MEHMET FAT\u0130H USLU<\/strong><\/p>\n2018 senesinde d\u00fczenlenen Diyarbak\u0131r Kar\u015f\u0131la\u015ft\u0131rmal\u0131 Edebiyat G\u00fcnleri\u2019nde M\u0131g\u0131rdi\u00e7 Margosyan\u2019\u0131n sekseninci ya\u015f g\u00fcn\u00fc kutlanm\u0131\u015ft\u0131. Benim de kat\u0131lma \u015fans\u0131 buldu\u011fum bu etkinlikte Margosyan\u2019\u0131n Diyarbak\u0131r i\u00e7in nas\u0131l bir kutup y\u0131ld\u0131z\u0131 oldu\u011funu, nas\u0131l muhabbet ve sayg\u0131yla \u00e7evrelendi\u011fini g\u00f6rmek etkileyiciydi. Diyarbak\u0131rl\u0131lar yazar\u0131n sadece hem\u015ferisi de\u011fil, hakiki okurlar\u0131yd\u0131. Kentte bu hissiyat\u0131n olu\u015fmas\u0131nda en b\u00fcy\u00fck pay, yazar\u0131n \u201cbir zamanlar\u0131n Diyarbak\u0131r\u0131\u201dn\u0131, art\u0131k kaybedilmi\u015f bir kenti ve onun k\u00fclt\u00fcrel zenginli\u011fini anlatmaktaki e\u015fsiz ba\u015far\u0131s\u0131nda olsa gerek.<\/p>\n
Margosyan bir Diyarbak\u0131r anlat\u0131c\u0131s\u0131 olarak ne kadar \u00f6nemliyse, hi\u00e7 \u015f\u00fcphesiz, ya\u015fayan T\u00fcrkiye Ermeni k\u00fclt\u00fcr\u00fcn\u00fcn en \u00f6nemli yarat\u0131c\u0131lar\u0131ndan biri olarak da o denli \u00f6nemlidir. Onun, Ermeni dilinin b\u00fcy\u00fck ustas\u0131 olarak Ermeni toplumu i\u00e7inde ne kadar sayg\u0131 g\u00f6rd\u00fc\u011f\u00fcnden bahsetmek bile gereksiz. Giderek konu\u015fan\u0131, okuyan\u0131 azalan Bat\u0131 Ermeniceye bir edebiyat dili olarak yeniden hayat veren, d\u00fcnya \u00fczerindeki az say\u0131daki sanatk\u00e2rlardan biri olarak Margosyan\u2019\u0131n de\u011feri tart\u0131\u015f\u0131lmazd\u0131r.<\/p>\n
Ama kan\u0131mca bu iki unsurdan da m\u00fchim olan bir ba\u015fka nokta var Diyarbak\u0131rl\u0131 yazar\u0131n maceras\u0131n\u0131 benzersiz k\u0131lan: Onu ne Diyarbak\u0131r\u2019la ne de Ermenice ve Ermeni k\u00fclt\u00fcr hayat\u0131yla s\u0131n\u0131rlamak m\u00fcmk\u00fcn de\u011fil. Margosyan, T\u00fcrkiye edebiyat tarihinde ba\u015fka hi\u00e7 kimseye benzemeyen bir yerde durur. Ermeniceyle ba\u015flad\u0131\u011f\u0131 yazarl\u0131k tecr\u00fcbesinde, ustas\u0131 Hagop M\u0131ntzuri\u2019nin aksine T\u00fcrk\u00e7eye ta\u015fm\u0131\u015f, \u00e7ift dilli bir yazarl\u0131k hayat\u0131 kurmu\u015f ve Cumhuriyet tarihinin en \u00f6zg\u00fcn m\u00fcelliflerinden biri olarak var etmi\u015ftir kendini. 1990\u2019l\u0131 y\u0131llardan itibaren, yani kitaplar\u0131 T\u00fcrk\u00e7e yay\u0131mlanmaya ba\u015flad\u0131ktan sonra, bir yandan \u00e7ok okunan bir yazar, \u00f6te yandan da T\u00fcrk\u00e7e edebiyat kanonuna meydan okuyan bir sanatk\u00e2r olarak kendine apayr\u0131 bir alan a\u00e7m\u0131\u015ft\u0131r. Hem Ermenice hem T\u00fcrk\u00e7e yazan, Ermenice yazd\u0131\u011f\u0131n\u0131 T\u00fcrk\u00e7e yeniden s\u00f6yleyen, T\u00fcrk\u00e7esinde Ermenicenin ve hatta K\u00fcrt\u00e7enin t\u0131n\u0131s\u0131n\u0131 duydu\u011fumuz Margosyan\u2019\u0131n, \u00f6zellikle G\u00e2vur Mahallesi\u2019ni olu\u015fturan hik\u00e2yeleri bug\u00fcn sadece Ermenice edebiyat\u0131n de\u011fil, T\u00fcrk\u00e7e edebiyat\u0131n da klasikleri aras\u0131ndad\u0131r.<\/p>\n
