{"id":67882,"date":"2022-04-08T07:38:21","date_gmt":"2022-04-08T12:38:21","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=67882"},"modified":"2022-04-08T07:38:21","modified_gmt":"2022-04-08T12:38:21","slug":"tespih-tanelerinden-eksilen-usta-bir-ermeni-yazar-migirdic-margosyan","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=67882","title":{"rendered":"\u201cTespih Taneleri\u201dnden eksilen usta bir Ermeni yazar: M\u0131g\u0131rdi\u00e7 Margosyan"},"content":{"rendered":"
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Naman Baka\u00e7, Independent T\u00fcrk\u00e7e i\u00e7in Rober Kopta\u015f, M\u00fcsl\u00fcm Y\u00fccel ve \u015eeyhmus Diken ile konu\u015ftu.<\/em><\/strong><\/p>\n<\/div>\n

\"\"<\/a><\/div>\n
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Naman Baka\u00e7\u00a0<\/a><\/strong><\/div>\n
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Ermenice edebiyat\u0131n usta yazar\u0131, \u00f6yk\u00fcc\u00fc, romanc\u0131, e\u011fitimci ve Aras yay\u0131nlar\u0131 ile Agos gazetesinin kurucular\u0131ndan Diyarbak\u0131r Han\u00e7epekli\u00a0M\u0131g\u0131rdi\u00e7 Margosyan<\/a>, 2 Nisan 2022 tarihinde \u0130stanbul’da vefat etti.<\/p>\n

Margosyan; \u00f6yk\u00fc, deneme, roman ve gazete k\u00f6\u015fe yazarl\u0131\u011f\u0131 alan\u0131nda edebi \u00fcretimler ortaya koymu\u015f velut bir yazar.<\/p>\n

Aras yay\u0131nlar\u0131 taraf\u0131ndan \u00e7\u0131kan\u00a0“G\u00e2vur Mahallesi”<\/em>\u00a0isimli \u00f6yk\u00fc kitab\u0131n\u0131n \u00f6ns\u00f6z\u00fcnde, Margosyan i\u00e7in \u015fu ifadeler kullan\u0131l\u0131r:<\/p>\n

Ya\u015fam\u0131 boyunca ne i\u015f yaparsa yaps\u0131n, edebiyat d\u00fc\u015f\u00fcnm\u00fc\u015f, edebiyat solumu\u015f ve edebiyat \u00fcretmi\u015f biri.<\/em><\/p><\/blockquote>\n

Bu tespiti hakl\u0131 \u00e7\u0131kar\u0131rcas\u0131na yazm\u0131\u015f oldu\u011fu kitaplar\u0131 s\u0131ralad\u0131\u011f\u0131m\u0131zda, buna hak vermemek elde de\u011fil.<\/p>\n

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\"gavur<\/div>\n<\/div>\n<\/div>\n

Mar\u00adma\u00adra\u00a0<\/em>ga\u00adze\u00adte\u00adsin\u00adde ya\u00ady\u0131m\u00adla\u00adnan Er\u00adme\u00adni\u00adce \u00f6y\u00adk\u00fc\u00adle\u00adri\u00adnin bir b\u00f6\u00adl\u00fc\u00adm\u00fc\u00a0“Mer Ayt Go\u011f\u00adme\u00adr\u0131” (Bi\u00adzim Ora\u00adlar)\u00a0<\/em>ad\u0131y\u00adla kitap ha\u00adli\u00adne geti\u00adril\u00addi (1984).<\/p>\n

Aras yay\u0131nc\u0131l\u0131k taraf\u0131ndan bas\u0131lan\u00a0“G\u00e2\u00advur Ma\u00adhal\u00adle\u00adsi”<\/em>\u00a0(1992),\u00a0“S\u00f6y\u00adle Mar\u00adgos Ne\u00adre\u00adli\u00adsen?”\u00a0<\/em>(1995) ve\u00a0“Bi\u00adle\u00adti\u00admiz \u0130s\u00adtan\u00adbul’a Ke\u00adsil\u00addi”\u00a0<\/em>(1998) ad\u00adl\u0131 T\u00fcrk\u00ad\u00e7e ki\u00adtap\u00adla\u00adr\u0131\u00adn\u0131n yan\u0131 s\u0131ra, 1999’da ikin\u00adci Erme\u00adni\u00adce ki\u00adta\u00adb\u0131\u00a0“Dik\u00adri\u00adsi Ape\u00adren”\u00a0<\/em>(Dic\u00adle K\u0131\u00ady\u0131\u00adla\u00adr\u0131n\u00addan) yay\u0131mland\u0131.<\/p>\n

T\u00fcrk\u00e7e yazd\u0131\u011f\u0131\u00a0“Tes\u00adpih Ta\u00adne\u00adle\u00adri”<\/em>\u00a0(2006) ad\u00adl\u0131 an\u0131 ro\u00adma\u00adn\u0131\u00adndan sonra, \u00e7e\u015fitli gazetelerde yazd\u0131\u011f\u0131 yaz\u0131lar\u00a0“Kirveme Mektuplar”, \u201c”Zurna”, “\u00c7engellii\u011fne” ve “K\u00fcrdan”<\/em>\u00a0isimleriyle ne\u015fredildi. En son 2016’da\u00a0“Tanr\u0131’n\u0131n Seyir Defteri”<\/em>\u00a0isimli kitab\u0131yla d\u00fcnyan\u0131n yarat\u0131l\u0131\u015f hikayesine odakland\u0131.<\/p>\n

