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Prof. Dr. \u015e\u00fckran Kuyucak Esen\u2019in edit\u00f6rl\u00fc\u011f\u00fcnde haz\u0131rlanan \u00e7al\u0131\u015fma \u00fc\u00e7 b\u00f6l\u00fcmden olu\u015fuyor. \u0130lk b\u00f6l\u00fcm\u00fc, \u00c7ukurova-Adana b\u00f6lgesinin ekonomik ve k\u00fclt\u00fcrel geli\u015fmi\u015fli\u011fini, bu geli\u015fim seyri i\u00e7inde farkl\u0131 fakt\u00f6rlerin etkileri anlat\u0131yor. \u0130kinci ve \u00fc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcmler ise \u00f6zellikle Adana ve \u00c7ukurova\u2019da \u00e7ekilen Y\u0131lmaz G\u00fcney filmlerine ayr\u0131lm\u0131\u015f.<\/strong><\/em><\/p>\n Hakan Y\u0131lmaz \u2013<\/strong><\/p>\n Pandemi s\u00fcrecinden ge\u00e7ti\u011fimiz \u015fu g\u00fcnlerde; malum kitabevlerinin bir\u00e7o\u011fu ya kapal\u0131 ya da yar\u0131 zamanl\u0131 \u00e7al\u0131\u015f\u0131yor. Bunun yan\u0131 s\u0131ra d\u00f6vizde olu\u015fan kur art\u0131\u015f\u0131; bunun k\u00e2\u011f\u0131da, matbaaya yans\u0131mas\u0131na kar\u015f\u0131n inatla kitap yay\u0131mlamaya \u00e7al\u0131\u015fan yay\u0131nevleri\u2026 Bunlardan biri de Prof. Dr. \u015e\u00fckran Kuyucak Esen\u2019in ikinci kitab\u0131, Y\u0131lmaz G\u00fcney Sinemas\u0131 ve \u00c7ukurova Ger\u00e7e\u011finin Esteti\u011fi\u2019ni yay\u0131mlayan Su Yay\u0131nlar\u0131. Ge\u00e7ekten de bug\u00fcnlerde bu ko\u015fullarda kitap yay\u0131mlayan yay\u0131nevlerini kutlamak gerek.<\/p>\n Y\u0131lmaz G\u00fcney Sinemas\u0131 ve \u00c7ukurova Ger\u00e7e\u011finin Esteti\u011fi adl\u0131 \u00e7al\u0131\u015fma, Y\u0131lmaz G\u00fcney kadrajda olmas\u0131na ra\u011fmen, genelde \u00c7ukurova\u2019n\u0131n, \u00f6zelde Adana halk\u0131n\u0131n ve Adana\u2019n\u0131n sosyoekonomik, politik, k\u00fclt\u00fcrel ve tarihi foto\u011fraf\u0131n\u0131 \u00e7ekip \u00f6n\u00fcm\u00fcze koyuyor.<\/p>\n Kitapta, \u00c7ukurova\u2019da \u0131rgatl\u0131\u011f\u0131n, yoksullu\u011fun, s\u0131tman\u0131n anlat\u0131m\u0131 yan\u0131n, Adana ve \u00c7ukurova\u2019n\u0131n Y\u0131lmaz G\u00fcney\u2019i nas\u0131l yaratt\u0131\u011f\u0131n\u0131, Y\u0131lmaz G\u00fcney\u2019in de Adana ve \u00c7ukurova\u2019y\u0131 yeniden nas\u0131l yaratt\u0131\u011f\u0131, b\u00f6lgenin tarihi, k\u00fclt\u00fcrel ve ekonomik boyutuyla beraber anlat\u0131l\u0131yor.