![\"\"](\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/2022\/01\/Bi-fotograf-360x188.jpg\")
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Mahk\u00fbm edilmi\u015f yaln\u0131zl\u0131k en zalimi\u2026 Onaylanm\u0131\u015f, her g\u00fcn yeniden \u00fcretilen \u201cY\u00fczy\u0131ll\u0131k Yaln\u0131zl\u0131k\u201d. Sistemli, endemik bir yaln\u0131zla\u015ft\u0131rma. En beteri\u2026 Bu \u00fclkedeki her t\u00fcrden \u00f6tekile\u015ftirme \u00e7arpan\u0131yla yaln\u0131zl\u0131k, baz\u0131 insanlar i\u00e7in iki kat, \u00fc\u00e7 kat, d\u00f6rt kat \u00e7\u00fcnk\u00fc. Milliyetiyle, inanc\u0131yla, d\u00fc\u015f\u00fcncesiyle, duru\u015fuyla, varl\u0131\u011f\u0131yla, hatta ad\u0131-san\u0131, kafa k\u00e2\u011f\u0131d\u0131yla\u2026 Yaln\u0131zl\u0131k.<\/strong><\/em><\/p>\n Ya\u015far S\u00f6kmens\u00fcer<\/strong><\/p>\n Foto\u011fraflar \u201can\u201d\u0131 sabitler, yalanc\u0131s\u0131 olur bazen ge\u00e7en zaman\u0131n. Bir an bir kareye girer yahut ili\u015fir, denk gelir siluetin, ebediyen \u00f6ylece kal\u0131r. Rastlant\u0131 da olsa pek fark etmez. Y\u0131llar sonra mahcup da eder, ba\u015f\u0131na dert de \u00e7\u0131kar\u0131r. Sab\u0131ka foto\u011fraf\u0131 olur, oradaki suretin.<\/p>\n Foto\u011frafta kimin yan\u0131nda durdu\u011fun\/bulundu\u011fun\/yakaland\u0131\u011f\u0131n meseledir art\u0131k. \u201cBana her \u015fey \u2018Sap d\u00f6ner, keser d\u00f6ner, g\u00fcn gelir hesap d\u00f6ner\u2019 atas\u00f6z\u00fcn\u00fc hat\u0131rlat\u0131yor\u201d olursun. O foto\u011fraf(lar)\u0131n sosyal medyadaki ya\u011fmurunda beraber \u0131slan\u0131rs\u0131n.<\/p>\n Bu \u00fclkede tek bir foto\u011fraf\u0131n \u201ciltisakl\u0131\u201d a\u011f\u0131r ceza dosyalar\u0131nda keyfe-niyete g\u00f6re \u201cc\u0131mb\u0131zla, elle tutulur\u201d tek \u201cdelil\u201d say\u0131ld\u0131\u011f\u0131 ya da ayn\u0131 mahkemeye kronolojik \u201caile alb\u00fcm\u00fc\u201dn\u00fc ibraz etseler asla kan\u0131ttan say\u0131lmad\u0131\u011f\u0131 davalar, vaka-i adiyedendir mesela.<\/p>\n Yani pop\u00fcler \u015fekliyle, PopT\u00fcrk\u00e7e\u2019yle \u201cBi foto\u011fraf \u00e7ekinebilir miyiz\u201d derse biri\u2026 \u00dcrperip, \u201c\u00e7ekinmelisin\u201d bu memlekette ve o foto\u011fraf\u0131 \u00e7ekinmemelisin. Her an foto\u011fraf \u00e7ekme\/\u00e7ektirme iptilas\u0131, eli tetikte, deklan\u015f\u00f6rde \u201c\u00e7ekindirik\u201d ruh hali, risklidir ya\u015fad\u0131\u011f\u0131n sosyal adliyede.