![\"\"](\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/2022\/10\/Gavur-Mahallesinde-aci-goc-360x203.webp\")
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Ressam Ahmet G\u00fcne\u015ftekin \u2018G\u00e2vur Mahallesi\u2019 sergisini \u0130zmir\u2019de a\u00e7\u0131yor. Sergi, sanat\u00e7\u0131n\u0131n \u2018m\u00fcbadele\u2019 ana temas\u0131 \u00e7evresinde g\u00f6\u00e7 ve yerinden edilmelerin tarihine odaklanan \u00e7al\u0131\u015fmalar\u0131n\u0131 bir araya getiriyor. B\u00fcy\u00fck boyutlu enstalasyonlar ve videolarla birlikte heykel \u00e7al\u0131\u015fmalar\u0131n\u0131n da yer alaca\u011f\u0131 serginin tan\u0131t\u0131m yaz\u0131s\u0131nda zorunlu g\u00f6\u00e7 trajedisi \u201cBir yere yerle\u015fmek uzun zaman al\u0131r, esas\u0131nda k\u00f6kler ba\u015fka yere ait olunca, in\u015fa edilen hi\u00e7bir \u015fey tam olarak yerle\u015femez\u201d ifadeleriyle anlat\u0131l\u0131yor.<\/strong><\/em><\/p>\n Ahmet G\u00fcne\u015ftekin\u2019in G\u00e2vur Mahallesi adl\u0131 sergisi 3 Kas\u0131m 2022 \u2013 5 Mart 2023 tarihleri aras\u0131nda \u0130zmir K\u00fclt\u00fcrpark\u2019ta a\u00e7\u0131l\u0131yor. G\u00fcne\u015ftekin Vakf\u0131 ve \u0130zmir B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin i\u015fbirli\u011fiyle ve k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u015eener \u00d6zmen\u2019in \u00fcstlendi\u011fi sergide, sanat\u00e7\u0131n\u0131n nesneleri kulland\u0131\u011f\u0131 tamamen mek\u00e2na \u00f6zg\u00fc b\u00fcy\u00fck boyutlu enstalasyonlar\u0131 ve video i\u015fleriyle birlikte metal formlar\u0131 ta\u015fla tamamlad\u0131\u011f\u0131 heykel \u00e7al\u0131\u015fmalar\u0131 sergilenecek. Sergi, \u2018belirli bir tan\u0131m \u00fczerinden genellenen gruplar\u0131n sosyal, k\u00fclt\u00fcrel, mek\u00e2nsal veya etnik olarak birbirlerinden ayr\u0131lmalar\u0131 ve farkl\u0131 siyasetlere t\u00e2bi tutulmalar\u0131\u2019 anlam\u0131na gelen m\u00fcbadelenin alt\u0131nda yatan d\u00fc\u015f\u00fcnceyi sorguluyor. Ege co\u011frafyas\u0131n\u0131n her iki yakas\u0131nda ya\u015fanm\u0131\u015f m\u00fcbadeleyi, yirminci y\u00fczy\u0131la damgas\u0131n\u0131 vuran ve giderek d\u00fcnyaya yay\u0131lan zorunlu g\u00f6\u00e7lerle ili\u015fkilenerek \u00e7ok katmanl\u0131 anlat\u0131m yap\u0131yor.