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Sultan Abd\u00fclmecit\u2019le ba\u015flayan hikaye Mustafa Kemal Atat\u00fcrk ile devam eder. Eserleri Ortado\u011fu\u2019da Osmanl\u0131, Sel\u00e7uklu motifleriyle camileri s\u00fcslerken Bat\u0131da L\u00fcksemburg giri\u015finde kente gelenleri kar\u015f\u0131l\u0131yor.<\/strong><\/em><\/p>\n Ayda \u00d6zl\u00fc \u00c7evik<\/strong><\/p>\n Adal\u0131 dergisinin Ekim say\u0131s\u0131nda Adalar\u2019\u0131n \u0130mar Planlar\u0131n\u0131n Son Bir Y\u0131ll\u0131k Hikayesi (Ali Erkurt), Petros Markaris, Heybeli\u2019de Sonbahar, \u201cBo\u015fluk ve Bisiklet\u201d (Ay\u00e7e Ayy\u0131ld\u0131z Baturay), Bak\u0131r Ustal\u0131\u011f\u0131nda D\u00f6rd\u00fcnc\u00fc Ku\u015fak: Adal\u0131 Kom\u015fumuz Kaya Karakin Kalayc\u0131 (Ayda \u00d6zl\u00fc \u00c7evik), \u201cHeybeliada\u2019ya \u00c2\u015f\u0131k Bir Ya\u015fam: Hasret ve Kavu\u015fma\u201d (Ay\u00e7e Ayy\u0131ld\u0131z Baturay), \u0130mparatori\u00e7e \u0130rene ve B\u00fcy\u00fckada Kad\u0131nlar Manast\u0131r\u0131 (Melis \u015eeyhun), Adal\u0131 Olmak (Nazl\u0131 Do\u011fuo\u011flu), Talihsiz \u2018Mavi Marmara\u2019 (H. Can Y\u00fccel), Benim Bitki Dostlar\u0131m (Bercuhi Berberyan), Bienal (Melis \u015eeyhun), Y\u0131llar \u00d6nce Bas\u0131nda Adalar: Ekim 1937 (Cihan Yi\u011fin) ba\u015fl\u0131kl\u0131 yaz\u0131lar yer al\u0131yor.<\/p>\n Ayda \u00d6zl\u00fc \u00c7evik\u2019in \u201cBak\u0131r Ustal\u0131\u011f\u0131nda D\u00f6rd\u00fcnc\u00fc Ku\u015fak: Adal\u0131 Kom\u015fumuz Kaya Karakin Kalayc\u0131\u201d ba\u015fl\u0131kl\u0131 yaz\u0131s\u0131n\u0131 k\u0131smen yay\u0131ml\u0131yoruz. Adal\u0131 dergisine te\u015fekk\u00fcrlerle.<\/p>\n \u201cBelki de son tombak\u00e7\u0131\u201d<\/strong><\/p>\n Bakmay\u0131n Adal\u0131lar\u0131n ada sokaklar\u0131nda \u00f6yle \u015fatafats\u0131z, az utanga\u00e7, kurals\u0131z trafik nedeniyle biraz \u00fcrkek gezinmelerine, i\u00e7lerinde her birinin ne cevherler, ne hikayeler, ne yetenekler gizli. Benim \u00e7eyrek as\u0131rl\u0131k kom\u015fum Kaya Karakin Kalayc\u0131 da i\u015fte onlardan biri. B\u00fcy\u00fckada sokaklar\u0131nda bisikletiyle al\u0131\u015fveri\u015f d\u00f6n\u00fc\u015f\u00fc, motorlarda, vapurlarda \u00e7o\u011funuz g\u00f6rm\u00fc\u015fs\u00fcn\u00fczd\u00fcr onu.<\/p>\n \u00c7o\u011fumuz a\u015finay\u0131zd\u0131r, selamla\u015f\u0131r\u0131z da; \u00fcrettiklerini bilen \u00e7ok azd\u0131r. Oysa eserleri \u00fclke s\u0131n\u0131rlar\u0131n\u0131 \u00e7oktan a\u015ft\u0131. Ortado\u011fu\u2019da Osmanl\u0131, Sel\u00e7uklu motifleriyle camileri s\u00fcslerken Bat\u0131da \u00f6rne\u011fin L\u00fcksemburg \u015fehrinin giri\u015finde kente gelenleri