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\"m\u0131g\u0131rdi\u00e7<\/em><\/div>\n<\/div>\n
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Diyarbak\u0131r do\u011fumlu Ermeni yazar M\u0131g\u0131rdi\u00e7 Margosyan 84 ya\u015f\u0131nda hayat\u0131n\u0131 kaybetti<\/em><\/div>\n<\/div>\n<\/div>\n

Ermenice edebiyat\u0131n bu usta yazar\u0131n\u0131n, edebiyat d\u00fcnyas\u0131 i\u00e7indeki yerini ve toplumsal meselelere bak\u0131\u015f\u0131n\u0131 anlamak i\u00e7in bir portre dosyas\u0131 haz\u0131rlayarak, a\u015fa\u011f\u0131da yer verdi\u011fimiz iki soruyla buna cevap aramaya \u00e7al\u0131\u015ft\u0131k.<\/p>\n

Bu aray\u0131\u015f i\u00e7in; Margosyan’\u0131n kitaplar\u0131n\u0131 ne\u015freden Aras yay\u0131nc\u0131l\u0131\u011f\u0131n genel yay\u0131n y\u00f6netmeni\u00a0Rober Kopta\u015f<\/strong>, yazar ve \u015fair\u00a0M\u00fcsl\u00fcm Y\u00fccel<\/strong>, k\u00fclt\u00fcr tarih\u00e7isi, gazeteci-yazar\u00a0\u015eeyhmus Diken<\/strong>\u00a0ile cevap bulmaya \u00e7al\u0131\u015ft\u0131k.<\/p>\n

\nSoru 1:\u00a0<\/em>\u00a02 Nisan 2022 tarihinde vefat eden usta yazar, e\u011fitimci ve \u00f6yk\u00fcc\u00fc M\u0131g\u0131rdi\u00e7 Margosyan’\u0131n \u00f6l\u00fcm\u00fcn\u00fcn ard\u0131ndan\u00a0medyada \u015fu t\u00fcr ifadeler kullan\u0131ld\u0131:<\/p>\n

“Ermenice edebiyat i\u00e7in bir devrin sonu”;<\/em><\/p>\n

“Ermeni edebiyat\u0131n ta\u015fradaki son sesi.”<\/em><\/p>\n

Margosyan’\u0131n \u00f6yk\u00fcc\u00fc, romanc\u0131 deneme yazar\u0131, e\u011fitimci ve gazete k\u00f6\u015fe yazarl\u0131\u011f\u0131 gibi y\u00f6nlerini de d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fczde Ermenice edebiyat\u0131ndaki yeri neydi sizce?<\/p>\n

Onu di\u011fer Ermeni edebiyat\u00e7\u0131lardan dil ve s\u00f6ylem a\u00e7\u0131s\u0131ndan ay\u0131ran hususiyetleri nedir? Edebiyat alan\u0131nda hangi bo\u015flu\u011fu doldurmaya \u00e7al\u0131\u015fan bir isimdi?<\/p>\n

\nSoru-2: M\u0131g\u0131rdi\u00e7 Margosyan’\u0131n bildi\u011fim kadar\u0131yla t\u00fcm eserleri Aras yay\u0131nlar\u0131 taraf\u0131ndan\u00a0“F\u0131llaname”<\/em>\u00a0ismiyle bir ciltte topland\u0131. Aras yay\u0131nlar\u0131 ve Agos gazetesinin de kurucular\u0131ndand\u0131.<\/p>\n

Mesela bir s\u00f6yle\u015fisinde,\u00a0“Benim eserlerimde \u00e7o\u011funlukla Diyarbak\u0131r ve Anadolu’daki ya\u015fam\u0131 anlatt\u0131\u011f\u0131m\u0131 g\u00f6r\u00fcrs\u00fcn\u00fcz”<\/em>\u00a0demi\u015fti.<\/p>\n

Margosyan’\u0131n Ermeni sorunu ve edebiyat\u0131 d\u0131\u015f\u0131nda, toplumsal ve siyasal meselelere bak\u0131\u015f\u0131 nas\u0131ld\u0131? Bu konuda neler yazd\u0131 ve \u00e7izdi?<\/em><\/p>\n

\u015eeyhmus Diken: M\u0131g\u0131rdi\u00e7 Margosyan’\u0131n yaz\u0131 t\u00fcr\u00fc asl\u0131nda kaybolmaya y\u00fcz tutan bir t\u00fcr<\/strong>\n<\/p>\n

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\"Gazeteci-Yazar<\/div>\n<\/div>\n
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Gazeteci, yazar \u015eeyhmus Diken<\/em><\/div>\n<\/div>\n<\/div>\n

1- Ermeni edebiyat d\u00fcnyas\u0131yla yak\u0131ndan ilgilenen insanlar, M\u0131g\u0131rdi\u00e7 Margosyan’\u0131 de\u011ferlendirdiklerinde, Ermeni ta\u015fra edebiyat\u0131n\u0131n yak\u0131n d\u00f6nem son temsilcisi olarak ifade ederler.<\/p>\n

Diyarbak\u0131r ve K\u00fcrt co\u011frafyas\u0131nda ya\u015fayan insanlar olarak bizler ise, M\u0131g\u0131rdi\u00e7 Margosyan’\u0131n memleketi olan Diyarbak\u0131r’\u0131 asl\u0131nda \u0130stanbul’a g\u00f6re ta\u015fra olarak kabul etmeyen; alternatif ya da muhalif metropol olarak kabul edenleriz.<\/p>\n