<\/p>\n L\u00e2kin bu yaz\u0131da meram\u0131m o de\u011fil. O mutlu, co\u015fkulu, geni\u015f tebess\u00fcml\u00fc, taamm\u00fcden poz verilen \u201can foto\u011fraflar\u0131\u201dndan s\u00f6z etmek istiyorum. Evlilik-birliktelik foto\u011fraflar\u0131ndan ya da toplu-mutlu \u00e7ektirilen karelerden \u00f6zellikle\u2026 Ki d\u0131\u015farda da olsa, \u201cst\u00fcdyo foto\u011fraf\u0131\u201d gibidir \u00e7o\u011fu. Pozland\u0131r\u0131lm\u0131\u015ft\u0131r\u2026<\/p>\n Otosans\u00fcrle ay\u0131klanan hat\u0131ralar<\/strong><\/p>\n \u00c7ocuklar gibi \u015fensindir o an foto\u011fraf\u0131nda; sonra aylar-y\u0131llar ge\u00e7er, o foto\u011fraftaki sarma\u015f-dola\u015f zatla \u201cyabanc\u0131\u201d olursun. Eski, \u00e7oluk \u00e7ocuk bir aile, a\u015fk, arkada\u015fl\u0131k foto\u011fraf\u0131, ba\u015f ba\u015fa yahut topluca \u00e7ektirdi\u011fin umumi bir kare, h\u00fcz\u00fcn, ac\u0131, \u00f6fke, pi\u015fmanl\u0131k yaratabiliyor bazen ve baz\u0131 insanda. \u0130nsan yan\u0131lg\u0131lar\u0131n\u0131n belgeleriyle kar\u015f\u0131na \u00e7\u0131kmas\u0131n\u0131 pek istemiyor zira. K\u00f6r talihle, zalim felekle ve onlar\u0131n hepsini siluetiyle hat\u0131rlatan birinin portresiyle bile y\u00fczle\u015fmekten haz etmiyor.<\/p>\n \u201cDijital foto\u011fraf\u00e7\u0131l\u0131k icat oldu, mertlik bozuldu\u201ddemeyece\u011fim ama\u2026 Eskinin fotografisinde photoshop filan olmad\u0131\u011f\u0131 i\u00e7in aile, arkada\u015f, g\u00f6n\u00fcl ili\u015fkilerinde \u201cpersona non grata\u201d ilan etti\u011fin o ki\u015fiyi foto\u011fraftan keserek \u00e7\u0131karmak ya da y\u00fcz\u00fcn\u00fc kaz\u0131mak oluyor bazen \u00e7aresi. O ruh h\u00e2liyle eline makas yani delici-kesici alet ald\u0131\u011f\u0131nda \u201cYaz\u0131k birbirimize\u201d demiyorsun anla\u015f\u0131lan.<\/p>\n O \u201can\u201d\u0131n belgesini t\u00fcmden yok etmeye el vermiyorsa g\u00f6nl\u00fcn, o hat\u0131ray\u0131, \u201ccast\u201d\u0131 de\u011fi\u015ftiriyorsun. O g\u00fcnleri g\u00f6sterirken, anlat\u0131rken, hat\u0131rlarken mutlulu\u011funu g\u00f6lgelemeyecek klasik nostalji form\u00fcl\u00fc: Otosans\u00fcrle, her g\u00f6nle g\u00f6re men\u00fc sunan savunma mekanizmalar\u0131yla ay\u0131klanan, d\u00f6n\u00fc\u015ft\u00fcr\u00fclen, yans\u0131t\u0131lan, temize \u00e7ekilen hat\u0131ralar. Hayat\u0131n\u0131n \u201cperde\u201dde yeniden \u00e7evrimi\u2026 Ho\u015f de\u011fil, esas\u0131na bakarsan.