Bu, T\u00fcrkiye edebiyat tarihi bak\u0131m\u0131ndan ilgin\u00e7 ve \u00f6zel bir olayd\u0131r. Hele tarihsel olarak T\u00fcrk\u00e7edeki k\u00f6y anlat\u0131lar\u0131n\u0131n b\u00fcy\u00fck h\u00e2kimiyeti ortadan kalkm\u0131\u015f, me\u015fhur k\u00f6y roman\u0131 dalgas\u0131 kudretini tamamen yitirmi\u015f ve 1980 sonras\u0131nda yeni bir kent edebiyat\u0131 dalgas\u0131 ba\u015flam\u0131\u015fken Margosyan\u2019\u0131n bu ba\u015fka hi\u00e7 kimseye benzemeyen y\u00fckseli\u015fini nas\u0131l a\u00e7\u0131klamak gerekir?<\/p>\n
Burada, Margosyan\u2019\u0131n nevi \u015fahs\u0131na m\u00fcnhas\u0131r bir \u201cyerlilik\u201d anlat\u0131c\u0131s\u0131 olarak \u00f6ne \u00e7\u0131kt\u0131\u011f\u0131n\u0131 s\u00f6ylemek gerekiyor. Senelerce \u00fcniversitede Margosyan hik\u00e2yelerini okutmu\u015flu\u011fun tecr\u00fcbesiyle \u015f\u00f6yle anlatmaya \u00e7al\u0131\u015fay\u0131m: Margosyan\u2019\u0131 okuma deneyiminin ertesinde okurlar \u00e7o\u011funlukla olduk\u00e7a naif ve insanc\u0131l bir \u201cbiz olma\u201d hissiyle dolar. Anlat\u0131lan sadece Diyarbak\u0131r de\u011fil, sanki t\u00fcm Anadolu ta\u015fras\u0131d\u0131r, bahsedilen hepimizin ortak ge\u00e7mi\u015fidir. Anadolu\u2019nun ve ortak ge\u00e7mi\u015fimizin g\u00fczel insanlar\u0131, tatl\u0131 al\u0131\u015fkanl\u0131klar\u0131, kendine has halleri ve bin bir ba\u015fka etnografik ayr\u0131nt\u0131s\u0131 Margosyan\u2019\u0131n yaratt\u0131\u011f\u0131 \u015feker-dilde nostalji halesiyle sarmalanm\u0131\u015f bir \u201cbiz\u201di anlat\u0131yor gibidir. Bu, Margosyan\u2019\u0131n kurmacas\u0131n\u0131n ilk basama\u011f\u0131, hatta daha do\u011fru bir ifadeyle kabu\u011fudur.<\/p>\n
Ama onun esas kuvvetli taraf\u0131 bu kabukta de\u011fil, tam da bu kabu\u011fun k\u0131r\u0131lmas\u0131nda kendini g\u00f6sterir. Okur metne yakla\u015ft\u0131k\u00e7a, sessizce \u00f6ne \u00e7\u0131kan\u0131n anlat\u0131lan ge\u00e7mi\u015f de\u011fil, bu ge\u00e7mi\u015fin yitirilmi\u015fli\u011fi oldu\u011funu fark edecektir. Bu fark edi\u015f kabukta ortaya \u00e7\u0131kan nostaljik \u201cbiz\u201di \u00e7atlat\u0131r; zira asl\u0131nda yiten bu \u201cbiz\u201d de\u011fil, onun \u00e7\u0131kar\u0131l\u0131p at\u0131lm\u0131\u015f par\u00e7as\u0131d\u0131r. T\u00fcm bu metinler boyunca, Margosyan \u00e7ocuklu\u011funun ta\u015fras\u0131n\u0131 anlat\u0131rken, i\u015fin \u00f6z\u00fcnde kendi s\u00fcrg\u00fcn\u00fcn\u00fc