{"id":63968,"date":"2021-07-27T02:41:06","date_gmt":"2021-07-27T07:41:06","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=63968"},"modified":"2021-07-27T02:41:06","modified_gmt":"2021-07-27T07:41:06","slug":"nefrete-karsi-muzikle-direnenlerin-oykusu","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=63968","title":{"rendered":"Nefrete kar\u015f\u0131 m\u00fczikle direnenlerin \u00f6yk\u00fcs\u00fc"},"content":{"rendered":"
\"\"<\/div>\n
Ferda Balancar<\/a> <\/span><\/span><\/strong><\/div>\n

Renan Koen\u2019in \u2018Pozitif Diren\u00e7: Nefretin Tarihi, Theresienstadt, March of the Music\u2019 ba\u015fl\u0131kl\u0131 kitab\u0131 T\u00fcrk\u00e7e ve \u0130ngilizce iki ayr\u0131 bask\u0131 olarak G\u00f6zlem Gazetecilik Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kt\u0131. Piyanist, besteci ve soprano olan Renan Koen, ayn\u0131 zamanda m\u00fczik terapisti ve yazar. Koen ile kitab\u0131ndan yola \u00e7\u0131karak, II. D\u00fcnya Sava\u015f\u0131\u2019ndaki ad\u0131yla \u2018Theresienstadt Gettosu ve Toplama Kamp\u0131\u2019nda Holokost\u2019a m\u00fczikle direnen sanat\u00e7\u0131lar\u0131 ve \u2018Holokost Ger\u00e7ekli\u011fi ile Pozitif Diren\u00e7\u2019 ba\u015fl\u0131kl\u0131 e\u011fitim program\u0131n\u0131 konu\u015ftuk.<\/span><\/strong><\/em><\/p>\n

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\u00d6ncelikle, \u2018Holokost Ger\u00e7ekli\u011fi ile Pozitif Diren\u00e7\u2019 adl\u0131 e\u011fitim program\u0131n\u0131zla ba\u015flayal\u0131m. Bu program \u00e7er\u00e7evesinde neler yap\u0131yorsunuz?<\/strong><\/p>\n

\u2018Holokost Ger\u00e7ekli\u011fi\u2019 k\u0131sm\u0131ndan ba\u015flayay\u0131m bu soruya. Holokost t\u00fcm d\u00fcnyada, hem halen fark\u0131ndal\u0131\u011f\u0131 \u00e7ok d\u00fc\u015f\u00fck bir konu olmaya devam ediyor ve hem de \u00e7arp\u0131t\u0131larak anlat\u0131l\u0131yor. Bu sebeple, 2015\u2019ten beri T\u00fcrkiye ve d\u00fcnyada aktard\u0131\u011f\u0131m bu e\u011fitimin ilk b\u00f6l\u00fcm\u00fcnde \u00f6\u011frencilerin mevcut bilgileri \u0131\u015f\u0131\u011f\u0131nda k\u0131saca Holokost\u2019a kadar olan d\u00f6nemi anlatt\u0131ktan sonra Holokost\u2019u ayr\u0131nt\u0131l\u0131 olarak anlat\u0131yorum. Daha sonra \u2018Theresienstadt Getto ve Toplama Kamp\u0131\u2019n\u0131 anlatarak orada bestelenmi\u015f m\u00fczik eserlerini seslendiriyorum.\u00a0 M\u00fczik eserlerini seslendirirken bunu bir konserden ziyade, \u00f6\u011frencilerin hislerini payla\u015fmas\u0131na m\u00fcsaade ederek ger\u00e7ekle\u015ftiriyorum. E\u011fitimin \u2018Pozitif Diren\u00e7\u2019 b\u00f6l\u00fcm\u00fcnde ise, kat\u0131l\u0131mc\u0131 \u00f6\u011frencilerin kendi ya\u015famlar\u0131ndaki zorluklarla nas\u0131l ba\u015fa \u00e7\u0131kacaklar\u0131na dair \u00e7al\u0131\u015fmalar\u0131m\u0131z oluyor.<\/p>\n

Bu programa kat\u0131lan \u00f6\u011frencileri hangi kriterlere g\u00f6re se\u00e7iyorsunuz? Programa kat\u0131lmak isteyenler neler yapmal\u0131?<\/strong><\/p>\n