<\/p>\n Eski foto\u011fraflardaki hoyrat makaslar<\/strong><\/p>\n Bu durumun en hazin tasvirini \u201cKavaklar\u201d \u015fiiriyle Metin Alt\u0131ok d\u00fc\u011f\u00fcmlemi\u015fti belle\u011fime: \u201cBedenim \u00fc\u015f\u00fcr, y\u00fcre\u011fim s\u0131zlar \/Ah kavaklar, kavaklar\u2026 \/Beni hoyrat bir makasla \/Eski bir foto\u011fraftan oydular\u2026\u201d O ba\u015f ba\u015fa yahut toplu foto\u011fraftakileri, kendinin o g\u00fczel, fotojenik profilini yok etmeye k\u0131yam\u0131yorsan, y\u0131llar sonra o kareye sinen kederin, \u00f6fkenin, pi\u015fmanl\u0131\u011f\u0131n -sence- m\u00fcsebbibinin y\u00fcz\u00fcn\u00fc makasla oyup, \u00e7\u0131kar\u0131yorsun o kareden. Ama hep bir iz kal\u0131yor geride, yara izi: \u201cOrda kald\u0131 yana\u011f\u0131m\u0131n yar\u0131s\u0131 \/Kendini bo\u015flukla tamamlar \/Omzumda bir kesik el, \/Ki durmadan kanar\u2026\u201d<\/p>\n Sezen Aksu o \u015fiirin \u015fark\u0131s\u0131n\u0131 s\u00f6yledi\u011finde her dizesi, her \u201cah\u201d\u0131yla i\u015flemi\u015fti i\u00e7ime. B\u00f6yle bir \u015fiir, s\u00f6z\u00fc-sesi-m\u00fczi\u011fiyle b\u00f6ylesine mi g\u00fczel, asl\u0131na b\u00f6ylesine mi sayg\u0131l\u0131 bestelenirdi\u2026 Se\u00e7ilen s\u00f6z\/\u015fiir ve m\u00fcnasip g\u00f6r\u00fclen beste konusunda ahengi, m\u00e2n\u00e2y\u0131 bo\u015f veren seri katillerin kol gezdi\u011fi bir \u00fclkede, bu b\u00fct\u00fcnl\u00fc\u011f\u00fc, uyumu \u015fayan-\u0131 hayretle kar\u015f\u0131lam\u0131\u015ft\u0131m do\u011frusu. \u201cBudur\u201d demi\u015ftim.<\/p>\n \u201cYol arkada\u015f\u0131m yaln\u0131zla\u015fm\u0131\u015f\u0131z iyice\u201d<\/strong><\/p>\n M\u00fczisyen, besteci Onno Tun\u00e7 (Ohannes Tun\u00e7boyac\u0131 ) bestelemi\u015fti Alt\u0131ok\u2019un dizelerini\u2026 G\u00f6n\u00fcl yolda\u015f\u0131, \u201cyol arkada\u015f\u0131\u201dyd\u0131 Sezen Aksu\u2019nun\u2026 Bir\u00e7ok bestesinin yan\u0131nda, \u201cBu d\u00fcnya ne sana, ne de bana kalmaz \/ Sultan S\u00fcleyman\u2019a kalmad\u0131\u201dn\u0131n da m\u00fcziklerini o yapm\u0131\u015ft\u0131 misal. Belki \u015fimdi be\u015f ki\u015fi bir araya gelip s\u00f6ylese, ona da kulp takarlar. Bu furyada ya tarihi al\u0131nganl\u0131klarla gelir kulpu, ya bug\u00fcn\u00fcn nefret at\u00f6lyesinde taze taze imal edilir\u2026<\/p>\n Onno Tun\u00e7 26 y\u0131l \u00f6nce 14 Ocak 1996\u2019da 48 ya\u015f\u0131nda ayr\u0131ld\u0131 hayattan. Tek pervaneli, k\u00fc\u00e7\u00fck u\u00e7a\u011f\u0131yla, yan\u0131ndaki arkada\u015f\u0131yla birlikte sise, f\u0131rt\u0131naya, kara yenildi. Biyografilere \u201cT\u00fcrkiye Ermenisi\u201d olarak kaydedilen hayat\u0131 da sisliydi muhtemelen bu \u00fclkede.