{"id":68122,"date":"2022-04-21T02:48:38","date_gmt":"2022-04-21T07:48:38","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=68122"},"modified":"2022-04-21T02:48:38","modified_gmt":"2022-04-21T07:48:38","slug":"da-vinci-ve-michelangelonun-gerceklesmeyen-istanbul-hayali","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=68122","title":{"rendered":"Da Vinci ve Michelangelo’nun ger\u00e7ekle\u015fmeyen \u0130stanbul hayali"},"content":{"rendered":"
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Tarihin g\u00f6rd\u00fc\u011f\u00fc iki b\u00fcy\u00fck sanat\u00e7\u0131 Da Vinci ve Michelangelo, \u0130stanbul’a gelerek Hali\u00e7’te bir k\u00f6pr\u00fc yapmay\u0131 \u00e7ok istediler. Bu iki b\u00fcy\u00fck ismi de Bat\u0131’dan Do\u011fu’ya getiren en \u00f6nemli neden sanatlar\u0131n\u0131 daha \u00f6zg\u00fcr bir ortamda icra edeceklerine dair g\u00fc\u00e7l\u00fc inan\u00e7t\u0131.<\/strong><\/em><\/p>\n<\/div>\n

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Mehmed Mazlum \u00c7elik\u00a0<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n
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<\/em><\/div>\n
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Kolaj: Independent T\u00fcrk\u00e7e<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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Ser Piero D’Antonio k\u00fc\u00e7\u00fck bir kasaba olan Vinci’de noterlik g\u00f6revini s\u00fcrd\u00fcren soylu bir \u0130talyan’d\u0131. D’Antonio,’un Caterina isimli al\u0131ml\u0131 bir kad\u0131nla ya\u015fad\u0131\u011f\u0131 a\u015fk sonucu 1452 y\u0131l\u0131nda Leonardo isimli \u00e7ocu\u011fu d\u00fcnyaya geldi.<\/p>\n

Kader bir \u015fekilde Ser Piero ve Caterina’n\u0131n yolunu ay\u0131rd\u0131; \u00e7\u00fcnk\u00fc Ser Piero soylu ve zengin bir kimseyken Caterina alt s\u0131n\u0131fa mensuptu.<\/p>\n

Leonardo, veled-i zina olarak g\u00f6r\u00fcld\u00fc\u011f\u00fc i\u00e7in D’Antonio ailesi taraf\u0131ndan hi\u00e7 sevilmedi.<\/p>\n

Bu durum Leonardo’nun di\u011fer karde\u015flerinin aksine e\u011fitim almas\u0131n\u0131 engelledi; fakat bu sayede Kilise’nin k\u00f6hne fikirleri Leonardo’yu zehirlememi\u015fti.<\/p>\n

O, t\u00fcm zaman\u0131n\u0131 Latince \u00f6\u011frenmek ve gereksiz bilgileri tekrarlamak yerine sahip oldu\u011fu kusursuz yetenekleri ilerletmekle ilgilendi. Denilebilir ki veled-i zina olmak\u00a0Leonardo Da Vinci<\/a>‘nin kaderini de\u011fi\u015ftirmi\u015fti.<\/p>\n

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\"Da<\/em><\/div>\n<\/div>\n
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Leonardo Da Vinci<\/em><\/div>\n<\/div>\n<\/div>\n

\u00d6te yandan Ser Piero’nun talih y\u00fcz\u00fcne g\u00fcl\u00fcyordu. Floransa k\u00e2tipli\u011fine kadar y\u00fckselen ve zenginli\u011fine zenginlik katan Ser Piero, bir veled-i zina olan o\u011flu Leonardo’yu kendisinden uzak tutmak ad\u0131na Verrocchio isimli bir kuyumcunun yan\u0131na g\u00f6nderdi.<\/p>\n

Kuyumcu Verrocchio, ayn\u0131 zamanda bir sanat\u00e7\u0131yd\u0131 ve bilime b\u00fcy\u00fck bir ilgi duyuyordu.<\/p>\n

\u00dcnl\u00fc sanat tarih\u00e7isi George Sarton, Leonardo’nun g\u00f6r\u00fcn\u00fcrde bir s\u00fcrg\u00fcn olan Verocchio malik\u00e2nesindeki g\u00fcnleri \u015f\u00f6yle anlat\u0131r:<\/p>\n

