{"id":67530,"date":"2022-03-17T02:14:39","date_gmt":"2022-03-17T07:14:39","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=67530"},"modified":"2022-03-17T02:14:39","modified_gmt":"2022-03-17T07:14:39","slug":"turk-yahudileri-turk-tiyatrosunun-neresindedirler-%e2%85%a1%e2%85%a0-cumhuriyet-enginindeki-gemi","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=67530","title":{"rendered":"T\u00fcrk Yahudileri T\u00fcrk Tiyatrosunun neresindedirler- \u2161\u2160 \u00b4Cumhuriyet enginindeki gemi\u2026\u00b4"},"content":{"rendered":"

\"\"<\/p>\n

T\u00fcrk Yahudilerinin, T\u00fcrk Tiyatrosu i\u00e7in ifade ettikleri m\u00e2n\u00e2 b\u00fcy\u00fckt\u00fcr. Bu topraklarda beraber b\u00fcy\u00fcm\u00fc\u015fler, beraber geli\u015fmi\u015fler desek inan\u0131n\u0131z yeridir. Bir\u00e7ok g\u00f6steri t\u00fcr\u00fcn\u00fc co\u011frafyam\u0131zda tan\u0131tm\u0131\u015flar; o t\u00fcrlerden hareketle yeni g\u00f6steri t\u00fcrleri ke\u015ffetmi\u015fler ve T\u00fcrk Tiyatro hayat\u0131na renklili\u011fin, canl\u0131l\u0131\u011f\u0131n kol gezdi\u011fi bir karnaval havas\u0131 getirmi\u015flerdir. T\u00fcrk Yahudileri, Tanzimat ve akabinde gelen Bat\u0131l\u0131 \u00f6l\u00e7\u00fcde de\u011fi\u015fim hareketinden sonra tiyatro meydan\u0131ndan yava\u015f\u00e7a \u00e7ekilmeye ba\u015flam\u0131\u015f ve hayatlar\u0131n\u0131 farkl\u0131 mesleklerde idame ettirme yolunu se\u00e7mi\u015flerdir. T\u00fcm bu farkl\u0131la\u015fmaya ra\u011fmen T\u00fcrk Yahudileri, 29 Ekim 1923\u00b4te a\u00e7\u0131ld\u0131\u011f\u0131m\u0131z Cumhuriyet engininin tiyatro deryas\u0131na bir gemiyle a\u00e7\u0131lmaya muvaffak olmu\u015f ve o gemi de h\u00e2l\u00e2 ayn\u0131 deryada \u015f\u00fck\u00fcr ki pupa yelken yol almaktad\u0131r\u2026 \u0130\u015fte \u00b4T\u00fcrk Yahudileri T\u00fcrk Tiyatrosunun Neresindedirler\u00b4 serisinin son yaz\u0131s\u0131nda da bu yol al\u0131\u015f\u0131n \u00e7ok k\u0131salt\u0131lm\u0131\u015f hik\u00e2yesinin payla\u015faca\u011f\u0131m\u2026\u00a0<\/strong><\/em><\/p>\n

Erdem Beli\u011f ZAMAN<\/strong><\/p>\n

Hayat \u015fartlar\u0131n\u0131n, d\u00fcnya ideolojisinin ve hatta memleket istikametinin de\u011fi\u015fmesi herkes gibi T\u00fcrk Yahudilerine de derinden tesir etmi\u015fti. Art\u0131k \u00fclkeye getirdikleri t\u00fcrl\u00fc sanat t\u00fcrleriyle alakadar olmaktansa hayat\u0131 rahat\u00e7a s\u00fcrd\u00fcrmeyi kolayla\u015ft\u0131racak farkl\u0131 meslek gruplar\u0131na y\u00f6nelirler. T\u00fcrk Yahudileriyle meydanlar\u0131n tozunu att\u0131ran M\u00fcsl\u00fcman T\u00fcrklerse Tanzimat\u2019la beraber yava\u015f yava\u015f sahnelere \u00e7\u0131kmaya ba\u015flar. Tiyatro bu tarihlerde bilhassa Ermeni sanatk\u00e2rlar\u0131n ellerinde y\u00fckselir. T\u00fcrk Yahudilerinin aktif tiyatro faaliyetlerinden adeta b\u0131\u00e7akla kesilir gibi uzakla\u015fmalar\u0131, tekrar tiyatroya d\u00f6nmek istediklerinde camian\u0131n \u00e7oktan dolmas\u0131 sebebiyle sahnenin d\u0131\u015f\u0131na do\u011fru itilmeleriyle neticelenecektir. Bu neticelenme de Cumhuriyet\u2019le beraber aktiflikten uzakla\u015f\u0131p kabu\u011fa \u00e7ekilmeye sebebiyet verecektir. Nihayetinde T\u00fcrk Yahudileri bir\u00e7ok farkl\u0131 inan\u0131\u015ftan ve etnik k\u00f6kenden seyirciye de\u011fil yaln\u0131z Musevi cemaatine piyesler oynanacakt\u0131r. Rivka Bihar o k\u0131ymetli tezinde bu piyesleri mevzuuna g\u00f6re \u00fc\u00e7e ay\u0131r\u0131r1<\/sup>:<\/p>\n