<\/p>\n Sezen Aksu ona \u201cYol Arkada\u015f\u0131m\u201d\u0131 yazd\u0131, ard\u0131ndan: \u201cYol arkada\u015f\u0131m g\u00f6rd\u00fcn m\u00fc \/Duydun mu olup bitenleri \/Yaln\u0131zla\u015fm\u0131\u015f\u0131z iyice, \u00fcstelik de al\u0131\u015fm\u0131\u015f\u0131z \/Hi\u00e7 beklentimiz kalmam\u0131\u015f dosttan bile \/Korkular basm\u0131\u015f d\u00fcnyay\u0131, \/\u015eimdi bir semt ad\u0131 vefa \/Anla\u015f\u0131l\u0131r gibi de\u011filiz, tek bedende ka\u00e7 ki\u015fiyiz\u2026\u201d<\/p>\n Herkesin bir ad\u0131 var ama yetmez<\/strong><\/p>\n \u0130nsan yaln\u0131zl\u0131\u011f\u0131n\u0131 b\u00f6l\u00fc\u015fen insanlara farkl\u0131 bir sevgi, ayr\u0131 bir vefa duyuyor olmal\u0131. Tek sesli m\u00fczi\u011fi, yine Sezen Aksu\u2019nun yorumuyla \u00f6yle \u201cYaln\u0131zl\u0131k Senfonisi\u201d oluyor belki. Her t\u00fcrl\u00fc ay\u0131r\u0131mc\u0131l\u0131kla, \u00f6yle uyduruk de\u011fil en hakiki b\u00f6l\u00fcc\u00fcl\u00fckle \u201cyollar\u0131na pusu kurmu\u015f, bekleyen yaln\u0131zl\u0131k\u201dla belki \u00f6yle ba\u015fa \u00e7\u0131k\u0131yor. Aksu gibi \u201c\u00fczerine g\u00f6z diken ac\u0131lar n\u00f6betteyken\u201d \u00f6yle dik tutabiliyor ba\u015f\u0131n\u0131: \u201cBekliyorum, bekliyorum, bekliyorum \/Hadi gelin \u00fcst\u00fcme, korkmuyorum.\u201d<\/p>\n Mahk\u00fbm edilmi\u015f yaln\u0131zl\u0131k en zalimi, varsa bir kat\u0131 en al\u00e7a\u011f\u0131\u2026 Onaylanm\u0131\u015f, makbul g\u00f6r\u00fclm\u00fc\u015f, her g\u00fcn yeniden \u00fcretilen \u201cY\u00fczy\u0131ll\u0131k Yaln\u0131zl\u0131k\u201d. Sistemli, endemik bir yaln\u0131zla\u015ft\u0131rma. En beteri\u2026 Bu \u00fclkedeki her t\u00fcrden \u00f6tekile\u015ftirme \u00e7arpan\u0131yla yaln\u0131zl\u0131k, baz\u0131 insanlar i\u00e7in iki kat, \u00fc\u00e7 kat, d\u00f6rt kat \u00e7\u00fcnk\u00fc. Milliyetiyle, inanc\u0131yla, d\u00fc\u015f\u00fcncesiyle, duru\u015fuyla, varl\u0131\u011f\u0131yla, hatta ad\u0131-san\u0131, kafa k\u00e2\u011f\u0131d\u0131yla\u2026 Yaln\u0131zl\u0131k.<\/p>\n Herkesin bir ad\u0131 var l\u00e2kin baz\u0131lar\u0131n\u0131n ad\u0131 \u00e7o\u011falt\u0131l\u0131yor, etiketleniyor. Yeniden koyuluyor ad\u0131, ona o her anlam\u0131yla \u201ctakma\u201d ad\u0131yla sesleniliyor, \u00f6yle an\u0131l\u0131yor. Zelda Schneersohn Mishkovsky\u2019nin \u015fiirindeki gibi: \u201cHerkesin bir ad\u0131 var \/Ona babas\u0131yla anas\u0131n\u0131n verdi\u011fi \/Ve ona kom\u015fular\u0131n\u0131n verdi\u011fi \/Herkesin bir ad\u0131 var \/D\u00fc\u015fmanlar\u0131n\u0131n verdi\u011fi \/Ve ba\u015fkalar\u0131n\u0131 sevmenin verdi\u011fi\u201d.