{"id":62820,"date":"2021-05-10T02:45:27","date_gmt":"2021-05-10T07:45:27","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=62820"},"modified":"2021-05-10T02:45:27","modified_gmt":"2021-05-10T07:45:27","slug":"bir-nihavent-samatya-sahakyan-tibrast-tas-korosu","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=62820","title":{"rendered":"Bir nihavent Samatya: Sahakyan T\u0131brast Tas Korosu"},"content":{"rendered":"

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Samatya\u2019da \u00e7an seslerine kar\u0131\u015fan, uykusuz bir trenin t\u0131k\u0131rt\u0131s\u0131 m\u0131yd\u0131 yoksa? Bildi\u011fim tek \u015fey\u2026 Surp Kevork\u2019un kuyusu sustu, Gomidas sustu, senin sesin d\u00fcnya durduk\u00e7a yank\u0131lans\u0131n Sahakyan!<\/strong><\/em><\/p>\n

Berken D\u00f6ner<\/strong><\/p>\n

Abd\u00fclhak \u015einasi Hisar, \u2018Ge\u00e7mi\u015f Zaman K\u00f6\u015fkleri\u2019 adl\u0131 \u015fiirsel eserinde \u201cHer mahallenin kendine mahsus kokular\u0131 ve sesleri vard\u0131r. Rumelihisar\u0131 deniz, B\u00fcy\u00fckada \u00e7am kokar\u201d der. Abd\u00fclhak \u015einasi Bey, k\u0131\u015flar\u0131n\u0131 Rumelihisar\u0131\u2019nda, yazlar\u0131n\u0131 B\u00fcy\u00fckada\u2019da ge\u00e7irirdi. \u0130ki \u201cmek\u00e2n\u201d\u0131 da g\u00fcn g\u00f6rm\u00fc\u015f, \u201cvekil v\u00fck\u00eala\u201d a\u011f\u0131rlam\u0131\u015f yerler. Kalender Samatya\u2019m\u0131z\u0131n yan\u0131nda olduk\u00e7a g\u00f6steri\u015fli durduklar\u0131 da bir ger\u00e7ek. \u201cSon Osmanl\u0131\u201dm\u0131z, n\u00e2zik n\u00e2zenin Abd\u00fclhak Bey\u2019imize de b\u00f6ylesi yak\u0131\u015f\u0131rd\u0131, \u015f\u00fcphesiz. Benimse yolum s\u0131k s\u0131k Samatya\u2019ya d\u00fc\u015fer. Ne olursa olsun, \u201cGedikpa\u015fa-Kumkap\u0131-Samatya\u201d tak\u0131m y\u0131ld\u0131z\u0131m, has bah\u00e7emdir, h\u00e2r-\u0131 bel\u00e2s\u0131 da ho\u015f gelir bana. Fakat de\u011fil mi beyefendinin s\u00e2d\u0131k bir okuruyum, bir an durup, onun gibi d\u00fc\u015f\u00fcnmeye \u00e7al\u0131\u015ft\u0131m; \u201cSamatya nas\u0131l kokard\u0131, hangi sesler duyulurdu?\u201d O ilk kar\u015f\u0131la\u015fmadan itibaren hat\u0131rlamaya \u00e7al\u0131\u015ft\u0131m\u2026<\/p>\n

Samatya\u2019da \u00f6nce \u0131ss\u0131z bir bo\u015flukta bulursunuz kendinizi. \u00dcstelik etrafta hi\u00e7bir g\u00f6rsel \u00e7ekicilik yoktur. Kimsenin g\u00f6z\u00fcne ili\u015fmeden, \u201cb\u00fct\u00fcn insanl\u0131k i\u00e7in parlayan g\u00fcne\u015f\u201din alt\u0131nda rastgele a\u00e7m\u0131\u015f gelincikleri, salk\u0131m sa\u00e7ak han\u0131mellerini g\u00f6rebiliyorsan\u0131z, Samatya \u0130stasyonu\u2019ndas\u0131n\u0131z demektir. Zaten bu tenhal\u0131kta, bu g\u00f6z \u015fenli\u011fi bir size, bir de Kumkap\u0131\u2019daki akraba ziyaretinden d\u00f6nen \u00fc\u00e7-be\u015f Samatyal\u0131\u2019ya nasip olur. K\u0131rm\u0131z\u0131lar, aklar usulca yanaklar\u0131n\u0131za damlar. Bu ayn\u0131 zamanda ka\u00e7\u0131nc\u0131 cemrenin nereye d\u00fc\u015fece\u011fini en iyi bilenlerden olaca\u011f\u0131n\u0131za dair bir i\u015farettir.\u00a0Art\u0131k Samatya\u2019n\u0131n dik ama k\u0131sa yoku\u015flar\u0131n\u0131 ad\u0131mlaman\u0131n da zaman\u0131 gelmi\u015ftir. Biraz h\u0131zlan\u0131rsan\u0131z, kendinizi manolya ve\u00a0\u0131hlamur a\u011fa\u00e7lar\u0131na kom\u015fu, Marmara Caddesi\u2019nde yer alan Surp Kevork Kilisesi\u2019nin \u00f6n\u00fcnde buluverirsiniz. Kilise yak\u0131n\u0131ndaki b\u00fct\u00fcn a\u011fa\u00e7lar gibi, kutsall\u0131kla hi\u00e7bir ilgisi olmayan ama \u00f6nemli bir karar\u0131n sonucu gibi orada dururlar. Mevsimindeyseniz, \u015fansl\u0131s\u0131n\u0131z. O efsunlu kokular, bu sessizli\u011fin \u015fiddetini hafifletir. Seslere gelince\u2026 Samatya\u2019da olsa olsa hangi elin \u00e7ald\u0131\u011f\u0131n\u0131 bir t\u00fcrl\u00fc bilmedi\u011fimiz \u00e7an sesleri ve Sahakyan T\u0131brats Tas\u2019\u0131n(1) yank\u0131s\u0131 duyulur. Kilise\u2019nin bah\u00e7esinde y\u00fczy\u0131llard\u0131r susan, sahipsiz, dilsiz bir kuyu var. T\u0131brats Tas onun yank\u0131s\u0131 olmak i\u00e7in mi vard\u0131r, yoksa bu sesler bizden zorla uzakla\u015ft\u0131r\u0131lan insanlar\u0131m\u0131z\u0131n sesi midir? Onu da art\u0131k siz d\u00fc\u015f\u00fcn\u00fcn!<\/p>\n