Burada bir se\u00e7ilmi\u015flik, se\u00e7im veya eleme yok. 13-14 ya\u015f \u00fczeri kim isterse kat\u0131labilir. Zaten benim bak\u0131\u015f a\u00e7\u0131m ve y\u00f6ntemim elemeden \u00e7ok kapsay\u0131c\u0131d\u0131r. Bu e\u011fitimi ben okullara gidip veriyorum ama \u00f6n\u00fcm\u00fczdeki sezondan itibaren 500.Y\u0131l Vakf\u0131 M\u00fczemizde \u00f6\u011frencilerimizi \u00e7evrimi\u00e7i veya y\u00fcz y\u00fcze kabul etmeye ba\u015flayaca\u011f\u0131z. Pandemi s\u00fcreci i\u00e7erisinde de yurti\u00e7i ve yurtd\u0131\u015f\u0131 olmak \u00fczere \u00e7evrimi\u00e7i e\u011fitimlere devam ettim.<\/p>\n

E\u011fitim program\u0131na kat\u0131lanlar\u0131 \u2018March of The Music\u2019 projesi kapsam\u0131nda \u00c7ek Cumhuriyeti\u2019ndeki Terezin\u2019e g\u00f6t\u00fcr\u00fcyorsunuz. \u2018March of The Music\u2019 nedir? Ve neden Terezin? Kitab\u0131 hen\u00fcz okumayanlar i\u00e7in Terezin\u2019in \u00f6neminden s\u00f6z eder misiniz?<\/strong><\/p>\n

Holokost m\u00fczi\u011fi ara\u015ft\u0131rmalar\u0131ma, Almanla\u015fm\u0131\u015f ad\u0131yla Theresienstadt Getto ve Toplama Kamp\u0131 ile ba\u015flad\u0131m. Yap\u0131m itibariyle hangi konuda olursa olsun, bir \u015feyi ara\u015ft\u0131r\u0131p \u00f6\u011frenmek istiyorsam ger\u00e7ekten dibine kadar, t\u00fcm detaylar\u0131yla ve zaman\u0131n da bunu beslemesine izin vererek yapar\u0131m yolculu\u011fumu. Hemen \u00f6\u011frenip t\u00fcketmektense, i\u00e7imdeki bu tohumu defalarca beslemeyi tercih ederim.<\/p>\n

Bundan seneler o\u0308nce, Theresienstadt\u2019a hapsedilen sanatc\u0327\u0131lar\u0131n yasak olsa da eserler vermeye devam ettiklerini o\u0308g\u0306rendig\u0306imde c\u0327ok etkilenmis\u0327tim. Bu engellenemez merak dolu etkilenme beni hemen orada yas\u0327am\u0131s\u0327 ve eserler vermis\u0327 bestecileri aras\u0327t\u0131rmaya yo\u0308neltti. I\u0307lk bas\u0327larda Theresienstadt ic\u0327in hissettig\u0306im s\u0327ey, c\u0327ok derin bir u\u0308zu\u0308ntu\u0308 duydug\u0306um kapat\u0131lm\u0131s\u0327l\u0131k hissiydi. Fakat eserler elime gec\u0327tikten sonra, onlar\u0131 inceleme ve yorumlama as\u0327amas\u0131nda anlad\u0131m ki, bu \u2018kapat\u0131lm\u0131s\u0327l\u0131k gerc\u0327eklig\u0306i\u2019nin ic\u0327erisinde bestecilerin hayata olan bag\u0306l\u0131l\u0131klar\u0131, hayata bag\u0306l\u0131l\u0131klar\u0131n\u0131n da o\u0308tesinde, orada yas\u0327ad\u0131klar\u0131n\u0131 gelecek nesillere mu\u0308zik yolu ile aktarmak, mu\u0308zik yolu ile belgelemek arzusu ve bas\u0327ar\u0131s\u0131, her tu\u0308rlu\u0308 engelin o\u0308nu\u0308ne gec\u0327mis\u0327ti.<\/p>\n