<\/p>\n Diyarbak\u0131rl\u0131 Ermeni yazar M\u0131g\u0131rdi\u00e7 Margosyan\u2019\u0131n \u2018G\u00e2vur Mahallesi\u2019 isimli kitab\u0131yla ayn\u0131 ad\u0131 ta\u015f\u0131yan sergi, k\u00fclt\u00fcrel \u00e7e\u015fitli\u011fini vurguluyor ve ayn\u0131 co\u011frafyadan insanlar\u0131n yirminci y\u00fczy\u0131l\u0131n d\u00fczeninde etnik s\u0131n\u0131rlar\u0131 tan\u0131mlayan dinden daha derin ba\u011flar\u0131 payla\u015ft\u0131\u011f\u0131n\u0131 vurguluyor. G\u00fcne\u015ftekin, m\u00fcbadele ve ard\u0131ndan ya\u015fanan t\u00fcm kitlesel yerinden edilmelerde oldu\u011fu gibi ayr\u0131\u015ft\u0131r\u0131c\u0131 uygulamalar\u0131n, toplumlar\u0131 k\u00fc\u00e7\u00fcmseyen y\u00f6n\u00fcn\u00fcn, uluslararas\u0131 m\u00fclteci ve g\u00f6\u00e7men dalgalar\u0131yla daha g\u00f6r\u00fcn\u00fcr hale geldi\u011fini d\u00fc\u015f\u00fcn\u00fcyor.<\/p>\n \u2018G\u00e2vur Mahallesi\u2019 sergisi yay\u0131mlanan metinde \u015f\u00f6yle anlat\u0131l\u0131yor: \u201cG\u00fcne\u015ftekin\u2019in k\u0131r\u0131lgan ama s\u0131ms\u0131k\u0131 yerle\u015ftirilmi\u015f nesneleri izleyeni \u015fimdide tutarken ge\u00e7mi\u015fi hat\u0131rlatarak gelece\u011fe do\u011fru iter. Belirli bir zaman ve uzamda ola\u011fan kullan\u0131m\u0131yla var olmu\u015f bir nesne, sanat\u00e7\u0131n\u0131n eserlerinde \u015fimdide ve gelecekte ayn\u0131 kullan\u0131m\u0131yla art\u0131k var olmayan bir yoklu\u011fu g\u00f6sterir. K\u00f6klerinden kopup gelen nesneler insanlar aras\u0131ndaki ili\u015fkilerin ve ba\u011flar\u0131n yerini alm\u0131\u015f g\u00f6stergelerdir. Sanat\u00e7\u0131n\u0131n ele ald\u0131\u011f\u0131 bu yokluk durumunda bir mevcudiyet vard\u0131r ve bu mevcudiyet an\u0131lar\u0131n, ya\u015fanm\u0131\u015fl\u0131klar\u0131n hat\u0131rlat\u0131c\u0131s\u0131 olmas\u0131ndan gelir.<\/p>\n Mek\u00e2na \u00f6zg\u00fc enstalasyonlar e\u015fyalar\u0131yla v\u00fccut bulan bir insan kalabal\u0131\u011f\u0131 ortaya \u00e7\u0131kar. Hayat\u0131n \u015feylerini bir arada tutan bavullar, sand\u0131klar, an\u0131lar\u0131n hayali var olu\u015flar\u0131n\u0131 somutla\u015ft\u0131ran ayakkab\u0131lar, yok edilmi\u015f ya da \u00e7\u00fcr\u00fcmeye b\u0131rak\u0131lm\u0131\u015f, zaman\u0131n onar\u0131lmaz \u015fekilde a\u015f\u0131nd\u0131rd\u0131\u011f\u0131 y\u0131k\u0131nt\u0131lar\u0131 \u00e7a\u011f\u0131ran soyut ta\u015flar, yer de\u011fi\u015ftirmi\u015f ya da kaybolmu\u015f bir bedensel varolu\u015fu g\u00f6sterir. Tekinsiz \u015fekilde yerinden edilmenin habercisi olan, \u00e7ok uzaklara gitmeye zorlanm\u0131\u015f her nesne, i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 tarihi ayn\u0131 a\u011f\u0131rl\u0131\u011f\u0131 ile ta\u015f\u0131maya devam eder. Bir yere yerle\u015fmek uzun zaman al\u0131r, esas\u0131nda k\u00f6kler ba\u015fka bir yere ait olunca, in\u015fa edilen hi\u00e7bir \u015fey tam olarak yerle\u015femez.