![\"\"](\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/2021\/07\/Kad\u0131k\u00f6y\u2019deki-kilise-360x203.jpg\")
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Zeki Co\u015fkun<\/strong><\/p>\n Kesintilerle, de\u011fi\u015fimlerle ayakta ve hayatta kalan bir ibadethane bu \u00fc\u00e7 y\u00fczy\u0131l\u0131n en b\u00fcy\u00fck rezaletine maruz kald\u0131 Temmuz 2021\u2019de. Tabii o ibadethanenin bulundu\u011fu semt, mahalle, il\u00e7e, kent, \u00fclke ve toplum da rezalete maruz kal\u0131yor. Hep birlikte fail ve kurban\u0131z.<\/strong><\/em><\/p>\n Epeydir t\u0131rmanan, beklenen oldu. Memlekete zorla, \u0131srar ve inatla giydirilmeye \u00e7al\u0131\u015f\u0131lan deli g\u00f6mle\u011fi, olmayan diki\u015f yerlerinden patlad\u0131 Kad\u0131k\u00f6y\u2019de.<\/p>\n Bir bina d\u00fc\u015f\u00fcn\u00fcn. Mabet. Ad\u0131 kilise olsun, ba\u015fka bir \u015fey olsun. \u00dc\u00e7 y\u00fcz y\u0131ld\u0131r de\u011fi\u015fe d\u00f6n\u00fc\u015fe yerinde duruyor olsun. Rakamla 300 y\u0131l, 3 adet y\u00fczy\u0131l boyunca hi\u00e7bir g\u00fcn, hi\u00e7bir gece oray\u0131; bir ibadethanenin \u00f6n\u00fcn\u00fc bar, disko, gece kul\u00fcb\u00fc giri\u015fi niyetine toplanma yeri haline getirmek gelmiyor kimsenin akl\u0131na. De\u011fil oras\u0131, herhangi bir ibadethanenin bah\u00e7e kap\u0131s\u0131n\u0131 dans pistine \u00e7evirme marifeti, her ne kadar sicilimiz kar\u0131\u015f\u0131k olsa da, \u00fc\u00e7 y\u00fczy\u0131ld\u0131r kimseye nasip olmam\u0131\u015ft\u0131.<\/p>\n Birileri nihayet bu ba\u015far\u0131y\u0131 ger\u00e7ekle\u015ftirdi.<\/p>\n Gecenin bir saati a\u00e7\u0131k kasa kamyonetlere dolu\u015fup ba\u011f\u0131ra \u00e7a\u011f\u0131ra caddeyi ku\u015fatma, kitle halinde tempo e\u015fli\u011finde oynay\u0131p k\u0131v\u0131rma, k\u0131vranma\u2026 Kilise kap\u0131s\u0131n\u0131n \u00fcst\u00fcne t\u0131rmananlar\u0131n tepinmesiyle orji ayini d\u00fczenleme marifet ve ba\u015far\u0131s\u0131, her ne hikmetse Temmuz 2021\u2019de ger\u00e7ekle\u015fti.<\/p>\n Niye, neden?<\/p>\n \u00d6nce \u015fu 300 y\u0131l meselesine a\u00e7\u0131kl\u0131k getirelim. Laf\u0131n geli\u015fi de\u011fil; Kad\u0131k\u00f6y Bahariye Caddesi\u2019ndeki Surp Takavor Kilisesi, 1722\u2019de in\u015fa edilmi\u015f. Doksan y\u0131l kadar sonra onar\u0131mdan ge\u00e7irilerek 1814\u2019de yeniden ibadete a\u00e7\u0131lm\u0131\u015f. 1840 depreminde yanm\u0131\u015f, kagire \u00e7evrilen bina 1858\u2019de tamamlanm\u0131\u015f. Son tadilat on y\u0131l \u00f6nce yap\u0131lm\u0131\u015f, 2011\u2019de.