\"Terezin<\/div>\n
Terezin Toplama Kamp\u0131<\/span><\/em><\/div>\n

Mu\u0308zik eg\u0306itimleri s\u0131ras\u0131nda ald\u0131klar\u0131 yu\u0308ksek disiplin ic\u0327eren formasyonlar\u0131, Terezin Konsantrasyon Kamp\u0131\u2019nda yas\u0327ad\u0131klar\u0131 su\u0308re boyunca benim deyimimle yu\u0308ksek bir \u2018Pozitif Dirence\u2019 do\u0308nu\u0308s\u0327mu\u0308s\u0327tu\u0308. Hayran\u0131 oldug\u0306um Zikmund Schul, Pavel Haas, Gideon Klein ve Viktor Ullmann\u2019\u0131n eserlerini derinlemesine inceledig\u0306im zaman go\u0308rdu\u0308m ki, bu do\u0308rt bestecinin her biri, kendilerini bo\u0308ylesine vahs\u0327et ve zorluklarla dolu bir ortamda tekrar tekrar her gu\u0308n ve her dakika mu\u0308zik yolu ile do\u0308nu\u0308s\u0327tu\u0308rebilmis\u0327lerdi. Hem yas\u0327ad\u0131klar\u0131 cog\u0306rafya itibariyle ailelerinden ald\u0131klar\u0131 disiplin, hem de her birinin ayr\u0131 ayr\u0131 ald\u0131g\u0306\u0131; kendi dilini yaratmaya yo\u0308nelik, ayn\u0131 zamanda son derece kat\u0131 ekollerin o\u0308g\u0306retilerini ic\u0327eren eg\u0306itim ve bu eg\u0306itimin gerektirdig\u0306i disiplin, benim \u2018pozitif direnc\u0327\u2019 olarak tan\u0131mlad\u0131\u011f\u0131m \u015feyi daha gu\u0308c\u0327lu\u0308 bir s\u0327ekilde ortaya c\u0327\u0131kartm\u0131s\u0327, savas\u0327\u0131n ve Nazi Almanyas\u0131\u2019n\u0131n yok etme g\u00fcc\u00fcne\u00a0 kars\u0327\u0131n, kendilerine, mu\u0308zig\u0306e ve yas\u0327ad\u0131klar\u0131 Theresienstadt\u2019a sahip c\u0327\u0131karak, aralar\u0131ndaki is\u0327birlig\u0306i ve dayan\u0131s\u0327may\u0131 da s\u00fcrekli gu\u0308c\u0327lendirmis\u0327ler.<\/p>\n

‘March of the Music\u2019 ne zaman kuruldu?<\/strong><\/p>\n

‘March of the Music\u2019 \u00f6\u011frenci hareketini 2016 y\u0131l\u0131nda olu\u015fturdum. \u2018March of the Music\u2019 yurti\u00e7i ve yurtd\u0131\u015f\u0131nda \u2018Holokost Ger\u00e7ekli\u011fi ile Pozitif Diren\u00e7\u2019 e\u011fitimimi alan \u00f6\u011frencilerin kat\u0131lmaya hak kazand\u0131klar\u0131 bir gezidir. Bu gezide, sava\u015ftaki ismi ile Theresienstadt, \u015fimdiki ismi ile Terezin kentine\u00a0gidiyoruz<\/a>. Bu gezinin, \u00f6\u011frencilere koydu\u011fum tek bir \u015fart\u0131 var: Geziden sonra hissettikleri ve deneyimleri ile ilgili bir \u00fcr\u00fcn vermeleri. Yetenekleri, ald\u0131klar\u0131 e\u011fitim veya istekleri her ne y\u00f6ndeyse bu \u00fcr\u00fcnleri yarat\u0131yorlar. Ortaya \u00e7\u0131kard\u0131klar\u0131 bu \u00fcr\u00fcnlerini tamamlamalar\u0131n\u0131 takiben d\u00fcnyada seslendirilmesini, yay\u0131nlanmas\u0131n\u0131, bas\u0131lmas\u0131n\u0131 sa\u011fl\u0131yorum. \u00c7\u00fcnk\u00fc benim i\u00e7in, i\u00e7imizdeki \u00fcretken ve yarat\u0131c\u0131 ruh ile tan\u0131\u015fmak ve onu canl\u0131 tutmak, kendi \u00f6zg\u00fcn t\u0131n\u0131m\u0131z\u0131 bulmak, bar\u0131\u015f\u0131n ba\u015fl\u0131ca \u015fart\u0131. Gezi, ayn\u0131 zamanda orta\u011f\u0131 oldu\u011fum \u2018Gustav Mahler: Everlasting Hope \/ Terezin Composers\u2019 Vakf\u0131\u2019n\u0131n d\u00fczenledi\u011fi m\u00fczik festivalinin b\u00fcnyesinde ger\u00e7ekle\u015fiyor. Ayn\u0131 zamanda benim de konser verdi\u011fim bu festival, bir\u00e7ok m\u00fczisyen ve m\u00fczikolog a\u011f\u0131rl\u0131yor.<\/p>\n