Bu a\u00e7\u0131dan bakt\u0131\u011f\u0131m\u0131zda bize g\u00f6re Diyarbak\u0131r, ta\u015fra de\u011fil. Metropol bir \u015fehirdir. Onlar\u0131n edebiyat d\u00fcnyas\u0131na g\u00f6re bunu ta\u015fra olarak dile getirmelerinin tabi ki bir anlam\u0131 vard\u0131r. Bu anlam ba\u011flant\u0131s\u0131 a\u00e7\u0131s\u0131ndan bakt\u0131\u011f\u0131m\u0131zda s\u00f6zlerinde \u00e7ok do\u011frular ve hakl\u0131lar da.<\/p>\n

M\u0131g\u0131rdi\u00e7 Margosyan’\u0131n yaz\u0131 t\u00fcr\u00fc asl\u0131nda kaybolmaya y\u00fcz tutan bir t\u00fcr. \u00c7\u00fcnk\u00fc \u0130stanbul’dan hayata bak\u0131p ya da hayata dokunup, Diyarbak\u0131r’\u0131 veya Ermeni d\u00fcnyas\u0131n\u0131n ifadesiyle Dikranagerd \u00fczerinden d\u00fcnyaya seslenmeye \u00e7al\u0131\u015fan bir yazard\u0131 Margosyan. Oradan derken, Diyarbak\u0131r’dan seslenmeyi kastediyorum. \u00a0Fiziksel olarak Diyarbak\u0131r’da ya\u015fam\u0131yor oldu\u011fu halde, Diyarbak\u0131r’dan seslenmek.<\/p>\n

Korkun\u00e7 bir haf\u0131za birikimi olan bir \u015fahsiyetti. D\u00fc\u015f\u00fcn\u00fcn 1938 do\u011fumlu kendisi, 1953’te daha ortaokul ikinci s\u0131n\u0131f \u00f6\u011frencisi iken, Diyarbak\u0131r’a gelen ve b\u00f6lgeyi dola\u015fan bir papaz taraf\u0131ndan ailenin g\u00f6n\u00fcll\u00fc\u011f\u00fc temelinden al\u0131n\u0131p, \u0130stanbul’a g\u00f6t\u00fcr\u00fcld\u00fc.<\/p>\n

Anadilini \u00f6\u011frenmek \u00fczere \u0130stanbul’a gelen, sonra bu dili de a\u015farak yazar kimli\u011fine evrilen ve bu yazar kimli\u011fi \u00fczerinden d\u00fcnyaya seslenen bir yazar Margosyan. Bu sesleni\u015fini, k\u00f6klerinin oldu\u011fu co\u011frafyan\u0131n haf\u0131zas\u0131n\u0131 ve g\u00fcndelik hayat\u0131n\u0131 en detayl\u0131 bir \u015fekilde ve halklar aras\u0131 ili\u015fkileri koparmadan anlatmaya \u00e7al\u0131\u015fan usta bir yazard\u0131.<\/p>\n

“\u0130stanbul’dan, Diyarbak\u0131r’\u0131 ve Anadolu ya\u015fam\u0131n\u0131 yazmaya \u00e7al\u0131\u015fan usta bir yazar”<\/strong><\/p>\n

M\u0131g\u0131rdi\u00e7 Margosyan; mahallenin, soka\u011f\u0131n ve kentin Yahudileri, Ermenileri, S\u00fcryanileri, K\u00fcrtleri, Araplar\u0131, T\u00fcrkleri \u00fczerinden bir etnik kimlik karma\u015fas\u0131 veya etnik kimlik ortak ya\u015fam\u0131 \u00fczerinden yeni bir bak\u0131\u015f a\u00e7\u0131s\u0131 getiren bir edebiyat\u00e7\u0131 olarak g\u00f6r\u00fcyorum.<\/p>\n

Yaz\u0131lar\u0131nda kulland\u0131\u011f\u0131 dili, jargonu, Diyarbak\u0131r ve hinterland\u0131nda ya\u015fayan halklar\u0131n dillerini \u00f6tekile\u015ftirmeden, dillerini birbirine kap\u0131\u015ft\u0131rmadan ya da kar\u0131\u015ft\u0131rmadan onlar\u0131 anlatan bir felsefeyle, bir bak\u0131\u015f a\u00e7\u0131s\u0131yla geli\u015ftirmi\u015fti. Margosyan’\u0131n bana g\u00f6re ba\u015far\u0131s\u0131 buradan kaynakl\u0131.<\/p>\n

Bir \u015eeyhmus Diken gibi Diyarbak\u0131r’dan yazm\u0131yor. \u0130stanbul’dan, Diyarbak\u0131r’\u0131 ve Anadolu ya\u015fam\u0131n\u0131 yaz\u0131yordu. Bunu yaparken de, \u0130stanbul’dan Diyarbak\u0131r’a bir turist g\u00f6z\u00fcyle bakan ya da \u00e7e\u015fitli yerlerden etkilenen, uzaktan bir g\u00f6zle yazm\u0131yor, Adeta o co\u011frafyada ya\u015f\u0131yor gibi yazan bir kaleme sahipti. \u00dcstelik co\u011frafya olarak Diyarbak\u0131r’\u0131n epey uza\u011f\u0131nda olmas\u0131na ra\u011fmen bunu becerebiliyor.<\/p>\n

Margosyan, bunu da sadece T\u00fcrk\u00e7e yazan ve T\u00fcrk\u00e7e edebiyat okumas\u0131 yapan insanlara g\u00f6re anlatmad\u0131, ayn\u0131 zamanda d\u00fcnyaya da anlatmaya \u00e7al\u0131\u015fan bir \u015fahsiyetti. D\u00fcnya da onu bu \u015fekilde kabul etti kan\u0131mca. Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda M\u0131g\u0131rdi\u00e7 Margosyan, tek ve \u00f6zg\u00fcn bir \u00f6rnektir. Bence Margosyan okunurken, bu bak\u0131\u015f a\u00e7\u0131s\u0131 \u00fczerinden okunmal\u0131 diye d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n

