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Travmatik bir kayb\u0131n ard\u0131ndan ki\u015filerin de toplumlar\u0131n da kalplerinde a\u00e7\u0131lan yaran\u0131n canl\u0131 tutulmas\u0131, yak\u0131n\u0131n\u0131 kaybeden aileler ile s\u00f6z konusu ki\u015fiyle belki hi\u00e7 tan\u0131\u015fmam\u0131\u015f, kar\u015f\u0131la\u015fmam\u0131\u015f ve hatta bu trajik \u00f6l\u00fcme dek ismini bile i\u015fitmemi\u015f ki\u015filer aras\u0131nda ortak bir ac\u0131 \u00fczerinden anonim bir yak\u0131nla\u015fma kurulmas\u0131, \u201cyaln\u0131z de\u011filsin\u201d, \u201cart\u0131k asla yaln\u0131z y\u00fcr\u00fcmeyeceksin\u201d mesaj\u0131 verilmesi onar\u0131c\u0131 bir etki a\u00e7\u0131s\u0131ndan olduk\u00e7a de\u011ferli.<\/em><\/strong><\/p>\n Menek\u015fe Tokyay<\/strong><\/p>\n Her ne kadar Naz\u0131m Hikmet \u201cen fazla bir y\u0131l s\u00fcrer, yirminci as\u0131rlarda \u00f6l\u00fcm ac\u0131s\u0131\u201d dese de, rivayete g\u00f6re insan sevdi\u011fini kaybedince y\u00fcre\u011finde k\u0131rk tane mum yanarm\u0131\u015f. Her ge\u00e7en g\u00fcn o mumlardan biri daha s\u00f6nermi\u015f. Ta ki k\u0131rk\u0131nc\u0131 muma gelene dek. Kayb\u0131n ac\u0131s\u0131 hi\u00e7 unutulmas\u0131n diye o mum ebediyen kal\u0131rm\u0131\u015f.<\/p>\n Hrant Dink, bug\u00fcn, 15 y\u0131l \u00f6nce \u00f6ld\u00fcr\u00fcld\u00fc\u011f\u00fc yer olan Agos Gazetesi\u2019nin eski \u00e7al\u0131\u015fma ofisi \u00f6n\u00fcnde ve onu seven, onu ve daha nice \u00fcrkek g\u00fcvercini y\u00fcre\u011finde hisseden, k\u0131rk\u0131nc\u0131 mumun \u0131\u015f\u0131\u011f\u0131n\u0131 hep diri tutanlar taraf\u0131ndan an\u0131lacak.<\/p>\n Sevgili e\u015fi Rakel Dink\u2019in ge\u00e7ti\u011fimiz y\u0131l yapt\u0131\u011f\u0131 konu\u015fmada s\u00f6yledi\u011fi gibi, \u201cBuras\u0131, karde\u015f olmay\u0131 \u00f6\u011frendi\u011fimiz yer, ac\u0131lar\u0131 payla\u015fma, y\u00fczle\u015fme, y\u00fczle\u015ftirme yeri oldu. Adalet ve do\u011fruluk arayanlar\u0131n, isteyenlerin bir araya geldi\u011fi yer oldu\u201d.<\/p>\n Gerek Dink, gerek U\u011fur Mumcu, gerek Tahir El\u00e7i, gerekse \u00c7orlu tren facias\u0131 veya Soma maden felaketi, T\u00fcrkiye\u2019de toplumsal yas ve kolektif belle\u011fi harekete ge\u00e7iren, bir ortak vicdan muhasebe defteri haline gelen g\u00fc\u00e7l\u00fc simgeler oldular. \u201cDaim\u00ee yas\u201d denen bu durumda kayb\u0131n \u00fczerinden uzun zaman ge\u00e7se de, toplumun vicdan\u0131ndaki \u201ckay\u0131p imgesi\u201d halen aktif bi\u00e7imde duruyor. Yas bir\u00e7ok a\u00e7\u0131dan d\u00f6n\u00fc\u015f\u00fcyor, toplumu e\u011fitiyor, kay\u0131p normalle\u015ftirilmeksizin kayb\u0131n toplumda do\u011furdu\u011fu bo\u015fluk anlamland\u0131r\u0131l\u0131yor, kay\u0131p ya\u015fayan ailelerle kocaman bir aile kuruluyor ve h\u00fcz\u00fcn ortak paydas\u0131 \u00fczerinden o aile s\u00fcrekli geni\u015fliyor, b\u00fcy\u00fcyor.