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O kadar \u00e7ok u\u011fram\u0131\u015ft\u0131m ki Yaba\u2019ya, soka\u011fa a\u00e7\u0131lan sergide Ay\u015fe\u2019ye merhaba deyip, bir \u00e7ok konserden, filmden \u00e7\u0131kt\u0131ktan sonra. Ay\u015fe\u2019nin ve k\u0131zlar\u0131n\u0131n ac\u0131s\u0131n\u0131 payla\u015f\u0131r\u0131m.<\/strong><\/em><\/p>\n Rag\u0131p Zarakolu<\/strong><\/p>\n Stockholm. Bir dostu daha, Ayd\u0131n Do\u011fan\u2019\u0131 yitirmenin ac\u0131s\u0131\u2026 O kadar \u00e7ok kimli\u011fi vard\u0131 ki. Bifiil tiyatroculuk yapm\u0131\u015f, ajit prop\u2019un y\u00fckseldi\u011fi y\u0131llarda. Ayn\u0131 zamanda bir oyun yazar\u0131. IHD toplant\u0131lar\u0131 i\u00e7in Ankara\u2019ya gitti\u011fimde, onun mekan\u0131na u\u011frard\u0131m hep. Elbette sokakta, gazeteci kul\u00fcbelerine benzer k\u0131tap sat\u0131\u015f yerleri a\u00e7\u0131lm\u0131\u015ft\u0131 ine benzer, yan yana Karanfil sokaktan Atat\u00fcrk Bulvar\u0131na a\u00e7\u0131lan bir aral\u0131kta. \u0130stanbul\u2019a gelince bir sahafiye a\u00e7t\u0131 Y\u00fcksekkald\u0131r\u0131m\u2019da. Her zaman e\u015fi Ay\u015fe ile birlikte. Ayn\u0131 zamanda Yaba Dergisinin, yay\u0131nlar\u0131n\u0131n ofisi. Ayn\u0131 zamanda bir sohbet mekan\u0131.<\/p>\n Zeki Ba\u015ft\u0131mar 1951 davas\u0131ndan cezas\u0131n\u0131 tamamlay\u0131p \u00e7\u0131kt\u0131\u011f\u0131nda bir yay\u0131nevi kurmu\u015ftu k\u0131sa bir s\u00fcre. Daha sonra \u00fclke d\u0131\u015f\u0131na \u00e7\u0131k\u0131p, TKP sekreteri olacakt\u0131. Yay\u0131nlad\u0131\u011f\u0131 kitaplar aras\u0131nda, Pu\u015fkin\u2019in \u201cErzurum Seyahati\u201d de vard\u0131. Bu nadir bulunan kitab\u0131n yeni bas\u0131m\u0131n\u0131 Ayd\u0131n Do\u011fan yapacakt\u0131 Yaba Yay\u0131nlar\u0131\u2019nda.<\/p>\n \u015eerefname\u2019nin zengin dipnotlu edisyonunu 5 cilt halinde yay\u0131nlay\u0131p, K\u00fcrdolojinin \u00f6nemli kaynaklar\u0131ndan birini okurlara sunacakt\u0131. S\u00fcryani tarihine ili\u015fkin bir \u00e7ok kitaba ula\u015fmam\u0131za olanak sa\u011flayacakt\u0131.<\/p>\n 2009 y\u0131l\u0131 Mart\u0131nda, yani 12 y\u0131l \u00f6nce g\u00fcnl\u00fc\u011f\u00fcme \u015f\u00f6yle bir not d\u00fc\u015fm\u00fc\u015f\u00fcm:<\/p>\n \u201cPazar g\u00fcn\u00fc, Yeni Melek Sinemas\u0131 Yaln\u0131z, y\u00fcksek vol\u00fcml\u00fc aletlerin, sesi bazen bir g\u00fcr\u00fclt\u00fc haline getirmesinden \u015fikayet\u00e7iyim. Ke\u015fke her halk\u0131n m\u00fczi\u011fini kendi otantik m\u00fczik aletleri ile, akustik ortamlarda kendi do\u011fall\u0131\u011f\u0131 i\u00e7inde dinleyebilsek. Rock m\u00fczi\u011fin getirdi\u011fi olanaklar, o tarz m\u00fczik i\u00e7in uygun ama her aletin k\u0131\u00e7\u0131na elektrik kordonu tak\u0131nca, \u00f6zellikle halk m\u00fczi\u011finin keyfi ka\u00e7\u0131yor sanki.