{"id":65230,"date":"2021-10-21T04:07:52","date_gmt":"2021-10-21T09:07:52","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=65230"},"modified":"2021-10-21T04:07:52","modified_gmt":"2021-10-21T09:07:52","slug":"hafiza-odasi-tarihe-bakmak-icin-bir-kapi-araliyor","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=65230","title":{"rendered":"Haf\u0131za Odas\u0131: Tarihe bakmak i\u00e7in bir kap\u0131 aral\u0131yor"},"content":{"rendered":"

\"\"<\/p>\n

‘Herkes ayn\u0131 duygularla, ayn\u0131 yo\u011funlukla, ayn\u0131 d\u00fc\u015f\u00fcnceyle, ayn\u0131 ac\u0131yla dola\u015fmayabilir. Fakat tepkiler ve duygular farkl\u0131 farkl\u0131 olsa da, eser varl\u0131\u011f\u0131yla tarihe bakmak i\u00e7in bir kap\u0131 aral\u0131yor.’<\/strong><\/em><\/p>\n

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<\/ins><\/ins><\/ins>Sanat\u00e7\u0131 Ahmet G\u00fcne\u015ftekin\u2019in \u201cHaf\u0131za Odas\u0131\u201d sergisi Diyarbak\u0131r Ticaret ve Sanayi Odas\u0131\u2019n\u0131n (DTSO) ev sahipli\u011finde tarihi Ke\u00e7i Burcu\u2019nda a\u00e7\u0131ld\u0131. A\u00e7\u0131l\u0131\u015fa HDP E\u015f Genel Ba\u015fkan\u0131 Mithat Sancar, \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi (\u0130BB) Ba\u015fkan\u0131 Ekrem \u0130mamo\u011flu, HDP eski Milletvekili S\u0131rr\u0131 Sak\u0131k, AKP Genel Ba\u015fkan Yard\u0131mc\u0131s\u0131 Cevdet Y\u0131lmaz’\u0131n yan\u0131 s\u0131ra \u00e7ok say\u0131da yazar ve sivil toplum \u00f6rg\u00fct\u00fc temsilcisi kat\u0131ld\u0131.<\/p>\n

Sergi a\u00e7\u0131ld\u0131\u011f\u0131 andan itibaren tart\u0131\u015f\u0131lmaya ba\u015fland\u0131. Ancak sergideki sanat eserlerinden \u00e7ok sergi a\u00e7\u0131l\u0131\u015f\u0131ndaki atmosfer ele\u015ftirildi.<\/p>\n

Vahap \u00c7o\u015fkun da, \u2018Serbestiyet\u2019deki\u00a0yaz\u0131s\u0131yla\u00a0<\/a>sergiyi ve sergi atmosferini de\u011ferlendirdi.<\/p>\n

\u201c\u2019Ge\u00e7mi\u015fle y\u00fczle\u015fme\u2019, T\u00fcrkiye\u2019de \u00e7ok kullan\u0131lan ve s\u0131rt\u0131na \u00e7ok y\u00fck bindirilen bir kavram. Her konunun merkezine \u00f6ncelikle siyaseti yerle\u015ftirmeye al\u0131\u015f\u0131k oldu\u011fumuzdan, ge\u00e7mi\u015fle y\u00fczle\u015fmeyi de genellikle siyaset ve hukuk \u00fczerinden konu\u015furuz. Lakin ge\u00e7mi\u015fle y\u00fczle\u015fmenin tek yolu siyasetten ve hukuktan ge\u00e7miyor; sanat da burada \u00e7ok de\u011ferli bir fonksiyon icra eder\u201d diyen \u00c7o\u015fkun\u2019un yaz\u0131s\u0131n\u0131n baz\u0131 b\u00f6l\u00fcmleri \u015f\u00f6yle:<\/p>\n

\u201cFaillere ve ma\u011fdurlara odaklanan, onlar\u0131 bize hat\u0131rlatan, onlar\u0131n d\u00fcnyas\u0131n\u0131n i\u00e7ine girmemizi sa\u011flayan, zihnimizi onlar hakk\u0131nda d\u00fc\u015f\u00fcnmeye zorlayan sanat \u00fcr\u00fcnleri ge\u00e7mi\u015fle hesapla\u015fmada hayati bir rol oynar. Romanlar, filmler, \u00f6yk\u00fcler, \u015fiirler, oyunlar, resimler ve sergiler, bir daha ya\u015fanmas\u0131 istenmeyen karanl\u0131k s\u00fcre\u00e7lerin derinlerine inmemize imk\u00e2n verdi\u011fi gibi o me\u015fum g\u00fcnlerin ve gecelerin ger\u00e7ekten gerdi kalmas\u0131 i\u00e7in yol da g\u00f6sterir.<\/p>\n