<\/p>\n Kay\u0131plar\u0131n ard\u0131ndan yasa konu olan ki\u015fi ad\u0131na yap\u0131lan anma t\u00f6renleri, kurulan bellek mekanlar\u0131 ve vak\u0131flar, yaz\u0131lan biyografi kitaplar\u0131, ismini ya\u015fatmak ad\u0131na verilen burslar, etkinlikler, ad\u0131na a\u00e7\u0131lan parklar, dikilen an\u0131tlar, ismi verilen k\u00fcrs\u00fcler bir yandan topluma dayanma g\u00fcc\u00fc verirken, di\u011fer yandan yoklu\u011fun kal\u0131c\u0131l\u0131\u011f\u0131 t\u00fcm so\u011fuklu\u011fuyla asl\u0131nda kar\u015f\u0131m\u0131zda duruyor.<\/p>\n Anmalar\u0131n ilk y\u0131llar\u0131nda toplanan binler, zamanla y\u00fczlere b\u0131rakabiliyor yerini\u2026 \u00c7\u00fcnk\u00fc bizleri b\u00f6len, ayr\u0131\u015ft\u0131ran her \u015fey, ideolojiden dine, etnisiteye dek her \u015fey asl\u0131nda kolektif yas\u0131 da b\u00f6l\u00fcyor; siyaset de buna en elveri\u015fli zemini sunuyor, yas\u0131 bireysel d\u00fczeyde tutmak makbul say\u0131l\u0131yor.<\/p>\n Travmatik bir kayb\u0131n ard\u0131ndan ki\u015filerin de toplumlar\u0131n da kalplerinde a\u00e7\u0131lan yaran\u0131n canl\u0131 tutulmas\u0131, yak\u0131n\u0131n\u0131 kaybeden aileler ile s\u00f6z konusu ki\u015fiyle belki hi\u00e7 tan\u0131\u015fmam\u0131\u015f, kar\u015f\u0131la\u015fmam\u0131\u015f ve hatta bu trajik \u00f6l\u00fcme dek ismini bile i\u015fitmemi\u015f ki\u015filer aras\u0131nda ortak bir ac\u0131 \u00fczerinden anonim bir yak\u0131nla\u015fma kurulmas\u0131, \u201cyaln\u0131z de\u011filsin\u201d, \u201cart\u0131k asla yaln\u0131z y\u00fcr\u00fcmeyeceksin\u201d mesaj\u0131 verilmesi onar\u0131c\u0131 bir etki a\u00e7\u0131s\u0131ndan olduk\u00e7a de\u011ferli. \u00c7\u00fcnk\u00fc bir toplumsal e\u015fitlik noktas\u0131 haline gelmesi beklenen ac\u0131lar asl\u0131nda A\u015fil topu\u011fumuz ve en zay\u0131f noktam\u0131z\u2026<\/p>\n Antropolojik temelleri \u00e7ok g\u00fc\u00e7l\u00fc olan bu kamusal ortakl\u0131kta yaralar bizi k\u00e2h birle\u015ftirebiliyor, k\u00e2h kutupla\u015ft\u0131r\u0131yor, hatta siyasi kazan\u00e7 malzemesine d\u00f6n\u00fc\u015febiliyor. Bir kayb\u0131n ard\u0131ndan ya\u015fad\u0131\u011f\u0131m\u0131z deh\u015fet ve \u00e7aresizlik duygusu, ba\u015fka bir kesim taraf\u0131ndan bizim \u201c\u00f6tekile\u015ftirilmemize\u201d yol a\u00e7abiliyor ve hatta ne kadar g\u00fc\u00e7l\u00fc olsa da vatan sevgimiz, milliyetimiz sorgulan\u0131r hale geliyor.<\/p>\n Ancak, kald\u0131r\u0131m\u0131 k\u0131rm\u0131z\u0131ya boyayan, T\u00fcrk\u00e7e ve Ermenice harflerle \u201cHrant Dink burada \u00f6ld\u00fcr\u00fcld\u00fc\u201d yaz\u0131l\u0131 mermer ta\u015fa konu olan kan, orada tek ba\u015f\u0131na sahipsiz kald\u0131\u011f\u0131 s\u00fcrece, toplumsal bellekte daha nice ku\u015fa\u011fa aktar\u0131lan bir travma haline geliyor. Dolay\u0131s\u0131yla, bu yas s\u00fcrecinin siyaset \u00fczerinde d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc g\u00fcc\u00fc, ancak kayb\u0131n an\u0131msanmas\u0131 ve bu kayba yol a\u00e7an karanl\u0131kla m\u00fccadele edilmesiyle olanakl\u0131d\u0131r.