Mahmut \u00c7\u0131nar<\/a><\/strong><\/p>\nAc\u0131 ve korku, h\u00fcz\u00fcn ve panik, \u015fa\u015fk\u0131nl\u0131k ve \u00f6fke dolu bir g\u00fcnd\u00fc. Beyo\u011flu\u2019nda ya\u015fanan ve alt\u0131 masum insan\u0131n \u00f6l\u00fcm\u00fcyle, onlarcas\u0131n\u0131n yaralanmas\u0131yla sonu\u00e7lanan bombal\u0131 sald\u0131r\u0131, herkeste ayn\u0131 travmalar\u0131 g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kard\u0131. Kirli siyaset oyununun, T\u00fcrkiye\u2019nin ve \u00f6zelde Beyo\u011flu\u2019nun bu kirli oyunun en kirli sahnesine, ter\u00f6rizme mek\u00e2n olmas\u0131n\u0131n yaralar\u0131 kolay sar\u0131l\u0131r gibi de\u011fil. \u015eimdi her g\u00fcn, her an o korkun\u00e7 olay\u0131n yank\u0131lar\u0131yla dolu haberleri okurken kimilerimizin g\u00f6z\u00fcn\u00fcn \u00f6n\u00fcnde ba\u015fka bir hayal beliriyor.<\/p>\n
Ge\u00e7mi\u015fin k\u00f6t\u00fcl\u00fcklerini g\u00f6r\u00fcnmez k\u0131lacak denli romantik bir nostaljiden hep uzak durmaya \u00e7al\u0131\u015ft\u0131m. \u201cEskiden her \u015fey ne g\u00fczeldi\u201d gibi alt\u0131 bo\u015f, anlams\u0131z ve zaten yanl\u0131\u015f bir c\u00fcmlenin pe\u015finden de hi\u00e7 ko\u015fmad\u0131m. Ancak m\u00fczik gibi kay\u0131klara binerek, ge\u00e7mi\u015fte var olabilmi\u015f baz\u0131 g\u00fczel zamanlar\u0131n suyunda y\u00fczmeyi ve tarihin s\u00fcregiden bir \u00f6yk\u00fc oldu\u011funu da biliyorum neyse ki. Yoksa nas\u0131l ya\u015far insan? Bug\u00fcn biraz da d\u00f6n\u00fc\u015f\u00fcm\u00fcn ka\u00e7\u0131n\u0131lmaz oldu\u011funu kendimize hat\u0131rlatmak ve bu sayede belki bu devran\u0131n da d\u00f6nece\u011fine inanmaya katk\u0131 sunmak i\u00e7in Beyo\u011flu\u2019nun m\u00fczikli tarihine iyisi ve k\u00f6t\u00fcs\u00fcyle k\u0131saca de\u011finelim istedim.<\/p>\n
\u2018BEYO\u011eLU\u2019NDA GEZERS\u0130N AMA L\u00dcTFEN \u00c7OK D\u0130KKATL\u0130 OL\u2019<\/h2>\n
Bestesi R\u0131za Bey\u2019e atfedilen ancak art\u0131k pek\u00e2l\u00e2 anonim bir \u0130stanbul t\u00fcrk\u00fcs\u00fcne d\u00f6n\u00fc\u015fm\u00fc\u015f olan o Mahur bestenin, \u2018Beyo\u011flu\u2019nda Gezersin\u2019in anlatt\u0131\u011f\u0131 Beyo\u011flu kaybolal\u0131 \u00e7ok oldu. 19. y\u00fczy\u0131l\u0131n sonundan itibaren havas\u0131 ve anlam\u0131 de\u011fi\u015fen \u201cGavur mahallesi\u201d Pera\u2019y\u0131, gazinolar\u0131ndan Hali\u00e7\u2019e do\u011fru ta\u015fan seslerin a\u015fa\u011f\u0131da Kas\u0131mpa\u015fa\u2019da ve hatta Hali\u00e7\u2019in kar\u015f\u0131 k\u0131y\u0131s\u0131nda ya\u015fayanlara bile r\u00fcya gibi geceler ya\u015fatt\u0131\u011f\u0131 Tepeba\u015f\u0131\u2019n\u0131; devrimden sonra \u0130stanbul\u2019a ka\u00e7an Rus Beyaz