<\/p>\n Prof. Dr. \u015e\u00fckran Kuyucak Esen, edit\u00f6rl\u00fc\u011f\u00fcn\u00fc ve yazarl\u0131\u011f\u0131n\u0131 yapt\u0131\u011f\u0131 kitab\u0131 \u00f6\u011frencileri Do\u00e7. Dr. Zeynep \u00d6zarslan, Do\u00e7. Dr. Ay\u015fe Toy Par, Dr. \u00d6\u011fr. \u00dcyesi. Ayd\u0131n \u00c7am ve Erman Bostan birlikte haz\u0131rlam\u0131\u015f. Be\u015f yazar, \u00c7ukurova\u2019y\u0131, Adana\u2019y\u0131 ve Y\u0131lmaz G\u00fcney\u2019i farkl\u0131 konular ve farkl\u0131 filmler \u00fczerinden, ara\u015ft\u0131r\u0131p inceliyor.<\/p>\n \u00c7OK K\u00dcLT\u00dcRL\u00dc \u00c7UKUROVA-ADANA<\/strong><\/p>\n \u0130lk b\u00f6l\u00fcm\u00fc Y\u0131lmaz G\u00fcney\u2019i besleyen bereketli topraklarda; 1940-50\u2019lerin \u00c7ukurova\u2019s\u0131 ve Adana\u2019s\u0131 anlat\u0131l\u0131rken, Adana\u2019n\u0131n, 1937\u2019de yani Y\u0131lmaz G\u00fcney\u2019in do\u011fdu\u011fu y\u0131llarda, n\u00fcfusunun 400 bin oldu\u011funu, bu rakam 1950\u2019lere gelindi\u011fine 650 bin oldu\u011funu belirtiyor.<\/p>\n B\u00f6lgenin ekonomik zenginli\u011fini; bir ge\u00e7i\u015f b\u00f6lgesi olmas\u0131, Ceyhan ve Seyhan nehirlerinin \u00c7ukurova\u2019y\u0131 beslemesinden ald\u0131\u011f\u0131n\u0131, k\u00fclt\u00fcrel zenginli\u011fini ise, farkl\u0131 k\u00fclt\u00fcrel ve dini etnik yap\u0131lar\u0131n ya\u015fad\u0131\u011f\u0131 bir b\u00f6lge olmas\u0131ndan ald\u0131\u011f\u0131n\u0131n alt\u0131n\u0131 \u00e7iziyor yazarlar.<\/p>\n \u015e\u00f6yle ki; 1940-1950\u2019lerde, \u00c7ukurova\u2019da, Ermeni, Rum, S\u00fcryani, T\u00fcrk, K\u00fcrt, T\u00fcrkmen, Arap, Fellah, Nusayri gibi farkl\u0131 etnik ve dini kimliklerin bir arada ya\u015fad\u0131\u011f\u0131 bir b\u00f6lge s\u00f6z konusu.<\/p>\n B\u00f6lgenin k\u00fclt\u00fcrel zenginli\u011fine bir ba\u015fka \u00f6rnek ise, ilk yerle\u015fik sinema salonunun 1907\u2019de Adana merkezde faaliyette oldu\u011fu, oysa Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun ba\u015fkenti \u0130stanbul\u2019da (Konstantinopolis) ilk yerle\u015fik sinema salonu, 1908\u2019de a\u00e7\u0131l\u0131yor.<\/p>\n Avrupa\u2019n\u0131n 3. b\u00fcy\u00fck \u015fehri \u0130stanbul\u2019dan \u00f6nce sinema salonuna sahip olan bir b\u00f6lgenin geli\u015fmi\u015flik d\u00fczeyini siz d\u00fc\u015f\u00fcn\u00fcn. 1940\u2019lara gelindi\u011finde Adana\u2019da k\u00fc\u00e7\u00fck sinemalar\u0131n, yazl\u0131k sinemalar\u0131n d\u0131\u015f\u0131nda 5 b\u00fcy\u00fck sineman\u0131n varl\u0131\u011f\u0131ndan bahsediliyor. Ve bu sinema salonlar\u0131n\u0131n 12 ay boyunca d\u00fcnya ve Ortado\u011fu filmlerinin Adana seyircisine g\u00f6sterildi\u011fini belirtiliyor.