<\/p>\n Lefter\u2019i sevip de Lefterleri sevmemek<\/strong><\/p>\n Tun\u00e7\u2019dan iki y\u0131l \u00f6nce, ayn\u0131 g\u00fcn, yine 14 Ocak\u2019da ba\u015fka bir \u201cT\u00fcrkiye Ermenisi\u201d ayr\u0131ld\u0131 aram\u0131zdan. Evet, kelimenin tam anlam\u0131yla \u201caram\u0131zdan ayr\u0131ld\u0131\u201d, Nubar Terziyan. Bir zamanlar Ye\u015fil\u00e7am oyuncular\u0131 ailedendi ya\u2026 O da \u00f6yleydi i\u015fte. Hane halk\u0131ndand\u0131; onunla g\u00fcler, onunla h\u00fcz\u00fcnlenirdik. Amcayd\u0131, dedeydi\u2026<\/p>\n Ye\u015fil\u00e7am ona \u201c\u015fefkatli doktor\u201d, \u201ciyi polis\u201d rollerini uygun g\u00f6rd\u00fc. Hatta ka\u00e7 kez \u201cimam\u201d rol\u00fcyle \u00e7\u0131kt\u0131 beyazperdeye\u2026 Sevdi herkes onu. Amma velakin \u0130smet \u0130n\u00f6n\u00fc\u2019ye atfedilen o s\u00f6zdeki gibi kimimiz \u201cLefter\u2019i severdi de, Lefterleri sevmezdi\u201d\u2026 Hani, yeri gelmi\u015fken, Spotify\u2019\u0131n geleneksel y\u0131ll\u0131k listelerinde \u201cT\u00fcrkiye\u2019de en \u00e7ok dinlenen sanat\u00e7\u0131\u201d s\u0131ralamas\u0131na hep ilk s\u0131radan, olmad\u0131 ikinci s\u0131radan yerle\u015fen Sezen Aksu misali: \u201cSezen\u2019i herkes dinlerdi de\u2026\u201d<\/p>\n Onun da hat\u0131ras\u0131 Sezen Aksu\u2019nun s\u00f6yledi\u011fi \u201cK\u0131r\u0131k Vals\u201dle yerle\u015fti kulaklar\u0131m\u0131za: \u201cMevsim suluboya olsa \/G\u00fcnlerden mercan \/\u0130\u015fte sanki o an \/Nubar Terziyan s\u0131rt\u0131m\u0131 ok\u015far \/Eski filmler h\u00e2l\u00e2 o bah\u00e7ede \/Siyah beyaz a\u011flar\u2026\u201d<\/p>\n Filmdeki cenaze t\u00f6reni ger\u00e7ek olunca<\/strong><\/p>\n Y\u0131ld\u0131r\u0131m T\u00fcrker\u2019in s\u00f6zlerini, iki y\u0131l sonra Terziyan\u2019la ayn\u0131 g\u00fcnde giden Onno Tun\u00e7\u2019un a\u011fabeyi Arto Tun\u00e7boyaciyan besteledi, d\u00fczenledi. \u0130kisi de \u201cT\u00fcrkiye Ermenisi\u201dydi. Kilise t\u00f6reninin ard\u0131ndan biri Bal\u0131kl\u0131, di\u011feri \u015ei\u015fli Ermeni Mezarl\u0131\u011f\u0131\u2019na defnedildi.<\/p>\n Terziyan\u2019\u0131n Kumkap\u0131 Surp Asdvadzaddin Patriklik Kilisesi\u2019ndeki cenaze t\u00f6reninde bir araya gelenler, oynad\u0131\u011f\u0131 bir filmdeki o \u00fcnl\u00fc sahneyi hat\u0131rlam\u0131\u015f olmal\u0131. Terziyan \u201cA\u015fk Filmlerinin Unutulmaz Y\u00f6netmeni\u201dnde Ha\u015fmet Asilkan\u2019\u0131 canland\u0131ran \u015eener \u015een\u2019le yan yana cenaze namaz\u0131na durur. Asilkan \u201cNubar\u201d der, \u201cSen Ermeni de\u011fil misin?\u201d\u2026<\/p>\n Sanki Reha Ma\u011fden\u2019in \u201cG\u00fcrc\u00fc\u2019ye sormu\u015flar \u2018G\u00fcrc\u00fc olmasayd\u0131n ne olurdun?\u2019 diye, \u2018Mahcup olurdum\u2019 demi\u015f\u201d anekdotunu hat\u0131rlat\u0131r gibi tabii ki, elbette tonlamas\u0131yla, \u201cErmeniyim\u201d der Terziyan. \u201cE namazda ne i\u015fin var?