<\/p>\n Ege\u2019nin her iki yakas\u0131nda yerinden yurdundan edilen, co\u011frafi k\u00f6kenlerini kimliklerinin bir i\u015fareti olarak g\u00f6ren insanlar i\u00e7in Yunancay\u0131 Ortodoks olmakla ve T\u00fcrk\u00e7eyi M\u00fcsl\u00fcman olmakla e\u015fitleyen d\u00fc\u015f\u00fcnce deneyimleriyle \u00f6rt\u00fc\u015fmez. Yine de y\u00fczy\u0131llard\u0131r i\u00e7 i\u00e7e ge\u00e7mi\u015f, karma\u015f\u0131kla\u015fm\u0131\u015f dillerin ve inan\u00e7lar\u0131n yer ald\u0131\u011f\u0131 bu co\u011frafi ve k\u00fclt\u00fcrel alan\u0131n b\u00fct\u00fcn\u00fcyle ayr\u0131\u015ft\u0131r\u0131labilece\u011fi tahayy\u00fcl edilir.<\/p>\n Ayr\u0131nt\u0131larda farkl\u0131l\u0131k g\u00f6sterse de teoride ve pratikte farkl\u0131 gruplar\u0131n ge\u00e7mi\u015flerine ve k\u00f6kenlerine y\u00f6nelik olmas\u0131yla, Yunanistan ve T\u00fcrkiye aras\u0131ndaki m\u00fcbadele, benzeri \u00e7a\u011fda\u015f uygulamalarla ortak bir d\u00fc\u015f\u00fcnceyi payla\u015f\u0131yor: Kategorik bir yorumlamayla insan bedenlerinin mek\u00e2n a\u00e7\u0131s\u0131ndan yeniden d\u00fczenlenmesi. G\u00fcne\u015ftekin bu yakla\u015f\u0131m\u0131 ya\u015fad\u0131\u011f\u0131m\u0131z y\u00fczy\u0131l\u0131n ayr\u0131mc\u0131 politikalar\u0131yla ili\u015fkilendiriyor. M\u00fcbadelenin tezah\u00fcr\u00fcne k\u00fclt\u00fcrel miras\u0131n \u00f6tesinden bakarak nerede do\u011fup b\u00fcy\u00fcd\u00fc\u011f\u00fcne bak\u0131lmaks\u0131z\u0131n uygulanan k\u00f6ken atamas\u0131 \u00fczerine d\u00fc\u015f\u00fcnmek gerekti\u011fini belirtiyor. M\u00fcbadelenin ba\u015fkal\u0131\u011f\u0131n d\u00fczenlenmesindeki etkilerini d\u00fc\u015f\u00fcn\u00fcrken ona dayal\u0131 politikalar\u0131n nas\u0131l uyguland\u0131\u011f\u0131na da bak\u0131yor.\u201d<\/p>\n G\u00fcne\u015ftekin Vakf\u0131\u2019n\u0131n sergi program\u0131n\u0131n ilk projesi olan \u2018G\u00e2vur Mahallesi\u2019, \u0130zmir B\u00fcy\u00fck\u015fehir Belediyesi, Hitit Marble, Medicalpoint, Emino\u011flu SBV ve \u0130zmir Art\u2019\u0131n katk\u0131lar\u0131yla yap\u0131lacak. Sergiye G\u00fcne\u015ftekin Vakf\u0131\u2019n\u0131n yay\u0131mlayaca\u011f\u0131 kapsaml\u0131 bir kitap da e\u015flik edecek.<\/p>\n![\"11kr02ahmet-gunestekin-3.jpg\"](\"https:\/\/i0.wp.com\/cdn.karar.com\/other\/2022\/10\/11\/11kr02ahmet-gunestekin-3.jpg?ssl=1\")
<\/figure>\nAYRI\u015eTIRMA M\u00dcBADELEYLE DER\u0130NLE\u015eT\u0130<\/strong><\/h3>\n
B\u0130R YERE YERLE\u015eMEK UZUN ZAMAN ALIR<\/strong><\/h3>\n
![\"11kr02-guness2.jpg\"](\"https:\/\/i0.wp.com\/cdn.karar.com\/other\/2022\/10\/11\/11kr02-guness2.jpg?ssl=1\")
<\/figure>\nHAYATI B\u0130R ARADA TUTAN BAVULLAR<\/strong><\/h3>\n
M\u00dcBADELE, ORTAK D\u00dc\u015e\u00dcNCEY\u0130 PAYLA\u015eIYOR<\/strong><\/h3>\n
SERG\u0130 PROGRAMIN \u0130LK PROJES\u0130<\/strong><\/h3>\n