    \n
  1. Sefaradlarla ilgili mevzular<\/strong>: Sadece Sefarad toplumunun ya\u015fad\u0131\u011f\u0131 hadiselerle alakal\u0131<\/li>\n
  2. Yahudilikle ilgili mevzular<\/strong>: Tevrat\u2019tan k\u0131ssalar\u0131n yan\u0131 s\u0131ra antisemitizm ve asimilasyon meseleleriyle de alakal\u0131<\/li>\n
  3. D\u00fcnya tiyatrosu:\u00a0<\/strong>Klasik piyeslerden yahut di\u011fer d\u00fcnya milletlerinin piyeslerinden yap\u0131lan Ladino terc\u00fcmelerle alakal\u0131<\/li>\n<\/ol>\n

    Gemi Engine A\u00e7\u0131l\u0131r\u2026<\/strong><\/p>\n

    Cumhuriyet devrine girildi\u011finde h\u00e2lihaz\u0131rda zaten, Eleno Romero te\u015febb\u00fcs\u00fcnde Sefarad Tiyatrosu \u00e7al\u0131\u015fmalar\u0131 vard\u0131. Bu \u00e7al\u0131\u015fmalar 1930\u2019lara de\u011fin s\u00fcrer2<\/sup>. \u00d6te taraftan ba\u015flayan \u201cVatanda\u015f T\u00fcrk\u00e7e Konu\u015f!\u201d kampanyas\u0131 T\u00fcrk Yahudi Tiyatrosunu Judeo-Espanyolca oyun oynamaktan al\u0131koyar ve gittik\u00e7e daha i\u00e7ine kapan\u0131k bir vaziyete sokar. O g\u00fcnlerde T\u00fcrk Yahudilerinin tiyatro nam\u0131na yapabildikleri yeg\u00e2ne \u00e7al\u0131\u015fma 1910\u2019da kurulan Arkada\u015fl\u0131k Yurdu Derne\u011findeki faaliyetleriydi. Dernekteki oyunlar bir nevi \u201cyard\u0131m kolu\u201d vazifesi g\u00f6rm\u00fc\u015f, d\u00fcnya sava\u015f\u0131n\u0131n \u015fartlar\u0131ndan olumsuz etkilenmi\u015f T\u00fcrk Yahudilerine destekte bulunulmas\u0131na katk\u0131 sa\u011flam\u0131\u015ft\u0131. Bu dernek \u00e7at\u0131s\u0131 alt\u0131nda gelece\u011fin T\u00fcrk Yahudi tiyatrocular\u0131n\u0131n yeti\u015fmelerinden katk\u0131s\u0131 b\u00fcy\u00fck olan Albert Levi, Hayim Eskenazi, Yuda Seneg\u00f6r, Filon Kohen, Robert Susi gibi isimler piyesler sahnelemi\u015flerdi. \u0130zzet Bana\u2019dan \u00f6\u011frendi\u011fimiz kadar\u0131yla bu kadroya ait en eski tarihli piyesler 1947\u2019ye tarihlenir. Bu tarihte sahnelenen piyeslerin adlar\u0131 bir ba\u015fka kaynakta Alfred Dreyfus ve Yusuf ile Z\u00fcleyha olarak verilir3<\/sup>. Bu piyesleri Anna Frank (1948) takip eder. \u0130zzet Bey, bilhassa Yuda Seneg\u00f6r ve Albert Levi isimleri \u00fczerinde durur \u00e7\u00fcnk\u00fc bu isimler kendilerinden sonraki tiyatrocu neslinin yeti\u015fmesinde sorumluluk \u00fcstlenen tiyatro insanlar\u0131d\u0131r. Hatta \u0130zzet Bey, rejis\u00f6rl\u00fc\u011fe Yuda Seneg\u00f6r\u2019e \u2018Unutulmayan I\u015f\u0131klar\u2019 piyesinde yard\u0131mc\u0131l\u0131k yaparak ad\u0131m atm\u0131\u015ft\u0131r. Cumhuriyet\u2019in ilk profesyonel T\u00fcrk Yahudi tiyatro oyuncusu say\u0131n Rozet Hube\u015f de Albert Levi\u2019nin rahle-i tedrisinden ge\u00e7mi\u015ftir. Albert Levi, Arkada\u015fl\u0131k Yurdu Derne\u011finde sonraki senelerde Samson-Dalila (1968-69), Rambam Hastanesi (1968-69) ve Eskolyot (1975) piyeslerini de y\u00f6netmi\u015fti4<\/sup>. Ayr\u0131ca Rozet Hube\u015f g\u00f6r\u00fc\u015fmemizde, devrin tan\u0131nm\u0131\u015f piyes m\u00fctercimlerinden Orhan Ayd\u0131nba\u015f\u2019\u0131n gene bu dernekte sahneledi\u011fi kendi terc\u00fcmesi olan \u2018Arabadaki Timsah\u2019 isimli bir komedide de 1976\u2019da rol ald\u0131\u011f\u0131n\u0131 nakletmi\u015fti. Bu oyun g\u00f6z \u00f6n\u00fcne al\u0131n\u0131rsa dernekteki tiyatro faaliyetlerinin devrin genelge\u00e7er T\u00fcrk tiyatro ortam\u0131ndan soyutlanmad\u0131\u011f\u0131 s\u00f6ylenebilir.\u00a0\u2018Narenciye\u2019<\/em>\u00a0m\u00e2n\u00e2s\u0131na gelen, m\u00fczikli bir komedi piyesi olan Eskolyot, ayn\u0131 zamanda Rozet Hube\u015f\u2019in de ilk sahne tozunu yuttu\u011fu piyes olmu\u015ftu. Bu piyeste ba\u015frolde yer alan Rozet Han\u0131m, ald\u0131\u011f\u0131 konservatuar e\u011fitiminden sonra profesyonel olarak \u015eehir Tiyatrosu\u2019na girecek ve daha \u00f6nce de belirtti\u011fim gibi Cumhuriyet devrinde Musevi cemaatinden \u00e7\u0131kan ilk profesyonel oyuncu olacakt\u0131. \u00dczerinde durulmas\u0131 gereken en m\u00fchim hususiyetse Rozet Hube\u015f\u2019in bir kad\u0131n olarak bu unvan\u0131 kazanmas\u0131d\u0131r. Bir\u00e7ok T\u00fcrk kad\u0131n\u0131na da \u00f6nc\u00fcl\u00fck etmi\u015ftir.<\/p>\n