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\u00c7OCUKLU\u011eUN \u015eEFKATL\u0130 KUCA\u011eI: SAHAKYAN-NUNYAN OKULU<\/h2>\n

Fatih Sultan Mehmet\u2019in emriyle,\u00a01461 y\u0131l\u0131nda\u00a0Samatya\u2019da kurulan Ermeni Patrikhanesi\u2019nin ba\u015f\u0131na,\u00a0Bursa ve \u00e7evre illerde ya\u015fayan Ermenilerin dini \u00f6nderi Ba\u015fepiskopos Hovagim getirilir. Patrik Hovagim\u2019in ilk icraatlar\u0131ndan biri, kilisenin bah\u00e7esine, \u201cruhban evi\u201d a\u00e7mak\u00a0olur. Bu \u201cruhban evi\u201d, gelecekteki Sahakyan Okulu\u2019nun temelini olu\u015fturacakt\u0131r.\u00a0\u0130stanbul\u2019da Ermeni \u00e7ocuklar i\u00e7in kurulan bu ilk \u201cruhban evi\u201dnde\u00a0Bursa\u2019dan getirilen din adamlar\u0131 ve \u00e2limler\u00a0ders vermeye ba\u015flarlar. O d\u00f6nemde verilen derslerin d\u00fczeyini anlamak i\u00e7in, hocalar\u0131n aras\u0131nda Fatih Sultan Mehmet\u2019in Cerrahba\u015f\u0131l\u0131\u011f\u0131n\u0131 da yapm\u0131\u015f olan,\u00a0Ermenice\u2019nin yan\u0131 s\u0131ra T\u00fcrk\u00e7e, Fars\u00e7a, Arap\u00e7a, Yunanca ve Latince dillerine de h\u00e2kim, saray hekimi\u00a0(D. 1416 Amasya, \u00d6. 1496 Bursa)\u00a0Amasyal\u0131 Amirdovlat\u2019\u0131n da bulundu\u011funu s\u00f6ylemek yeterli olur san\u0131r\u0131m. Erkek \u00e7ocuklar\u0131n\u0131n\u00a0dini e\u011fitim ald\u0131klar\u0131\u00a0\u201cruhban evi\u201d, zaman i\u00e7erisinde dini olmayan bir e\u011fitimin verilece\u011fi\u00a0Sahakyan Erkek Okulu\u2019na d\u00f6n\u00fc\u015f\u00fcr. O g\u00fcnden bug\u00fcne de bol \u00e7ocuklu bir aile evinin bah\u00e7esi gibidir Sahakyan. Say\u0131s\u0131z \u00e7ocu\u011fa ev sahipli\u011fi yapar. 1831 y\u0131l\u0131na gelindi\u011finde, Sahakyan Okulu\u2019nun yan\u0131 ba\u015f\u0131nda k\u0131z \u00f6\u011frencilerin de e\u011fitim alabilecekleri Nunyan K\u0131z Okulu a\u00e7\u0131l\u0131r. Her iki bina da kurulu\u015fundan bu yana pek \u00e7ok kez yang\u0131n ge\u00e7irir. Cemaatin deste\u011fi ile yeniden toparlan\u0131r.\u00a0I. D\u00fcnya Sava\u015f\u0131 y\u0131llar\u0131nda, kilise ve okul binalar\u0131 askeri k\u0131\u015fla olarak kullan\u0131l\u0131r. Sahakyan ve Nunyan okullar\u0131 kilise bah\u00e7esinde iki ayr\u0131 bina olarak e\u011fitimini s\u00fcrd\u00fcr\u00fcr.\u00a01924 y\u0131l\u0131nda okullarda k\u0131z-erkek karma e\u011fitime ge\u00e7ilir. Zaman ge\u00e7er\u2026Samatya\u2019da yeni yang\u0131nlar \u00e7\u0131kar, okul defalarca yeniden yap\u0131lan\u0131r. G\u00fcn\u00fcm\u00fczdeki h\u00e2line kavu\u015fur. Y\u00fczy\u0131llard\u0131r, uyku mahmuru Ermeni \u00e7ocuklar\u0131n\u0131 ana kuca\u011f\u0131ndan teslim al\u0131p, sevgiyle, g\u00fcler y\u00fczle kar\u015f\u0131lar. O \u00e7ocuklar\u0131n pek \u00e7o\u011fu Sahakyan mezuniyetlerinden sonra, Kapal\u0131\u00e7ar\u015f\u0131\u2019n\u0131n etraf\u0131nda s\u0131ralanm\u0131\u015f at\u00f6lyelerde, Vezir Han ve \u00c7uhac\u0131 Han d\u00fckk\u00e2nlar\u0131nda hayat okulundan da mezun olacaklard\u0131r. Ge\u00e7im s\u0131k\u0131nt\u0131s\u0131n\u0131n, ekmek paras\u0131n\u0131n pe\u015finde Sahakyan\u2019\u0131n sevgi dolu, korunakl\u0131, g\u00fcvenli ortam\u0131n\u0131 \u00f6zlemle and\u0131klar\u0131n\u0131n yak\u0131n tan\u0131\u011f\u0131y\u0131m.<\/p>\n

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B\u0130R N\u0130HAVENT KORO: SAHAKYAN TIBRATS TAS<\/h2>\n

