde sayg\u0131n bir do\u011fabilimci olarak tan\u0131nm\u0131\u015ft\u0131. Kalan ya\u015fam\u0131n\u0131 \u0130ngiltere d\u0131\u015f\u0131na yolculuk etmeden, \u00fcretken ve sayg\u0131n bir do\u011fa bilimci olarak ge\u00e7irecek, temelini\u00a0Beagle<\/em>\u00a0seyahati boyunca att\u0131\u011f\u0131\u00a0Evrim<\/em>\u00a0teorisini geli\u015ftirecekti. Bu\u00a0G\u00fcnl\u00fck<\/em>, Aral\u0131k 1831\u2019de ba\u015flayarak be\u015f y\u0131l s\u00fcren ola\u011fan\u00fcst\u00fc do\u011fa yolculu\u011funun antropolojik g\u00f6zlemler de i\u00e7eren i\u00e7ten anlat\u0131s\u0131 olman\u0131n yan\u0131 s\u0131ra bilimsel bilginin \u00fcretimine ve\u00a0Evrim<\/em>\u00a0d\u00fc\u015f\u00fcncesinin ortaya \u00e7\u0131k\u0131\u015f\u0131na tan\u0131kl\u0131k etmesi bak\u0131m\u0131ndan da benzersiz bir belge niteli\u011finde.<\/p>\n

Amynats-Kuzey Afrika Defterleri \/ Andr\u00e9 Gide \/ \u00c7eviren: Or\u00e7un T\u00fcrkay:\u00a0Amynats-Kuzey Afrika Defterleri, Andr\u00e9 Gide<\/em>\u2019in do\u011fayla ili\u015fkisinin yo\u011fun bi\u00e7imde saydamla\u015ft\u0131\u011f\u0131 ve kristalle\u015fti\u011fi metinler. Ma\u011frip g\u00f6\u011f\u00fc alt\u0131nda \u00e7\u00f6l\u00fcn sarmalad\u0131\u011f\u0131 bir bedenin ve zihnin kay\u0131t alt\u0131na ald\u0131\u011f\u0131 anlar. Ayr\u0131ca\u00a0Gide<\/em>\u2019in t\u00fcm yaz\u0131n ya\u015fam\u0131n\u0131 kapsayan\u00a0G\u00fcnl\u00fck<\/em>\u2019leri i\u00e7in bir giri\u015f kap\u0131s\u0131.<\/p>\n

\u015eiir Neden \u00d6nemlidir? \/ Jay Parini \/ \u00c7eviren: G\u00fcven Turan:\u00a0\u015eiir Neden \u00d6nemlidir? Jay Parini<\/em>\u2019den \u015fiir, dil, \u015fiirin anlam\u0131 ve zihinler ile ya\u015famlar\u0131 de\u011fi\u015ftirme g\u00fcc\u00fc \u00fczerine derin bir inceleme.\u00a0Aristoteles, Horatius, Longinus<\/em>\u00a0gibi y\u00fczy\u0131llar \u00f6nce \u015fiiri savunmu\u015f insanlar\u0131 ele alarak ba\u015flad\u0131\u011f\u0131 kitab\u0131nda\u00a0Wordsworth, Coleridge, Shelley, Eliot, Frost, Stevens<\/em>\u00a0ve daha pek \u00e7ok ba\u015far\u0131l\u0131 \u015fairin \u015fiir savunular\u0131n\u0131 inceliyor yan\u0131 s\u0131ra gelenekle nas\u0131l bir ba\u011f kurulmas\u0131 gerekti\u011fini ortaya koyuyor\u00a0Parini<\/em>. Ve zaman zaman unutulan bir ger\u00e7e\u011fi g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kararak bitiriyor:\u00a0\u201c\u015eiir \u00f6nemlidir \u00e7\u00fcnk\u00fc yoklu\u011funda yar\u0131m ya\u015far\u0131z, ya\u015fam\u0131n sundu\u011fu olanaklar\u0131n tam anlam\u0131yla bilincinde olamay\u0131z.\u201d<\/em><\/p>\n