Ordu asilzadelerinin \u201cpiyasa yapt\u0131\u011f\u0131\u201d, barlar, m\u00fczikholler a\u00e7t\u0131\u011f\u0131, Osmanl\u0131\u2019n\u0131n belki ilk kez g\u00fcndelik hayatta o \u00e7ok \u00f6zenilen \u201cdi\u011fer d\u00fcnya\u201d ile tan\u0131\u015ft\u0131\u011f\u0131 T\u00fcnel\u2019i, II. Me\u015frutiyet\u2019in ilan\u0131yla T\u00fcrk, Ermeni, Rum vesairin co\u015fkusuyla bayraklar ve \u00e7i\u00e7eklere bo\u011fulan \u0130stiklal Caddesi\u2019ni art\u0131k kitaplardan, an\u0131lardan, belki birka\u00e7 foto\u011fraftan biliyoruz. \u015eehrin en hareketli al\u0131\u015fveri\u015f ve e\u011flence semtinin kadim sakinlerinin 1955\u2019de, 6-7 Eyl\u00fcl\u2019de ba\u015f\u0131na gelenler, o r\u00fcya gibi anlat\u0131lan \u00e7a\u011f\u0131n art\u0131k son perdesinin oynanmaya ba\u015flad\u0131\u011f\u0131n\u0131n da i\u015faretlerini veriyordu asl\u0131nda. Ancak san\u0131lan\u0131n aksine bu kadim sakinlerden olan Rumlar, evlerini, \u015fehirlerini tehdit, lin\u00e7, tecav\u00fcz ve katliama ra\u011fmen terk etmemek i\u00e7in ellerinden geleni yapm\u0131\u015f, derken 1964\u2019teki ac\u0131mas\u0131z Rum s\u00fcrg\u00fcn\u00fc, asl\u0131nda 6-7 Eyl\u00fcl\u2019den daha b\u00fcy\u00fck bir zorunlu g\u00f6\u00e7e neden olmu\u015ftu.<\/p>\n
Beyo\u011flu\u2019nun sokaklar\u0131nda \u00e7\u0131nlayan her dilden m\u00fczikli naralar, udun, buzukinin, kanunun, keman\u0131n tellerinden yank\u0131lanan notalar; semtin demografisi devletin milletiyle el ele y\u00fcr\u00fctt\u00fc\u011f\u00fc kampanyalar ile de\u011fi\u015ftirildikten sonra yerini Maksim gibi birka\u00e7 b\u00fcy\u00fck gazinoda icra edilen ana ak\u0131m ve \u00e7o\u011fu zaman tek sesli m\u00fczik muhayyilesine b\u0131rakt\u0131 60\u2019larla birlikte. Yine de sanat\u0131n yolu Beyo\u011flu\u2019ndan ge\u00e7erdi, ge\u00e7mek zorundayd\u0131. Arka sokaklardaki bohem hayat\u0131n en \u00f6nemli simalar\u0131 Ye\u015fil\u00e7am Soka\u011f\u0131\u2019n\u0131n m\u00fcdavimi sinemac\u0131lar, devrin en b\u00fcy\u00fck isimlerinin arkas\u0131nda sahne alan \u00e7alg\u0131c\u0131lar, a\u011f\u0131zlar\u0131nda sigaralar\u0131, ceplerinde konyak \u015fi\u015feleriyle ressamlar, yazarlar, \u015fairlerdi \u015f\u00fcphesiz. Rum, Ermeni, T\u00fcrk m\u00fczisyenlerin neredeyse iki y\u00fcz y\u0131l boyunca birlikte icra ederek var etti\u011fi \u201c\u0130stanbul m\u00fczi\u011fi\u201d art\u0131k yaln\u0131zca tektek\u00e7i meyhanelerinde duyuluyor olsa da neredeyse t\u00fcm plak yap\u0131mc\u0131lar\u0131n\u0131n da adresiydi Beyo\u011flu. 1967\u2019de, daha sonra T\u00fcrkiye k\u00fclt\u00fcr tarihinin \u00f6nemli bir b\u00f6l\u00fcm\u00fcne damga vuracak olan \u201cUnkapan\u0131\u201dndaki \u0130stanbul Manifaturac\u0131lar \u00c7ar\u015f\u0131s\u0131 a\u00e7\u0131lmadan \u00f6nce \u015fark\u0131s\u0131n\u0131, t\u00fcrk\u00fcs\u00fcn\u00fc bir pla\u011fa okumak isteyenin elinde bavuluyla geldi\u011fi yerdi.<\/p>\n