<\/p>\n Kesintilerle, de\u011fi\u015fimlerle ayakta ve hayatta kalan bir ibadethane bu \u00fc\u00e7 y\u00fczy\u0131l\u0131n en b\u00fcy\u00fck rezaletine maruz kald\u0131 Temmuz 2021\u2019de. Tabii o ibadethanenin bulundu\u011fu semt, mahalle, il\u00e7e, kent, \u00fclke ve toplum da rezalete maruz kal\u0131yor.<\/p>\n Hep birlikte fail ve kurban\u0131z.<\/p>\n Son s\u00f6zlerim kimilerine abart\u0131 gibi gelebilir ama Kad\u0131k\u00f6y\u2019de ya\u015fananlar nas\u0131l bir toplumsal \u00e7\u00f6k\u00fcnt\u00fcyle, \u00e7\u0131lg\u0131nl\u0131kla kar\u015f\u0131 kar\u015f\u0131ya oldu\u011fumuzun g\u00f6stergesidir. Kap\u0131s\u0131nda orji ayini d\u00fczenlenen ibadethane, \u00fc\u00e7 y\u00fczy\u0131ll\u0131k tarihi boyunca \u015fehrin, toplumun ya\u015fad\u0131\u011f\u0131 onca b\u00fcy\u00fck sars\u0131nt\u0131lara, imparatorlu\u011fu \u00e7\u00f6k\u00fc\u015fe g\u00f6t\u00fcren ayr\u0131\u015fmalara, \u00e7at\u0131\u015fmalara, kilisenin ait oldu\u011fu Ermeni cemaatine y\u00f6nelik \u201ctehcir\u201d denen s\u00fcrg\u00fcn ve k\u0131r\u0131ma, Cumhuriyetin T\u00fcrkle\u015ftirme politikalar\u0131na; Varl\u0131k Vergisi, 6\/7 Eyl\u00fcl gibi devletli operasyonlara kar\u015f\u0131n, bug\u00fcnk\u00fc gibi sivil g\u00f6r\u00fcn\u00fcml\u00fc, s\u0131radan\u2013kendili\u011finden, ta\u015fk\u0131n e\u011flence g\u00f6r\u00fcn\u00fcml\u00fc bir sald\u0131r\u0131ya u\u011framad\u0131 \u015fimdiye dek.<\/p>\n \u0130ktidar medyas\u0131n\u0131n ifadesiyle \u201calkol\u00fc fazla ka\u00e7\u0131ran Kad\u0131k\u00f6yl\u00fc gen\u00e7ler\u201d, oran\u0131n ne oldu\u011funa bakmaks\u0131z\u0131n halaya durmu\u015f gibiler\u2026 Olabilir.<\/p>\n Ama \u00f6nce, \u201cKad\u0131k\u00f6yl\u00fc gen\u00e7ler\u201d laf\u0131n\u0131 d\u00fczeltmek gerekir. Kad\u0131k\u00f6yl\u00fc \u00f6yle \u015feyler yapmaz, kli\u015fesine gerek yok. \u00dc\u00e7 y\u00fczy\u0131ld\u0131r olmayan, bug\u00fcn niye oluyor, nas\u0131l oluyor, ona bakmak gerekiyor neyle kar\u015f\u0131 kar\u015f\u0131ya oldu\u011fumuzu anlamak i\u00e7in.<\/p>\n O gen\u00e7ler her bulduklar\u0131 f\u0131rsatta, hele hafta sonlar\u0131, niye ve nas\u0131l bir g\u00fcd\u00fcyle, arzuyla, tutkuyla ve de h\u0131n\u00e7la Kad\u0131k\u00f6y\u2019e ak\u0131yorlar?<\/p>\n Kad\u0131k\u00f6y Deniz Otob\u00fcs\u00fc \u0130skelesi yan\u0131ndan Moda\u2019ya uzanan sahili sabah ak\u015fam tavaf eden her ya\u015ftan insana bak\u0131n. K\u0131zl\u0131\u2013erkekli tak\u0131lanlar aras\u0131nda tesett\u00fcrl\u00fclerin hat\u0131r\u0131 say\u0131l\u0131r bir yekun olu\u015fturdu\u011fu g\u00f6r\u00fclecektir.