Leonardo en az on sene Verrocchio’nun evinde ve st\u00fcdyosunda kald\u0131. Leonardo’nun hemen hemen t\u00fcm e\u011fitimini ald\u0131\u011f\u0131 yer buras\u0131d\u0131r. Ayr\u0131ca, Leonardo’nun bu eski ustayla arkada\u015fl\u0131\u011f\u0131, birbirlerini etkileyecek kadar uzun ve \u00f6zeldi. Bu nedenle, Leonardo’nun erken d\u00f6nemli tablolar\u0131nda Verrocchio’nun etkileri g\u00f6r\u00fclmekle birlikte, Verrocchio’nun \u00e7al\u0131\u015fmala-r\u0131nda da Leonardo’nun etkilerini g\u00f6rmek m\u00fcmk\u00fcnd\u00fcr. Buna iki e\u011fiticiyi daha eklemek gerekir; Pollaiuoli karde\u015fler. Ger\u00e7ekte pek \u00e7ok e\u011fitici vard\u0131. Verrocchio o kadar \u00fcnl\u00fcyd\u00fc ki Perugino, Boticelli, Lorenzo di Credi gibi pek \u00e7ok ressam evini ziyaret ediyordu.<\/em><\/p><\/blockquote>\n

Leonardo’nun hayat hik\u00e2yesinde yaratt\u0131\u011f\u0131 mucizeler ve okuyan\u0131 hayran b\u0131rakan ya\u015fam \u00f6yk\u00fcs\u00fc ba\u015fka bir yaz\u0131m\u0131z\u0131n konusu oldu\u011fu i\u00e7in burada dural\u0131m. Hik\u00e2yemizin bir di\u011fer karakteri de\u00a0Michelangelo di Lodovico Buonarroti Simoni<\/a>‘dir.<\/p>\n

Michelangelo, 1475’te Arezzo yak\u0131nlar\u0131nda Caprese’de d\u00fcnyaya geldi. Babas\u0131n\u0131n Floransa’ya ta\u015f\u0131nmas\u0131 Michelangelo’nun kaderini de\u011fi\u015ftiren olay olacakt\u0131.<\/p>\n

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\"Michelangelo.jpg\"<\/div>\n<\/div>\n
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Michelangelo di Lodovico Buonarroti Simoni<\/em><\/div>\n<\/div>\n<\/div>\n

Michelangelo, 13 ya\u015f\u0131na geldi\u011finde annesi \u00f6lm\u00fc\u015ft\u00fc. Bu s\u00fcre\u00e7te ince ruhlu bir yap\u0131ya sahip sanat\u00e7\u0131, kendisini sanata adamaya \u00e7al\u0131\u015ft\u0131; ama babas\u0131 ve amcalar\u0131 budalaca bulduklar\u0131 bu sanattan nefret ediyorlard\u0131.<\/p>\n

Michelangelo, sert \u015fiddete ve bask\u0131ya maruz kalmas\u0131na ra\u011fmen sanattan vazge\u00e7medi. Sonunda babas\u0131 o\u011flunun direni\u015fine boyun e\u011ferek onu sanat\u00e7\u0131 Grannici’nin yan\u0131na verdi ve gerekli e\u011fitimi almas\u0131n\u0131 sa\u011flad\u0131.<\/p>\n

Babas\u0131, Michelangelo sanat\u00e7\u0131 olursa a\u00e7 ve i\u015fsiz kalaca\u011f\u0131ndan korkuyordu. Oysa Michelangelo, Papa’n\u0131n muhibi olacak kadar y\u00fckselecek ve birbirinden de\u011ferli esere imza atacakt\u0131.<\/p>\n

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\"Hali\u00e7.jpg\"<\/div>\n<\/div>\n<\/div>\n

\u0130stanbul’a uzanan hayaller<\/strong><\/p>\n

Gelelim as\u0131l hik\u00e2yemize.<\/p>\n

Fatih Sultan Mehmet<\/a>, \u0130stanbul’u fethettikten sonra \u015fehirde b\u00fcy\u00fck bir imar \u00e7al\u0131\u015fmas\u0131 ba\u015flatt\u0131. Fatih’in o\u011flu \u0130kinci Beyaz\u0131t da babas\u0131n\u0131n bu misyonunu devam ettirerek \u015fehri geni\u015fletmeye \u00e7al\u0131\u015ft\u0131.<\/p>\n

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\"davincinin<\/div>\n<\/div>\n
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Leonardo Da Vinci’nin k\u00f6pr\u00fc projesi<\/div>\n<\/div>\n<\/div>\n