SEMT\u0130N \u00dcZER\u0130NE \u00d6RT\u00dcLEN KARANLIK PERDES\u0130<\/h3>\n
B\u00fcy\u00fck gazinolar\u0131n devri 80\u2019lerle birlikte bitti. 1977\u2019deki Kanl\u0131 1 May\u0131s\u2019\u0131n \u00fczerine yas perdesi \u00f6rtt\u00fc\u011f\u00fc Taksim ve Beyo\u011flu, 80\u2019li y\u0131llarda 12 Eyl\u00fcl\u2019\u00fcn \u201ctemizlik\u201d operasyonuyla devletin bile isteye kazd\u0131\u011f\u0131 bir \u00e7ukur halini ald\u0131. O me\u015fhur \u201cBeyo\u011flu\u2019nun arka sokaklar\u0131\u201d laf\u0131 da bu d\u00f6nemle birlikte dillere pelesenk oldu. M\u00fczik, \u00e7o\u011fu zaman rezil ko\u015fullarda yap\u0131lan seks i\u015f\u00e7ili\u011fine, pavyon bozmas\u0131 korkun\u00e7 mek\u00e2nlarda ya\u015fanan gece \u00e2lemine, kriminal bir ke\u015fmeke\u015fe fon olmaktan \u00f6te bir anlam ta\u015f\u0131m\u0131yordu Beyo\u011flu\u2019nda. Ac\u0131l\u0131 arabeskin sokak \u00e7ocuklar\u0131na, hayatta kalman\u0131n tek yolunun bu \u00e7ukurda \u00e7al\u0131\u015fmak oldu\u011funu en ac\u0131 tecr\u00fcbelerle \u00f6\u011frenmi\u015f \u201ctravestilere\u201d, hayallerinin pe\u015finde bu b\u00fcy\u00fck \u015fehre gelmi\u015f ancak \u0130stanbul\u2019un tokad\u0131n\u0131 en a\u011f\u0131r \u015fekilde yemi\u015f derbeder ve d\u00fc\u015fk\u00fcn adam ve kad\u0131nlara terc\u00fcman oldu\u011fu y\u0131llar\u0131n biraz alegorik bir resmini 1987 tarihli \u015eerif G\u00f6ren filmi \u2018Beyo\u011flu\u2019nun Arka Yakas\u0131\u2019nda g\u00f6rmek m\u00fcmk\u00fcn. 80\u2019ler arabeskinin simge \u015fark\u0131lar\u0131ndan \u2018Aldanma \u00c7ocuksu Mahzun Y\u00fcz\u00fcne\u2019 e\u015fli\u011finde o y\u0131llarda trafi\u011fe a\u00e7\u0131k olan s\u0131k\u0131\u015f tepi\u015f \u0130stiklal Caddesi\u2019nde \u201csermayesini\u201d gezdiren (Erdal \u00d6zya\u011fc\u0131lar\u2019\u0131n ba\u015far\u0131yla canland\u0131rd\u0131\u011f\u0131) Disko \u00c7arli, bu karanl\u0131k Beyo\u011flu tasavvurunun insan s\u0131fat\u0131nda ete kemi\u011fe b\u00fcr\u00fcnm\u00fc\u015f halidir adeta.<\/p>\n
BEYO\u011eLU\u2019NUN \u2018BEYO\u011eLU\u2019 OLDU\u011eU ZAMANLAR: ROCK BARLAR<\/h4>\n
