{"id":64105,"date":"2021-08-06T02:46:06","date_gmt":"2021-08-06T07:46:06","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=64105"},"modified":"2021-08-06T02:46:06","modified_gmt":"2021-08-06T07:46:06","slug":"krikor-zohrabin-boyun-borcu-oykusu-intihara-surukleyen-yoksulluk","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=64105","title":{"rendered":"Krikor Zohrab’\u0131n Boyun Borcu \u00f6yk\u00fcs\u00fc: \u0130ntihara s\u00fcr\u00fckleyen yoksulluk"},"content":{"rendered":"
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Mustafa Orman<\/a><\/strong><\/div>\n<\/div>\n<\/div>\n
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Kolaj:\u00a0Independent T\u00fcrk\u00e7e\u00a0<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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Sinema y\u00f6netmeni Ahmet Ulu\u00e7ay,\u00a0“Ekonomik krizden \u00f6nce bir haysiyet krizi, insanl\u0131k krizi ya\u015fad\u0131\u011f\u0131m\u0131z\u0131n kimse fark\u0131nda de\u011fil. Utan\u0131yorum”<\/em>\u00a01<\/sup>\u00a0der.<\/p>\n

\u0130nsanl\u0131\u011f\u0131n s\u0131n\u0131rlar\u0131n\u0131 i\u015faret ederek ayn\u0131 insanl\u0131k garabetini,\u00a0“utan\u0131yorum”\u00a0<\/em>vurgusuyla kendi d\u00fcnyas\u0131na \u00e7eker insanl\u0131k aynas\u0131n\u0131.<\/p>\n

Sorunun kayna\u011f\u0131na inerken, somut olan\u0131n nedenini soyutun merce\u011finde b\u00fcy\u00fct\u00fcr. De\u011fersizlik hissine itilmenin toplumun stratejik temas ve s\u00f6ylemlerinde yatt\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcr.<\/p>\n

Ba\u015fkas\u0131na kar\u015f\u0131 e\u011filmemek ad\u0131na g\u00fc\u00e7l\u00fc durma bilincini de temsil eder. Ba\u015fkas\u0131 ad\u0131na o eylemi g\u00f6zeten olarak\u00a0Ahmet Ulu\u00e7ay<\/a>, akabinde yoksullu\u011fun toplumsal \u00e7\u0131kmaz\u0131n\u0131, toplumun bak\u0131\u015f a\u00e7\u0131s\u0131na dair de,\u00a0“Yoksulluk utan\u00e7 da getirir. Hele bizim buralarda, sosyal yar\u0131\u015f\u0131 kaybetti\u011fin an, d\u0131\u015flan\u0131rs\u0131n. \u0130nsanlar ahlaks\u0131zl\u0131\u011f\u0131 ba\u011f\u0131\u015flayabiliyor ama acizli\u011fi asla”\u00a0<\/em>s\u0131n\u0131rlar\u0131n\u0131 \u00e7izer.<\/p>\n

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\"ahmetulu\u00e7ay.jpg\"<\/div>\n<\/div>\n
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Ahmet Ulu\u00e7ay<\/em><\/div>\n<\/div>\n<\/div>\n

Walter Benjamin<\/a>‘in Almanlar\u0131n\u00a0“Yoksulluk kimseyi lekelemez”\u00a0<\/em>\u00f6zdeyi\u015fine kar\u015f\u0131l\u0131k s\u00f6yledi\u011fi,\u00a0“Pek iyi, pek ho\u015f. Ama onlar lekeliyor yoksulu. Lekeliyorlar, sonra da bu k\u00fc\u00e7\u00fck \u00f6zdeyi\u015fle avutuyorlar. Bu da bir zamanlar belki ge\u00e7erli olan ama \u00e7ok uzun zamand\u0131r anlam\u0131n\u0131 yitirmi\u015f \u00f6zdeyi\u015flerden biri”\u00a0<\/em>\u00a02\u00a0<\/sup>\u00e7\u0131k\u0131\u015f\u0131yla, Ahmet Ulu\u00e7ay’\u0131n \u0131srarla \u00fczerine e\u011fildi\u011fi\u00a0“haysiyet krizi, insanl\u0131k krizi”<\/em>\u00a0yorumunu destekleyici niteliktedir.<\/p>\n

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Walter Benjamin<\/em><\/div>\n<\/div>\n<\/div>\n