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Bu s\u0131rada Hali\u00e7 \u00fczerine yap\u0131lmas\u0131 planlanan bir k\u00f6pr\u00fc fikri Leonardo’nun kulaklar\u0131na kadar geldi. Hemen harekete ge\u00e7ip projesini haz\u0131rlayan usta sanat\u00e7\u0131, Sultan’a yazd\u0131\u011f\u0131 mektupta \u015funlar\u0131 s\u00f6yleyecekti:<\/p>\n

Acizleri, efendimizin Galata’dan \u0130stanbul’a bir k\u00f6pr\u00fc kurdurmak i\u00e7in te\u015febb\u00fcse ge\u00e7tiklerini i\u015fittim. Lakin bu i\u015fe ehil bir kimse bulamad\u0131klar\u0131n\u0131 \u00f6\u011frendim. Bu i\u015ften anlayan kulunuz, arzular\u0131n\u0131z\u0131 ger\u00e7ekle\u015ftirebilir. K\u00f6pr\u00fc, y\u00fcksek bir kemer \u00fczerine kurulacakt\u0131r. Fakat bu kadar y\u00fcksek kemerli bir k\u00f6pr\u00fc \u00fczerinden kimsenin ge\u00e7mek cesaretini g\u00f6steremeyece\u011fini d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm i\u00e7in kenarlar\u0131n\u0131 tahta parmakl\u0131klarla \u00f6rtece\u011fim. Kemeri, o kadar y\u00fcksek tasarlamam\u0131n sebebi, alt\u0131ndan yelkenlilerin rahat\u00e7a ge\u00e7ebilmeleri i\u00e7indir.<\/p>\n

Efendimiz Hazretleri irade buyururlarsa, Anadolu sahiline kadar uzayacak, gerekti\u011finde a\u00e7\u0131l\u0131r kapan\u0131r bir k\u00f6pr\u00fc dahi in\u015fa edebilirim. Burada su daima hareket halinde oldu\u011fundan kenarlar\u0131n a\u015f\u0131nmamas\u0131 i\u00e7in bir \u00e7are d\u00fc\u015f\u00fcnd\u00fcm. Bununla su ak\u0131nt\u0131s\u0131 dirsek ve kenarlara zarar vermeyecektir. \u0130n\u015fallah Sultan Hazretleri, bu aciz kulunun s\u00f6zlerine inanc\u0131n\u0131 ba\u011f\u0131\u015flar da onu her zaman hizmetlerinde g\u00f6rmeyi arzular ve cevap vermek l\u00fctuflar\u0131n\u0131 esirgemezler.<\/em><\/p><\/blockquote>\n

Ar\u015fivlere\u00a0“Ceneviz’den Leonardo adl\u0131 k\u00e2firin g\u00f6nderdi\u011fi belgeyle mektubun suretidir”\u00a0<\/em>ismiyle ge\u00e7en bu mektuba olumsuz cevap verildi\u011fi a\u015fik\u00e2r.<\/p>\n

Bu sebeple Leonardo Da Vinci,\u00a0\u0130stanbul<\/a>‘a gelememi\u015fti. Onun \u00e7izdi\u011fi k\u00f6pr\u00fc ancak 2001 y\u0131l\u0131nda Oslo’nun g\u00fcneyindeki Aas kasabas\u0131nda bir karayolu \u00fczerine \u00fcst ge\u00e7it olarak yap\u0131ld\u0131.<\/p>\n

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davincinin k\u00f6pr\u00fcs\u00fc 2.jpg, by\u00a0merve.bayrakci<\/a><\/em><\/div>\n<\/div>\n<\/div>\n

Sultan Beyazid’in akl\u0131ndaki as\u0131l sanat\u00e7\u0131 Michelangelo’dur<\/strong><\/p>\n

Padi\u015fah, Galata’daki Fransisken Cemaati ba\u015frahibi vas\u0131tas\u0131yla Michelangelo’yu \u0130stanbul’a davet eder. Kimi kaynaklar\u0131n belirtti\u011fine g\u00f6re Michelangelo \u0130stanbul’a gelmi\u015f ve aras\u0131 a\u00e7\u0131lan Papa’ya kar\u015f\u0131 kaleme ald\u0131\u011f\u0131 baz\u0131 n\u00fcshalar\u0131 \u0130stanbul’da yazm\u0131\u015ft\u0131.<\/p>\n

Bu iddialar, ger\u00e7ekten ziyade kurgu gibi durmaktad\u0131r. Son d\u00f6nemde yaz\u0131lan baz\u0131 romanlar Michelangelo’nun \u0130stanbul’da bir s\u00fcre ya\u015fad\u0131\u011f\u0131na dair iddialar kaleme almaktad\u0131r. Oysa elde somut bir delil ve kaynak bulunmaz.<\/p>\n