    \"\"<\/figure>\n

    Rozet Hube\u015f<\/strong><\/em><\/p>\n

    T\u00fcrk Yahudi Cemaatinin Di\u011fer Tiyatro Merkezleri<\/strong><\/p>\n

    Arkada\u015fl\u0131k Yurdu Derne\u011finden yeti\u015fen \u0130zzet Bana, Selim Hube\u015f, Jojo Eskenazi, Yuda Siliki gibi sanatk\u00e2rlar Dostluk Yurdu Derne\u011finin kurulmas\u0131n\u0131n akabinde bu dernek b\u00fcnyesinde \u00e7al\u0131\u015fmaya ba\u015flam\u0131\u015flard\u0131. Mizah\u00ee tavra yak\u0131n bu sanatk\u00e2r gen\u00e7ler daha \u00f6nceki neslin klasik piyeslere, trajediye ve drama yak\u0131n oyun k\u00fclliyat\u0131n\u0131 de\u011fi\u015ftirmi\u015f; o devrin di\u011fer tiyatrolar\u0131nda da s\u0131kl\u0131kla g\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere komedi oynamak \u00fczerine e\u011filmi\u015flerdi. 1977 senesinde Ta\u015fl\u0131k Gazinosunda \u2018Fikso\u2019 (Kabul G\u00fcn\u00fc) isimli bir komedi piyesiyle seyircinin kar\u015f\u0131s\u0131na \u00e7\u0131km\u0131\u015flar ve k\u0131sada olsa Judeo-Espanyolca bir komediyle seyircinin reaksiyonunu yoklama f\u0131rsat\u0131na eri\u015fmi\u015flerdi. Aziz Nesin, Ephraim Kishon gibi naml\u0131 mizah\u00e7\u0131lar\u0131n hik\u00e2yelerinden adapte ettikleri ske\u00e7lerle g\u00f6sterilerini s\u00fcrd\u00fcr\u00fcrler. Zaten bu yoklamalar\u0131n neticesidir ki ayn\u0131 ekip 1978\u2019de \u015f\u00fcphe yok ki Cumhuriyet devrinin en dikkate \u015fayan T\u00fcrk Yahudi mahsul\u00fc piyesi Kula\u2019y\u0131 \u00e7\u0131karm\u0131\u015f, milenyum sonras\u0131na kadar y\u00fcze yak\u0131n kez temsil etmi\u015fti5<\/sup>. Oyun \u0130zmir ve \u0130srail\u2019e turneye de gitmi\u015fti. Bu piyeste Jojo Eskenazi\u2019nin can verdi\u011fi sarho\u015f \u2018Moiz\u2019 tipi \u00e7ok sevilmi\u015f; bu piyesin d\u0131\u015f\u0131nda da Selim Hube\u015f taraf\u0131ndan ske\u00e7ler yaz\u0131lmak suretiyle geni\u015fletilmi\u015f ve sergilenmi\u015fti. Jojo Eskenazi\u2019ye m\u00fcthi\u015f komedi tavr\u0131 ile T\u00fcrk Yahudilerinin \u2018\u0130smail D\u00fcmb\u00fcll\u00fc\u2019s\u00fc; \u2018Moiz\u2019 tipine de T\u00fcrk Yahudi tiyatrosunun \u2018\u0130bi\u015f\u2019i dense yeridir.<\/p>\n

    Daha \u00e7ok vodvil ve komedi oynamaya a\u011f\u0131rl\u0131k veren G\u00f6ztepe K\u00fclt\u00fcr Derne\u011fi ve Yahudi tarihine a\u011f\u0131rl\u0131k veren piyesler tercih eden Y\u0131ld\u0131r\u0131m Spor Kul\u00fcb\u00fc gibi dernekler de Cumhuriyet devrinde T\u00fcrk Yahudilerinin tiyatro yapt\u0131klar\u0131 \u00e7at\u0131lardan di\u011ferleridir6<\/sup>. Dernekler tiyatro a\u00e7\u0131s\u0131ndan bak\u0131ld\u0131\u011f\u0131nda T\u00fcrk Yahudileri tiyatrosu ad\u0131na can simidi vazifesi g\u00f6rm\u00fc\u015f; Feri Baycu G\u00fcler, Mark Levitas ve Yosi Mizrahi gibi gen\u00e7 neslin dikkat \u00e7eken tiyatrocular\u0131n\u0131n yeti\u015fti\u011fi memba olmu\u015ftur.<\/p>\n