“Ay\u0131p”\u00a0<\/em>ve\u00a0“utan\u00e7”\u00a0<\/em>s\u00f6zc\u00fckleri aras\u0131nda toplumsal bir tesellinin tohumlar\u0131yla b\u00fcy\u00fcr “yoksulluk<\/a>” refleksi.<\/p>\n

Ki\u015fiden ba\u011f\u0131ms\u0131z, toplumun ola\u011fan anlat\u0131lar\u0131n\u0131n ve s\u00f6ylemlerinin i\u00e7inde yer kaplayarak ilerleyen, kar\u015f\u0131l\u0131k bulan bir eyleme d\u00f6n\u00fc\u015f\u00fcr b\u00f6ylece.<\/p>\n

Oysa yoksullu\u011fu ya\u015fayan bireyin, i\u00e7sel yolculu\u011funun i\u00e7ine karanl\u0131kla ve \u00f6rt\u00fcnmeyle birle\u015fen dilsizli\u011fi, ki\u015fiyi kendinde hesaba \u00e7eker.<\/p>\n

D\u0131\u015far\u0131dan i\u015fitilen, i\u00e7e ge\u00e7en yoksullu\u011fa dair iyimser c\u00fcmleler istemsizce bir yara a\u00e7ar yoksulun kalbinde. Ya\u015famdan mahrum b\u0131rak\u0131lm\u0131\u015f, kendinden mahrum b\u0131rak\u0131lm\u0131\u015f bir ki\u015fi kar\u015f\u0131m\u0131za \u00e7\u0131kar.<\/p>\n

G\u00fcndelik d\u00fc\u015f\u00fcncesinin a\u00e7l\u0131k ve haysiyet \u00fczerine d\u00f6nd\u00fc\u011f\u00fc bir birey. Ba\u015f\u0131n\u0131 dik tutmaya \u00e7al\u0131\u015fan ama i\u00e7ten i\u00e7e karanl\u0131\u011fa b\u00fcr\u00fcnen bir g\u00f6stergeyle kar\u015f\u0131la\u015f\u0131r.<\/p>\n

Ekmek ile emek aras\u0131nda \u00e7izilen tabloya her daim eklenir bu durum; haysiyet ve ba\u015f\u0131n\u0131 e\u011fmemek.<\/p>\n

“Boyun Borcu”<\/strong><\/p>\n

Krikor Zohrab<\/a>‘\u0131n\u00a0Hayat Oldu\u011fu Gibi<\/em>\u00a0kitab\u0131n\u0131n\u00a0Boyun Borcu\u00a0<\/em>\u00f6yk\u00fcs\u00fcnde, daha en ba\u015ftan karakterin ya\u015fam\u0131na dair s\u0131n\u0131r\u0131 bir nesne \u00fczerinden \u00e7izer.<\/p>\n

Zohrab, Husep A\u011fa karakterinin ya\u015fam\u0131na dair pencereyi\u00a0“\u2026me\u015fin \u00e7anta ya\u015fam\u0131n\u0131n bir par\u00e7as\u0131yd\u0131”<\/em>\u00a0ile haberdar eder.<\/p>\n

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\"hayat-oldugu-gibi.jpg\"<\/div>\n<\/div>\n<\/div>\n

Giderek sertle\u015fen ge\u00e7im derdi, k\u0131v\u0131lc\u0131mlanan emek, birbirini tutmayan sevincin ve h\u00fczn\u00fcn kar\u0131\u015f\u0131kl\u0131\u011f\u0131 devreye girer. Nesnenin bilinir ruhu ortal\u0131kta gezinir.<\/p>\n

S\u00f6z\u00fc ve anlam\u0131 bir arada tutarak tehdit eden, zora sokan eylemi ifade eder me\u015fin \u00e7anta. Ya\u015fam kavgas\u0131n\u0131n, ruhsal bulan\u0131kl\u0131\u011f\u0131n\u0131 sahibinden \u00f6nce dile getiren birbirine bakma, birbirini g\u00f6rme bi\u00e7imi:<\/p>\n

T\u00fcm ya\u015fam sava\u015f\u0131 onun i\u00e7indeydi, ge\u00e7im derdi, g\u00fcnl\u00fck ekmek derdi\u2026 S\u00fcrekli bo\u015f olan o deri \u00e7anta, i\u015fte bu kayg\u0131larla dolup ta\u015fard\u0131. Sevin\u00e7leri de, \u00fcz\u00fcnt\u00fcleri de oradayd\u0131, an\u0131lar\u0131 da. K\u00f6t\u00fc ve iyi g\u00fcnleri vard\u0131 o \u00e7antan\u0131n.<\/p>\n