kar\u015f\u0131l\u0131yor. Hikayesini ilgiyle okuyaca\u011f\u0131n\u0131z\u0131 umuyorum, eserlerini g\u00f6rmek i\u00e7in heyecanlanaca\u011f\u0131n\u0131z\u0131 da ve okuduk\u00e7a ba\u015far\u0131n\u0131n g\u00f6r\u00fcnmezli\u011fi \u00fczerine epeyce d\u00fc\u015f\u00fcn\u00fcp yorumlar yapaca\u011f\u0131n\u0131z\u0131 da. Yaz\u0131 bitti\u011finde neler d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fcz\u00fc bizimle de payla\u015f\u0131rsan\u0131z \u00e7ok mutlu olaca\u011f\u0131z. Laf\u0131 uzatmadan ge\u00e7mi\u015fe uzanal\u0131m.<\/p>\n Sultan Abd\u00fclmecit d\u00f6nemi ba\u015flayan hik\u00e2ye<\/strong> Mustafa Kemal Atat\u00fcrk ile devam eder<\/strong> 1955 y\u0131l\u0131nda Ha\u00e7ik Usta hastalan\u0131nca \u00fc\u00e7\u00fcnc\u00fc ku\u015fak Artin Kalayc\u0131 Beyaz\u0131t\u2019taki d\u00fckk\u00e2n\u0131n ba\u015f\u0131na ge\u00e7er. Onun da Kaya Karakin (1959) ve \u0130rma (1963) isimli iki \u00e7ocu\u011fu olur. Geni\u015fleyen aile Aksaray\u2019dan Bak\u0131rk\u00f6y\u2019e ta\u015f\u0131n\u0131r. \u0130\u015fleri giderek b\u00fcy\u00fcyen Artin Usta 44 numaral\u0131 d\u00fckk\u00e2n\u0131 da sat\u0131n al\u0131r.<\/p>\n Kaya Kalayc\u0131\u2019n\u0131n \u00e7ocuklu\u011fu babas\u0131n\u0131n d\u00fckkan\u0131nda ge\u00e7er. Bak\u0131r \u00fcretimi ona oyun gibi gelmektedir. Babas\u0131 bu oyuna kat\u0131lmas\u0131na \u00e7o\u011funlukla izin vermez. Okumal\u0131, \u00e7a\u011fa uygun bir meslek sahibi olmal\u0131d\u0131r. On bir ya\u015f\u0131nda Alman Lisesi\u2019ni kazan\u0131r ve e\u011fitim hayat\u0131 ba\u015flar. Ama Kaya\u2019nn akl\u0131 fikri \u00c7ar\u015f\u0131\u2019dad\u0131r. Yabanc\u0131 dil \u00f6\u011frenip kendini \u201crenkli bak\u0131rc\u0131l\u0131k hayat\u0131\u201dna atmay\u0131 d\u00fc\u015flemektedir. Alman Lisesi onun i\u00e7in d\u00fcnyayla konu\u015fmas\u0131n\u0131 sa\u011flayacak bir kap\u0131d\u0131r. Okul sonras\u0131 babas\u0131 hemen yan\u0131nda \u00e7al\u0131\u015fmas\u0131na yine izin vermez. Ticareti anlas\u0131n, insan ili\u015fkileri geli\u015fsin diye Bedesten\u2019de e\u011fitimli \u00e7evresi geni\u015f kuyumcu Bedros Kato\u2019nun yan\u0131na \u00e7al\u0131\u015fmaya verir, orada hem bir \u00e7evre edinir hem de sat\u0131\u015f ve ticaretin temel kurallar\u0131 e\u011fitimi al\u0131r. Ve nihayet askerlik sonras\u0131 1986 y\u0131l\u0131nda art\u0131k d\u00fckkana ad\u0131m atmay\u0131 hak etmi\u015ftir.<\/p>\n \u00c7i\u011fdem Simavi\u2019nin sihirli dokunu\u015fu<\/strong> Sanatsever ziyaret\u00e7iler, Kaya Kalayc\u0131\u2019n\u0131n \u00f6n\u00fcnde yeni bir ufuk a\u00e7arlar. Avusturya Konsoloslu\u011fu \u201cdevlet azizi\u201d olarak kabul edilen Aziz Johannes von Nepomuk\u2019un Barok d\u00f6nemde yap\u0131lm\u0131\u015f bir heykelinin replikas\u0131n\u0131n yap\u0131lmas\u0131n\u0131 ister. Replikay\u0131 d\u00f6vme bak\u0131rdan bir g\u00f6lge olarak yaparlar ve bu g\u00f6lgeyi L\u00fcksemburg \u015fehrine gelenler halen b\u00fcy\u00fck bir hayranl\u0131kla seyreder.