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\"Margosyan-foto<\/div>\n<\/div>\n
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\u015eeyhmus Diken, Margosyan’\u0131 k\u00fclt\u00fcr\u00fcn, sanat\u0131n ve entelekt\u00fcel birikimin oda\u011f\u0131nda Diyarbak\u0131r’\u0131 g\u00f6rerek anlatmaya \u00e7al\u0131\u015fan bir yazard\u0131” diye anlat\u0131yor \/ Foto\u011fraf: Murat Kartal<\/em><\/div>\n<\/div>\n<\/div>\n

“Meseleleri siyasal ba\u011flam\u0131ndan \u00e7ok; k\u00fclt\u00fcrel, sanatsal ve g\u00fcndelik hayat \u00fczerinden ironik bir dille anlat\u0131rd\u0131”<\/strong><\/p>\n

2-\u00a0 M\u0131g\u0131rdi\u00e7 Margosyan’\u0131n toplumsal ve siyasal konulara bak\u0131\u015f a\u00e7\u0131s\u0131, birinci sorunuza verdi\u011fim cevap ekseninde olacakt\u0131r. Meseleleri siyasal ba\u011flam\u0131ndan \u00e7ok; k\u00fclt\u00fcrel, sanatsal ve entelekt\u00fcel \u00f6zellikle de g\u00fcndelik hayat \u00fczerinden ironik dille anlatan bir \u00fcsluba sahipti.<\/p>\n

Siyaset, onun yaz\u0131lar\u0131nda ana eksen olarak odakta yer almaz. Ama k\u00fclt\u00fcrel, sanatsal ve entelekt\u00fcel metinlerinde, denemelerinde, \u00f6yk\u00fclerinde, makalelerinde ve anlat\u0131lar\u0131nda asl\u0131nda hik\u00e2yenin arka plan\u0131nda siyaset elbette ki vard\u0131r.<\/p>\n

Ama bu siyaset amiyane tabiriyle k\u00f6r g\u00f6ze parma\u011f\u0131na misalinde oldu\u011fu gibi siyaseti do\u011frudan g\u00f6steren, i\u015faret eden bir bak\u0131\u015f a\u00e7\u0131s\u0131yla de\u011fildi. K\u00fclt\u00fcr\u00fcn, sanat\u0131n oda\u011f\u0131ndan seslenerek siyaseti arka plandan veren bir bak\u0131\u015f a\u00e7\u0131s\u0131na sahipti Margosyan’\u0131n edebi metinleri. Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda da olduk\u00e7a k\u0131ymetlidir.<\/p>\n

Toparlayacak olursam, bug\u00fcnk\u00fc K\u00fcrtler a\u00e7\u0131s\u0131ndan olaya bakacak olursak, Diyarbak\u0131r \u00f6nemli bir merkezdir. Margosyan da; k\u00fclt\u00fcr\u00fcn, sanat\u0131n ve entelekt\u00fcel birikimin oda\u011f\u0131nda Diyarbak\u0131r’\u0131 g\u00f6rerek anlatmaya \u00e7al\u0131\u015fan bir yazard\u0131. Bu a\u00e7\u0131dan bakt\u0131\u011f\u0131m\u0131zda onun metinlerinde siyaset vard\u0131r, ama \u00f6ne \u00e7\u0131kan bir tarzda de\u011fildir.<\/p>\n

Margosyan okumalar\u0131 yap\u0131ld\u0131\u011f\u0131nda, siz siyaseti o metinlerin arka plan\u0131nda zaten g\u00f6r\u00fcrs\u00fcn\u00fcz ya da farkedersiniz. Oradan bir anlam olarak, bir alg\u0131 y\u00fck\u00fc olarak zaten gerekeni \u00e7\u0131karm\u0131\u015f olursunuz.<\/p>\n

Rober Kopta\u015f: Margosyan’\u0131n kendisi adeta bir s\u00fcrpriz gibi \u00e7\u0131km\u0131\u015ft\u0131r, \u00fcr\u00fcn vermez san\u0131lan bir tarlada a\u00e7m\u0131\u015f bir \u00e7i\u00e7ek gibidir<\/strong><\/p>\n

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\"Rober<\/div>\n<\/div>\n
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Aras Yay\u0131nc\u0131l\u0131k Genel Yay\u0131n Y\u00f6netmeni Rober Kopta\u015f \/ Foto\u011fraf: Mihran Manukyan<\/em><\/div>\n<\/div>\n<\/div>\n

1- S\u00f6z\u00fcn\u00fc etti\u011finiz ifadeler hakl\u0131 bir de\u011ferlendirmeden hareket ediyor. Ger\u00e7ekten de, Ermenice edebiyat\u0131n 19’uncu y\u00fczy\u0131lda ba\u015flayan ve \u0130stanbul, Tiflis, Bak\u00fc gibi k\u00fclt\u00fcr merkezlerinin d\u0131\u015f\u0131nda kald\u0131\u011f\u0131 halde Ermenilerin yo\u011fun olarak ya\u015fad\u0131\u011f\u0131 co\u011frafyalarda \u00fcretilen ya da o y\u00f6releri konu edinen g\u00fc\u00e7l\u00fc bir edebi damar\u0131 vard\u0131.<\/p>\n