\u201d. \u201cNe yapay\u0131m\u201d der Terziyan, \u201cCemaat o kadar az ki, adama ay\u0131p olacak\u2026\u201d Namaz\u0131 k\u0131larlar, sonra tabutu omuzlarlar birlikte\u2026 Yavuz Turgul\u2019un filminde de ger\u00e7ek ad\u0131yla, kimli\u011fiyle vard\u0131r Terziyan. \u015eimdi ya\u015fad\u0131\u011f\u0131 evin \u00f6n\u00fcnde \u201cSinema sanat\u00e7\u0131s\u0131 Nubar Terziyan bu evde ya\u015fad\u0131\u201d plaketi var.<\/p>\n Alyanak soyad\u0131n\u0131 kullanmad\u0131<\/strong><\/p>\n Ye\u015fil\u00e7am\u2019\u0131n emektarlar\u0131ndan Terziyan, \u00f6lmeden bir y\u0131l \u00f6nce yine 14 Ocak\u2019ta Ankara Uluslararas\u0131 Film Festivali \u201cemek \u00f6d\u00fcl\u00fc\u201dn\u00fc ald\u0131. As\u0131l soyad\u0131 Nubar Alyanak\u2019d\u0131. \u0130stese, o T\u00fcrk\u00e7e, bayrak gibi sevimli soyad\u0131yla hayat\u0131n\u0131 s\u00fcrd\u00fcr\u00fcr\u2026 \u201c\u00d6z be \u00f6z T\u00fcrk\u201d kimli\u011fiyle, az\u0131nl\u0131k olman\u0131n o \u201cg\u00fcvercin tedirginli\u011fi\u201dnden uzak ya\u015fard\u0131.<\/p>\n Ku\u015fakda\u015flar\u0131 Vahi \u00d6z (Vahe Ozinyan), Sami Hazinses (Samuel Agop Ulu\u00e7yan), Kenan Pars (K\u0131rkor Cezveciyan), Toto Karaca\u2019n\u0131n (\u0130rma Felegyan) isimlerini Ye\u015fil\u00e7am m\u0131 T\u00fcrk(\u00e7e)le\u015ftirdi, p\u0131r\u0131lt\u0131l\u0131 afi\u015flerine koyarken\u2026 Kendileri mi \u00f6yle uygun g\u00f6rd\u00fc? Bilmiyorum. Ara\u015ft\u0131rmad\u0131m da do\u011frusu, ara\u015ft\u0131rmam da\u2026 \u0130\u00e7imden gelmez, ar ederim. Zira o iki h\u00e2l de ne davulla uzaktan siteme gelir, ne bir dudak b\u00fckmeye; ya\u015famayan bilmez bu \u00fclkede az\u0131nl\u0131k, \u201c\u00f6teki\u201d olman\u0131n ne oldu\u011funu.<\/p>\n O tonton \u201cNubar Baba\u201d, kendi iste\u011fi, se\u00e7imiyle hep Terziyan olarak var oldu. 81 ya\u015f\u0131nda yapt\u0131\u011f\u0131 r\u00f6portajda o g\u00fczel aksan\u0131yla, vurgusuyla anlatt\u0131: \u201cBana Alyanak soyad\u0131n\u0131 takm\u0131\u015flar. Herkes yalan zannediyordu bunu da, baz\u0131 inanmayanlar mendillerini \u0131slat\u0131p, yana\u011f\u0131ma s\u00fcr\u00fcp \u2018\u015eunun boyas\u0131n\u0131 \u00e7\u0131karal\u0131m da, herkese tatl\u0131 g\u00f6z\u00fckmesin\u2019 derlerdi. Buna inan\u0131r m\u0131s\u0131n k\u0131z\u0131m?\u201d. \u0130nanmaz m\u0131y\u0131z hi\u00e7?