Samatyal\u0131 Ermeniler, kiliselerine son derece derin bir sayg\u0131, sevgiyle ba\u011flan\u0131rlar. \u00d6yle ki halk aras\u0131nda \u201cSamatyal\u0131 \u00e7an sesini duydu mu hemen kiliseye ko\u015far\u201d s\u00f6ylentisi geli\u015fir. Bu ba\u011fl\u0131l\u0131k Anadolu\u2019dan g\u00f6\u00e7 etmek zorunda kalan halk\u0131n kat\u0131l\u0131m\u0131yla per\u00e7inlenir.\u00a0Pazar g\u00fcnleri Surp Kevork Kilisesi\u2019ndeki ayinlere kat\u0131l\u0131m oran\u0131 olduk\u00e7a yo\u011fundur. \u00dcstelik bu kilise, Galata\u2019daki Surp Krikor Lusavori\u00e7 Kilisesi\u2019nden sonra, \u0130stanbul\u2019daki en eski ikinci Ermeni kilisesidir. 1641 y\u0131l\u0131na kadar Ermeni Patrikhanesi olarak hizmet verir. Patrikhane daha sonra Kumkap\u0131\u2019ya ta\u015f\u0131n\u0131r. Surp Kevork Kilisesi\u2019nin pay\u0131na da 180 y\u0131l boyunca Ermeni Patrikhanesi olarak g\u00f6rev yapman\u0131n onuru d\u00fc\u015fer.<\/p>\n

Kilisenin ibadete a\u00e7\u0131ld\u0131\u011f\u0131 g\u00fcnden bu yana ge\u00e7en 560 y\u0131l boyunca okunan ilahiler, g\u00f6n\u00fcll\u00fcler taraf\u0131ndan kurulan Sahakyan T\u0131brats Tas taraf\u0131ndan icra edilir. Bu kurumun resmi olarak kabul g\u00f6rmesi ise 18. y\u00fczy\u0131l\u0131n ba\u015f\u0131na dayan\u0131r. 1703 y\u0131l\u0131nda olu\u015fturulan t\u00fcz\u00fckle birlikte Sarraf Sarkis Ta\u015f\u00e7\u0131yan \u00f6nderli\u011findeki 80 ki\u015filik kadro, ilk kez resmile\u015fen t\u0131birler olurlar. 19 y\u00fczy\u0131l\u0131n son \u00e7eyre\u011finde Gara Murza\u2019yla ba\u015flay\u0131p, Makar Yekmalyan ile devam eden Ermeni m\u00fczi\u011finde \u00e7ok seslilik, her iki m\u00fczik dehas\u0131n\u0131n \u00f6\u011frencisi olma \u015fans\u0131na sahip olan Gomidas Vartabed\u2019in \u00e7al\u0131\u015fmalar\u0131yla birlikte \u0130stanbul\u2019a kadar ula\u015f\u0131r.\u00a0Gomidas Vartabed\u2019in 1910 y\u0131l\u0131nda \u0130stanbul\u2019da kurdu\u011fu 300 ki\u015filik Kusan Korosu\u2019nun verdi\u011fi konser, gen\u00e7leri m\u00fcthi\u015f heyecanland\u0131r\u0131r. Bundan b\u00f6yle T\u0131brats Tas\u2019larda okunan tek sesli makamlarla yetinmek istemezler. Bu talepleri ile b\u00fcy\u00fck bir sorumluluk \u00fcstlendiklerinin hen\u00fcz fark\u0131nda de\u011fillerdir. Be\u015f y\u0131l sonra,\u00a024 Nisan 1915\u2019teki s\u00fcrg\u00fcn yolundan zar zor\u00a0kurtulan hocalar\u0131 Gomidas Vartabed\u2019in\u00a0\u00f6mr\u00fcn\u00fcn geri kalan\u0131nda sessizli\u011fe b\u00fcr\u00fcnece\u011fini elbette bilemezler. Gomidas\u2019\u0131n miras\u0131n\u0131 devral\u0131rlar, d\u00f6rt elle sar\u0131l\u0131r, b\u00fcy\u00fck bir gururla sahiplenirler.<\/p>\n

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Koronun kurulu\u015funun 25. y\u0131l\u0131 an\u0131s\u0131na bas\u0131lan kitap. Bir d\u00f6nem koronun \u015fefli\u011fini yaparak ilk b\u00fcy\u00fck konserlerini vermelerini sa\u011flayan Vahe Lusarar\u2019a hediye edilir: \u201cBizim sevgili \u015fefimiz Vahe Lusarar\u2019a\u00a0 \u00f6\u011frencilik duygular\u0131yla\u201d \u2013 Sahakyan Tbrats Tas Y\u00f6betim Kurulu Samatya, 1964\u00a0Alt b\u00f6l\u00fcmde yer alan yaz\u0131ysa Vahe Lusarar\u2019a\u00a0ait: \u201cBana hediye edilen bu kitab\u0131 beni hat\u0131rlaman\u0131z i\u00e7in sizlere teslim ediyorum. 64 y\u0131l boyunca onu elime alarak o g\u00fczel g\u00fcnleri an\u0131yordum.\u201d<\/figcaption><\/figure>\n