Bilinen, Michelangelo’nun \u0130stanbul’a gelmeyi ger\u00e7ekten istedi\u011fidir.<\/p>\n

Fatih’in politikalar\u0131 sonucu \u0130stanbul’da sanat\u00e7\u0131lara sa\u011flanan imk\u00e2nlar ve \u00f6zg\u00fcr ortam \u0130stanbul’u bir cazibe merkezi haline getirmi\u015fti.<\/p>\n

M\u0131s\u0131r’dan K\u00fcrdistan’dan, \u0130ran’dan ve Avrupa’dan bir\u00e7ok ilim insan\u0131 Fatih’in ricas\u0131 ve davetiyle \u0130stanbul yolunu tutmu\u015ftu.<\/p>\n

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Fatih Sultan Mehmet \/ G\u00f6rsel: Wikipedia<\/em><\/div>\n<\/div>\n<\/div>\n

Yaln\u0131zca M\u00fcsl\u00fcman sanatk\u00e2r ve ilim erbablar\u0131 de\u011fil, yabanc\u0131 sanatk\u00e2r ve bilim insanlar\u0131 da bu devirde b\u00fcy\u00fck itibar g\u00f6r\u00fcyordu.<\/p>\n

\u00d6rne\u011fin; \u0130stanbul fethedildikten sonra Bizansl\u0131 sanat\u00e7\u0131 Ciovanni Kirisolora’n\u0131n kay\u0131nvalidesi ve k\u0131z\u0131 esir pazar\u0131na d\u00fc\u015fm\u00fc\u015ft\u00fc. Kirisolora, son \u00e7are olarak bir mektupla durumu Fatih Sultan Mehmet’e bildirdi.<\/p>\n

Fatih konuyu \u00f6\u011frenir \u00f6\u011frenmez Kirisolora’n\u0131n kay\u0131nvalidesi ve k\u0131z\u0131n\u0131 kurtararak kendisine teslim etti. Ayr\u0131ca Kirisolora’ya isterse faaliyetlerine \u0130stanbul’da \u00f6zg\u00fcrce devam edebilece\u011fini bildirdi.<\/p>\n

Fatih’in ilmi konulardaki ho\u015fg\u00f6r\u00fcs\u00fc \u015fahsi k\u00fct\u00fcphanesine de yans\u0131m\u0131\u015ft\u0131. D\u00fcnyan\u0131n d\u00f6rt bir ucundaki de\u011ferli \u00e7al\u0131\u015fmalar\u0131 temin edip Osmanl\u0131’n\u0131n ilmi birikimine kazand\u0131ran Fatih, zengin bir k\u00fct\u00fcphane kurmu\u015ftu.<\/p>\n

Anjiyolulu, me\u015fhur Osmanl\u0131 tarihi \u00e7al\u0131\u015fmas\u0131nda bu zengin k\u00fct\u00fcphaneyi \u015f\u00f6yle tarif ediyordu:<\/p>\n

O, buraya binlerce cilt eser toplam\u0131\u015f ve tefsire ait olan kitaplar\u0131 da kurdurmu\u015f oldu\u011fu di\u011fer camilerin her birine payla\u015ft\u0131rm\u0131\u015ft\u0131. Bu eserlerin b\u00fcy\u00fck bir k\u0131sm\u0131 yazarlar\u0131n\u0131n kendi el yaz\u0131lar\u0131 ile yaz\u0131lm\u0131\u015f olup s\u00f6z konusu camilerin her birinde g\u00f6revli memur ve muallimlere birer kaynak olma \u00f6zelli\u011fi ta\u015f\u0131yorlard\u0131.<\/em><\/p><\/blockquote>\n

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\"ikinci<\/em><\/div>\n<\/div>\n
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Sultan \u0130kinci Beyazid \/ G\u00f6rsel: Wikipedia<\/em><\/div>\n<\/div>\n<\/div>\n

Bu politikalar eskisi kadar etkili olmasa da \u0130kinci Beyazid d\u00f6neminde de s\u00fcrd\u00fcr\u00fclm\u00fc\u015ft\u00fc. Michelangelo, kendisine y\u00f6nelik bask\u0131lar\u0131 k\u0131rmak ve \u00f6zg\u00fcr bir ortamda \u00e7al\u0131\u015fmak \u00fczere \u0130stanbul’un yolunu tutmak istese de Floransa Sancaktar\u0131 Soderini buna engel olmu\u015ftu.<\/p>\n