RUHTA DER\u0130N B\u0130R SIZI<\/strong><\/p>\n

G\u00fcne\u015ftekin\u2019in Haf\u0131za Odas\u0131, bu gayeye hizmet eden k\u0131ymetli bir gayret. Pilevneli Galeri\u2019nin sundu\u011fu serginin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Murat Pilevneli, dan\u0131\u015fmanl\u0131\u011f\u0131n\u0131 \u015eener \u00d6zmen yap\u0131yor. Serginin ev sahipli\u011fini ise Diyarbak\u0131r Ticaret ve Sanayi Odas\u0131 \u00fcstleniyor.<\/p>\n

Serginin d\u00fczenlendi\u011fi Ke\u00e7i Burcu, Diyarbak\u0131r\u2019\u0131n sembollerinden biri, muhte\u015fem bir yer. Burcun \u00fczerinden On G\u00f6zl\u00fc K\u00f6pr\u00fc\u2019n\u00fcn, Gazi K\u00f6\u015fk\u00fc\u2019n\u00fcn, K\u0131rklar Da\u011f\u0131\u2019n\u0131n, Hevsel Bah\u00e7eleri\u2019nin b\u00fcy\u00fcleyici atmosferinin i\u00e7ine girebilirsiniz. H\u00e2kim bir tepeden bakar gibi Sur\u2019u avucunuzun i\u00e7inde hissedebilir, sokaklar\u0131n\u0131n i\u00e7inde ad\u0131m ad\u0131m y\u00fcr\u00fcyebilirsiniz.
\nHaf\u0131za Odas\u0131, Ke\u00e7i Burcu\u2019nun \u00fcst\u00fcn\u00fc, dar koridorlar\u0131n\u0131 ve geni\u015f i\u00e7 mek\u00e2n\u0131n\u0131 kullanan ve sert mesajlar\u0131 olan bir \u00e7al\u0131\u015fma. Sergi alan\u0131nda gezerken Diyarbekir Cezaevinin, Roboski\u2019nin, K\u00fcrt\u00e7eye yap\u0131lan zulm\u00fcn, k\u0131rk y\u0131ll\u0131k \u00e7at\u0131\u015fman\u0131n yaratt\u0131\u011f\u0131 y\u0131k\u0131m\u0131n, faili me\u00e7hullerin i\u00e7inden ge\u00e7iyorsunuz. \u201c5 Nolu\u201d, \u201cKay\u0131p Alfabe\u201d ve \u201cAnalar Duvar\u0131\u201d enstalasyonlar\u0131 ruhunuzda derin bir s\u0131z\u0131 b\u0131rak\u0131yor.<\/p>\n

Elbette her sanat eseri gibi bu Haf\u0131za Odas\u0131 da farkl\u0131 a\u00e7\u0131lardan ele\u015ftirilecektir. Nitekim G\u00fcne\u015ftekin\u2019in \u00e7al\u0131\u015fmas\u0131 da kamuoyuna sunuldu\u011fu andan itibaren, ihtiva etti\u011fi etmedi\u011fi olaylar\u0131, konular\u0131 i\u015fleme \u015fekli, sunulu\u015f bi\u00e7imi ve davetli listesi gibi \u00e7e\u015fitli y\u00f6nlerden tenkitlere maruz kald\u0131. Sergiyi gezenlerin tabutlar aras\u0131nda g\u00fcl\u00fcmseyerek foto\u011fraf \u00e7ektirmeleri, sava\u015f\u0131n kal\u0131nt\u0131lar\u0131n\u0131 ve faili me\u00e7hulleri simgeleyen eserlerin \u00f6n\u00fcnde sosyal medya hesaplar\u0131na i\u00e7erik \u00fcretme \u00e7abalar\u0131 tepki \u00e7ekti.<\/p>\n

BELLEK K\u00dcLT\u00dcR\u00dc<\/strong><\/p>\n

Bu hissiyat\u0131 anl\u0131yorum ama mevzuya daha farkl\u0131 yakla\u015f\u0131lmas\u0131 gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcyorum. Netameli bir konuya el atan her \u00e7al\u0131\u015fma, menfi ve m\u00fcspet olarak, kritik edilir. Mesela G\u00fcne\u015ftekin\u2019in sergisindeki tabutlar aras\u0131nda dola\u015f\u0131rken akl\u0131ma gelen ilk yer olan Berlin\u2019deki Yahudi Soyk\u0131r\u0131m An\u0131t\u0131 da, a\u00e7\u0131ld\u0131\u011f\u0131 2005\u2019ten bu yana tart\u0131\u015f\u0131l\u0131yor. Nazilerin kurbanlar\u0131n\u0131n sadece Yahudiler olmad\u0131\u011f\u0131, onlarla birlikte homoseks\u00fcellerin, Romanlar\u0131n ve sakatlar\u0131n da ayn\u0131 zulme maruz kald\u0131klar\u0131 belirtiliyor. An\u0131t\u0131n yaln\u0131zca Yahudilere ithaf edilip di\u011fer kurbanlar\u0131n ad\u0131n\u0131n an\u0131lmamas\u0131n\u0131n, tarihle ger\u00e7ek manada y\u00fczle\u015fmek i\u00e7in bir engel te\u015fkil etti\u011fi ifade ediliyor.<\/p>\n