GOM\u0130DAS\u2019IN B\u00dcY\u00dcK M\u0130RASI: YERK\u00c7AKHUMP<\/h2>\n

Tek sesli ilahi okuyan T\u0131brats Tas\u2019lar, \u00e7ok sesli ilahileri, halk \u015fark\u0131lar\u0131n\u0131 okuyabilmek i\u00e7in\u00a0kendi b\u00fcnyelerinde\u00a0yerk\u00e7akhumplar (korolar) kurmaya ba\u015flarlar. 11 Kas\u0131m 1918 y\u0131l\u0131nda Kuru\u00e7e\u015fme Yerevman Surp Kha\u00e7 Kilisesi Tbrats Tas b\u00fcnyesinde kurulan ilk \u00e7ok sesli koronun ismi, b\u00fcy\u00fck m\u00fczik hocas\u0131 Gomidas Vartabed\u2019in ismiyle ta\u00e7land\u0131r\u0131l\u0131r, Gomidas Korosu olur. Pe\u015f pe\u015fe kurulan korolardan sonra, 1938 y\u0131l\u0131nda Dr. Zaven Menzilciyan\u2019\u0131n \u00f6nc\u00fcl\u00fc\u011f\u00fcnde Samatya Surp Kevork Kilisesi T\u0131brats Tas heyeti de \u00e7ok sesli eserleri yorumlamak i\u00e7in b\u00fcnyesinde bir koro kurmaya karar verir. Kurduklar\u0131 koruya, kiliselerinin bah\u00e7esinde e\u011fitim vermeye devam eden tarihi e\u011fitim kurumunun ismini verirler, Sahakyan Korosu olur. Ancak Sahakyan Korosu, resmi olarak 1938 y\u0131l\u0131nda kurulan \u00e7ok sesli korosundan seneler \u00f6ncesinde de ayin ve \u015fark\u0131lar\u0131 \u00e7ok sesli yorumlamaktad\u0131r. D\u00f6nemin \u00f6nde gelen m\u00fczik hocalar\u0131ndan Krikor \u00c7ulhayan\u2019\u0131n daha \u00f6nce\u00a0\u201cFa Min\u00f6r\u201d tek ses olarak (Nihavend Makam\u0131) uyarlad\u0131\u011f\u0131 Badarak ilahileri,\u00a01927 y\u0131l\u0131nda\u00a0ilk olarak Samatya Surp Kevork Kilisesi\u2019nde\u00a0\u00e7ok sesli olarak okunur. \u00d6yle ki \u201cFa Min\u00f6r\u201d okumas\u0131, Sahakyan ile \u00f6zde\u015fle\u015fir. G\u00fcn\u00fcm\u00fczde T\u00fcrkiye Ermeni Patrikli\u011fi\u2019ne ba\u011fl\u0131 41 kiliseden 20\u2019sinin kendi b\u00fcnyesinde kurulmu\u015f korosu vard\u0131r. Sahakyan T\u0131brats Tas, dinsel m\u00fczik d\u0131\u015f\u0131nda halk m\u00fczi\u011fi ve sivil Ermeni m\u00fczi\u011finin temsil edilmesinde de \u00f6nemli bir rol \u00fcstlenmi\u015ftir.<\/p>\n

Bunun yan\u0131 s\u0131ra, Cumhuriyet d\u00f6neminde kurulan korolar, verdikleri konserler, d\u00fczenledikleri etkinlikler ve geziler, korolar aras\u0131 yap\u0131lan futbol turnuvalar\u0131 sayesinde zaman i\u00e7erisinde derneklerin olu\u015fmas\u0131na katk\u0131da bulunurlar. Bu etkinlikler halk taraf\u0131ndan o kadar benimsenir ki, 1944 y\u0131l\u0131 kay\u0131tlar\u0131nda, Ko\u011ftan (Kumkap\u0131), M\u0131khitaryan (Pangalt\u0131), Getronagan (Karak\u00f6y) ve Sahakyan (Samatya) korolar\u0131 aras\u0131nda d\u00fczenlenen futbol turnuvas\u0131nda, Sahakyan Korosu futbol tak\u0131m\u0131n\u0131n\u00a0\u015fampiyon oldu\u011fu bilgisi yer almaktad\u0131r. Tabii ki Samatyal\u0131lar\u0131n, \u201cYenilmez Sahakyan\u201d tezah\u00fcratlar\u0131 e\u015fli\u011finde!<\/p>\n

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1929 y\u0131l\u0131nda Badarak\u2019\u0131 \u201c\u00e7ok sesli Fa Min\u00f6r\u201d d\u00fczenlemesiyle okuyan Tbrats Tas \u00fcyelerinin h\u00e2t\u0131ra foto\u011fraf\u0131.<\/figcaption><\/figure>\n

SAHAKYAN TIBRATS TAS\u2019TA KADIN OLMAK: MAESTRO ANJEL MANAVYAN<\/h2>\n

Sahakyan T\u0131brats Tas, kad\u0131nlar\u0131n \u00f6zverisi ile ayakta duruyor demek san\u0131r\u0131m yanl\u0131\u015f olmaz. G\u00fcn\u00fcm\u00fczde say\u0131s\u0131 80-100 aras\u0131 de\u011fi\u015fen koro \u00fcyelerinin pek \u00e7o\u011fu kad\u0131n. Koronun Ankine\u2019leri, Serli\u2019leri, Hripsime\u2019leri yoktan var eden, yorulmak nedir bilmeyen kad\u0131nlardan. T\u0131brats Tas\u2019a ba\u011fl\u0131 bir de \u00e7ocuk korosu var ki birbirinden yetenekli \u00e7ocuklar, y\u0131ld\u0131z gibi koroya serpi\u015ftirilmi\u015fler. Ben kendilerini ilk defa 2018 y\u0131l\u0131 Hrant Dink Vakf\u0131 \u00d6d\u00fclleri\u2019nde dinlemi\u015ftim. Karin Katranc\u0131o\u011flu \u015fefli\u011finde bir Mayro s\u00f6ylediler ki, siyah elbisem ve yar\u0131m topuzumla han\u0131m han\u0131mc\u0131k otururken, kendimi bir anda halay \u00e7ekerken bulmu\u015ftum. \u015eef Karin Katranc\u0131o\u011flu da \u00e7ocuk korosu k\u00f6kenli. M\u00fczik sevgisini, konservatuvar e\u011fitiminin ard\u0131ndan \u00e7ocuklara yaymakta. Bir kez daha y\u00fcrekten kutluyorum. \u00dcstelik sanmay\u0131n ki bu kad\u0131n h\u00e2kimiyeti g\u00fcn\u00fcm\u00fcze \u00f6zg\u00fc bir durum. 1940\u2019lar\u0131n sonunda bir kad\u0131n maestro taraf\u0131ndan y\u00f6netilen korodan s\u00f6z ediyoruz. 1947 y\u0131l\u0131nda hem t\u0131p \u00f6\u011frencisi hem de orkestra \u015fefi olan Dikran Tahtaburunyan, a\u011f\u0131r s\u0131navlar\u0131ndan dolay\u0131 koro \u015fefli\u011fine ara verir. Bunun \u00fczerine koro \u015fefli\u011fini Anjel Manavyan \u00fcstlenir. B\u00f6ylece Samatya T\u0131brats Tas\u2019\u0131n ilk kad\u0131n \u015fefi olur. Kad\u0131nlar bununla da yetinmez. Kendi aralar\u0131nda yapt\u0131klar\u0131 se\u00e7imle kendi y\u00f6netimlerini olu\u015ftururlar. 1947 y\u0131l\u0131 koro y\u00f6netiminde Anjel Manavyan, Adrine Melikyan, Anjel Adalyan yer al\u0131r.<\/p>\n