Sahibi gibi de\u011fi\u015fken bir al\u0131nyaz\u0131s\u0131 vard\u0131 ve sanki onun gibi bir de ruhu. Bu ikisinden as\u0131l hangisi hangisinin sahibiydi? Otuz y\u0131l sonra ba\u015far\u0131s\u0131zl\u0131k demir halka gibi kendisini \u00e7epe\u00e7evre ku\u015fatt\u0131\u011f\u0131nda, adam as\u0131l bu duygusuz \u00e7antan\u0131n hep kendine sahiplik etti\u011fini anl\u0131yordu.\u00a03<\/sup><\/em><\/p><\/blockquote>\n

Anlat\u0131c\u0131n\u0131n sordu\u011fu\u00a0“Bu ikisinden as\u0131l hangisi hangisinin sahibiydi?”<\/em>\u00a0sorusu, ge\u00e7im arac\u0131n\u0131n Husep A\u011fa’ya ba\u011fl\u0131l\u0131\u011f\u0131n\u0131, Husep A\u011fa’n\u0131n da ona olan ba\u011fl\u0131l\u0131\u011f\u0131ndaki pay, b\u00fcy\u00fck bir kayg\u0131ya d\u00f6nen i\u00e7sel yolculu\u011funda cevab\u0131n\u0131 bulur.<\/p>\n

Yoksullu\u011funda bask\u0131n gelen yine bir haysiyet duru\u015fudur; iki yeti\u015fkin k\u0131z\u0131n\u0131 ba\u015fkalar\u0131na kar\u015f\u0131 d\u00fc\u015f\u00fcrmeme gayretidir.<\/p>\n

E\u015finin \u00f6l\u00fcm\u00fcnden sonra geride b\u0131rakt\u0131\u011f\u0131 emanetleri, koruma, onlara bakabilme onurunu g\u00f6sterme azmine d\u00f6n\u00fc\u015f\u00fcr Husep A\u011fa’n\u0131n hikayesi.<\/p>\n

Yoksullu\u011fun mahk\u00fbmiyeti hem Husep A\u011fa hem de me\u015fin \u00e7antada azim, mahcubiyet, direni\u015f, eksilme, utan\u00e7, toplumun bak\u0131\u015f\u0131 ayn\u0131 andal\u0131kla belirir:<\/p>\n

Yine de \u00e7antay\u0131 elinde ta\u015f\u0131maya devam ediyordu. Anlams\u0131z bir getir g\u00f6t\u00fcrd\u00fc yapt\u0131\u011f\u0131, ama onu bir tarafa atmaya, d\u00fcnya alemin \u00f6n\u00fcnde y\u0131lg\u0131nl\u0131\u011f\u0131n\u0131 itiraf etmeye utan\u0131yordu. Ger\u00e7ekten de bundan b\u00f6yle onu eli bo\u015f g\u00f6r\u00fcrse alem ne derdi.\u00a04<\/sup><\/em><\/p><\/blockquote>\n

Husep A\u011fa, bak\u0131r saatini satar. Bu da \u00e7are olamaz, haz\u0131rda tuttu\u011fu paran\u0131n t\u00fckenmesi yak\u0131nken zaman\u0131n a\u011f\u0131rl\u0131\u011f\u0131 alt\u0131nda ezilmeye ba\u015flar.<\/p>\n

Bir umudun pe\u015finden ko\u015fman\u0131n da bir yoksul i\u00e7in masraf oldu\u011funu anlar. \u00c7aresizlik daha bask\u0131n gelir. \u0130\u00e7 d\u00fcnyas\u0131 kayg\u0131larla, gelece\u011fi d\u00fc\u015f\u00fcnmekle parampar\u00e7a olur.<\/p>\n

Y\u00fczlerce soru zihninde belirir, ama hi\u00e7birine cevap bulamaz. Bo\u015f \u00e7antas\u0131, art\u0131k kolunun alt\u0131nda ezilmi\u015f varl\u0131\u011f\u0131n\u0131 giderek yok etmi\u015fti.<\/p>\n