    Gemiden Deryaya Atlayanlar<\/strong><\/p>\n

    Cemaat tiyatrolar\u0131ndaki faaliyetler \u015f\u00f6yle dursun, baz\u0131 T\u00fcrk Yahudi\u2019si oyuncular sahne sanatlar\u0131nda kendilerine \u00fclke \u00e7ap\u0131nda yer edinmi\u015fti. Bu sanatk\u00e2rlardan ilki Jak Bi\u00e7a\u00e7i\u2019dir. Jak Bey, devrin seyircisine 1942\u2019de Avni Dilligil taraf\u0131ndan kurulan Ses Opereti\u2019nde ekibiyle beraber Bat\u0131l\u0131 danslar g\u00f6sterirdi. Ses Opereti m\u00fczikli ve dansl\u0131 oyunlar\u0131n sergilendi\u011fi; zaman zaman yerli ve yabanc\u0131 balelerin7<\/sup>\u00a0sahne ald\u0131\u011f\u0131 bir kumpanyayd\u0131. Bu gruptan S\u00fcreyya Duru, E\u015fref Kol\u00e7ak, Nevin Aypar, Ayla Karaca, Sezer Sezin gibi ilerleyen senelerde \u015f\u00f6hreti oyunculukta veya farkl\u0131 sahalarda yakalayan bir\u00e7ok dans\u00e7\u0131 yeti\u015fmi\u015fti. \u0130\u015fte Jak Bi\u00e7a\u00e7i bu dans\u00e7\u0131lar\u0131 oyuna haz\u0131rlayan bir hocad\u0131r. Hatta birka\u00e7 kad\u0131n dans\u00e7\u0131dan m\u00fcte\u015fekkil \u201cJak Bi\u00e7a\u00e7i Rev\u00fcs\u00fc\u201d isimli bir grupla da sahne alm\u0131\u015ft\u0131. Ses Opereti g\u00fcnlerinden sonra O\u2019nun, ra\u011fbet edilen aile bah\u00e7elerinden birinde sadece tek k\u0131zla b\u0131\u00e7ak dans\u0131 sergiledi\u011fini Say\u0131n H\u0131ncal Ulu\u00e7 seneler evvel yazm\u0131\u015ft\u01318<\/sup>. Birka\u00e7 filmde de rol alan Bi\u00e7a\u00e7i, \u00f6mr\u00fcn\u00fcn sonraki y\u0131llar\u0131nda ticarete at\u0131lm\u0131\u015ft\u0131. Ortaoyununun meydanlarda oynayan son Kavuklu\u2019su Zeki Alpan\u2019\u0131n o\u011flu Say\u0131n Ertu\u011frul Alpan bir konu\u015fmam\u0131zda, babas\u0131yla beraber Jak Bi\u00e7a\u00e7i\u2019nin Y\u00fcksekkald\u0131r\u0131m\u2019daki d\u00fckkan\u0131ndan portatif daktilo ald\u0131klar\u0131ndan bahsetmi\u015fti. \u0130zzet Bana da Jak Bi\u00e7a\u00e7i\u2019nin ailesinin \u0130srail\u2019e ta\u015f\u0131nd\u0131\u011f\u0131n\u0131 s\u00f6ylemi\u015fti. Jak Bi\u00e7a\u00e7i, 1970\u2019li senelerin sonlar\u0131na do\u011fru hayat\u0131n\u0131 kaybetti.<\/p>\n

    Sonraki senelerde hem sahnede hem de beyaz perdede beliren di\u011fer bir Yahudi fig\u00fcr Moris\u2019ti. \u201cC\u00fcce Moris\u201d nam\u0131yla da an\u0131lan Moris, k\u0131sa boylu, kumral, renkli g\u00f6zl\u00fc, sevimli bir tipti. \u2018Tarkan\u2019 filminde canland\u0131rd\u0131\u011f\u0131 \u2018Kulke\u2019 karakteriyle \u00fclke \u00e7ap\u0131nda tan\u0131nd\u0131. Moris, gazinolarda komedyen h\u00fcviyetiyle \u015fov da yapm\u0131\u015ft\u0131. Herhalde \u015fovlar\u0131 dikkat \u00e7ekmi\u015fti ki kendisine filmlerde yer verilmi\u015f, onu a\u015fk\u0131n film \u00e7evirmi\u015fti. Kendisini seyreden Say\u0131n Sermet Erkin, Moris\u2019in \u015fovunun f\u0131kra anlatmaktan ve \u015fark\u0131 s\u00f6ylemekten ibaret oldu\u011funu nakletmi\u015fti. \u0130nternette g\u00f6rd\u00fc\u011f\u00fcm bir kaynakta \u0130talyan k\u00f6kenli oldu\u011fu, 1922\u2019de do\u011fup 20 Nisan 1995\u2019te vefat etti\u011fi; \u0130ngilizce, \u0130spanyolca, Frans\u0131zca, Almanca, \u0130talyanca ve T\u00fcrk\u00e7e bildi\u011fi, bateristlik ve 1969-89 seneleri aras\u0131nda Almanya\u2019da barmenlik yapt\u0131\u011f\u0131 belirtilmi\u015fti. Bu bilgilerde y\u00fcksek ihtimalle hatalar mevcuttur; mesela Moris\u2019in 1969 senesinde Almanya\u2019da barmenlik yapmas\u0131 m\u00fcmk\u00fcn de\u011fildir \u00e7\u00fcnk\u00fc 1970 senesinde T\u00fcrkiye\u2019de S\u00fcrt\u00fck ismiyle bir filmde rol alm\u0131\u015ft\u0131.<\/p>\n