Y\u00f6netim kadrosunun, koro \u00fcyelerinin ve Samatya Ermeni cemaatinin dayan\u0131\u015fma ruhu ve birbirlerine ba\u011fl\u0131l\u0131klar\u0131 dillere sez\u00e2 olsa da, koro tarihsel k\u0131r\u0131lmalardan olduk\u00e7a k\u00f6t\u00fc etkilenir. T\u00fcm askeri darbelerde kendi pay\u0131na d\u00fc\u015feni al\u0131r. Bu ola\u011fan\u00fcst\u00fc g\u00fcnlerde koro elemanlar\u0131n\u0131n say\u0131s\u0131 azal\u0131r, \u00e7al\u0131\u015fmalar durma noktas\u0131na gelir. Yine de bir yolunu bulup, ayakta kal\u0131rlar. 1980 Darbesi\u2019nden sonra Sahakyan Lisesi \u00f6\u011frencileri, koroya destek olur. D\u00f6nemin lise son s\u0131n\u0131f \u00f6\u011frencilerinden olu\u015fan koro, \u015eef Bedros Kamc\u0131yan \u00f6nc\u00fcl\u00fc\u011f\u00fcnde tekrar \u201cFa Min\u00f6r Badarak\u201d \u00e7al\u0131\u015fmalar\u0131na ba\u015flar. \u00d6\u011frencilerin sevinci, \u00e7al\u0131\u015fma azmi civardaki di\u011fer gen\u00e7leri de etkiler. Hemen yan\u0131 ba\u015flar\u0131ndaki Yedikule\u2019den, Etyemez\u2019den de koro \u00e7al\u0131\u015fmalar\u0131na kat\u0131lanlar olur.<\/p>\n

SAHAKYAN KOROSU\u2019NU 21. Y\u00dcZYILA TA\u015eIYAN MAESTRO: SEVAN AGO\u015eYAN<\/h2>\n

G\u00fcn\u00fcm\u00fczde koroya aral\u0131ks\u0131z devam eden 70 ki\u015fi var. Bu ki\u015filerin meslekleri, ya\u015flar\u0131 de\u011fi\u015fiyor. M\u00fccevher ustalar\u0131ndan, doktorlara; tekstil sekt\u00f6r\u00fcnde \u00e7al\u0131\u015fanlardan, m\u00fchendislere; kuyumculardan, \u00f6\u011fretmenlere tamamen g\u00f6n\u00fcll\u00fclerden olu\u015fan renkli bir kadroya sahipler. \u015eefleri ise Sevan Ago\u015fyan. 1967 do\u011fumlu Ago\u015fyan, \u00f6mr\u00fcn\u00fcn neredeyse yar\u0131s\u0131n\u0131 Sahakyan Korosu\u2019nda ge\u00e7irmi\u015f. Ago\u015fyan, m\u00fczikle dolu \u00f6mr\u00fcnde s\u0131ras\u0131yla Nubar Bayvertyan, Hagop D\u00f6kmeciyan ve Nubar Simonyan\u2019dan ilahi, halk \u015fark\u0131lar\u0131, klasik bat\u0131 m\u00fczi\u011fi e\u011fitimi alm\u0131\u015f. Prof. Jirayr Aslanyan ile kar\u015f\u0131la\u015ft\u0131klar\u0131nda, hayat\u0131n\u0131 tamamen m\u00fczi\u011fe adam\u0131\u015f. Maestro Arslanyan ile \u00f6nce klasik piyano, ard\u0131ndan armoni, kontrpuan, f\u00fcg kompozisyon ve orkestra \u015fefli\u011fi \u00e7al\u0131\u015fm\u0131\u015flar. 1990 y\u0131l\u0131na gelindi\u011finde Sevan Ago\u015fyan ve Sahakyan Korusu\u2019nun yollar\u0131 kesi\u015fmi\u015f. Koroya Pazar ayinlerinde org ile e\u015flik etmeye ba\u015flam\u0131\u015f. 1990 y\u0131l\u0131nda Sahakyan \u00c7ocuk Korosu\u2019nun \u015fefli\u011fini, Maestro Berc \u00c7alyan\u2019\u0131n ard\u0131ndan da Sahakyan Korusu\u2019nun \u015fefli\u011fini \u00fcstlenmi\u015f. O g\u00fcnden bug\u00fcne tam 25 y\u0131l ge\u00e7mi\u015f. Koronun Bak\u0131rk\u00f6y Leyla Gencer Sahnesi\u2019nde verdi\u011fi konserde, koro \u00fcyeleri taraf\u0131ndan kendisine b\u00fcy\u00fck bir s\u00fcrpriz haz\u0131rlanm\u0131\u015f. Bu anlaml\u0131 25.y\u0131l hep birlikte s\u00f6ylenen \u015fark\u0131larla kutlanm\u0131\u015f.<\/p>\n

Maestro Ago\u015fyan\u2019\u0131n en \u00f6nemli \u00f6zelli\u011fi, halk \u015fark\u0131lar\u0131n\u0131 \u00e7ok sesli olarak d\u00fczenleyerek, orkestra ile uyumlu h\u00e2le getirmesi. B\u00f6ylece geleneksel ezgileri gen\u00e7 nesillere sevdirmeyi ba\u015fararak, hakl\u0131 bir \u00fcne kavu\u015fmu\u015f. Tabii ki her \u015feyden \u00f6nce bir kilise korosu olduklar\u0131 i\u00e7in as\u0131l \u00f6nceli\u011fi her zaman ilahiler olmu\u015f. G\u00fcn\u00fcm\u00fczde Sahakyan T\u0131brats Tas\u2019\u0131n klasikle\u015fmi\u015f \u00fc\u00e7 ayr\u0131 repertuar\u0131 var. Birincisi her sene kilisede okunan, \u00e7ocuk korosunun da kat\u0131ld\u0131\u011f\u0131 y\u0131lba\u015f\u0131 ilahileri ve y\u0131lba\u015f\u0131 \u015fark\u0131lar\u0131ndan olu\u015fan \u201cYeni Y\u0131l Konseri Repertuvar\u0131\u201d. \u0130kincisi Ermenice, T\u00fcrk\u00e7e ve yabanc\u0131 dildeki klasik ve pop\u00fcler\u00a0sevilen \u015fark\u0131lardan olu\u015fan \u201cFestival Repertuvar\u0131\u201d. \u00dc\u00e7\u00fcnc\u00fcs\u00fc, Cemal Re\u015fit Rey, L\u00fctfi K\u0131rdar, Bak\u0131rk\u00f6y Leyla Gencer gibi\u00a0b\u00fcy\u00fck salonlarda ortalama 30 ki\u015filik, orkestran\u0131n da e\u015flik etti\u011fi konserler i\u00e7in haz\u0131rlanan, \u00f6zellikle Ermenice \u015fark\u0131lardan olu\u015fan \u201cRenkli Repertuvar\u201d. Ago\u015fyan y\u00f6netimindeki koro o kadar disiplinli \u00e7al\u0131\u015f\u0131yor ki, sene i\u00e7inde bu \u00fc\u00e7 repertuar\u0131 da k\u0131sa aral\u0131klarla sunmay\u0131 ba\u015far\u0131yorlar.<\/p>\n