Amerikal\u0131 Diplomat Amiral Bristol\u2019\u00fcn G\u00f6zlemleri-Osmanl\u0131\u2019n\u0131n \u00c7\u00f6k\u00fc\u015f\u00fc, Cumhuriyet\u2019in Kurulu\u015fu (1919-1927) \/ Hakan \u00d6zo\u011flu \/ \u00c7eviren: Bahar T\u0131rnak\u00e7\u0131:\u00a0Birinci D\u00fcnya Sava\u015f\u0131<\/em>\u2019n\u0131n hemen ard\u0131ndan\u00a0ABD Y\u00fcksek Komiseri<\/em>\u00a0olarak \u0130stanbul\u2019a atanan\u00a0Tu\u011famiral Mark L. Bristol<\/em>, Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun son d\u00f6nemine ve T\u00fcrkiye Cumhuriyeti\u2019nin kurulu\u015f y\u0131llar\u0131na (1919-1927) bizzat tan\u0131kl\u0131k etmesi a\u00e7\u0131s\u0131ndan \u00f6nemli bir diplomatt\u0131r. Bristol, raporlar\u0131 ve tavsiyeleriyle ABD\u2019nin o d\u00f6nemki d\u0131\u015f politikas\u0131n\u0131n \u015fekillenmesinde etkili olurken, Ankara h\u00fck\u00fcmetiyle temaslar\u0131 arac\u0131l\u0131\u011f\u0131yla So\u011fuk Sava\u015f y\u0131llar\u0131ndan g\u00fcn\u00fcm\u00fcze dek ABD-T\u00fcrkiye stratejik ortakl\u0131\u011f\u0131n\u0131n da temellerini atm\u0131\u015ft\u0131r. G\u00f6revi s\u00fcresince g\u00f6zlemlerini \u00fclkesine d\u00fczenli raporlarla iletmekle yetinmeyip g\u00fcnl\u00fck de tutmu\u015f olmas\u0131, onu ara\u015ft\u0131rmac\u0131lar a\u00e7\u0131s\u0131ndan ayr\u0131ca \u00f6nemli k\u0131lar.\u00a0Hakan \u00d6zo\u011flu<\/em>, ABD ve T\u00fcrkiye ar\u015fivlerinden, \u00f6zel mektuplardan ve yaz\u0131\u015fmalardan olu\u015fan \u00e7ok say\u0131da birincil belgeye dayanarak Bristol\u2019\u0131n resmi yaz\u0131\u015fmalar\u0131n\u0131 geni\u015f bir \u00e7er\u00e7evede mercek alt\u0131na al\u0131yor. T\u00fcrkiye\u2019nin ve imparatorluktan ulus devlete ge\u00e7i\u015f s\u00fcrecinin de alternatif bir resmini \u00e7iziyor.<\/p>\n

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Osmanl\u0131 D\u00f6neminde M\u00fccevher ve Ermeni Kuyumcular (2 Cilt) \/ Arsen Yarman:\u00a0\u201cBu kitapla cevherin nereden geldi\u011fi, nerede i\u015flendi\u011fi, m\u00fccevherin kimin taraf\u0131ndan ve nerede tasarland\u0131\u011f\u0131, kimlerin bu tasar\u0131mlar\u0131 uygulad\u0131\u011f\u0131, ortaya \u00e7\u0131kan m\u00fccevheri sarayda ve saray d\u0131\u015f\u0131nda kimlerin takt\u0131\u011f\u0131 gibi konular\u0131 incelemeye \u00e7al\u0131\u015ft\u0131k.\u201d<\/em>\u00a0diyen\u00a0Arsen Yarman<\/em>, hem kapsad\u0131\u011f\u0131 uzun zaman s\u00fcreci (14.-20. y\u00fczy\u0131l) hem de kulland\u0131\u011f\u0131 ar\u015fiv ve kaynaklar\u0131n zenginli\u011fi sayesinde tozun topra\u011f\u0131n i\u00e7inden \u00e7\u0131kan elmas ve alt\u0131n gibi de\u011ferli cevherlerin sarraf ve kuyumcular\u0131n elinden ge\u00e7erek Osmanl\u0131 saray\u0131na, zenginlerin k\u00f6\u015fklerine kadar takip etti\u011fi uzun yolu ayd\u0131nlat\u0131yor.<\/p>\n