\"Renan<\/div>\n
Renan Koen<\/span><\/em><\/div>\n

Festival i\u00e7inde hem konserlere hem de derslere kat\u0131l\u0131yoruz. Festival program\u0131n\u0131n d\u0131\u015f\u0131nda, gen\u00e7leri Terezin\u2019de, bu \u015fiddet dolu tarihin ge\u00e7ti\u011fi yerlerde dola\u015ft\u0131r\u0131yorum. Gettoda kalan tutsaklar\u0131n tutulduklar\u0131 \u2018barak\u2019larda kal\u0131yoruz. Orada kalmak bile ba\u015fl\u0131 ba\u015f\u0131na bir deneyim. Ben \u015fahsen orada kald\u0131\u011f\u0131m gecelerde hi\u00e7bir zaman uyuyam\u0131yorum. Festival komitesi ve benim taraf\u0131mdan, sadece bu geziye kat\u0131lan gen\u00e7ler i\u00e7in d\u00fczenlenen b\u00f6l\u00fcm\u00fc ise, Theresienstadt\u2019tan sava\u015f bitti\u011fi i\u00e7in kurtulabilen bir \u2018survivor\u2019 ile tan\u0131\u015fma toplant\u0131s\u0131d\u0131r. Gen\u00e7lerle uzun uzun aram\u0131zda tart\u0131\u015f\u0131p sorular haz\u0131rl\u0131yoruz ve bu sorular\u0131, \u2018survivor\u2019a sorma imk\u00e2n\u0131 buluyorlar.<\/p>\n

Fiziksel ve duygusal olarak yo\u011fun bu program i\u00e7erisinde, \u00fcr\u00fcn yaratma s\u00fcrecine de hep birlikte, Terezin\u2019de ba\u015fl\u0131yoruz. Bir ki\u015finin yarataca\u011f\u0131 \u00fcr\u00fcn\u00fcn tart\u0131\u015f\u0131lmas\u0131na, birlikte kat\u0131ld\u0131\u011f\u0131m\u0131z \u2018Yarat\u0131m S\u00fcreci Payla\u015f\u0131m\u0131\u2019 toplant\u0131lar\u0131m\u0131z ile ba\u015fl\u0131yoruz. Tabii bu tart\u0131\u015fmalar\u0131n baz\u0131 kurallar\u0131 var. Ancak \u015fimdiye kadar \u00f6\u011frencilerle ya\u015fad\u0131\u011f\u0131m tecr\u00fcbelerin hi\u00e7birinde bu kurallar\u0131 hat\u0131rlatma ihtiyac\u0131nda olmad\u0131m. \u015eimdiki gen\u00e7ler bir harika. Onlar\u0131n sayesinde gelece\u011fe, bir g\u00fcn b\u0131rakaca\u011f\u0131m d\u00fcnyaya \u00e7ok daha umut dolu bakabiliyorum.<\/p>\n

Nefret s\u00f6ylemi temelli \u0131rk\u00e7\u0131l\u0131k ve yabanc\u0131 d\u00fc\u015fmanl\u0131\u011f\u0131 t\u00fcm d\u00fcnyada oldu\u011fu gibi T\u00fcrkiye\u2019de de \u00f6nemli bir sorun olmay\u0131 s\u00fcrd\u00fcr\u00fcyor. T\u00fcrkiye\u2019de nefret s\u00f6ylemine kar\u015f\u0131 m\u00fccadele etmeyi ama\u00e7layanlara d\u00fcnyadaki \u00f6rnekleri de yak\u0131ndan tan\u0131yan birisi olarak neler \u00f6nerirsiniz?<\/strong><\/p>\n