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ARZUMANLAR\u2019IN SAMATYA\u2019SI<\/h2>\n

\u0130stanbul Ermeni Patrikhanesi\u2019ne ba\u011fl\u0131 kiliselerin i\u00e7inde en \u00e7ok takdir g\u00f6ren t\u0131bir kadrolar\u0131ndan birine sahip olan Sahakyan T\u0131brats Tas, bu y\u0131l 560. ya\u015f\u0131n\u0131 dolduracak. Koronun son 15 y\u0131ld\u0131r y\u00f6netim kurulu ba\u015fkan\u0131 \u011eugas Arzuman. Semte biraz \u00e2\u015fina olan, \u201cArzuman\u201d soyad\u0131n\u0131n Samatya i\u00e7in \u00f6nemini bilir, rahmetli Baron Avedis Arzuman\u2019\u0131 da anmadan ge\u00e7mez (Baron Avedis\u2019i\u00a0bir ba\u015fka Samatya yaz\u0131s\u0131<\/a>yla hat\u0131rlayal\u0131m) Samatya\u2019n\u0131n Arzuman\u2019lar\u0131 Yozgat-Burunk\u0131\u015flal\u0131\u2019d\u0131r. Konu Burunk\u0131\u015fla\u2019dan a\u00e7\u0131lm\u0131\u015fken\u2026 G\u00fcn\u00fcm\u00fczde Samatya\u2019da yakla\u015f\u0131k 4 bin Ermeni ya\u015f\u0131yor. Bu n\u00fcfusu Yozgatl\u0131lar ba\u015fta olmak \u00fczere, Kayserililer, Sivasl\u0131lar, Sasunlular, Malatyal\u0131lar, Hatayl\u0131lar ve di\u011ferleri olu\u015fturuyor. Sivas, Malatya ve Hatayl\u0131lar son y\u0131llarda kendi derneklerini kurmu\u015f, Yozgatl\u0131lar ise b\u00f6yle bir derne\u011fe ihtiya\u00e7 duymam\u0131\u015flar. Y\u0131llard\u0131r Surp Kevork Kilisesi\u2019ndeki Burunk\u0131\u015fla heyeti, onlar i\u00e7in b\u00fcy\u00fck bir \u00f6v\u00fcn\u00e7 kayna\u011f\u0131 olmay\u0131 s\u00fcrd\u00fcr\u00fcyor. Daha \u00f6nceleri, Yozgat Terzili K\u00f6y\u00fc\u2019n\u00fcn de bir heyeti varm\u0131\u015f. Hatta denir ki Burunk\u0131\u015fla-Terzili K\u00f6y\u00fc birbirleriyle tatl\u0131 sert bir rekabet i\u00e7indelermi\u015f. Bu \u00e7eki\u015fmenin k\u00f6keni de, cemaatin Yozgat\u2019ta ya\u015fad\u0131\u011f\u0131 y\u0131llara dayan\u0131rm\u0131\u015f. \u011eugas Arzuman, Yozgat\u2019tan Burunk\u0131\u015flaya\u2019ya g\u00f6\u00e7\u00fc \u015f\u00f6yle anlat\u0131yor: \u201c50\u2019li y\u0131llarda Yozgat\u2019tan gelen Ermeniler, \u0130stanbullu \u2018\u00c2kil Ermeniler\u2019 taraf\u0131ndan istasyonda kar\u015f\u0131lan\u0131rm\u0131\u015f. Bir k\u0131sm\u0131 Ortak\u00f6y\u2019e bir k\u0131sm\u0131 Samatya\u2019ya g\u00f6nderilmi\u015f. Hatta iki karde\u015f yola \u00e7\u0131k\u0131p, biri Samatya\u2019ya biri Ortak\u00f6y\u2019e g\u00f6nderilen, garibanl\u0131\u011f\u0131ndan durumunu anlatamayan insanlar varm\u0131\u015f. Ortalama bir sene sonra kavu\u015furlarm\u0131\u015f. \u015eimdi biz g\u00fcl\u00fcyoruz tabii anlat\u0131rken ama d\u00fc\u015f\u00fcn\u00fcnce \u00e7ok trajik! Son derece yabanc\u0131 olduklar\u0131 bir ortamdalar, paras\u0131zlar, yerlerinden yurtlar\u0131ndan olmu\u015flar, tedirginler\u2026 S\u0131f\u0131r bile de\u011fil, eksiden ba\u015fl\u0131yorlar hayata. Ailemin hik\u00e2yesi de b\u00f6yle. Rahmetli Yozgatl\u0131 vaftiz babam Amerikan Koleji bitirmi\u015fti. \u0130ngilizce, Frans\u0131zca, Ermenice ve T\u00fcrk\u00e7e konu\u015furdu. Babam\u0131n ku\u015fa\u011f\u0131 ise ilkokulu bitirmekle \u00f6v\u00fcn\u00fcrd\u00fc. \u00c7\u00fcnk\u00fc kendi akranlar\u0131 okuma yazma bile bilmezdi. O b\u00fcy\u00fck Ermeni k\u00fclt\u00fcr miras\u0131ndaki k\u0131r\u0131lmay\u0131 daha nas\u0131l anlatay\u0131m\u2026\u201d \u011eugas Arzuman, Surp Kevork Kilisesi\u2019nin ya\u015famlar\u0131ndaki yerine de de\u011finiyor: \u201cG\u00f6\u00e7le gelen bu insanlar kendi memleketlerinde ne kiliseyi ne de okullar\u0131 ya\u015fad\u0131lar. Tek yapabildikleri bu yap\u0131lar\u0131n izini s\u00fcrmekti. \u015eu kilisenin kap\u0131s\u0131, \u015fu daireye tak\u0131lm\u0131\u015f. Okulun arsas\u0131na \u015fu ev yap\u0131lm\u0131\u015f, mezar ta\u015f\u0131 \u015fu bah\u00e7enin duvar\u0131 olmu\u015f gibi\u2026 B\u00fcy\u00fck kente geldiklerinde bir okullar\u0131, bir kiliseleri oldu. Ger\u00e7ekti, orada duruyordu, kap\u0131s\u0131n\u0131 \u00e7alsalar a\u00e7\u0131lacakt\u0131. D\u00f6rt elle sar\u0131ld\u0131lar. Sevgiyle ba\u011fland\u0131lar\u201d.<\/p>\n