<\/p>\n Sevgili e\u015fini trajik bir \u015fekilde bir fail-i me\u00e7hul cinayet sonucu yitiren sevgili \u015eeng\u00fcl Hablemito\u011flu, yas dan\u0131\u015fmanl\u0131\u011f\u0131 konusunda son d\u00f6nemde bir\u00e7o\u011fumuza farkl\u0131 ufuklar a\u00e7m\u0131\u015f birisidir. Bir\u00e7ok a\u00e7\u0131dan kendi yas\u0131yla ba\u015fa \u00e7\u0131kma s\u00fcrecini bilimsel bir \u00e7er\u00e7eveye yerle\u015ftirerek benzer bir patikadan ge\u00e7enlere rehberlik ediyor. Ona g\u00f6re ortak anmalar, her ne kadar zaman zaman \u201cdevlet kar\u015f\u0131tl\u0131\u011f\u0131\u201d ile yaftalansa da, geride kalanlar i\u00e7in yaralar\u0131 saran bir etkiye sahip.<\/p>\n Sanki hi\u00e7bir \u015fey olmam\u0131\u015f gibi, bas\u0131n tarihimizin gelmi\u015f ge\u00e7mi\u015f en ba\u015far\u0131l\u0131 ara\u015ft\u0131rmac\u0131 gazetecilerinden birinin uzuvlar\u0131, bomba ile patlat\u0131lan arabas\u0131n\u0131n y\u00fczlerce metre \u00f6telerine sa\u00e7\u0131lmam\u0131\u015f gibi davranmak\u2026 Ermeni toplumunun i\u00e7inde uzla\u015ft\u0131r\u0131c\u0131 diliyle her kesime sa\u011fduyu ve karde\u015flik telkin eden, \u00f6nyarg\u0131lar\u0131n k\u00f6k\u00fcn\u00fc kaz\u0131mak ad\u0131na diyalog \u00e7a\u011fr\u0131lar\u0131nda bulunan, Anadolu\u2019nun t\u00fcm gelenekleri ve insani de\u011ferlerini kalbinde ve dilinde ya\u015fatan, ama hep de yanl\u0131\u015f anla\u015f\u0131l\u0131p hedef g\u00f6sterilmi\u015f bir ayd\u0131n\u0131n ba\u015f\u0131na \u00fc\u00e7 kur\u015fun s\u0131k\u0131l\u0131p beyaz bir ka\u011f\u0131tla \u00f6rt\u00fclen cans\u0131z bedeni hepimizin belle\u011fine kaz\u0131nmam\u0131\u015f gibi davranmak\u2026 M\u00fcmk\u00fcn m\u00fc? Kayb\u0131n yo\u011funlu\u011funa g\u00f6re yas s\u00fcreci \u00e7o\u011fu zaman donuyor, adalet aray\u0131\u015f\u0131 \u00f6nceliklendiriliyor, zaman zaman \u00fcz\u00fcnt\u00fc \u00f6fkeden a\u011f\u0131r bas\u0131yor. Ama o mutlak ac\u0131 hep taht\u0131nda oturup ona ili\u015fkin devinimleri g\u00f6zlemliyor. \u00c7\u00fcnk\u00fc Freud\u2019un Yas ve Melankoli adl\u0131 makalesinde a\u00e7\u0131klad\u0131\u011f\u0131 gibi, yas tutmak asl\u0131nda kendimizle olan ili\u015fkide \u00e7ok \u00f6nemli bir a\u015fama; zira yas tutmay\u0131nca melankoliye s\u00fcr\u00fcklenen insan\u0131n \u00f6zne olarak y\u0131k\u0131m\u0131na yol a\u00e7\u0131yor.<\/p>\n Babas\u0131n\u0131 al\u00e7ak bir sald\u0131r\u0131da yitiren ve 11 ya\u015f\u0131na dair an\u0131lar\u0131 oyun park\u0131 veya ailesiyle Renault 12\u2019lerine atlay\u0131p \u00e7\u0131kt\u0131klar\u0131 pikniklerden geriye kalan tozpembe foto\u011fraf kareleri olmas\u0131 gereken sevgili \u00d6zge Mumcu\u2019nun o ya\u015f\u0131na dair tek hat\u0131ras\u0131, 24 Ocak g\u00fcn\u00fc trafo patlamas\u0131na benzeyen, kulaklar\u0131 sa\u011f\u0131r edici, onu babas\u0131ndan ans\u0131z\u0131n koparan bir g\u00fcr\u00fclt\u00fc ve yas tutulan eve gelenlere ikram edilen limon kolonyas\u0131.