Derken 90\u2019l\u0131 y\u0131llarla birlikte t\u00fcm toplumsal ko\u015fullarda ve soka\u011f\u0131n k\u00fclt\u00fcr\u00fcnde ya\u015fanan de\u011fi\u015fim, \u00f6nce bir avu\u00e7 giri\u015fimcinin ve onlar\u0131 takip eden gencin, sonra ise bir d\u00f6nemi temsil eden koca bir neslin \u00f6nc\u00fcl\u00fc\u011f\u00fcnde Beyo\u011flu\u2019na da h\u00e2kim oldu. S\u0131k\u0131y\u00f6netim ikliminin yerini sivil bir hayata b\u0131rakmaya ba\u015flad\u0131\u011f\u0131 y\u0131llarda alternatif hayat tarzlar\u0131ndan etkilenen; rock m\u00fczik dinleyip siyahlar giymeye ba\u015flayan, darbenin yasaklad\u0131\u011f\u0131 ve ard\u0131ndan gelen sa\u011f iktidar\u0131n adeta hi\u00e7 var olmam\u0131\u015f gibi davrand\u0131\u011f\u0131 edebiyat\u0131 ve \u015fiiri ke\u015ffeden, Bat\u0131 kaynakl\u0131 bir m\u00fczik ve ya\u015fam k\u00fclt\u00fcr\u00fcn\u00fcn etkisinde olsa da kendi miras\u0131 i\u00e7erisinde bu alternatifin n\u00fcvelerini bulmaktan \u00e7ekinmeyen gen\u00e7ler; Beyo\u011flu\u2019nda arka arkaya a\u00e7\u0131lan m\u00fczikli barlarda yeni bir ya\u015fam\u0131n tohumlar\u0131n\u0131 ekiyordu. Kemanc\u0131, Hayal Kahvesi, Dulcinea, Roxy gibi \u015fimdi nostaljinin konusu olan barlar, T\u00fcrkiye\u2019nin en iyi gitaristlerinin, solistlerinin, davulcular\u0131n\u0131n her g\u00fcn ama her g\u00fcn sahne ald\u0131\u011f\u0131 yerler haline gelmi\u015fti. Mis Sokak\u2019ta, \u0130mam Adnan\u2019da, Parmakkap\u0131 sokaklar\u0131nda her g\u00fcn bir yenisi g\u00f6r\u00fclen benzer mek\u00e2nlara ak\u0131n eden \u00e7o\u011fu \u00fcniversite \u00f6\u011frencisi bu heyecanl\u0131 gen\u00e7ler, T\u00fcrkiye\u2019de bir daha e\u015fine rastlanamayacak kalitede bir m\u00fczik devrimine tan\u0131k oluyorlard\u0131. Mo\u011follar\u2019\u0131n davulcusu Engin Y\u00f6r\u00fcko\u011flu\u2019nun i\u015fletti\u011fi Jazz Stop, B\u00fclent Orta\u00e7gil gibi \u015fark\u0131 yazarlar\u0131n\u0131n yaln\u0131z kendi \u015fark\u0131lar\u0131ndan olu\u015fturdu\u011fu repertuar\u0131 \u00e7alabildi\u011fi Meis, \u0130stanbul entelijensiyas\u0131n\u0131n en me\u015fhur ortak adresi Papir\u00fcs gibi barlar, ayn\u0131 y\u0131llarda hayat\u0131m\u0131za giren \u00f6zel radyo ve televizyonlarda dahi pek g\u00f6remedi\u011fimiz bir zengin melodi ve anlam d\u00fcnyas\u0131na ev sahipli\u011fi yap\u0131yordu.<\/p>\n
Bir zaman sonra bu barlar\u0131n \u00e7o\u011fu h\u0131zla t\u00fcrk\u00fc bara d\u00f6n\u00fc\u015fmeye ba\u015flasa da (ki i\u00e7lerinde t\u00fcrk\u00fcn\u00fcn pavyon havas\u0131nda de\u011fil de t\u00fcrk\u00fc gibi icra edildi\u011fi birka\u00e7 \u00f6rnek de vard\u0131) bu havay\u0131 yaratan Beyo\u011flu demografisi, bundan 10-15 y\u0131l \u00f6ncesine kadar her f\u0131rsatta m\u00fczikle dolu semte ak\u0131n etmeyi s\u00fcrd\u00fcrd\u00fc. Derken \u00f6nce sokaklara ta\u015fan e\u011flence ortam\u0131, bu ya\u015fam tarz\u0131na kin besledi\u011fini saklamayan muktedirin gadrine u\u011frad\u0131. Barlar, m\u00fczik mek\u00e2nlar\u0131 giderek kapal\u0131 alanlara, dar sokaklardaki binalar\u0131n \u00e7at\u0131 katlar\u0131na mahk\u00fbm edildi. Beyo\u011flu\u2019na ruhunu veren i\u015fletmeler birer birer kapanmaya, \u0130stanbul\u2019un m\u00fczik ve e\u011flence arayan gen\u00e7 n\u00fcfusunun yolu ise bu kapanmalarla Kad\u0131k\u00f6y gibi ba\u015fka merkezlere d\u00f6nmeye ba\u015flad\u0131.<\/p>\n