Ermenicede\u00a0“kavaragan kraganutyun”,\u00a0<\/em>yani\u00a0“ta\u015fra”\u00a0<\/em>veya\u00a0“k\u00f6y”<\/em>\u00a0edebiyat\u0131 olarak ifade edilen bu damar\u0131n T\u00fcrkiye’den \u00e7\u0131kan son halkas\u0131, 1915 \u00f6ncesinde yazmaya ba\u015flayan ve cumhuriyet sonras\u0131nda da \u00fcretmeye devam eden Erzincan-Arm\u0131danl\u0131 b\u00fcy\u00fck yazar Hagop M\u0131ntzuri’den el alan M\u0131g\u0131rdi\u00e7 Margosyan’d\u0131.<\/p>\n

Bug\u00fcn Ermenistan’da, Do\u011fu Ermenicesiyle bu janra girebilecek eserler \u00fcreten baz\u0131 yazarlar olsa da, Margosyan’\u0131 en az\u0131ndan Anadolu-T\u00fcrkiye co\u011frafyas\u0131n\u0131 baz alarak bir devrin sonu, bir gelene\u011fin son halkas\u0131 kabul edebiliriz.<\/p>\n

Ermenicede ta\u015fra edebiyat\u0131na ili\u015fkin \u00e7al\u0131\u015fmalar \u00f6ncelikle daha ziyade halk\u0131n ya\u015fay\u0131\u015f\u0131n\u0131 inceleyen, merkezdeki elitin ta\u015fra \u00fczerindeki bilgisini art\u0131rmay\u0131 ve b\u00f6ylece halk\u0131n i\u00e7indeki ba\u011flar\u0131 g\u00fc\u00e7lendirmeyi ama\u00e7layan etnografik \u00e7al\u0131\u015fmalard\u0131r, ancak zamanla bu e\u011filim edebiyata y\u00f6nelmi\u015f ve Diyarbak\u0131r’dan Harput’a, oradan Sivas’a, oradan Mu\u015f’a, oradan Urfa’ya kadar, Ermenilerin ya\u015fad\u0131klar\u0131 y\u00f6relerden yeni ve yetenekli yazarlar \u00e7\u0131km\u0131\u015ft\u0131r.<\/p>\n

1915’ten sonra ise bu ta\u015fra edebiyat\u0131 damar\u0131, y\u00fczy\u0131llarca \u00fczerinde ya\u015fan\u0131lan topraklardan kopulmu\u015f olmas\u0131 nedeniyle, art\u0131k geride kalm\u0131\u015f anayurda duyulan \u00f6zlemin, onunla ilgili yaralar\u0131n dile getirilmesi ve hissedilen nostalji ve melankoli duygular\u0131n\u0131n ifade arac\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. B\u00f6ylece mesele Harput’u Bat\u0131 Ermenicesiyle yazan Hamasde\u011f ABD’den, Do\u011fu Ermenicesiyle yazan Totovents Sovyet Ermenistan\u0131’ndan anlatm\u0131\u015ft\u0131r. Memleketten kopulsa da onun hayalinden asla kopulmam\u0131\u015ft\u0131r.<\/p>\n

\u0130lgin\u00e7tir, ta\u015fra edebiyat\u0131 t\u00fcr\u00fcne duygu ve i\u00e7erik olarak en benzeyen metni T\u00fcrkiye’de \u00fcretmi\u015f olan ki\u015fi son y\u0131llarda Amida’n\u0131n Sofras\u0131 ba\u015fl\u0131kl\u0131 yemek-an\u0131 kitab\u0131yla okurun be\u011fenisini kazanan Silva \u00d6zyerli oldu. Margosyan gibi Diyarbak\u0131rl\u0131 olan ve Diyarbak\u0131r’\u0131 yazan, kentin ve ailesinin tarihini yemekler yoluyla aktaran \u00d6zyerli bunu edebi bir muratla yapmad\u0131, ancak yemek \u00fczerinde yazd\u0131klar\u0131ndan edebi bir tat almak m\u00fcmk\u00fcn.<\/p>\n

\u00d6zyerli’nin en az\u0131ndan \u015fimdiye kadar edebiyat \u00fcretmek motivasyonuyla hareket etmedi\u011fini d\u00fc\u015f\u00fcn\u00fcrsek, M\u0131g\u0131rdi\u00e7 Margosyan’\u0131n kayb\u0131n\u0131n bir edebi ak\u0131m\u0131n \u2013b\u00fcy\u00fck bir s\u00fcrprizle yeni bir isim \u00e7\u0131kmazsa- T\u00fcrkiye’deki sonu oldu\u011funu s\u00f6yleyebiliriz.<\/p>\n

Margosyan’\u0131n kendisi adeta bir s\u00fcrpriz gibi \u00e7\u0131km\u0131\u015ft\u0131r bu arada, kimsenin beklemedi\u011fi anda, art\u0131k \u00fcr\u00fcn vermez san\u0131lan bir tarlada a\u00e7m\u0131\u015f bir \u00e7i\u00e7ek gibidir, o t\u00fcrden bir mucizeyle kar\u015f\u0131la\u015f\u0131rsak da hi\u00e7 fena olmaz elbette.<\/p>\n

“Margosyan’\u0131n edebiyat\u0131, yok olmu\u015f bir hayat\u0131 unutmamak ve \u00f6l\u00fcms\u00fczle\u015ftirmek amac\u0131n\u0131 g\u00fcd\u00fcyordu”<\/strong><\/p>\n

Margosyan’\u0131n edebiyat\u0131n\u0131\u00a0“k\u00f6y”\u00a0<\/em>de\u011fil\u00a0“ta\u015fra”<\/em>\u00a0edebiyat\u0131 olarak adland\u0131rmak gerekir, \u00e7\u00fcnk\u00fc hem Diyarbak\u0131r \u00f6nemli bir kent k\u00fclt\u00fcr\u00fcne sahip, hem de Margosyan son derece kentli bir ya\u015fay\u0131\u015f\u0131 anlat\u0131yor. Ayr\u0131ca, benimsedi\u011fi t\u00fcr olan \u00f6yk\u00fc de son derece kentli.<\/p>\n