<\/p>\n Ne de olsa politik psikolojinin d\u00fcnya \u00e7ap\u0131nda sayg\u0131n uzmanlar\u0131ndan Prof. Vam\u0131k Volkan\u2019\u0131n Kay\u0131ptan Sonra Ya\u015fam kitab\u0131nda belirtti\u011fi gibi, \u201cyaslar\u0131m\u0131z, parmak izlerimiz kadar ki\u015fisel.\u201d Volkan, yas tutman\u0131n bir kay\u0131p kar\u015f\u0131s\u0131nda verdi\u011fimiz psikolojik yan\u0131t, i\u00e7 d\u00fcnyam\u0131z ile ger\u00e7eklik aras\u0131nda uyum sa\u011flamaya d\u00f6n\u00fck bir uzla\u015fma aray\u0131\u015f\u0131 oldu\u011funu s\u00f6yler.<\/p>\n U\u011fur Mumcu\u2019ya dair ya\u015fanan matem havas\u0131 t\u00fcm \u00fclke co\u011frafyas\u0131n\u0131 \u00f6ylesine \u00e7epe\u00e7evre sarm\u0131\u015ft\u0131 ki, s\u00f6mestr tatilinde haberi ilk ald\u0131\u011f\u0131m anda anneanneme sar\u0131l\u0131p a\u011flad\u0131\u011f\u0131m\u0131 an\u0131ms\u0131yorum. \u00d6zge ile ayn\u0131 ya\u015ftayd\u0131k ve y\u0131llar sonra yollar\u0131m\u0131z\u0131n g\u00fczel rastlant\u0131larla kesi\u015fece\u011fini bilemeden duyguda\u015f olmu\u015ftuk. \u00c7\u00fcnk\u00fc kolektif yas ne zaman, ne de mek\u00e2n tan\u0131yor.<\/p>\n \u201c\u00d6ld\u00fcr\u00fclerek \u00f6lmek geride kalanlar i\u00e7in a\u011f\u0131rd\u0131r\u201d diyen \u015eeng\u00fcl Hablemito\u011flu, ya\u015fad\u0131klar\u0131n\u0131 kaleme ald\u0131\u011f\u0131 Gri Kitap: Yolculuk kitab\u0131n\u0131n ard\u0131ndan, yak\u0131n zamanda Yas: Uzun bir Veda ismiyle yeni bir kitap yay\u0131mlad\u0131 ve yitip gidenin ard\u0131ndan \u201csayg\u0131 duru\u015fu\u201d mahiyetindeki metninde kendi yas tan\u0131m\u0131n\u0131 yapt\u0131: \u201cYas, kaybetti\u011fimiz sevdiklerimize i\u00e7imizde bir yer a\u00e7makt\u0131r; onlar\u0131 i\u00e7imize s\u0131\u011fd\u0131rmak i\u00e7in kendimizi b\u00fcy\u00fctmektir.\u201d<\/p>\n An\u0131msamak, anmak, birka\u00e7 y\u00fcz karaktere veya y\u0131llar sonra g\u00fcndeme gelen bir Netflix dizisinin repliklerine s\u0131k\u0131\u015fm\u0131\u015f suni sosyal medya duyarl\u0131l\u0131klar\u0131n\u0131n \u00f6tesine ge\u00e7mek, g\u00fcvercin tedirginliklerini ya\u015famaya devam edenleri korumak, kollamak, kolektif unutu\u015flarla y\u00fczle\u015fmek, k\u00f6t\u00fcl\u00fckleri ola\u011fanla\u015ft\u0131rmamak, unutma ve yas aras\u0131ndaki gerilimde vicdandan yana olmak hepsi asl\u0131nda bu ebedi yas s\u00fcrecimizin uzant\u0131lar\u0131\u2026 \u00c7\u00fcnk\u00fc biz halen Dink\u2019le, Mumcu\u2019yla, El\u00e7i\u2019yle ve daha nice ayd\u0131n\u0131m\u0131z\u0131n, \u00e7ocu\u011fumuzun, gencimizin an\u0131lar\u0131yla yan yana y\u00fcr\u00fcyoruz.<\/p>\n Ve Aziz Nesin\u2019in o g\u00fczel dizelerinde oldu\u011fu gibi, bazen insan \u00f6yle \u00f6zleniyor ki \u00f6zlenen bilse yoklu\u011fundan utan\u0131yor\u2026<\/p>\n
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