2013\u2019teki Gezi protestolar\u0131nda ortaya sa\u00e7\u0131lan isyan\u0131n arkas\u0131nda iktidar\u0131n ve kurumlar\u0131n\u0131n ya\u015fam tarzlar\u0131na m\u00fcdahalesi oldu\u011funu iddia eden sosyolojik tespit, Beyo\u011flu\u2019nun bu h\u0131zl\u0131 ve yukar\u0131dan m\u00fcdahale ile zorla d\u00f6n\u00fc\u015f\u00fcm\u00fcn\u00fcn bu s\u0131k\u0131\u015fm\u0131\u015fl\u0131\u011f\u0131n adeta simgesi oldu\u011funu da eklemeden eksik kal\u0131r.<\/p>\n
D\u00fczensiz g\u00f6\u00e7 politikalar\u0131, \u0130stanbul\u2019u bir hayal \u015fehri gibi g\u00f6ren Ortado\u011fu insan\u0131na y\u00f6nelen turistik ihtiraslar ve bu ihtiraslar\u0131 doyurma pe\u015findeki giri\u015fimciler, devlet ve belediye ile ortak bir \u201cproje\u201dye \u00e7evirdi Beyo\u011flu\u2019nu. Eski Beyo\u011flu\u2019nu hasretle y\u00e2d ederken dola\u015f\u0131lan nostaljinin karanl\u0131k dehlizlerinde her k\u00f6\u015fede sermaye ve kapitalist \u00e7\u0131lg\u0131nl\u0131k ile kar\u015f\u0131la\u015fmak m\u00fcmk\u00fcn bu nedenle. Nargile salonlar\u0131, \u201cArap turist\u201d ay\u0131klamak i\u00e7in a\u00e7\u0131lm\u0131\u015f pavyon benzeri turistik i\u015fletmeler, ma\u011fazalar, ma\u011fazalar ve ma\u011fazalar\u2026 E tabii bir de semtin ve \u015fehrin sembol\u00fc bir sinema salonunun y\u0131k\u0131lmas\u0131yla \u0130stiklal Caddesi\u2019nin ortas\u0131na in\u015fa edilmi\u015f AVM\u2026<\/p>\n
\u2018CADDELER ERKEK DOLU\u2026\u2019<\/h5>\n
\u0130\u015fte bu y\u00fczden herhalde son 10-15 y\u0131ld\u0131r yaz\u0131lan ve i\u00e7inde Beyo\u011flu ge\u00e7en \u015fark\u0131larda o me\u015fhur \u201ceski Beyo\u011flu\u201dna bir \u00f6zlem a\u00e7\u0131k\u00e7a \u00f6ne \u00e7\u0131k\u0131yor. Akl\u0131ma iki \u00f6rnek geliyor:<\/p>\n
Beyo\u011flu\u2019nun c\u0131v\u0131l c\u0131v\u0131l ve m\u00fczik dolu rock barlar\u0131n\u0131n tan\u0131\u011f\u0131 da olan \u015fark\u0131c\u0131 Aylin Asl\u0131m, \u2018Beyo\u011flu Kimin O\u011flu\u2019 adl\u0131 \u015fark\u0131lar\u0131nda bu serzeni\u015fi ayan beyan dile getiriyor: \u201cBeyo\u011flu\u2019na \u00e7\u0131kt\u0131m \/ \u00c7\u0131kt\u0131m da ne oldu? \/ Ortal\u0131k mah\u015fer yeri \/ Cihangir pazar yeri \/\/ Beyo\u011flu\u2019nda gezdim \/ Gezdim de ne oldu? \/ \u0130stiklal insan seli \/ Beyo\u011flu kimin o\u011flu? \/\/ Y\u00fcr\u00fcmek \u00e7ok zor oldu \/ Caddeler erkek dolu\u2026\u201d<\/p>\n