Bir \u00e7antan\u0131n insan\u0131n d\u00fcnyas\u0131n\u0131 de\u011fi\u015ftirece\u011finden, ya\u015fam\u0131n\u0131 kendi b\u00fcnyesini alaca\u011f\u0131n\u0131 hi\u00e7 d\u00fc\u015f\u00fcnmemi\u015fti. Me\u015fin \u00e7anta, dald\u0131\u011f\u0131 hayallerden onu al\u0131koyar ger\u00e7ekli\u011fiyle ba\u015fba\u015fa b\u0131rak\u0131rd\u0131 hep.<\/p>\n

Husep A\u011fa, bo\u015f \u00e7antan\u0131n \u00e7\u0131kard\u0131\u011f\u0131 sesi, a\u00e7 karn\u0131ndaki guruldamaya benzetir; yoksulluk iyice onu sarar, hayal ile ger\u00e7ek aras\u0131nda s\u00fcrekli konumland\u0131r\u0131r durur.<\/p>\n

Husep A\u011fa, art\u0131k bu yoksullu\u011fa dayanamaz. Y\u0131llard\u0131r kendisine \u015fahitlik eden me\u015fin \u00e7antas\u0131n\u0131 ta\u015flarla doldurur, sonra da kendini denize atarak intihar eder.<\/p>\n

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Krikor Zohrab<\/em><\/div>\n<\/div>\n<\/div>\n

Krikor Zohrab<\/a>, \u00e7anta ile Husep A\u011fa’n\u0131n birbirlerine olan ba\u011fl\u0131l\u0131klar\u0131n\u0131 \u00f6l\u00fcmde de g\u00f6sterir:<\/p>\n

Denizin ayna gibi g\u00fcm\u00fc\u015fi y\u00fczeyinde, uzakta, \u00e7ok uzakta bu v\u00fccut ve boynunda as\u0131l\u0131 \u00e7anta, sandal\u0131n\u0131 ard\u0131na salm\u0131\u015f bir tekneye benziyordu. Suda da ikisi birbirine ba\u011fl\u0131yd\u0131lar, ya\u015famlar\u0131 boyunca hi\u00e7 ayr\u0131lmad\u0131klar\u0131 gibi.<\/p>\n

Ba\u011f hep s\u0131k\u0131ca korunmu\u015ftu. \u0130\u00e7ine ta\u015f doldurulmu\u015f bu me\u015fin \u00e7antan\u0131n bundan b\u00f6yle bo\u015falma korkusu da yoktu. Doymu\u015f, t\u0131kanm\u0131\u015f, besili, \u015fi\u015fkin bir kar\u0131n gibiydi.<\/p>\n

Onun as\u0131l yeri, onca y\u0131l\u0131n\u0131 soluksuz, s\u0131k\u0131\u015f t\u0131k\u0131\u015f ge\u00e7irdi\u011fi insanlar\u0131n koltuk altlar\u0131 de\u011fildi. Hay\u0131r, bu \u00e7anta ac\u0131mas\u0131z inad\u0131yla, i\u00e7inin hep umut k\u0131r\u0131c\u0131 bi\u00e7imde bo\u015f olu\u015fuyla, do\u011fal olarak insan\u0131n boynunun borcunu ifade ediyordu. O halde onun ger\u00e7ek yeri, o boyundu, tam \u015fimdi yerle\u015fti\u011fi yerdi.\u00a05<\/sup><\/em><\/p><\/blockquote>\n

Krikor Zohrab, ac\u0131kl\u0131 ve a\u011f\u0131r hikayeyle, yoksullu\u011fun yaratt\u0131\u011f\u0131\u00a0“ya\u015fama son verme”\u00a0<\/em>eylemini, hem nesneyi konu\u015fturarak hem de karakterle nesneyi i\u00e7 i\u00e7e ge\u00e7irerek, Walter Benjamin’in,“Nas\u0131l bir adam tek ba\u015f\u0131nayken \u00e7ok \u015fey \u00e7ekebilir ama bunu kar\u0131s\u0131 g\u00f6rd\u00fc\u011f\u00fcnde, ya da kar\u0131s\u0131 ayn\u0131 \u015feyi \u00e7ekti\u011finde farkl\u0131 bir utan\u00e7 duyarsa, ayn\u0131 \u015fekilde yaln\u0131zken \u00e7ok \u015feye, gizleyebildi\u011fi s\u00fcrece de her \u015feye tahamm\u00fcl edebilir. Ama ailesi ve hem\u015ferileri \u00fczerine devasa bir g\u00f6lge gibi d\u00fc\u015ft\u00fc\u011f\u00fcnde, kimse yoksullukla bar\u0131\u015famaz”<\/em>\u00a0 6\u00a0<\/sup>dedi\u011fi yeri i\u015faret ediyordu.<\/p>\n