    T\u00fcrk Yahudilerinin Cumhuriyet devrinde, tiyatroda isim yapm\u0131\u015f en m\u00fchim simalar\u0131ndan biri \u015f\u00fcphesiz Beki Bahar\u2019d\u0131r. 2011 senesinde kaybetti\u011fimiz Beki Han\u0131m, ayn\u0131 zamanda Devlet Tiyatrosu repertuar\u0131na piyesi kabul edilen ilk T\u00fcrk Yahudi\u2019si yazard\u0131r. \u201cAlabora, Demokles\u2019in K\u0131l\u0131c\u0131, Senyora ve \u00d6l\u00fcms\u00fcz Kullar\u201d piyesleri memleketimizdeki tek tiyatro ne\u015friyat\u00e7\u0131s\u0131 Mitos Boyut Yay\u0131nlar\u0131nca da kitap olarak bas\u0131lm\u0131\u015ft\u0131r.<\/p>\n

    \"\"<\/figure>\n

    \u0130zzet Bana<\/strong><\/em><\/p>\n

    Bug\u00fcn sahnelerde\u2026<\/strong><\/p>\n

    T\u00fcrk Yahudi\u2019si tiyatroculara ve oyunculara art\u0131k gerek sahnelerde gerekse perdede s\u0131k\u00e7a rastlamak m\u00fcmk\u00fcn. Sanat bak\u0131m\u0131ndan bir d\u00f6nem tercih edilen geriye \u00e7ekili\u015fin art\u0131k devam etmedi\u011fini mutlulukla s\u00f6yleyebilirim. \u00d6yle ki bir\u00e7ok yap\u0131mda isimlerini g\u00f6rd\u00fc\u011f\u00fcm\u00fcz: \u015eeyla Halis, Etel Mulinas, Aylin Kontente, Feri Baycu G\u00fcler, Yosi Mizrahi, Jess Molho, Lemi Filozof ve ismini sayamad\u0131\u011f\u0131m bir\u00e7ok T\u00fcrk Yahudi\u2019si oyuncu bu geriye d\u00f6n\u00fc\u015f\u00fcn en b\u00fcy\u00fck delilleri. Ayr\u0131ca \u015fu an \u00fclkemizin en b\u00fcy\u00fck ve m\u00fchim \u00f6zel tiyatrolar\u0131ndan Tiyatrokare, gene T\u00fcrk Tiyatrosuna tiyatro sahibi, yap\u0131mc\u0131, rejis\u00f6r, oyuncu ve hoca olarak b\u00fcy\u00fck katk\u0131lar\u0131 bulunan Nedim Saban\u2019\u0131n otuz senedir ya\u015fatmay\u0131 ba\u015farabildi\u011fi k\u00f6kle\u015fmi\u015f bir tiyatro m\u00fcessesesidir. Saban, T\u00fcrk Yahudileri aras\u0131ndan \u00e7\u0131k\u0131p T\u00fcrk Tiyatrosuna \u00e7ocuk ya\u015flardan itibaren hizmet etmi\u015f; \u00e7ocuk oyunlar\u0131ndan, m\u00fczikallere; vodvillerden bulvar oyunlar\u0131na kadar a\u00e7\u0131lan geni\u015f bir yelpazede T\u00fcrk seyircisine birbirinden usta isimlerle \u00f6r\u00fcl\u00fc oyunlar sunmu\u015ftur. Bu oyunlar\u0131n seneler boyunca haf\u0131zalardan \u00e7\u0131kmayaca\u011f\u0131 muhakkakt\u0131r.<\/p>\n