Gen\u00e7 ku\u015fa\u011f\u0131n yetenekli \u015fark\u0131 yazar\u0131 ve yorumcusu Emir Can \u0130\u011frek ise, asl\u0131nda ya\u015f\u0131 itibariyle belki hi\u00e7 tan\u0131k olmad\u0131\u011f\u0131 yahut sonuna yeti\u015fti\u011fi bir Beyo\u011flu\u2019nun yok olu\u015funu bir \u015fark\u0131s\u0131nda dile getirmi\u015f. Ekim ay\u0131nda yay\u0131nlanan \u2018Beyo\u011flu\u2019 adl\u0131 \u015fark\u0131s\u0131nda \u0130\u011frek, \u201cBeyo\u011flu eski Beyo\u011flu \/ Olsa bile ben \/ Eski bana d\u00f6nemem\u201d diyor.<\/p>\n
Benim bir dinleyici olarak \u00e7ok etkilendi\u011fim iki Beyo\u011flu \u015fark\u0131s\u0131ndan s\u00f6z ederek bitirelim bu yaz\u0131y\u0131. Nadir G\u00f6kt\u00fcrk\u2019\u00fcn e\u015fine az rastlan\u0131r \u015fark\u0131 yazarl\u0131\u011f\u0131n\u0131n meyvelerinden biridir \u2018Galata K\u00f6pr\u00fcs\u00fc\u2019n\u00fcn \u015eark\u0131s\u0131\u2019. Ezginin G\u00fcnl\u00fc\u011f\u00fc\u2019n\u00fcn 93 tarihli \u0130stavrit alb\u00fcm\u00fcnde, grubun taze solisti H\u00fcsn\u00fc Arkan\u2019\u0131n k\u00fclhani bir edayla yorumlad\u0131\u011f\u0131 \u015fark\u0131, \u201cbohem Beyo\u011flu\u201dnun bir delikanl\u0131s\u0131n\u0131n a\u011fz\u0131ndan d\u00f6k\u00fcl\u00fcr: \u201cAl g\u00fcm\u00fc\u015f tabakan\u0131 \/ Kafana tokan\u0131 tak \/ \u015e\u00f6yle kol kola girip \/ Beyo\u011flu\u2019na bir \u00e7\u0131ksak \/ Lastikleri aynal\u0131, keyifler g\u0131c\u0131r \/ Karde\u015fimin d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc \u015feye bak\u201d.<\/p>\n
Yine H\u00fcsn\u00fc Arkan\u2019\u0131n 2015\u2019te yay\u0131nlanan solo alb\u00fcm\u00fc \u2018K\u0131r\u0131k Hava\u2019da Gezi\u2019yi anlatt\u0131\u011f\u0131 \u2018\u00d6yle Bir R\u00fcya\u2019, Arkan\u2019\u0131n ve Birsen Tezer\u2019in m\u00fcthi\u015f m\u00fczikal ortakl\u0131klar\u0131n\u0131n en g\u00fczel \u00f6rneklerinden biri: \u201cBir tren bo\u015fald\u0131 sonra \/ Meydanlara ku\u015flar indi \/ Seni beklerken her \u015fey sana benzedi \/ Sonra bir a\u011fa\u00e7 indi \/ A\u011fa\u00e7, sana benzedi\u201d.<\/p>\n
Hani bu \u015fark\u0131n\u0131n bir yerinde diyor ya sanat\u00e7\u0131, \u201cBeyo\u011flu\u2019nda bir tramvay \/ Raydan \u00e7\u0131km\u0131\u015f vay!\u201d diye; Beyo\u011flu\u2019nda kendileri i\u00e7in \u00e7ak\u0131lm\u0131\u015f raylarda de\u011fil de kendi yollar\u0131nda y\u00fcr\u00fcmeyi tercih etmi\u015f, raydan \u00e7\u0131km\u0131\u015f asi gen\u00e7lerin el ele, kol kola co\u015fkuyla y\u00fcr\u00fcd\u00fc\u011f\u00fc bir semt, bir \u015fehir hayali geliyor g\u00f6z\u00fcm\u00fcn \u00f6n\u00fcne. Beyo\u011flu\u2019nun ve \u0130stanbul\u2019un, hatta T\u00fcrkiye\u2019nin yeniden kendi m\u00fczi\u011fini bulabilmesi, sokaklar\u0131n \u015fark\u0131larla dolabilmesi, i\u015fte bu raydan \u00e7\u0131km\u0131\u015f gen\u00e7lerin yeniden kol kola girmesiyle m\u00fcmk\u00fcn olacak, bunu da biliyorum.<\/p>\n