Nefretin temelinde haks\u0131zl\u0131\u011fa u\u011fram\u0131\u015fl\u0131k, g\u00f6r\u00fclmemi\u015flik, duyulmam\u0131\u015fl\u0131k, \u00f6zde\u011fer sorgulamalar\u0131, sorunlar\u0131 yatar. Nefret ile m\u00fccadele etmenin tek \u00e7aresini, bireyin kendini \u00f6zde\u011ferinde hissetmesi olarak g\u00f6r\u00fcyorum. Ama kurtar\u0131lm\u0131\u015f hissetmek ya da ko\u015fullara ba\u011fl\u0131 olarak de\u011ferli hissetmek de\u011fil kastetti\u011fim. \u00c7evresinde kimse olmasa da kendisini i\u00e7 d\u00fcnya olarak zengin hisseden insan, \u015fartlara ba\u011fl\u0131 olmaks\u0131z\u0131n kendisiyle bar\u0131\u015f\u0131k olan insand\u0131r ve bu insan ister istemez zaten bu \u0131\u015f\u0131\u011f\u0131n\u0131 yaymak ister, kendili\u011finden toplumsal g\u00f6rev bilincinde olur. Toplumsal g\u00f6rev bilinci i\u00e7erisinde verirken, ne alaca\u011f\u0131n\u0131 hesaplamaz.<\/p>\n

Son olarak, kitab\u0131n\u0131zda Holokost kurban\u0131 olan T\u00fcrk Yahudilerinden ve hatta kimli\u011finde M\u00fcsl\u00fcman yazmas\u0131na ra\u011fmen Holokost kurban\u0131 olmaktan kurtulamayanlardan s\u00f6z ediyorsunuz. Kitab\u0131n\u0131z\u0131 hen\u00fcz okumam\u0131\u015f olanlar i\u00e7in bu insanlar\u0131n ya\u015fad\u0131klar\u0131ndan s\u00f6z eder misiniz<\/strong>?<\/p>\n

Bahsi ge\u00e7en Yahudi vatanda\u015flar\u0131, T\u00fcrkiye Cumhuriyeti kurulmadan evvel Avrupa\u2019ya yerle\u015fmi\u015f ve Avrupa vatanda\u015f\u0131 olan kimselerdir. Yoksa, II. D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda hi\u00e7bir T\u00fcrk Yahudi vatanda\u015f\u0131 T\u00fcrkiye\u2019den s\u0131n\u0131r d\u0131\u015f\u0131 edilmedi ve kamplara g\u00f6nderilmedi.<\/p>\n

http:\/\/www.agos.com.tr\/tr\/yazi\/25959\/nefrete-karsi-muzikle-direnenlerin-oykusu\u00a0<\/em><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Ferda Balancar Renan Koen\u2019in \u2018Pozitif Diren\u00e7: Nefretin Tarihi, Theresienstadt, March of the Music\u2019 ba\u015fl\u0131kl\u0131 kitab\u0131 T\u00fcrk\u00e7e ve \u0130ngilizce iki ayr\u0131 bask\u0131 olarak G\u00f6zlem Gazetecilik Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kt\u0131. Piyanist, besteci ve soprano olan Renan Koen, ayn\u0131 zamanda m\u00fczik terapisti ve yazar. Koen ile kitab\u0131ndan yola \u00e7\u0131karak, II. D\u00fcnya Sava\u015f\u0131\u2019ndaki ad\u0131yla \u2018Theresienstadt Gettosu ve Toplama Kamp\u0131\u2019nda Holokost\u2019a m\u00fczikle […]<\/p>\n","protected":false},"author":7,"featured_media":63969,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,54,71],"tags":[],"class_list":["post-63968","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-kitaplar-elestiriler","category-mulakatlar"],"yoast_head":"\nNefrete kar\u015f\u0131 m\u00fczikle direnenlerin \u00f6yk\u00fcs\u00fc - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=63968\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nefrete kar\u015f\u0131 m\u00fczikle direnenlerin \u00f6yk\u00fcs\u00fc - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Ferda Balancar Renan Koen\u2019in \u2018Pozitif Diren\u00e7: Nefretin Tarihi, Theresienstadt, March of the Music\u2019 ba\u015fl\u0131kl\u0131 kitab\u0131 T\u00fcrk\u00e7e ve \u0130ngilizce iki ayr\u0131 bask\u0131 olarak G\u00f6zlem Gazetecilik Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kt\u0131. Piyanist, besteci ve soprano olan Renan Koen, ayn\u0131 zamanda m\u00fczik terapisti ve yazar. Koen ile kitab\u0131ndan yola \u00e7\u0131karak, II. 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