<\/p>\n \u00d6fkeyle beslenen \u00e7ocuklar\u0131n \u015fark\u0131s\u0131<\/strong><\/p>\n Be\u015f y\u00fczden fazla filmde oynad\u0131\u2026 Toplam\u0131nda bir k\u00fc\u00e7\u00fck ev etti kazand\u0131\u011f\u0131 para: \u201cO zamanlar filmlerde oynayanlara \u00e7ok para vermiyorlard\u0131 ama i\u015fte bu evi onlarla ald\u0131m. H\u00fck\u00fcmet de maa\u015f ba\u011flad\u0131, her ay 325 lira veriyorlar\u201d. Bu r\u00f6portaj\u0131n\u0131 yapt\u0131\u011f\u0131 y\u0131l 1990\u2026 Asgari \u00fccret 414 lira.<\/p>\n Beyazperdede, ekrandaki o hep \u201cmutlu son\u201dlu, ac\u0131y\u0131, \u00e7aresizli\u011fi, tebess\u00fcmle, \u015fefkatle, araya sevin\u00e7 g\u00f6zya\u015flar\u0131n\u0131n da kar\u0131\u015ft\u0131\u011f\u0131 \u201ca\u011flamakl\u0131\u201d filmlerle ge\u00e7i\u015ftiren nesiller bile her dem artan, \u00fcst \u00fcste y\u0131\u011f\u0131lan \u00f6fkeyle besleniyor. O \u00e7ocuklara da yine Sezen Aksu el uzat\u0131yor, yine Onno Tun\u00e7\u2019un bestesiyle, \u201cSene 1945\u201dde:<\/p>\n \u201cGel as\u0131rlardan uzan da tut ellerimi s\u0131ms\u0131cak \/Yoksa bendeki \u00e7ocuk da b\u00f6yle \u00e7aresiz kalacak \/\u00d6fke ile beslenen \u00e7ocuklar yaln\u0131zd\u0131rlar \/Ve \u00fcmitleri \u00e7i\u00e7eklerden ac\u0131lar\u0131 tarihlerden \/Senin gibi benim gibi \/Onlar da hep insand\u0131lar (\u2026) \/Onlar biraz terkedilmi\u015f biraz k\u00fcsk\u00fcn \u00e7ocuktular \/Sanki biraz incitilmi\u015f \/Sanki yetersiz sevilmi\u015f \/Sanki utand\u0131lar kavgadan ve sustular \/\u00d6p incilenen g\u00f6zya\u015flar\u0131 kurusun inan\u00e7lar\u0131nda.\u201d Severek, hislenerek dinliyoruz da, sadece \u015fark\u0131larda utan\u0131yor kavgadan insanlar.<\/p>\n A\u011f\u0131zdaki k\u00fcf\u00fcr, kusur olsam\u2026<\/strong><\/p>\n Sezen Aksu ile Onno Tun\u00e7 son olarak, \u00f6l\u00fcm\u00fcnden alt\u0131 ay \u00f6nce 28 Haziran 1995\u2019de \u00e7\u0131kan \u201cI\u015f\u0131k Do\u011fu\u2019dan Y\u00fckselir\u201d alb\u00fcm\u00fcnde birlikte \u00e7al\u0131\u015ft\u0131. Ekipte Al Di Meola\u2019dan Paul Winter\u2019a bir\u00e7ok m\u00fczisyenle \u00e7al\u0131\u015fan, perk\u00fcsyon \u00fcstad\u0131, besteci Arto Tun\u00e7boyac\u0131yan da vard\u0131.<\/p>\n Alb\u00fcmde \u00c2\u015f\u0131k Daimi\u2019nin, Mevlana\u2019n\u0131n ve Yunus Emre\u2019den \u201cLa \u0130lahe \u0130llallah\u201d\u0131n yan\u0131s\u0131ra, Ermeni \u015fark\u0131s\u0131 \u201cYar ko Parag Boyin Mernem (Bing\u00f6l)\u201d de T\u00fcrk\u00e7e s\u00f6zleriyle \u201cVar Git Turnam\u201d olarak yer ald\u0131: \u201cEvimden, oca\u011f\u0131mdan oldum aman \/Bana kurtlar, ku\u015flar a\u011flar \/Yerimden, yurdumdan oldum aman \/Baht\u0131m karalar ba\u011flar \/G\u00fcn ge\u00e7mez, y\u00fcz bin y\u0131l olur \/Bu ayr\u0131l\u0131k kanun mudur? \/Yerimden, yurdumdan oldum aman \/Har ci\u011ferimi da\u011flar.