<\/p>\n Bu g\u00fcnden sonra onu ke\u015ffeden iki farkl\u0131 \u00fcnl\u00fc kad\u0131n, hayat\u0131n\u0131n ak\u0131\u015f\u0131n\u0131 da \u00f6nemli \u015fekilde etkileyeceklerdir,<\/p>\n \u0130lki Mustafa, \u00d6mer ve Ali Ko\u00e7\u2019un anneleri \u00c7i\u011fdem Simavi\u2019dir. Kaya Kalayc\u0131\u2019y\u0131 m\u00fczelerde bulunan tarihi eserlerin t\u0131pk\u0131 yap\u0131m\u0131 ve tombak ustal\u0131\u011f\u0131 konusunda y\u00fcreklendirir. T\u0131pk\u0131 yap\u0131mlar\u0131n yabanc\u0131 konuklara arma\u011fan edilmesi ama\u00e7lan\u0131r. Simavi\u2019nin yol g\u00f6stermesiyle, Kalayc\u0131\u2019n\u0131n t\u0131pk\u0131 yap\u0131m eserleri d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131na yolculu\u011fa \u00e7\u0131kar. Abdullah G\u00fcl, Cumhurba\u015fkanl\u0131\u011f\u0131 d\u00f6neminde ziyarete gelen yabanc\u0131 konuklara bu eserlerden arma\u011fan eder. Bu \u00e7al\u0131\u015fmalara ilgi duyan Hayrunisa G\u00fcl de \u00c7ankaya K\u00f6\u015fk\u00fc ve Huber K\u00f6\u015fk\u00fc\u2019ndeki eserlerin onar\u0131lmas\u0131 ve eksiklerin tamamlanmas\u0131n\u0131 Kaya Kalayc\u0131\u2019dan ister.<\/p>\n \u0130lk gen\u00e7lik y\u0131llar\u0131ndan bu yana Sel\u00e7uklu ve Osmanl\u0131 motifleri \u00fczerine ara\u015ft\u0131rma ve \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcren Kalayc\u0131, tombak \u00e7al\u0131\u015fmalar\u0131na ba\u015flad\u0131\u011f\u0131nda parmaklar\u0131n\u0131n kal\u0131nl\u0131\u011f\u0131 tombak ustal\u0131\u011f\u0131nda alt\u0131n tozunun gerekti\u011finden fazla kullan\u0131lmas\u0131na neden olur. Ona tombak yap\u0131m\u0131n\u0131n s\u0131rlar\u0131n\u0131 \u00f6\u011freten \u0130ran Tebriz do\u011fumlu \u00fcnl\u00fc ressam Yakup Cem Hoca\u2019d\u0131r. Yakup Cem parmaklar\u0131 bu i\u015fe daha yatk\u0131n olan kar\u0131s\u0131 Hilda ve k\u0131z\u0131 Rubina tombaklama i\u015flemini \u00f6\u011fretir ve onlar ger\u00e7ekten \u00e7ok daha tasarruflu kullan\u0131rlar alt\u0131n\u0131.<\/p>\n \u201c21. Y\u00fczy\u0131l\u0131n antikalar\u0131\u201d diye adland\u0131r\u0131lan bu eserler \u00c7i\u011fdem Simavi\u2019nin \u00f6nc\u00fcl\u00fc\u011f\u00fcnde, \u00dcsk\u00fcdar Belediyesi\u2019nin sergi salonunda 2020 y\u0131l\u0131nda sergilenir. Pandemi g\u00fcnleri olmas\u0131na, k\u0131s\u0131tl\u0131 say\u0131da davetli \u00e7a\u011fr\u0131lmas\u0131na ra\u011fmen, sergi m\u00fcthi\u015f ilgi g\u00f6r\u00fcr. ..<\/p>\n