anlatmaktad\u0131r, cennetin anlat\u0131c\u0131s\u0131 cennetten kovulmu\u015ftur. B\u00f6ylece okurun tecr\u00fcbesinde nostalji hissinin yerini yava\u015f yava\u015f bir yitimin ac\u0131s\u0131 almaya ba\u015flar. Margosyan\u2019\u0131n metinlerinde ne\u015fenin ard\u0131ndan h\u00fczn\u00fcn, tatl\u0131 s\u00f6z\u00fcn ard\u0131ndan ac\u0131l\u0131\u011f\u0131n bast\u0131rmas\u0131 bundand\u0131r; kabuktaki \u00e7ocuksu, ne\u015feli, ya\u015fama sevinciyle dolu ve nostaljik \u201cbiz\u201d, bir s\u00fcre sonra k\u00f6kl\u00fc bir kayb\u0131n hat\u0131rlat\u0131c\u0131s\u0131na d\u00f6n\u00fc\u015fmektedir.<\/p>\n
Na\u00e7izane, ben bunun b\u00fcy\u00fck bir edebi ba\u015far\u0131 oldu\u011fu kanaatindeyim. Sessizce ve yava\u015f\u00e7a, ince ince, dil ve \u00fcslubun sab\u0131rl\u0131 terbiyesiyle, hi\u00e7bir ac\u0131y\u0131 ve kederi g\u00f6ze sokmadan bir an\u0131t yaratm\u0131\u015ft\u0131r Margosyan T\u00fcrk\u00e7ede. Tatl\u0131, oyunlu, ne\u015feli \u00fcslubunda var etti\u011fi ve okuru getirip dibine b\u0131rakt\u0131\u011f\u0131 bu an\u0131t bir yokluk, bir felaket an\u0131t\u0131ndan ba\u015fka bir \u015fey de\u011fildir.<\/p>\n
Ermenice edebiyatla ilgilenenler \u015fu basit g\u00f6zlemi payla\u015facaklard\u0131r: Margosyan\u2019\u0131n vefat\u0131 asl\u0131nda uzun bir gelene\u011fin sonuna i\u015faret etmekte. Ta\u015fra edebiyat\u0131 Ermenicede, 19. y\u00fczy\u0131l\u0131n son \u00e7eyre\u011finden itibaren \u00f6nemli edebiyat kanallar\u0131ndan biri olur. Sadece ta\u015fraya bakan kentli entelekt\u00fceller de\u011fil, T\u0131lgadintsi gibi do\u011frudan ta\u015fradan yazan \u00f6nemli kalemler de bu damar\u0131 var eder. Bunda bir yanda milli kimlik aray\u0131\u015f\u0131 ve onun paralelinde halkbilimle etnografinin y\u00fckseli\u015fi etkiliyse, \u00f6te yanda Osmanl\u0131 Ermeni toplumunun Osmanl\u0131\u2019n\u0131n geneline k\u0131yasla \u00e7ok daha kapsay\u0131c\u0131 bir \u015fekilde ba\u015fard\u0131\u011f\u0131 okulla\u015fma s\u00fcreci ve bu okulla\u015fman\u0131n entelekt\u00fcel uyan\u0131\u015f\u0131 s\u00fcratle ta\u015fraya yaymas\u0131 etkili olmu\u015ftur.<\/p>\n
Fakat hen\u00fcz bir gelenek haline gelmi\u015f bu ta\u015fra edebiyat\u0131 damar\u0131, 1915\u2019ten sonra bir yandan bu gelene\u011fin uzant\u0131s\u0131 olmaya devam etse de, 1915\u2019in darbesiyle ciddi \u015fekilde d\u00f6n\u00fc\u015ferek yeniden \u015fekillenir. Bu kez ona can veren temel motivasyon \u201chat\u0131rlama\/tan\u0131kl\u0131k\u201d arzusudur. Hem T\u00fcrkiye\u2019de hem de Ermeni toplumunun farkl\u0131 diasporalar\u0131nda, kaybedilen memleketi dilde ve edebiyatta yeniden var etmek g\u00fcd\u00fcs\u00fcyle ta\u015fray\u0131 (k\u00f6y\u00fc) anlatmak Hamasde\u011f\u2019den Totevents\u2019e, M\u0131ntzuri\u2019den Margosyan\u2019a uzayan capcanl\u0131 bir metin nehri olu\u015fturmu\u015ftur. \u0130\u015fte Margosyan bu upuzun nehrin sonundaki yazard\u0131r. Ve onun vefat\u0131n\u0131n bu nehrin son nefesi oldu\u011funu bir kez daha, alt\u0131n\u0131 \u00e7ize \u00e7ize belirtmek gerekir.<\/p>\n