\u201d<\/p>\n Sonralar\u0131 \u00f6\u011frendim. Onno Tun\u00e7, g\u00f6\u00e7men bir ailenin o\u011flu B\u00fclent Orta\u00e7gil\u2019in \u201cBenimle oynar m\u0131s\u0131n\u201d alb\u00fcm\u00fcnde, bas gitar \u00e7alm\u0131\u015f. Hani, \u201cSusulsam kusur olsam \/A\u011f\u0131zdaki k\u00fcf\u00fcr olsam \/Do\u011fu\u015ftan esir olsam \/Konu\u015fmasam ta\u015f olsam \/Yine de oynar m\u0131s\u0131n benimle\u201d diye soran o \u015fark\u0131da\u2026 Ne \u00e7ok \u015fey anlat\u0131yor, hissettiriyor, \u201c\u00f6teki\u201dler hakk\u0131nda.<\/p>\n \u201cYok ki dillerde kemik, diller anlat\u0131r can\u201d<\/strong><\/p>\n O dizedeki \u201cta\u015f olsam\u201d\u0131, \u201co ta\u015f\u0131n masal\u0131\u201dn\u0131 da a\u011fabeyi Arto Tun\u00e7boyac\u0131yan anlat\u0131yor, karde\u015finin ard\u0131ndan. \u015eark\u0131n\u0131n s\u00f6zleri Osman ile Zala efsanesine dayansa da Tun\u00e7boyac\u0131yan\u2019\u0131n o \u015fark\u0131s\u0131n\u0131n nakarat\u0131nda, hayk\u0131ran, da\u011flarda yank\u0131lanan vokalde, \u201cBabum\u201d diye inleyi\u015finde, \u201ccan\u201d deyi\u015finde hep Onno Tun\u00e7\u2019a bir feryat var sanki. Bana \u00f6yle geliyor hep: \u201cO ta\u015f\u0131n masal\u0131n\u0131 diller anlat\u0131r can \/Yok ki dillerde kemik, diller anlat\u0131r can \/Ta\u015flar m\u0131 su\u00e7ludur, diller mi can \/O ta\u015f\u0131n masal\u0131n\u0131 o ta\u015fa satarlar \/Diller anlat\u0131r durur, diller anlat\u0131r can\u201d. Ve yine onun \u201cSeslensem duyar m\u0131s\u0131n?\u201d ezgisindeki o hasret, figan da karde\u015fine sesleni\u015fidir sanki. https:\/\/www.youtube.com\/watch?v=cfAV5GOverE<\/p>\n \u015eark\u0131lardan gittik, finali de giri\u015fteki o \u201cK\u0131rg\u0131n Vals\u201dle getireyim: \u201cK\u0131r\u0131ld\u0131 valsimiz tam ortas\u0131ndan \/Bakt\u0131k uzaktan \/S\u0131la olduk birbirimize \/\u015eimdi herkes peri\u015fan\u2026\u201d Hedef, az\u0131nl\u0131klar\u0131n yan\u0131nda t\u00fcm \u201c\u00f6teki\u201dler olabiliyorsa\u2026 H\u00e2l\u00e2 nefret c\u00fcmleleri s\u0131radan bir al\u0131\u015fkanl\u0131kla,\u201d geh geh\u201d kuruluyorsa\u2026 Provokasyon art\u0131k satran\u00e7 de\u011fil de \u201c\u00e7ocuk oyunu\u201d damaysa\u2026 Hrant Dink\u2019in \u00f6ld\u00fcr\u00fclmesinin 15. y\u0131l\u0131 on g\u00fcn \u00f6nce, 19 Ocak\u2019ta dolduysa\u2026 O eski foto\u011fraflar bile hoyrat makaslarla oyuluyorsa\u2026 Ve o \u00fclkedeki, \u015fu \u00fclkedeki ve bu \u00fclkedeki \u201cResmi Tarih\u201d art\u0131k sizi bunalt\u0131yorsa\u2026 \u201cGidin, bir de \u015fark\u0131lara bak\u0131n\u2026\u201d derim.<\/p>\n