Bununla birlikte Yahudi Soyk\u0131r\u0131m An\u0131t\u0131, Almanya\u2019da bellek k\u00fclt\u00fcr\u00fc a\u00e7\u0131s\u0131ndan bir kilometre ta\u015f\u0131 oldu. Bug\u00fcn an\u0131t\u0131n beton bloklar\u0131 aras\u0131nda herkes tarihi bir ac\u0131y\u0131 duyumsayarak ve hu\u015fu i\u00e7inde dola\u015fm\u0131yor. \u00c7ocuklar \u015fen \u015fakrak g\u00fcl\u00fc\u015fleriyle ko\u015fturuyorlar. \u00c2\u015f\u0131klar el ele tutu\u015fup geziniyorlar. Baz\u0131 ziyaret\u00e7iler en g\u00fczel pozu yakalamak i\u00e7in \u00e7aba g\u00f6steriyorlar. Alkol\u00fcn dozunu ayarlayamay\u0131p hafiften sarho\u015f olanlar y\u00fcksek sesle \u015fark\u0131 s\u00f6yl\u00fcyorlar, vs. Ancak hangi halde olursa olsun hi\u00e7bir insan\u0131n g\u00f6rmezden gelemeyece\u011fi bu an\u0131t, her t\u00fcrl\u00fc fikre, tenkide ve ele\u015ftiriye a\u00e7\u0131k tavr\u0131yla tarihle y\u00fczle\u015fmek i\u00e7in bir olanak sunuyor.<\/p>\n

Haf\u0131za Odas\u0131\u2019na da b\u00f6yle bakmak gerekti\u011fi kan\u0131s\u0131nday\u0131m. Herkes ayn\u0131 duygularla, ayn\u0131 yo\u011funlukla, ayn\u0131 d\u00fc\u015f\u00fcnceyle, ayn\u0131 ac\u0131yla dola\u015fmayabilir. Kimi foto\u011fraf \u00e7ektirir, kimi durup hat\u0131rlamaya \u00e7al\u0131\u015f\u0131r. Kimi p\u00fcr dikkat kesilir, kimi bir g\u00f6z atmakla yetinir. Kimi \u00fc\u00e7-be\u015f saatini adar, kimi bir tur at\u0131p \u00e7\u0131kar. Fakat ona g\u00f6sterilen tepkiler ve onun kar\u015f\u0131s\u0131nda hissedilen duygular farkl\u0131 farkl\u0131 olsa da, eser varl\u0131\u011f\u0131yla tarihe d\u00f6n\u00fcp bakmak i\u00e7in bir kap\u0131 aral\u0131yor. Bir f\u0131rsatt\u0131r bu; y\u00fczle\u015fmeye ger\u00e7ekten niyet varsa aralanan bu kap\u0131dan girmek gerekiyor.<\/p>\n

MUHALEFET\u0130N G\u00d6VDE G\u00d6STER\u0130S\u0130<\/strong><\/p>\n

Diyarbak\u0131r Ticaret ve Sanayi Odas\u0131 (DTSO) sergiye \u00e7ok iyi bir ev sahipli\u011fi yapt\u0131. Ba\u015fkan Mehmet Kaya ve ekibi, serginin hem sosyal hayata hem de Diyarbak\u0131r ekonomisine yapaca\u011f\u0131 katk\u0131y\u0131 azami k\u0131lmak i\u00e7in, uzunca bir s\u00fcredir hummal\u0131 bir \u00e7aban\u0131n i\u00e7indeydiler. Herhangi bir aksakl\u0131\u011f\u0131n olmamas\u0131 ve i\u015flerin do\u011fru y\u00fcr\u00fcmesi i\u00e7in neredeyse bir seferberlik haline giren DTSO, b\u00f6ylesine b\u00fcy\u00fck bir organizasyonun alt\u0131ndan ba\u015far\u0131yla kalkt\u0131. A\u00e7\u0131l\u0131\u015ftan sonra serginin \u00f6n\u00fcnde kuyruklar olu\u015fmas\u0131 ve turizm \u015firketlerinin Diyarbak\u0131r turlar\u0131na sergiyi de ekleme talepleri, DTSO\u2019nun gayretinin meyvesini verdi\u011fine i\u015faret ediyor.<\/p>\n