O zaman bir semti yaln\u0131z ac\u0131yla, \u00f6l\u00fcmle, ter\u00f6rle, bask\u0131yla de\u011fil, belki yeniden sanatla, m\u00fczikle, ortak bir co\u015fkunun ak\u0131p giden seliyle anmaya ba\u015flayaca\u011f\u0131z.<\/p>\n
https:\/\/www.gazeteduvar.com.tr\/beyoglunun-susturulan-muzigi-bir-daha-calar-mi-makale-1589347<\/a>\u00a0<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Beyo\u011flu\u2019nun ve \u0130stanbul\u2019un, hatta T\u00fcrkiye\u2019nin yeniden kendi m\u00fczi\u011fini bulabilmesi, sokaklar\u0131n \u015fark\u0131larla dolabilmesi, \u201cBeyo\u011flu\u2019nda raydan \u00e7\u0131km\u0131\u015f\u201d olanlar\u0131n kol kola girmesiyle m\u00fcmk\u00fcn olacak, bunu biliyorum. O zaman bir semti yaln\u0131z ac\u0131yla, \u00f6l\u00fcmle, ter\u00f6rle, bask\u0131yla de\u011fil, belki yeniden sanatla, m\u00fczikle, ortak bir co\u015fkunun ak\u0131p giden seliyle anmaya ba\u015flayaca\u011f\u0131z. Mahmut \u00c7\u0131nar Ac\u0131 ve korku, h\u00fcz\u00fcn ve panik, \u015fa\u015fk\u0131nl\u0131k ve […]<\/p>\n","protected":false},"author":7,"featured_media":71183,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-71181","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler"],"yoast_head":"\n
Beyo\u011flu\u2019nun susturulan m\u00fczi\u011fi bir daha \u00e7alar m\u0131? - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=71181\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Beyo\u011flu\u2019nun susturulan m\u00fczi\u011fi bir daha \u00e7alar m\u0131? - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Beyo\u011flu\u2019nun ve \u0130stanbul\u2019un, hatta T\u00fcrkiye\u2019nin yeniden kendi m\u00fczi\u011fini bulabilmesi, sokaklar\u0131n \u015fark\u0131larla dolabilmesi, \u201cBeyo\u011flu\u2019nda raydan \u00e7\u0131km\u0131\u015f\u201d olanlar\u0131n kol kola girmesiyle m\u00fcmk\u00fcn olacak, bunu biliyorum. O zaman bir semti yaln\u0131z ac\u0131yla, \u00f6l\u00fcmle, ter\u00f6rle, bask\u0131yla de\u011fil, belki yeniden sanatla, m\u00fczikle, ortak bir co\u015fkunun ak\u0131p giden seliyle anmaya ba\u015flayaca\u011f\u0131z. Mahmut \u00c7\u0131nar Ac\u0131 ve korku, h\u00fcz\u00fcn ve panik, \u015fa\u015fk\u0131nl\u0131k ve […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/akunq.net\/tr\/?p=71181\" \/>\n<meta property=\"og:site_name\" content=\"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-16T10:59:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2022\/11\/Beyoglunun-susturulan-muzigi-1.