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\nAilenin bak\u0131r ustal\u0131\u011f\u0131 b\u00fcy\u00fckbaba Artin Usta ile Bursa\u2019n\u0131n \u00c7engiler K\u00f6y\u00fc\u2019nde (Bug\u00fcn bu k\u00f6y Yalova s\u0131n\u0131rlar\u0131 i\u00e7indedir, ad\u0131 da Sug\u00f6ren K\u00f6y\u00fc\u2019d\u00fcr) ba\u015flar. \u00c7ift\u00e7ilikle u\u011fra\u015fan Artin Usta t\u00fcm civar k\u00f6ylere de bak\u0131r kaplar \u00fcretir. O\u011flu Ha\u00e7ik Usta da babas\u0131ndan ald\u0131\u011f\u0131 el ile bak\u0131r kap-kacak yaparken, 1911 y\u0131l\u0131nda askere al\u0131n\u0131r. Trablusgarp Sava\u015f\u0131\u2019na g\u00f6nderilirken M\u0131s\u0131r\u2019da esir d\u00fc\u015fer. Esareti sekiz y\u0131l s\u00fcrer. 1919 y\u0131l\u0131nda Bursa\u2019ya d\u00f6nd\u00fc\u011f\u00fcnde ailesinden hi\u00e7 kimse kalmam\u0131\u015ft\u0131r. \u0130stanbul\u2019a bir akrabas\u0131n\u0131n yan\u0131na gelir ve daha sonra ailenin t\u00fcm eserlerinin \u00fcretildi\u011fi Beyaz\u0131t \u00c7ad\u0131rc\u0131lar Caddesi 40 numarada \u00e7al\u0131\u015fmaya ba\u015flar. \u0130stanbul\u2019da evlenir, k\u0131z\u0131 Virgin ve babas\u0131n\u0131n ad\u0131n\u0131 verdi\u011fi o\u011flu Artin d\u00fcnyaya gelir. 40 numaral\u0131 d\u00fckk\u00e2n-at\u00f6lyeyi sat\u0131n al\u0131r.<\/p>\n
\n\u0130stanbul\u2019a yerle\u015fen ailenin yolunu k\u00f6klerinin bulundu\u011fu Bursa\u2019ya \u00e7eviren Mustafa Kemal Atat\u00fcrk olur. 1929 ile 1937 y\u0131llar\u0131 aras\u0131nda 130 g\u00fcn\u00fcn\u00fc Yalova\u2019n\u0131n termallerinde ge\u00e7iren Atat\u00fcrk\u2019\u00fcn kald\u0131\u011f\u0131 Baltac\u0131 ve Millet \u00c7iftli\u011fi ile Atat\u00fcrk K\u00f6\u015fk\u00fc i\u00e7in bak\u0131r kaplar \u00fcretimi ve kalaylanmas\u0131 i\u015fi, zanaat\u0131yla ad\u0131n\u0131 duyurmu\u015f olan Ha\u00e7ik Usta\u2019ya verilir. Atat\u00fcrk\u2019\u00fcn \u201cHa\u00e7an Usta\u201d diye seslendi\u011fi Ha\u00e7ik Usta 1934 y\u0131l\u0131nda soyad\u0131 kanunu ile \u201cKalayc\u0131\u201d soyad\u0131n\u0131 al\u0131r.<\/p>\n
\nKaya Kalayc\u0131, Artin Usta ve baba dostu Ohannes Usta ile birlikte \u00e7al\u0131\u015f\u0131rken cesaretle hedef yenilemek gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcr. 1989 y\u0131l\u0131nda \u201cD\u00fcnya Gen\u00e7 \u0130\u015f Adamlar\u0131\u201d toplant\u0131s\u0131n\u0131n yap\u0131laca\u011f\u0131 Divan Oteli\u2019ne \u00fc\u00e7 y\u00fcz adet kapakl\u0131 sahan \u00fcretirler. Sahanlardaki motifler, el i\u015f\u00e7ili\u011fi o kadar be\u011fenilir ki, \u00c7ad\u0131rc\u0131lar \u00c7ar\u015f\u0131s\u0131 40 numara, Ko\u00e7 Ailesi\u2019nin ve \u0130stanbul\u2019un \u00f6nde gelenlerinin ziyaret etti\u011fi bir yer olur.<\/p>\n