DTSO, siyasi ayr\u0131m g\u00f6zetmeksizin b\u00fct\u00fcn siyasal akt\u00f6rleri davet etti. Fakat iktidar uzak durmay\u0131 tercih ederken, muhalefet sergiye hat\u0131r\u0131 say\u0131l\u0131r bir ilgi g\u00f6sterdi. Bilhassa HDP E\u015f Genel Ba\u015fkan\u0131 Mithat Sancar ile \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi Ba\u015fkan\u0131 Ekrem \u0130mamo\u011flu\u2019nun sergiye kat\u0131lmalar\u0131 ve ayn\u0131 karede resim vermeleri, hem bug\u00fcne hem de yak\u0131n gelece\u011fe dair \u00f6nemli bir mesaj olarak okundu.<\/p>\n

Baz\u0131 AK Partili siyaset\u00e7iler buna tepki g\u00f6sterdiler ve -mealen- ortada tarihle y\u00fczle\u015fmeye davet eden bir \u201cHaf\u0131za Odas\u0131\u201dn\u0131n de\u011fil, iktidar\u0131 hedefleyen bir \u201cProje Odas\u0131\u201dn\u0131n oldu\u011funu yazd\u0131lar. Ne var ki, rahats\u0131z olduklar\u0131 bu tablo kendi hatalar\u0131n\u0131n bir sonucu; \u00e7\u00fcnk\u00fc sergiye kat\u0131lmamak onlar\u0131n se\u00e7imiydi, sergiyi d\u00fczenleyenlerin de\u011fil.<\/p>\n

E\u011fer AK Parti, bir zamanlar kendisinin de ele\u015ftirel bir tav\u0131r ald\u0131\u011f\u0131 5 Nolu Cezaevi, K\u00fcrt\u00e7e yasaklar\u0131 ve faili me\u00e7huller gibi konulara odaklanan bu serginin davetine icabet etmi\u015f olsayd\u0131, muhalefetin g\u00f6vde g\u00f6sterisini yapmas\u0131n\u0131n da \u00f6n\u00fcne ge\u00e7mi\u015f olurdu. \u0130ktidar\u0131n ihtiyac\u0131, her faaliyeti bir tuzak olarak kodlay\u0131p komplo teorisine bel ba\u011flamak de\u011fildir. \u0130ktidar\u0131n ihtiyac\u0131, kendi yanl\u0131\u015flar\u0131yla y\u00fczle\u015fmektir. Haf\u0131za Odas\u0131\u2019na girmek, bu y\u00f6nden de faydal\u0131 olabilirdi.\u201d<\/p>\n

https:\/\/artigercek.com\/haberler\/hafiza-odasi\u00a0<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

‘Herkes ayn\u0131 duygularla, ayn\u0131 yo\u011funlukla, ayn\u0131 d\u00fc\u015f\u00fcnceyle, ayn\u0131 ac\u0131yla dola\u015fmayabilir. Fakat tepkiler ve duygular farkl\u0131 farkl\u0131 olsa da, eser varl\u0131\u011f\u0131yla tarihe bakmak i\u00e7in bir kap\u0131 aral\u0131yor.’ Sanat\u00e7\u0131 Ahmet G\u00fcne\u015ftekin\u2019in \u201cHaf\u0131za Odas\u0131\u201d sergisi Diyarbak\u0131r Ticaret ve Sanayi Odas\u0131\u2019n\u0131n (DTSO) ev sahipli\u011finde tarihi Ke\u00e7i Burcu\u2019nda a\u00e7\u0131ld\u0131. A\u00e7\u0131l\u0131\u015fa HDP E\u015f Genel Ba\u015fkan\u0131 Mithat Sancar, \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi (\u0130BB) […]<\/p>\n","protected":false},"author":7,"featured_media":65231,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-65230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler"],"yoast_head":"\nHaf\u0131za Odas\u0131: Tarihe bakmak i\u00e7in bir kap\u0131 aral\u0131yor - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=65230\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Haf\u0131za Odas\u0131: Tarihe bakmak i\u00e7in bir kap\u0131 aral\u0131yor - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"‘Herkes ayn\u0131 duygularla, ayn\u0131 yo\u011funlukla, ayn\u0131 d\u00fc\u015f\u00fcnceyle, ayn\u0131 ac\u0131yla dola\u015fmayabilir. Fakat tepkiler ve duygular farkl\u0131 farkl\u0131 olsa da, eser varl\u0131\u011f\u0131yla tarihe bakmak i\u00e7in bir kap\u0131 aral\u0131yor.’ Sanat\u00e7\u0131 Ahmet G\u00fcne\u015ftekin\u2019in \u201cHaf\u0131za Odas\u0131\u201d sergisi Diyarbak\u0131r Ticaret ve Sanayi Odas\u0131\u2019n\u0131n (DTSO) ev sahipli\u011finde tarihi Ke\u00e7i Burcu\u2019nda a\u00e7\u0131ld\u0131. 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