<\/p>\n Latin Amerika Modern m\u00fczi\u011fin olanaklar\u0131ndan yararlan\u0131rken, dengeyi yine de \u00e7ok iyi tutturmak gerekiyor.<\/p>\n \u201c\u015elomo\u201d diye bizi selamlay\u0131p, konserini \u201ctewdi\u201d diyerek te\u015fekk\u00fcr ile bitiren S\u00fcryani sanat\u00e7\u0131 Yakup Atu\u011f Konser d\u00f6n\u00fc\u015f\u00fc, 1990 Ayd\u0131n, sessiz sedas\u0131z iyi bir yay\u0131nc\u0131l\u0131k yap\u0131yor, k\u0131t olanaklarla. Yay\u0131nlad\u0131\u011f\u0131 o harika Mezopotamya Kitapl\u0131\u011f\u0131\u2019n\u0131n 18 \u00d6te yandan, D\u00fcnya Sava\u015f\u0131\u2019nda Osmanl\u0131 ordusuna kat\u0131l\u0131p Enver Pa\u015fa taraf\u0131ndan tugay komutanl\u0131\u011f\u0131na getirilen Rafael de Nogales`in \u201cOsmanl\u0131 Ordusunda D\u00f6rt Y\u0131l(1915-1919)\u201d ba\u015fl\u0131kl\u0131 an\u0131lar\u0131, Ermeni tehciri s\u0131ras\u0131nda ya\u015fanan utan\u00e7 verici, y\u00fcrek par\u00e7alay\u0131c\u0131 bir\u00e7ok olay\u0131 birinci elden g\u00f6zler \u00f6n\u00fcne seriyor.<\/p>\nnda Halklar\u0131n Dostlu\u011fu Giri\u015fimi<\/code>nin d\u00fczenledi\u011fi Halklar\u0131n Bulu\u015fmas\u0131 konserini izlerken, Anadolu`da dil zenginli\u011finin de tad\u0131n\u0131 \u00e7\u0131kard\u0131m. Rumca, Ermenice, G\u00fcrc\u00fcce, Lazca, S\u00fcryanice, Arap\u00e7a, K\u00fcrt\u00e7e, Adigece ve elbette T\u00fcrk\u00e7e tam bir renk ve t\u0131n\u0131 c\u00fcmb\u00fc\u015f\u00fc ya\u015fad\u0131k. Bir \u015fey eksik miydi derseniz, Yahudi toplumumuzun co\u011frafyam\u0131za katt\u0131\u011f\u0131 orta\u00e7a\u011f \u0130spanyolcas\u0131 olan Ladino, yoklu\u011funu hissettirdi. Yoksa ben mi atlad\u0131m vard\u0131yd\u0131 da? Bir de sava\u015flar\u0131n co\u011frafyam\u0131za savurdu\u011fu Balkan insanlar\u0131n\u0131n t\u0131n\u0131lar\u0131 -belki onu da atlam\u0131\u015f olabilirim.<\/p>\nda ba\u015flay\u0131p bize de ula\u015fan \"Yeni T\u00fcrk\u00fc\" ak\u0131m\u0131, \u00f6zellikle otantik m\u00fcziklerin d\u00fcnyaya ula\u015f\u0131m\u0131na olanak sa\u011flad\u0131 ve bu zengin malzemeyi lirik bir bi\u00e7imde herkesin payla\u015f\u0131m\u0131na a\u00e7t\u0131. D\u00fcnya sesleri, \u0130ngiltere ve Amerika<\/code>daki bir\u00e7ok m\u00fczisyene de b\u00fcy\u00fck olanaklar sundu.