Onun edebiyat\u0131, art\u0131k tamamen de\u011fi\u015fmi\u015f, yok olmu\u015f bir hayat\u0131 hat\u0131ra getirmek, unutmamak, kay\u0131t alt\u0131na almak ve \u00f6l\u00fcms\u00fczle\u015ftirmek amac\u0131n\u0131 g\u00fcd\u00fcyor her \u015feyden \u00f6nce. Bunu yaparken \u00f6zellikle ge\u00e7mi\u015f yaralar\u0131n ve travmalar\u0131n da, h\u00fcmorla \u00f6r\u00fcl\u00fc bir dille, sert duygulara \u00e7ok fazla yer vermeden anlat\u0131lmas\u0131 ve anla\u015f\u0131lmas\u0131 arzusu da \u00e7ok a\u00e7\u0131k.<\/p>\n

Kaybedilmi\u015f aile \u00fcyelerinin yas\u0131n\u0131n onlarla ilgili tatl\u0131 hat\u0131ralar yoluyla tutulmas\u0131, \u00e7ocuklu\u011fa duyulan \u00f6zlem ve kendi ya\u015fam \u00f6yk\u00fcs\u00fcn\u00fcn zorlu d\u00f6neme\u00e7lerini aktar\u0131p bir b\u00fcy\u00fcme hik\u00e2yesi yazmak gibi son derece d\u00fcnyal\u0131 dertleri vard\u0131 Margosyan’\u0131n edebiyat\u0131n\u0131n.<\/p>\n

Ayr\u0131ca onun, berrak haf\u0131zas\u0131yla neredeyse bebeklik y\u0131llar\u0131n\u0131 hat\u0131rlayarak, \u00f6zellikle kad\u0131nlara mahsus olan hane i\u00e7ini, ev i\u00e7i eme\u011fi, kad\u0131n g\u00fcnl\u00fck ya\u015fant\u0131s\u0131n\u0131 aktarmak konusunda da nadir rastlanan bir kaynak oldu\u011funu, \u00f6zellikle annesi Han\u0131m-H\u0131no, akrabalar\u0131 ve di\u011fer kom\u015fu kad\u0131nlar\u0131 hat\u0131rlama ve anlatmas\u0131ndaki \u0131srar\u0131n\u0131n da onun \u00fcretiminin kad\u0131nlara ili\u015fkin y\u00f6n\u00fcn\u00fc g\u00fc\u00e7l\u00fc k\u0131ld\u0131\u011f\u0131n\u0131, bunun \u00f6zel bir durum oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Margosyan’a bu y\u00f6n\u00fcyle bakan bir \u00e7al\u0131\u015fman\u0131n bize s\u00f6yleyece\u011fi pek \u00e7ok \u015fey olabilir.<\/p>\n

\n
\n
\"margosyan<\/div>\n<\/div>\n
\n
Rober Kopta\u015f,\u00a0Margosyan’\u0131\u00a0“bak\u0131\u015f a\u00e7\u0131s\u0131 t\u00fcm memleketi kapsayan bir T\u00fcrkiye ayd\u0131n\u0131”\u00a0olarak tan\u0131ml\u0131yor \/ Foto\u011fraf: Murat Kartal<\/em><\/div>\n<\/div>\n<\/div>\n

“Margosyan sadece bir hesapla\u015fma de\u011fil, ge\u00e7mi\u015fte ya\u015fan\u0131lanlar\u0131n bug\u00fcn kabul\u00fc i\u00e7in, kurucu etkinin de pe\u015findeydi”<\/strong><\/p>\n

2- Margosyan elbette ki adl\u0131 ad\u0131nca hi\u00e7 bahsetmese de, Diyarbak\u0131r a\u011fz\u0131nda ge\u00e7en\u00a0“kafle”\u00a0<\/em>yani\u00a0“kafile”<\/em>\u00a0kelimesiyle ifade etse ve o d\u00f6nemde ya\u015fanan ac\u0131lar\u0131 nispeten yumu\u015fak bir \u00fcslupla anlatsa da soyk\u0131r\u0131m\u0131n yol a\u00e7t\u0131\u011f\u0131 yaralar etraf\u0131nda d\u00f6n\u00fcp durdu\u011fu, bu yaralar\u0131n ifade edilmesini ve tan\u0131nmas\u0131n\u0131, ink\u00e2r\u0131n son bulmas\u0131n\u0131 arzulad\u0131\u011f\u0131n\u0131 anlamak zor de\u011fil.<\/p>\n

Margosyan sadece bir hesapla\u015fma de\u011fil, ge\u00e7mi\u015fte ya\u015fananlar\u0131n kabul\u00fcn\u00fcn bug\u00fcn i\u00e7in oynayaca\u011f\u0131 sa\u011falt\u0131c\u0131 ve kurucu etkinin de pe\u015findeydi. Gazete yaz\u0131lar\u0131n\u0131 demokrat, \u00f6zg\u00fcrl\u00fck\u00e7\u00fc, solcu mecralarda yazmas\u0131, onun siyasi duru\u015fu hakk\u0131nda fikir verir.<\/p>\n

Yaz\u0131lar\u0131nda \u00fclkedeki insan haklar\u0131 ihlallerine, anti demokratik uygulamalara kar\u015f\u0131 ses \u00e7\u0131kar\u0131r, siyasi se\u00e7kinlerin ve temsil ettikleri s\u0131n\u0131flar\u0131n kar\u015f\u0131s\u0131nda halk\u0131n yan\u0131nda tav\u0131r al\u0131r.<\/p>\n