1. Ahmet Ulu\u00e7ay, Sinema \u0130\u00e7in Bunca Ac\u0131ya De\u011fer Mi? Syf. 138
\n2. Walter Benjamin, Son Bak\u0131\u015fta A\u015fk, Syf. 58
\n3.\u00a0Krikor Zohrab, Hayat Oldu\u011fu Gibi, Syf. 37
\n4. Krikor Zohrab, Hayat Oldu\u011fu Gibi, Syf. 41
\n5.\u00a0Krikor Zohrab, Hayat Oldu\u011fu Gibi, Syf. 46
\n6. Walter Benjamin, Son Bak\u0131\u015fta A\u015fk, Syf. 58<\/em><\/p>\n

https:\/\/www.indyturk.com\/node\/383811\/t%C3%BCrki%CC%87yeden-sesler\/krikor-zohrab%C4%B1n-boyun-borcu-%C3%B6yk%C3%BCs%C3%BC-i%CC%87ntihara-s%C3%BCr%C3%BCkleyen-yoksulluk\u00a0<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Mustafa Orman Kolaj:\u00a0Independent T\u00fcrk\u00e7e\u00a0 Sinema y\u00f6netmeni Ahmet Ulu\u00e7ay,\u00a0“Ekonomik krizden \u00f6nce bir haysiyet krizi, insanl\u0131k krizi ya\u015fad\u0131\u011f\u0131m\u0131z\u0131n kimse fark\u0131nda de\u011fil. Utan\u0131yorum”\u00a01\u00a0der. \u0130nsanl\u0131\u011f\u0131n s\u0131n\u0131rlar\u0131n\u0131 i\u015faret ederek ayn\u0131 insanl\u0131k garabetini,\u00a0“utan\u0131yorum”\u00a0vurgusuyla kendi d\u00fcnyas\u0131na \u00e7eker insanl\u0131k aynas\u0131n\u0131. Sorunun kayna\u011f\u0131na inerken, somut olan\u0131n nedenini soyutun merce\u011finde b\u00fcy\u00fct\u00fcr. De\u011fersizlik hissine itilmenin toplumun stratejik temas ve s\u00f6ylemlerinde yatt\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcr. Ba\u015fkas\u0131na kar\u015f\u0131 e\u011filmemek ad\u0131na […]<\/p>\n","protected":false},"author":7,"featured_media":64106,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,54,70],"tags":[],"class_list":["post-64105","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-kitaplar-elestiriler","category-makaleler"],"yoast_head":"\nKrikor Zohrab'\u0131n Boyun Borcu \u00f6yk\u00fcs\u00fc: \u0130ntihara s\u00fcr\u00fckleyen yoksulluk - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=64105\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Krikor Zohrab'\u0131n Boyun Borcu \u00f6yk\u00fcs\u00fc: \u0130ntihara s\u00fcr\u00fckleyen yoksulluk - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Mustafa Orman Kolaj:\u00a0Independent T\u00fcrk\u00e7e\u00a0 Sinema y\u00f6netmeni Ahmet Ulu\u00e7ay,\u00a0“Ekonomik krizden \u00f6nce bir haysiyet krizi, insanl\u0131k krizi ya\u015fad\u0131\u011f\u0131m\u0131z\u0131n kimse fark\u0131nda de\u011fil. Utan\u0131yorum”\u00a01\u00a0der. \u0130nsanl\u0131\u011f\u0131n s\u0131n\u0131rlar\u0131n\u0131 i\u015faret ederek ayn\u0131 insanl\u0131k garabetini,\u00a0“utan\u0131yorum”\u00a0vurgusuyla kendi d\u00fcnyas\u0131na \u00e7eker insanl\u0131k aynas\u0131n\u0131. Sorunun kayna\u011f\u0131na inerken, somut olan\u0131n nedenini soyutun merce\u011finde b\u00fcy\u00fct\u00fcr. De\u011fersizlik hissine itilmenin toplumun stratejik temas ve s\u00f6ylemlerinde yatt\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcr. 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