<\/p>\n Bu do\u011fal.<\/p>\n Kendi mahallesinde el ele tutu\u015fmak \u015furada dursun, yan yana y\u00fcr\u00fcyemeyen insanlar\u0131n, gen\u00e7lerin a\u015fk-me\u015fk olmasa bile sohbet edebilmek, nefes alabilmek i\u00e7in \u201c\u00f6zg\u00fcr alan\u201da ka\u00e7mas\u0131, ka\u00e7\u0131n\u0131lmaz. \u0130ktidar mahallerinde s\u0131k\u0131\u015fan, on y\u0131llard\u0131r kulaklar\u0131na \u00fcflenen kar\u015f\u0131 mahalledeki destursuz hayatlar efsanesiyle at\u0131yor kendini d\u0131\u015far\u0131.<\/p>\n Erkek tak\u0131m\u0131 i\u00e7in bu bir ka\u00e7amak-s\u0131\u011f\u0131nma de\u011fil; fetih hareketi.<\/p>\n \u0130\u00c7K\u0130 SU G\u0130B\u0130 AKIYOR, SEKS SERBEST<\/strong><\/p>\n Ne tuhaf, en yeti\u015fkininden en gencine yerli ve milli ruhiyata sahip insan\u0131m\u0131z, kendi yurduna ve insan\u0131na bir vakitler Bat\u0131l\u0131lar\u0131n Do\u011fu\u2019ya bakt\u0131klar\u0131 g\u00f6zle bak\u0131yor.<\/p>\n Dahas\u0131, yerli ve milli ruhiyat iddias\u0131ndakiler, kendi yurtta\u015flar\u0131 aras\u0131nda bu ruhiyattan yoksun oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcklerini; dinine, milletine, devletine yabanc\u0131la\u015fm\u0131\u015f, \u201cBat\u0131 \u00f6zentisi\u201d olarak g\u00f6rd\u00fcklerine, bir vakitler Bat\u0131l\u0131lar\u0131n Do\u011fuya dair fantezileriyle yakla\u015f\u0131yorlar.<\/p>\n Madam Bovary gibi bir klasi\u011fe imza atan Gustave Flaubert, 1849\u20131851 y\u0131llar\u0131nda M\u0131s\u0131r\u2019dan \u0130stanbul\u2019a uzanan bir Do\u011fu Yolculu\u011fu yapm\u0131\u015f, an\u0131lar\u0131n\u0131, izlenimlerini kitapla\u015ft\u0131rm\u0131\u015ft\u0131r. \u00d6nyarg\u0131 ve fanteziler dahil. Para kar\u015f\u0131l\u0131\u011f\u0131 birlikte oldu\u011fu, metinde K\u00fc\u00e7\u00fck Han\u0131m olarak and\u0131\u011f\u0131 bir dans\u00e7\u0131dan s\u00f6z eder Flaubert.<\/p>\n Yazar sevi\u015fme \u00f6ncesi dans eden kad\u0131n karakterini oradan hareketle ba\u015fka romanlar\u0131nda da yineler. Do\u011fu Seyahati\u2019ndeki K\u00fc\u00e7\u00fck Han\u0131m\u2019\u0131 genelle\u015ftirir, ressam ve yazar hemen t\u00fcm oryantalistlerin payla\u015ft\u0131\u011f\u0131, \u0131srarla, zevkle resmedip anlatt\u0131klar\u0131 \u015fu fanteziyi olgu\u2013ger\u00e7ek olarak dillendirir, dahas\u0131 dikte eder:<\/p>\n Do\u011fulu kad\u0131n bir makinedir; ba\u015fka hi\u00e7bir \u015fey de\u011fildir. Bir erkekle bir ba\u015fka erkek aras\u0131nda hi\u00e7bir ayr\u0131m yapmaz\u2026<\/p>\n 