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/akunq.net\/tr\/?p=71181\",\"url\":\"https:\/\/akunq.net\/tr\/?p=71181\",\"name\":\"Beyo\u011flu\u2019nun susturulan m\u00fczi\u011fi bir daha \u00e7alar m\u0131? - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\",\"isPartOf\":{\"@id\":\"https:\/\/akunq.net\/tr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/akunq.net\/tr\/?p=71181#primaryimage\"},\"image\":{\"@id\":\"https:\/\/akunq.net\/tr\/?p=71181#primaryimage\"},\"thumbnailUrl\":\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2022\/11\/Beyoglunun-susturulan-muzigi-1.webp\",\"datePublished\":\"2022-11-16T10:59:56+00:00\",\"author\":{\"@id\":\"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e\"},\"breadcrumb\":{\"@id\":\"https:\/\/akunq.net\/tr\/?p=71181#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/akunq.net\/tr\/?p=71181\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/akunq.net\/tr\/?p=71181#primaryimage\",\"url\":\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2022\/11\/Beyoglunun-susturulan-muzigi-1.webp\",\"contentUrl\":\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2022\/11\/Beyoglunun-susturulan-muzigi-1.webp\",\"width\":400,\"height\":400},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/akunq.net\/tr\/?p=71181#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/akunq.net\/tr\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Beyo\u011flu\u2019nun susturulan m\u00fczi\u011fi bir daha \u00e7alar m\u0131?\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/akunq.net\/tr\/#website\",\"url\":\"https:\/\/akunq.net\/tr\/\",\"name\":\"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/akunq.net\/tr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e\",\"name\":\"admin\",\"url\":\"https:\/\/akunq.net\/tr\/?author=7\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Beyo\u011flu\u2019nun susturulan m\u00fczi\u011fi bir daha \u00e7alar m\u0131? - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/akunq.net\/tr\/?p=71181","og_locale":"en_US","og_type":"article","og_title":"Beyo\u011flu\u2019nun susturulan m\u00fczi\u011fi bir daha \u00e7alar m\u0131? - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","og_description":"Beyo\u011flu\u2019nun ve \u0130stanbul\u2019un, hatta T\u00fcrkiye\u2019nin yeniden kendi m\u00fczi\u011fini bulabilmesi, sokaklar\u0131n \u015fark\u0131larla dolabilmesi, \u201cBeyo\u011flu\u2019nda raydan \u00e7\u0131km\u0131\u015f\u201d olanlar\u0131n kol kola girmesiyle m\u00fcmk\u00fcn olacak, bunu biliyorum. 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