M\u0131g\u0131rdi\u00e7 Margosyan, Ankara \u00c7a\u011fda\u015f Sanatlar Merkezi\u2019nde kitaplar\u0131n\u0131 imzalarken, 2019. (Aras Yay\u0131nc\u0131l\u0131k)<\/p>\n
Margosyan, Ermenice ilk \u00f6yk\u00fc derlemesinde yer alan \u201cHokeca\u015f\u201dta babas\u0131yla beraber (kendisinin de defnedilece\u011fi) \u015ei\u015fli Ermeni Mezarl\u0131\u011f\u0131\u2019n\u0131 dola\u015f\u0131yor ve kabristan\u0131 bir g\u00fczellik bah\u00e7esi olarak tarif ediyordu:<\/p>\n
\u201c\u015ei\u015fli Ermeni Mezarl\u0131\u011f\u0131 a\u011fa\u00e7lar\u0131yla, \u00e7i\u00e7ekleriyle bizim gibi ta\u015fral\u0131 Ermeniler i\u00e7in tam bir cennettir. Kim ki buraya g\u00f6m\u00fclm\u00fc\u015fse ve ba\u015f\u0131n\u0131n \u00fcst\u00fcne bir ha\u00e7 konulmu\u015fsa hi\u00e7 \u015f\u00fcphe yok ki cennete gitmi\u015ftir\u201d (Mer Ayt Go\u011fmer\u0131 152-153).<\/p>\n
Bu hik\u00e2yedeki \u201ccennet-mezar\u201d fikrinin ve \u00f6zel olarak bu pasaj\u0131n Margosyan\u2019\u0131n edebiyat\u0131n\u0131 \u00e7ok iyi yans\u0131tt\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fcm hep.<\/p>\n
\u015ei\u015fli Ermeni Mezarl\u0131\u011f\u0131\u2019n\u0131n b\u00fcy\u00fck yazara arzu etti\u011fi cennet olmas\u0131n\u0131 dileyerek bitireyim bu zor yaz\u0131y\u0131. \u00d6te tarafta \u00e7ocuklu\u011funun Han\u00e7epek\u2019ine, babas\u0131n\u0131n Heredan\u2019\u0131na kavu\u015fsun, huzur ve g\u00fczellikler i\u00e7inde dinlensin.<\/p>\n
T24<\/a>\u00a0<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"\u201cSessizce ve yava\u015f\u00e7a, ince ince, dil ve \u00fcslubun sab\u0131rl\u0131 terbiyesiyle, hi\u00e7bir ac\u0131y\u0131 ve kederi g\u00f6ze sokmadan bir an\u0131t yaratm\u0131\u015ft\u0131r Margosyan T\u00fcrk\u00e7ede. Tatl\u0131, oyunlu, ne\u015feli \u00fcslubunda var etti\u011fi ve okuru getirip dibine b\u0131rakt\u0131\u011f\u0131 bu an\u0131t bir yokluk, bir felaket an\u0131t\u0131ndan ba\u015fka bir \u015fey de\u011fildir.\u201d MEHMET FAT\u0130H USLU 2018 senesinde d\u00fczenlenen Diyarbak\u0131r Kar\u015f\u0131la\u015ft\u0131rmal\u0131 Edebiyat G\u00fcnleri\u2019nde M\u0131g\u0131rdi\u00e7 Margosyan\u2019\u0131n […]<\/p>\n","protected":false},"author":7,"featured_media":67837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,70],"tags":[],"class_list":["post-67836","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-makaleler"],"yoast_head":"\n
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