1978\u2019de yay\u0131mlanan Oryantalizm incelemesiyle Bat\u0131\u2019n\u0131n \u015eark Anlay\u0131\u015flar\u0131\u2019n\u0131 de\u015fifre eden Edward Said, yukar\u0131daki ifadenin sadece Flaubert\u2019le s\u0131n\u0131rl\u0131 olmad\u0131\u011f\u0131na i\u015faret eder: \u201cDo\u011fu, Avrupa\u2019da yasak olan seks\u00fcel deneyimlerin serbest\u00e7e aranabilece\u011fi, serbest\u00e7e hayal edilebilece\u011fi yerdir\u201d Bat\u0131l\u0131 i\u00e7in.<\/p>\n Yerli ve millici zihniyetin Kad\u0131k\u00f6y ve \u0130stanbul\u2019un di\u011fer \u201cbeyaz T\u00fcrk\u201d mahallerine ili\u015fkin bak\u0131\u015f\u0131, anlay\u0131\u015f\u0131, tam da Bat\u0131l\u0131n\u0131n Do\u011fu\u2019ya dair alg\u0131 ve fantezilerinin izlerini ta\u015f\u0131yor. Taraflar yer de\u011fi\u015ftiriyor sadece. \u0130ktidar kudret ve \u015fehvetine nail olan, mahrum olduklar\u0131n\u0131 \u00f6teki \u00fczerinden tahayy\u00fcl ve icra ediyor.<\/p>\n Flaubert\u2019in K\u00fc\u00e7\u00fck Han\u0131m\u2019\u0131 ibretlik ba\u015fka boyutlar da ta\u015f\u0131yor, ayr\u0131ca konu\u015furuz.<\/p>\n S\u00f6z\u00fc ba\u011flarken yerli\u2013milli kafada seks fantezilerine her hal ve durumda, \u00f6teki mekruhun; m\u00fcskirat\u0131n, yani alkol\u00fcn e\u015flik etti\u011fini hat\u0131rlatal\u0131m. Kad\u0131k\u00f6y ba\u015fta, Beyazlar\u0131n diyar\u0131nda alkol su gibi ak\u0131yor, o kafaya g\u00f6re.<\/p>\n \u0130\u015fte bu deli g\u00f6mle\u011fi tepindiriyor gen\u00e7leri 300 y\u0131ll\u0131k kilise duvar\u0131nda.<\/p>\n Ba\u015f\u0131m\u0131z ciddi dertte.<\/p>\n https:\/\/www.gazeteduvar.com.tr\/kadikoyde-kilise-duvarinda-kim-niye-tepiniyor-makale-1528588\u00a0<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Zeki Co\u015fkun Kesintilerle, de\u011fi\u015fimlerle ayakta ve hayatta kalan bir ibadethane bu \u00fc\u00e7 y\u00fczy\u0131l\u0131n en b\u00fcy\u00fck rezaletine maruz kald\u0131 Temmuz 2021\u2019de. Tabii o ibadethanenin bulundu\u011fu semt, mahalle, il\u00e7e, kent, \u00fclke ve toplum da rezalete maruz kal\u0131yor. Hep birlikte fail ve kurban\u0131z. Epeydir t\u0131rmanan, beklenen oldu. Memlekete zorla, \u0131srar ve inatla giydirilmeye \u00e7al\u0131\u015f\u0131lan deli g\u00f6mle\u011fi, olmayan diki\u015f […]<\/p>\n","protected":false},"author":7,"featured_media":63822,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,70],"tags":[],"class_list":["post-63821","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-makaleler"],"yoast_head":"\n
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