    Di\u011fer taraftan \u00fcz\u00fcld\u00fc\u011f\u00fcm nokta, yine Yahudilerin memlekete kazand\u0131rd\u0131\u011f\u0131 hokkabazl\u0131k, kol oyunlar\u0131, kukla gibi t\u00fcrlerin modern tiyatroda yenilenerek tecr\u00fcbe edilmeyi\u015fidir. H\u00e2lbuki b\u00f6yle bir karman\u0131n yap\u0131lmas\u0131 T\u00fcrk Tiyatrosuna bu k\u0131s\u0131r d\u00f6ng\u00fcs\u00fcnde y\u00f6n tayin edecek ve t\u0131knefes oldu\u011fu zamanlarda oksijen takviyesinde bulunacakt\u0131r. B\u00f6ylece T\u00fcrk Yahudi\u2019si men\u015fe\u2019li tiyatro kal\u0131c\u0131 hale gelecektir. O bile\u015fimi yapacak tiyatro insanlar\u0131n\u0131 \u00f6zlemle bekledi\u011fimi eklemeden edemeyece\u011fim\u2026<\/p>\n

    Cumhuriyet devri T\u00fcrk Tiyatrosunda, T\u00fcrk Yahudileriyle alakal\u0131 s\u00f6zlerimi sonland\u0131rmadan evvel T\u00fcrk Tiyatrosunun bir etnik tiyatrodan \u00e7ok \u00f6tede bir dayan\u0131\u015fma, birle\u015fim ve sentez tiyatrosu oldu\u011funun ayr\u0131ca alt\u0131n\u0131 \u00e7izmek isterim. Yazarlar\u0131, oyuncular\u0131, rejis\u00f6rleri ve yap\u0131mc\u0131lar\u0131 ayr\u0131 fikirlere, ayr\u0131 dinlere, ayr\u0131 \u0131rklara mensup olsalar dahi hep o ayn\u0131 emel u\u011frunda emeklerini, \u00f6m\u00fcrlerini sarfetmi\u015flerdi. T\u00fcrk Tiyatrosunun en iyi oyunlar\u0131ndan Haldun Taner\u2019in Ke\u015fanl\u0131 Ali Destan\u0131\u2019nda Madam Olga rol\u00fcn\u00fc senelerce oynayan Rozet Hube\u015f\u2019in g\u00f6r\u00fc\u015fmemizde s\u00f6yledi\u011fi bu s\u00f6z ne kadar ho\u015ftur:\u00a0\u201cM\u00fcsl\u00fcman as\u0131ll\u0131 bir T\u00fcrk, Ermeni madam\u0131 yazd\u0131; bunu da Yahudi as\u0131ll\u0131 bir T\u00fcrk oynad\u0131\u2026\u201d\u00a0<\/em>Bu s\u00f6z sizce de T\u00fcrk Tiyatrosunun \u00f6zeti de\u011fil midir?<\/p>\n

    NOT: Bu yaz\u0131n\u0131n \u00e7\u0131kabilmesini iki k\u0131ymetli sanatk\u00e2ra bor\u00e7luyum: Say\u0131n Rozet Hube\u015f\u2019e ve Say\u0131n \u0130zzet Bana\u2019ya. Kendilerini te\u015fekk\u00fcrden fazlas\u0131yla selaml\u0131yorum. Verdikleri bilgilerle yaz\u0131m\u0131 zenginle\u015ftiren Say\u0131n Nedim Saban\u2019a, Say\u0131n Sermet Erkin\u2019e ve Say\u0131n Ertu\u011frul Alpan\u2019a te\u015fekk\u00fcr\u00fc bir bor\u00e7 bilirim.<\/strong><\/p>\n

    1 Rivka Bihar, \u0130stanbul T\u00fcrk Yahudi Cemaati Tiyatrosu: Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Geli\u015fimi (1860-2008)<\/em><\/p>\n

    2 Rivka Bihar, \u0130stanbul T\u00fcrk Yahudi Cemaati Tiyatrosu: Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Geli\u015fimi (1860-2008)<\/em><\/p>\n