<\/p>\n BA\u015eKALDIRI S\u0130NEMASI<\/strong><\/p>\n Y\u0131lmaz G\u00fcney Sinemas\u0131 ve \u00c7ukurova Ger\u00e7e\u011finin Esteti\u011fi, \u00fc\u00e7 b\u00f6l\u00fcmden olu\u015fuyor. \u0130lk b\u00f6l\u00fcm\u00fc, yukar\u0131da da bahsetti\u011fimiz gibi \u00c7ukurova-Adana b\u00f6lgesinin ekonomik ve k\u00fclt\u00fcrel geli\u015fmi\u015fli\u011fini, bu geli\u015fim seyri i\u00e7inde farkl\u0131 fakt\u00f6rlerin etkileri anlat\u0131yor.<\/p>\n \u0130kinci ve \u00fc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcmlerde ise kitap tamamen G\u00fcney filmlerine ayr\u0131lm\u0131\u015f. Adana ve \u00c7ukurova\u2019da \u00e7ekilen G\u00fcney filmleri ki, ben buna erken d\u00f6nem Y\u0131lmaz G\u00fcney filmleri diyorum. \u201cA\u00e7 Kurtlar\u201d, \u201cSeyithan\u201d, \u201cHudutlar\u0131n Kanunu\u201d, \u201cTopra\u011f\u0131n Gelini\u201d, \u201cUmut\u201d, \u201cKozano\u011flu\u201d, gibi filmler feodaliteye, \u0130nce Mehmedvari kar\u015f\u0131 \u00e7\u0131k\u0131\u015f filmleri. D\u00fczene, d\u00fczenin yereldeki temsilcisine, derebeylerine, tek ba\u015f\u0131na bir kar\u015f\u0131 \u00e7\u0131k\u0131\u015f.<\/p>\n \u0130kinci kent \u00e7eli\u015fkisi ve sisteme, sistemin koku\u015fmu\u015flu\u011funa tekil kar\u015f\u0131 \u00e7\u0131k\u0131\u015f, tekil ba\u015fkald\u0131r\u0131 ve m\u00fccadele; \u201cBaba\u201d, \u201cVurguncular\u201d, \u201cBana Kur\u015fun \u0130\u015flemez\u201d, \u201c\u00c7irkin Kral\u201d gibi. G\u00fcney\u2019in \u00fc\u00e7\u00fcnc\u00fc d\u00f6nem filmleri ise d\u00fczene ve onun yozla\u015fm\u0131\u015f, \u00e7\u00fcr\u00fcm\u00fc\u015f y\u00f6netimine, toplumcu, topyek\u00fbn, devrimci kar\u015f\u0131 \u00e7\u0131k\u0131\u015f filmleri; \u201cDuvar\u201d, \u201cD\u00fc\u015fman\u201d, \u201cEndi\u015fe\u201d, \u201cS\u00fcr\u00fc\u201d, \u201cYol\u201d.<\/p>\n Y\u0131lmaz G\u00fcney\u2019in filmlerini kronolojik s\u0131raya g\u00f6re dizip izledi\u011finizde, T\u00fcrkiye\u2019nin ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze geli\u015fim seyrini de izlersiniz. Y\u0131lmaz G\u00fcney\u2019in de tekil ba\u015fkald\u0131r\u0131dan \u2018e\u015fk\u0131ya\u2019l\u0131ktan, devrimcili\u011fe, toplumcu m\u00fccadeleye ge\u00e7i\u015fini g\u00f6r\u00fcrs\u00fcn\u00fcz.<\/p>\n Y\u0131lmaz G\u00fcney Sinemas\u0131 ve \u00c7ukurova Ger\u00e7e\u011finin Esteti\u011fi \/ \u015e\u00fckran Kuyucak Esen \/ Su Yay\u0131nlar\u0131 \/ 136 s. \/ 2020.<\/p>\n
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