Onun edebiyat\u0131nda da d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131nda da Diyarbak\u0131r elbette merkezi bir rol oynar, ancak ba\u015fta ge\u00e7mi\u015fle y\u00fczle\u015fme ve K\u00fcrt meselesinin bar\u0131\u015f\u00e7\u0131l ve onurlu yollardan \u00e7\u00f6z\u00fcm\u00fc olmak \u00fczere, pek \u00e7ok sorun alan\u0131nda s\u00f6z s\u00f6yleyen, bak\u0131\u015f a\u00e7\u0131s\u0131 t\u00fcm memleketi kapsayan bir T\u00fcrkiye ayd\u0131n\u0131 portresidir onunki.<\/p>\n

Ermenili\u011fini unutmayan, unutturmayan ama bu \u00fclkede hepimizin ortak yarar\u0131na hizmet edecek \u00f6zg\u00fcr ve adil bir d\u00fczenin yan\u0131ndad\u0131r ve bu da onu ayn\u0131 idealler i\u00e7in \u00e7al\u0131\u015fan di\u011fer ayd\u0131nlarla ayn\u0131 safta bulu\u015fturur.<\/p>\n

M\u00fcsl\u00fcm Y\u00fccel: M\u0131g\u0131rdi\u00e7’in yazd\u0131klar\u0131n\u0131n en \u00f6nemli \u00f6zelli\u011fi, anlat\u0131labilir hik\u00e2yeler olmas\u0131yd\u0131<\/strong><\/p>\n

\n
\n
\"Yazar<\/div>\n<\/div>\n
\n
\u015eair ve yazat M\u00fcsl\u00fcm Y\u00fccel<\/em><\/div>\n<\/div>\n<\/div>\n

Ben her iki sorunuza izninizle, topluca cevap vermek isterim.<\/p>\n

Otuz be\u015f y\u0131ldan fazla bir zamand\u0131r, M\u0131g\u0131rdi\u00e7’i tan\u0131r\u0131m, say\u0131s\u0131n\u0131 bilemeyece\u011fim kadar \u00e7ok, bir araya gelmi\u015fli\u011fimiz oldu. M\u0131g\u0131rdi\u00e7’in b\u00fct\u00fcn kitaplar\u0131n\u0131 okudum; buna\u00a0Evrensel\u00a0<\/em>gazetesine yazd\u0131\u011f\u0131 yaz\u0131larda d\u00e2hildir.<\/p>\n

Edebiyat olarak, ayn\u0131 yerde de\u011fildik belki ama yazd\u0131klar\u0131n\u0131 bin y\u0131l ya\u015fasam, bin y\u0131l okuyabilirim; bu kanaatte oldum hep. M\u0131g\u0131rdi\u00e7’in yazd\u0131klar\u0131n\u0131n en \u00f6nemli \u00f6zelli\u011fi, bana kal\u0131rsa, okuduktan sonra anlat\u0131labilir hik\u00e2yeler olmas\u0131yd\u0131. Bir ta\u015f\u0131, bir a\u011fac\u0131, bir su k\u0131y\u0131s\u0131n\u0131n onda kesinlikle bir hik\u00e2yesi vard\u0131.<\/p>\n

Hik\u00e2yeleri ister\u00a0Bin Bir Gece Masallar\u0131<\/em>‘ndaki gibi \u00e7er\u00e7eve tekni\u011fiyle yaz\u0131lm\u0131\u015f olsun, isterse d\u00fc\u011f\u00fcm, serim ve \u00e7\u00f6z\u00fcm \u00fczerine kurulsun, sonu\u00e7 de\u011fi\u015fmezdi. B\u00fct\u00fcn hik\u00e2yeleri ger\u00e7ektir ve ger\u00e7ek bize h\u00fcz\u00fcn verir.<\/p>\n

Margosyan, anlatmay\u0131 seven bir adam, ya\u015fad\u0131klar\u0131n\u0131 seven bir adam: dahas\u0131, ya\u015fad\u0131klar\u0131yla \u00e7ok bar\u0131\u015f\u0131k bir adam\u2026 \u0130stanbul’da ya\u015fayan ama kalbi Diyarbak\u0131r’da atan bir adam ve birden kum gibi elekten ge\u00e7irilen halk\u0131na tan\u0131k bir adam.<\/p>\n

Babas\u0131 tehcirden zor kurtuluyor; Siverek’te bir s\u00fcre kal\u0131yor, sonra Diyarbak\u0131r’a geliyor. Evlerinde Ermenice, b\u00fcy\u00fcklerin konu\u015ftu\u011fu bir dile d\u00f6n\u00fcyor; hatta b\u00fcy\u00fckleri birbirleriyle kavga ederken bu dili kullan\u0131yorlar.<\/p>\n

Diyarbak\u0131r’daki \u00e7ocukluk sefalet doludur. M\u0131g\u0131rdi\u00e7 bir s\u00fcre bak\u0131rc\u0131, demirci \u00e7\u0131ra\u011f\u0131 olur, sonra 15 ya\u015f\u0131nda, babas\u0131 onu \u0130stanbul’a g\u00f6nderir.<\/p>\n

\n
\n
\"migirdic<\/div>\n<\/div>\n
\n
M\u00fcsl\u00fcm Y\u00fccel’e g\u00f6re M\u0131g\u0131rdi\u00e7, \u0130stanbul’da ya\u015fasa da kalbi Diyarbak\u0131r’da atan bir yazard\u0131.<\/em><\/div>\n<\/div>\n<\/div>\n