    3 Rivka Bihar, \u0130stanbul T\u00fcrk Yahudi Cemaati Tiyatrosu: Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Geli\u015fimi (1860-2008)<\/em><\/p>\n

    4 Rivka Bihar, \u0130stanbul T\u00fcrk Yahudi Cemaati Tiyatrosu: Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Geli\u015fimi (1860-2008)<\/em><\/p>\n

    5 https:\/\/www.avlaremoz.com\/2022\/02\/08\/kuladan-kulaya-bir-oyunun-hikayesi-izzet-bana<\/em><\/p>\n

    6 Rivka Bihar, \u0130stanbul T\u00fcrk Yahudi Cemaati Tiyatrosu: Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Geli\u015fimi (1860-2008)<\/em><\/p>\n

    7 Bug\u00fcnk\u00fc anlamda bale zannedilmesin. Bu baleler daha \u00e7ok bir grup kad\u0131n\u0131n oyun aras\u0131nda seyirciyi e\u011flendirmek i\u00e7in yapt\u0131\u011f\u0131 danslardan m\u00fcte\u015fekkil g\u00f6sterilerdi.<\/em><\/p>\n

    8 https:\/\/www.sabah.com.tr\/yazarlar\/uluc\/2012\/09\/29\/beyoglunda-harikalar-diyari<\/em><\/p>\n

    9 http:\/\/www.sinematurk.com\/kisi\/7335-moris<\/em><\/p>\n

    https:\/\/salom.com.tr\/haber-121577-turk_yahudileri_turk_tiyatrosunun_neresindedirler_85458544_acutecumhuriyet_enginindeki_gemiacute.html<\/a><\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

    T\u00fcrk Yahudilerinin, T\u00fcrk Tiyatrosu i\u00e7in ifade ettikleri m\u00e2n\u00e2 b\u00fcy\u00fckt\u00fcr. Bu topraklarda beraber b\u00fcy\u00fcm\u00fc\u015fler, beraber geli\u015fmi\u015fler desek inan\u0131n\u0131z yeridir. Bir\u00e7ok g\u00f6steri t\u00fcr\u00fcn\u00fc co\u011frafyam\u0131zda tan\u0131tm\u0131\u015flar; o t\u00fcrlerden hareketle yeni g\u00f6steri t\u00fcrleri ke\u015ffetmi\u015fler ve T\u00fcrk Tiyatro hayat\u0131na renklili\u011fin, canl\u0131l\u0131\u011f\u0131n kol gezdi\u011fi bir karnaval havas\u0131 getirmi\u015flerdir. T\u00fcrk Yahudileri, Tanzimat ve akabinde gelen Bat\u0131l\u0131 \u00f6l\u00e7\u00fcde de\u011fi\u015fim hareketinden sonra tiyatro meydan\u0131ndan […]<\/p>\n","protected":false},"author":7,"featured_media":67531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,53],"tags":[],"class_list":["post-67530","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-turkiyede-azinliklar"],"yoast_head":"\nT\u00fcrk Yahudileri T\u00fcrk Tiyatrosunun neresindedirler- \u2161\u2160 \u00b4Cumhuriyet enginindeki gemi\u2026\u00b4 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=67530\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u00fcrk Yahudileri T\u00fcrk Tiyatrosunun neresindedirler- \u2161\u2160 \u00b4Cumhuriyet enginindeki gemi\u2026\u00b4 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"T\u00fcrk Yahudilerinin, T\u00fcrk Tiyatrosu i\u00e7in ifade ettikleri m\u00e2n\u00e2 b\u00fcy\u00fckt\u00fcr. 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Bu topraklarda beraber b\u00fcy\u00fcm\u00fc\u015fler, beraber geli\u015fmi\u015fler desek inan\u0131n\u0131z yeridir. Bir\u00e7ok g\u00f6steri t\u00fcr\u00fcn\u00fc co\u011frafyam\u0131zda tan\u0131tm\u0131\u015flar; o t\u00fcrlerden hareketle yeni g\u00f6steri t\u00fcrleri ke\u015ffetmi\u015fler ve T\u00fcrk Tiyatro hayat\u0131na renklili\u011fin, canl\u0131l\u0131\u011f\u0131n kol gezdi\u011fi bir karnaval havas\u0131 getirmi\u015flerdir. 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