Bu engelleme cebren mi; yoksa r\u0131za yoluyla m\u0131 oldu\u011fu tespit edilememektedir.<\/p>\n

Bilinen tek ger\u00e7ek \u0130stanbul’a gitmek \u00fczere haz\u0131rl\u0131k yapan Michelangelo, ani bir kararla Floransa Seny\u00f6rl\u00fc\u011f\u00fc’n\u00fcn Roma el\u00e7isi olarak atanmas\u0131yd\u0131.<\/p>\n

Tarihin g\u00f6rd\u00fc\u011f\u00fc iki b\u00fcy\u00fck sanat\u00e7\u0131 Da Vinci ve Michelangelo, \u0130stanbul’a gelerek Hali\u00e7’te bir k\u00f6pr\u00fc yapmay\u0131 \u00e7ok istediler. Bu iki b\u00fcy\u00fck ismi de Bat\u0131’dan Do\u011fu’ya getiren en \u00f6nemli neden sanatlar\u0131n\u0131 daha \u00f6zg\u00fcr bir ortamda icra edeceklerine dair g\u00fc\u00e7l\u00fc inan\u00e7t\u0131.<\/p>\n

Tam nedeni bilinmemekle beraber ne Davinci ne de Michelangelo \u0130stanbul’a hi\u00e7bir zaman gelememi\u015fti. Bu iki ismin aksine Matteo D\u00f6 Pasti ve Gentile Bellini gibi b\u00fcy\u00fck sanat\u00e7\u0131lar \u0130stanbul’a gelmi\u015f ve de\u011ferli i\u015fler yapm\u0131\u015flard\u0131.<\/p>\n

*Daha ayr\u0131nt\u0131l\u0131 bir okuma i\u00e7in Ahmet Refik’in L. Thuasne’den terc\u00fcme etti\u011fi “Gentile Bellini et le Sultan Mohamet II” eseri; Bruno Nardini’in Michelangelo kitab\u0131 ve Leonardo da Vinci \u2013 500 G\u00f6rsel E\u015fli\u011finde Ya\u015fam\u0131 ve Eserleri adl\u0131 kitap incelenebilir.<\/em><\/p>\n

https:\/\/www.indyturk.com\/node\/499516\/k%C3%BClt%C3%BCr\/da-vinci-ve-michelangelonun-ger%C3%A7ekle%C5%9Fmeyen-i%CC%87stanbul-hayali\u00a0<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Tarihin g\u00f6rd\u00fc\u011f\u00fc iki b\u00fcy\u00fck sanat\u00e7\u0131 Da Vinci ve Michelangelo, \u0130stanbul’a gelerek Hali\u00e7’te bir k\u00f6pr\u00fc yapmay\u0131 \u00e7ok istediler. Bu iki b\u00fcy\u00fck ismi de Bat\u0131’dan Do\u011fu’ya getiren en \u00f6nemli neden sanatlar\u0131n\u0131 daha \u00f6zg\u00fcr bir ortamda icra edeceklerine dair g\u00fc\u00e7l\u00fc inan\u00e7t\u0131. Mehmed Mazlum \u00c7elik\u00a0 Kolaj: Independent T\u00fcrk\u00e7e Ser Piero D’Antonio k\u00fc\u00e7\u00fck bir kasaba olan Vinci’de noterlik g\u00f6revini s\u00fcrd\u00fcren […]<\/p>\n","protected":false},"author":7,"featured_media":68123,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,34,70,20],"tags":[],"class_list":["post-68122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-istanbul","category-makaleler","category-tarih-sayfalari"],"yoast_head":"\nDa Vinci ve Michelangelo'nun ger\u00e7ekle\u015fmeyen \u0130stanbul hayali - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=68122\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Da Vinci ve Michelangelo'nun ger\u00e7ekle\u015fmeyen \u0130stanbul hayali - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Tarihin g\u00f6rd\u00fc\u011f\u00fc iki b\u00fcy\u00fck sanat\u00e7\u0131 Da Vinci ve Michelangelo, \u0130stanbul’a gelerek Hali\u00e7’te bir k\u00f6pr\u00fc yapmay\u0131 \u00e7ok istediler. Bu iki b\u00fcy\u00fck ismi de Bat\u0131’dan Do\u011fu’ya getiren en \u00f6nemli neden sanatlar\u0131n\u0131 daha \u00f6zg\u00fcr bir ortamda icra edeceklerine dair g\u00fc\u00e7l\u00fc inan\u00e7t\u0131. 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