<\/p>\nu izlerken, bir yandan da tarihin bize emanet etti\u011fi bin d\u00f6rt y\u00fcz y\u0131ll\u0131k Mor Gabriel Manast\u0131r\u0131<\/code>n\u0131n topraklar\u0131n\u0131n yerel e\u015fraf ve korucular taraf\u0131ndan gasp edilme\u011fe \u00e7al\u0131\u015f\u0131las\u0131 ay\u0131b\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyordum. Nas\u0131l Hem\u015fince t\u00fcrk\u00fcleri dinlerken, F\u0131rt\u0131na Vadisi`ne y\u00f6nelik imhac\u0131 baraj tasar\u0131lar\u0131n\u0131 hat\u0131rl\u0131yor; ya da Lazca, G\u00fcrc\u00fcce t\u00fcrk\u00fcler, k\u0131y\u0131 yolu cinayetine y\u00f6nelik \u00f6fkemi kabart\u0131yor ise. Karadenizli politikac\u0131lar\u0131n bu \u00e7evre \u00e7\u0131karc\u0131 politikalar\u0131 \u00fc\u00e7 kuru\u015fluk \u00e7\u0131kar i\u00e7in desteklemesi, i\u00e7imi daha bir ac\u0131t\u0131yor.<\/p>\nlar\u0131n fikir mahpuslar\u0131ndan, inatla Yaba K\u00fclt\u00fcr Sanat dergisini ayakta tutan Yaba Yay\u0131nlar\u0131 Edit\u00f6r\u00fc Ayd\u0131n Do\u011fan<\/code>la Y\u00fcksek Kald\u0131r\u0131m`daki ofisinde sohbet ettik uzun s\u00fcre, bir yandan da sahafiye kitaplar\u0131 kar\u0131\u015ft\u0131r\u0131rken\u2026<\/p>\nincisi de \u00e7\u0131km\u0131\u015f, 1896-97 Hamidiye k\u0131y\u0131mlar\u0131n\u0131n ac\u0131s\u0131n\u0131 s\u0131ca\u011f\u0131 s\u0131ca\u011f\u0131na aktaran \"Ermeni Mektuplar\". Ad\u0131 bilinmeyen bir S\u00fcryaninin 1. ve 2. Ha\u00e7l\u0131 Seferleri<\/code>ni konu alan Vakayinamesi de beni o g\u00fcnlere g\u00f6t\u00fcrm\u00fc\u015ft\u00fc. Amin Malouf<\/code>un Araplar\u0131n G\u00f6z\u00fcyle Ha\u00e7l\u0131 Seferlerini yeni tamamlam\u0131\u015ft\u0131m, bu da bana ba\u015fka bir pencere a\u00e7t\u0131. Bu dizideki eksiklerimi daha \u00f6nce tamamlam\u0131\u015ft\u0131m, Joseph Molitor<\/code>un \u201cKildaniler\u201dni, Joachim Menant\u0131n Ninova Saray\u0131 K\u00fct\u00fcphanesi<\/code>ni ve derisi diri diri y\u00fcz\u00fclen Hallac-\u0131 Mansurun, \"Enel Hak\" dedi\u011fi, Hindistan<\/code>a ka\u00e7an bir m\u00fcridi taraf\u0131ndan kurtar\u0131lan tek kitab\u0131\u00a0Tavasin<\/code>i\u2026 Ayd\u0131n Do\u011fan,\u00a0Nusaybin Akademisi<\/code>\u00a0ve \u201cGundi \u015eapur Akademisi\u201dni de yak\u0131n d\u00f6nemde yay\u0131nlad\u0131. Daha \u00f6nce yay\u0131nlanan, S\u00fcryani vakan\u00fcvislerin kaleme ald\u0131\u011f\u0131 \u201cErbil\u201d, \u201cSiirt Vakayinamesi\u201d ve \u201cUrfa\u201d ve \u201cAntakya Akademisi\u201d de bu b\u00f6lgelerde ya\u015fayan halklar\u0131n tarihini kavramada vazge\u00e7ilmez kaynaklar. Karolin Holmes`in \u201cUrfa Ermeni Yetimhanesi\u201d de, bir s\u00fcr\u00fc yeni \u015fey \u00f6\u011frendi\u011fimiz bir kaynak.<\/p>\n