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\u011eugas Arzuman ve ablalar\u0131<\/figcaption><\/figure>\n

\u2018PATR\u0130K MESROP MUTAFYAN\u2019IN B\u00dcY\u00dcK A\u0130LES\u0130\u2019<\/h2>\n

\u011eugas Arzuman, anne babas\u0131n\u0131n te\u015fvikiyle ba\u015flad\u0131\u011f\u0131 koroda 40. y\u0131l\u0131n\u0131 doldurur. Pazar sabahlar\u0131, 5 ya\u015f\u0131nda bir \u00e7ocuk olarak \u00e7izgi film ku\u015fa\u011f\u0131n\u0131 b\u0131rak\u0131p, \u00e7ocuk korosunda \u015fark\u0131 s\u00f6ylemeye gitti\u011fi g\u00fcnleri hi\u00e7 unutmad\u0131\u011f\u0131n\u0131 her f\u0131rsatta vurgular. \u00c7izgi film izlemek o kadar i\u00e7inde kalm\u0131\u015f ki, bug\u00fcn iyi bir \u00e7izgi film izleyicisi. Geride b\u0131rakt\u0131\u011f\u0131 40 y\u0131l\u0131 ise Maestrolar Jirayr Arslanyan, Berc \u00c7alyan ve Bedros Kam\u00e7\u0131yan isimleri ile birlikte hat\u0131rl\u0131yor. Bir ki\u015fi var ki hem Arzuman\u2019\u0131n ki\u015fisel ya\u015fam\u0131nda hem de Sahakyan Korosu tarihinde \u00f6zel bir yere sahip. Bu isim 2019 y\u0131l\u0131nda vefat eden Patrik Mesrop Mutafyan\u2019dan ba\u015fkas\u0131 de\u011fil! \u011eugas Arzuman, Patrik Hazretleri\u2019ni minnetle an\u0131yor: \u201c1980\u2019lerde T\u00fcrkiye\u2019ye d\u00f6nd\u00fc\u011f\u00fcnde bizim evimiz, onun \u00e2deta ikinci eviydi. \u00c7ocuklu\u011fum, gen\u00e7li\u011fim onun yan\u0131 ba\u015f\u0131nda ge\u00e7ti. Bug\u00fcn kim ki Ermeni k\u00fclt\u00fcr\u00fcn\u00fc ya\u015fat\u0131yor onda Mutafyan Hazretleri\u2019nin izi vard\u0131r, eme\u011fi vard\u0131r. Kimsenin yapmad\u0131\u011f\u0131n\u0131 yapt\u0131. Bu sahipsiz, d\u00fc\u015f k\u0131r\u0131kl\u0131\u011f\u0131 i\u00e7inde ya\u015fama tutunmaya \u00e7al\u0131\u015fan insanlara el verdi, derledi toparlad\u0131, bir araya getirdi. \u00c7ocuklar\u0131n, gen\u00e7lerin \u00fcst\u00fcne \u00f6zellikle e\u011fildi. Klasik din adam\u0131 fig\u00fcr\u00fcnden \u00f6teydi. Biz Sahakyan T\u0131brats Tas \u00fcyeleri, Mutafyan\u2019\u0131n kurdu\u011fu b\u00fcy\u00fck ailenin par\u00e7as\u0131y\u0131z, bundan dolay\u0131 da onur duyuyoruz\u201d. \u011eugas Arzuman, ge\u00e7imini \u00c7ar\u015f\u0131kap\u0131\u2019daki at\u00f6lyesinden kazan\u0131yor. Sahnede bamba\u015fka birine d\u00f6n\u00fc\u015ferek, Yerevan ve Kud\u00fcs dahil pek \u00e7ok kentte \u015fark\u0131 s\u00f6yleme olana\u011f\u0131 buluyor. \u0130stanbul sahneleri ise onun i\u00e7in tan\u0131d\u0131k, bildik bir ortam.<\/p>\n

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\u2018SEN\u0130N B\u0130LMED\u0130\u011e\u0130N TAR\u0130H\u0130NLE SANA SARILIYOR\u2019<\/h2>\n