“M\u0131g\u0131rdi\u00e7 \u0130stanbul’da ya\u015far ama duygusunu Diyarbak\u0131r’dan al\u0131r”<\/strong><\/p>\n

\u0130stanbul ona iki \u015fey verir; anadilini \u00f6\u011frenir, bu iyi bir \u015feydir ama ikincisi ac\u0131d\u0131r, buras\u0131 bir s\u00fcrg\u00fcnd\u00fcr; evet dilini konu\u015fuyordur, evet, diliyle hik\u00e2yeler yaz\u0131yordur ama topra\u011f\u0131n\u0131n kokusu bamba\u015fkad\u0131r.<\/p>\n

\u0130nsan, do\u011fdu\u011fu yerin her \u015feyini unutur ama \u00f6yle bir toprak kokusu vard\u0131r ki, d\u00fcnyan\u0131n en g\u00fczel \u00fclkesini gitsen de, en g\u00fczel yiyeceklerini yesen de arad\u0131\u011f\u0131n, tatt\u0131\u011f\u0131n o g\u00fczelim toprak kokusunu ge\u00e7mez. Bu y\u00fczden M\u0131g\u0131rdi\u00e7, \u0130stanbul’da ya\u015far ama duygusunu, ruhunu Diyarbak\u0131r’dan al\u0131r.<\/p>\n

50’l\u0131 y\u0131llarda M\u0131g\u0131rdi\u00e7, Ermenice hik\u00e2yeler yazar. Yazd\u0131k\u00e7a, sanki anne ve babas\u0131yla, nenesiyle ve \u00e7ok sevdi\u011fi amcalar\u0131ndan biriyle konu\u015fuyor gibidir. T\u00fcrkiye’de o zaman Ermeniceye k\u0131ymet veren hi\u00e7bir T\u00fcrk\u00e7e edebiyat dergisi yoktur. Bundan dolay\u0131 bir s\u00fcre ticaretle u\u011fra\u015f\u0131r. Buradan kazanaca\u011f\u0131 parayla da iyi bir daktilo al\u0131p, iyi hik\u00e2yeler yazmay\u0131 d\u00fc\u015f\u00fcn\u00fcr.<\/p>\n

M\u0131g\u0131rdi\u00e7 yazmaktan asla geri durmaz ve edebi d\u00fcnyas\u0131 tabiri caizse tam k\u0131vama gelmi\u015fken, 12 Eyl\u00fcl darbesi olur ama kendisi yine de hik\u00e2ye yazmay\u0131 b\u0131rakmaz. Hatta M\u0131g\u0131rdi\u00e7’in hik\u00e2yeleri, darbe sonras\u0131\u00a0“Bizim Oralar”<\/em>\u00a0(1984) ad\u0131yla Ermenice yay\u0131mlan\u0131r. Bu bile ba\u015fl\u0131 ba\u015f\u0131na bir cesaret abidesidir.<\/p>\n

Bu eserinden dolay\u0131 ald\u0131\u011f\u0131 \u00f6d\u00fclle art\u0131k Margosyan tan\u0131n\u0131r ve okunan bir yazar olur. Yazd\u0131klar\u0131yla da hakl\u0131 bir \u015fekilde geni\u015f bir okur kitlesine sahiptir.<\/p>\n

https:\/\/www.indyturk.com\/node\/494976\/t%C3%BCrki%CC%87yeden-sesler\/tespih-tanelerinden-eksilen-usta-bir-ermeni-yazar-m%C4%B1g%C4%B1rdi%C3%A7-margosyan\u00a0<\/em><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Naman Baka\u00e7, Independent T\u00fcrk\u00e7e i\u00e7in Rober Kopta\u015f, M\u00fcsl\u00fcm Y\u00fccel ve \u015eeyhmus Diken ile konu\u015ftu. Naman Baka\u00e7\u00a0 Ermenice edebiyat\u0131n usta yazar\u0131, \u00f6yk\u00fcc\u00fc, romanc\u0131, e\u011fitimci ve Aras yay\u0131nlar\u0131 ile Agos gazetesinin kurucular\u0131ndan Diyarbak\u0131r Han\u00e7epekli\u00a0M\u0131g\u0131rdi\u00e7 Margosyan, 2 Nisan 2022 tarihinde \u0130stanbul’da vefat etti. Margosyan; \u00f6yk\u00fc, deneme, roman ve gazete k\u00f6\u015fe yazarl\u0131\u011f\u0131 alan\u0131nda edebi \u00fcretimler ortaya koymu\u015f velut bir […]<\/p>\n","protected":false},"author":7,"featured_media":67883,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,19],"tags":[],"class_list":["post-67882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-unluler"],"yoast_head":"\n\u201cTespih Taneleri\u201dnden eksilen usta bir Ermeni yazar: M\u0131g\u0131rdi\u00e7 Margosyan - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=67882\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cTespih Taneleri\u201dnden eksilen usta bir Ermeni yazar: M\u0131g\u0131rdi\u00e7 Margosyan - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Naman Baka\u00e7, Independent T\u00fcrk\u00e7e i\u00e7in Rober Kopta\u015f, M\u00fcsl\u00fcm Y\u00fccel ve \u015eeyhmus Diken ile konu\u015ftu. Naman Baka\u00e7\u00a0 Ermenice edebiyat\u0131n usta yazar\u0131, \u00f6yk\u00fcc\u00fc, romanc\u0131, e\u011fitimci ve Aras yay\u0131nlar\u0131 ile Agos gazetesinin kurucular\u0131ndan Diyarbak\u0131r Han\u00e7epekli\u00a0M\u0131g\u0131rdi\u00e7 Margosyan, 2 Nisan 2022 tarihinde \u0130stanbul’da vefat etti. 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