Francis Bacon\u2019la S\u00f6yle\u015filer \/ David Sylvester \/ \u00c7eviren: Mine Haydaro\u011flu:\u00a0Francis Bacon\u2019la S\u00f6yle\u015filer<\/em>, 20. y\u00fczy\u0131l\u0131n en yarat\u0131c\u0131 dehalar\u0131ndan birinin ya\u015fam\u0131, yap\u0131tlar\u0131 ve imgeleri \u00fczerine 141 g\u00f6rselle birlikte sunulan \u00f6zg\u00fcn bir \u00e7al\u0131\u015fma.\u00a0David Sylvester<\/em>\u2019\u0131n 25 y\u0131ll\u0131k bir zaman dilimine yay\u0131lan s\u00f6yle\u015fileri,\u00a0Bacon<\/em>\u2019\u0131n \u00f6zg\u00fcn konu\u015fma dili \u00fczerinden sanat\u00e7\u0131n\u0131n \u00fcretim s\u00fcre\u00e7lerine, tuval kar\u015f\u0131s\u0131ndaki gerginliklerine, tak\u0131nt\u0131lar\u0131na, zihin d\u00fcnyas\u0131ndaki f\u0131rt\u0131nalara ili\u015fkin s\u0131n\u0131rlar\u0131 a\u015fan bir tan\u0131kl\u0131k sunuyor.<\/p>\n

Bekleyecek Vaktim Kalmad\u0131 Art\u0131k \/ Jean Louis Fournier \/ \u00c7eviren: Hazel Bilgen:\u00a0\u201c80 y\u0131l sonra art\u0131k bekleyecek sabr\u0131m kalmad\u0131. Daha yola \u00e7\u0131kmadan varmak istiyorum. Her \u015feyin hemen olmas\u0131n\u0131 istiyorum ama hi\u00e7bir \u015fey olmuyor. S\u00fcrekli bekleme halindeyim; bir mektubu, \u00e7almayan bir telefonu, ge\u00e7 kalan birini bekliyorum hep; hi\u00e7 huzurum kalmad\u0131.\u201d Kitaptan\u2026<\/em>\u00a0Bekleyecek Vaktim Kalmad\u0131 Art\u0131k<\/em>, \u00c7a\u011fda\u015f Frans\u0131z edebiyat\u0131n\u0131n en verimli isimlerinden\u00a0Jean-Louis Fournier<\/em>\u2019den ebedi yaln\u0131zl\u0131\u011fa mahk\u00fbm olmu\u015f ruhlar i\u00e7in edebi katk\u0131lar\u2026 Zaman, sab\u0131r(s\u0131zl\u0131k), aciliyet ve beklemek \u00fcst\u00fcne bir el kitab\u0131. Kaleminden kara mizah\u0131 ve h\u00fczn\u00fc eksik etmeyen\u00a0Fournier<\/em>\u00a0ya\u015fam(\u0131y)la dalga ge\u00e7meye, kendine i\u011fneden \u00e7ok \u00e7uvald\u0131z\u0131 bat\u0131rmaya devam ediyor.<\/p>\n

https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/yapi-kredi-yayinlarindan-ustalar-gecidi-2010117<\/a>\u00a0<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Yap\u0131 Kredi Yay\u0131nlar\u0131 okuyucular\u0131 yerli ve yabanc\u0131 edebiyat ba\u015fta olmak \u00fczere \u00e7e\u015fitli alanlarda usta isimlerin yap\u0131tlar\u0131 ve incelemeleriyle bulu\u015fturmaya devam ediyor. Demir \u00d6zl\u00fc \/ Tatl\u0131 Bir Eyl\u00fcl:\u00a0Tatl\u0131 Bir Eyl\u00fcl\u00a0roman\u0131nda yitirilmi\u015f zamanlar\u0131n izi s\u00fcr\u00fcl\u00fcyor,\u00a0Kafka\u2019n\u0131n ya\u015fad\u0131\u011f\u0131 sokaklarda ve mezarl\u0131\u011f\u0131nda ya\u015famla yaz\u0131n i\u00e7 i\u00e7e ge\u00e7iyor, her \u015fey bir metafora d\u00f6n\u00fc\u015f\u00fcyor. Roman\u0131n yazar kahraman\u0131 Avrupa kentlerinde gezinirken, bir zamanlar […]<\/p>\n","protected":false},"author":7,"featured_media":71488,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,54],"tags":[],"class_list":["post-71486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-kitaplar-elestiriler"],"yoast_head":"\nYap\u0131 Kredi Yay\u0131nlar\u0131\u2019ndan ustalar ge\u00e7idi! - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=71486\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yap\u0131 Kredi Yay\u0131nlar\u0131\u2019ndan ustalar ge\u00e7idi! - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Yap\u0131 Kredi Yay\u0131nlar\u0131 okuyucular\u0131 yerli ve yabanc\u0131 edebiyat ba\u015fta olmak \u00fczere \u00e7e\u015fitli alanlarda usta isimlerin yap\u0131tlar\u0131 ve incelemeleriyle bulu\u015fturmaya devam ediyor. 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