\u011eugas, d\u00fcnyan\u0131n pek \u00e7ok kentinde konser verdi ama memleketini hi\u00e7 g\u00f6rmedi. Bunun i\u00e7in imk\u00e2n\u0131 olmas\u0131na ra\u011fmen Yozgat\u2019a gitmeyi asla d\u00fc\u015f\u00fcnmedi. Kendisini her ne kadar Samatyal\u0131 olarak tan\u0131mlasa da, zaman zaman k\u0131sa bir anl\u0131k kar\u015f\u0131la\u015fmada Burunk\u0131\u015flal\u0131 oldu\u011funu hat\u0131rl\u0131yor: \u201cAnnem babam iyi duygularla ayr\u0131lmad\u0131lar memleketlerinden. Babam mesela geri d\u00f6nmeyi hi\u00e7 d\u00fc\u015f\u00fcnmedi. Onun bu tavr\u0131 bizlere de yans\u0131d\u0131, hi\u00e7 merak etmedim. Beni asla etkilemez Burunk\u0131\u015fla. Belki sadece bir anl\u0131k\u2026 Ara s\u0131ra \u015f\u00f6yle bir \u015fey olur\u2026. Yolda annenin ya\u015f\u0131t\u0131 bir teyze ile kar\u015f\u0131la\u015f\u0131rs\u0131n, memleketlindin. Seni durdurur, \u00f6per, koklar. \u00c7olu\u011fun \u00e7ocu\u011fun hat\u0131r\u0131n\u0131 sorar\u2026 Sonra g\u00f6z\u00fcnden iki damla ya\u015f gelir, bir daha sar\u0131l\u0131r sana. A\u011flayarak uzakla\u015f\u0131r. Bilirsin ki sana, senin bilmedi\u011fin tarihinle sar\u0131l\u0131yor o! Annenle birlikte, ikisi de gen\u00e7 k\u0131zken \u00e7e\u015fmede su doldurduklar\u0131 g\u00fcn\u00fcn tarihiyle sar\u0131l\u0131yor. \u0130\u015fte ben o zamanlar evet, Burunk\u0131\u015flal\u0131\u2019y\u0131m!\u201d<\/p>\n

B\u00fct\u00fcn bunlardan sonra \u015fimdi d\u00fc\u015f\u00fcn\u00fcyorum da\u2026 Samatya\u2019da \u00e7an seslerine kar\u0131\u015fan, uykusuz bir trenin t\u0131k\u0131rt\u0131s\u0131 m\u0131yd\u0131 yoksa? Yepyeni bir hayat haz\u0131rlayan\u2026 Raylardan, camlardan, kap\u0131lardan ta\u015fan sesler nereye s\u0131zd\u0131? Bildi\u011fim tek \u015fey\u2026 Surp Kevork\u2019un kuyusu sustu, Gomidas sustu, senin sesin d\u00fcnya durduk\u00e7a yank\u0131lans\u0131n Sahakyan! Nice 560 y\u0131llara!<\/p>\n

Bu yaz\u0131n\u0131n yaz\u0131lmas\u0131nda desteklerini esirgemeyen Sahakyan T\u0131brats Tas Korosu \u00fcyelerine, Maestro Sevan Ago\u015fyan\u2019a, Y\u00f6netim Kurulu Ba\u015fkan\u0131 \u011eugas Arzuman\u2019a katk\u0131lar\u0131ndan dolay\u0131 te\u015fekk\u00fcr ederim. Ve sevgili \u201ckuyrik\u201dim Besse Kabak\u2019a! Onun i\u00e7in ne s\u00f6ylesem az kal\u0131r!<\/em><\/p>\n

    \n
  1. T\u0131brats Tas:\u00a0Ba\u011fl\u0131 bulunduklar\u0131 t\u00fcz\u00fck do\u011frultusunda \u00fcye olmaya hak kazanm\u0131\u015f bireyler taraf\u0131ndan se\u00e7ilmi\u015f olan y\u00f6netim kurulunca idare edilen, Ermenicede \u2018t\u0131bir\u2019 olarak adland\u0131r\u0131lan [kilise hiyerar\u015fisinde en alt r\u00fctbeyi alm\u0131\u015f olan] bireylerin ayin d\u00fczeni, okunan dualar ve ilahileri \u00f6\u011fretmek i\u00e7in olu\u015fturulan kurum.<\/em><\/li>\n<\/ol>\n

    https:\/\/www.gazeteduvar.com.tr\/bir-nihavent-samatya-sahakyan-tibrast-tas-korosu-haber-1521315<\/a><\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

    Samatya\u2019da \u00e7an seslerine kar\u0131\u015fan, uykusuz bir trenin t\u0131k\u0131rt\u0131s\u0131 m\u0131yd\u0131 yoksa? Bildi\u011fim tek \u015fey\u2026 Surp Kevork\u2019un kuyusu sustu, Gomidas sustu, senin sesin d\u00fcnya durduk\u00e7a yank\u0131lans\u0131n Sahakyan! Berken D\u00f6ner Abd\u00fclhak \u015einasi Hisar, \u2018Ge\u00e7mi\u015f Zaman K\u00f6\u015fkleri\u2019 adl\u0131 \u015fiirsel eserinde \u201cHer mahallenin kendine mahsus kokular\u0131 ve sesleri vard\u0131r. Rumelihisar\u0131 deniz, B\u00fcy\u00fckada \u00e7am kokar\u201d der. Abd\u00fclhak \u015einasi Bey, k\u0131\u015flar\u0131n\u0131 Rumelihisar\u0131\u2019nda, […]<\/p>\n","protected":false},"author":7,"featured_media":62821,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,1,34,70],"tags":[],"class_list":["post-62820","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gunumuzde-bati-ermenileri","category-haberler","category-istanbul","category-makaleler"],"yoast_head":"\nBir nihavent Samatya: Sahakyan T\u0131brast Tas Korosu - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=62820\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bir nihavent Samatya: Sahakyan T\u0131brast Tas Korosu - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Samatya\u2019da \u00e7an seslerine kar\u0131\u015fan, uykusuz bir trenin t\u0131k\u0131rt\u0131s\u0131 m\u0131yd\u0131 yoksa? Bildi\u011fim tek \u015fey\u2026 Surp Kevork\u2019un kuyusu sustu, Gomidas sustu, senin sesin d\u00fcnya durduk\u00e7a yank\u0131lans\u0131n Sahakyan! Berken D\u00f6ner Abd\u00fclhak \u015einasi Hisar, \u2018Ge\u00e7mi\u015f Zaman K\u00f6\u015fkleri\u2019 adl\u0131 \u015fiirsel eserinde \u201cHer mahallenin kendine mahsus kokular\u0131 ve sesleri vard\u0131r. Rumelihisar\u0131 deniz, B\u00fcy\u00fckada \u00e7am kokar\u201d der. 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