Melike \u00c7apan<\/a><\/strong><\/p>\n\u0130lk a\u015fk\u0131n\u0131 orada g\u00f6rd\u00fc. \u0130lk kiliseye orada gitti. Bug\u00fcn hala s\u00fcrd\u00fcrd\u00fc\u011f\u00fc muganili\u011fi (okuyuculuk) babas\u0131ndan ilk o kilisede \u00f6\u011frendi. Bahsetti\u011fim ki\u015fi Dimosthenis Paikopoulos. Fenerli bir beyefendi.<\/p>\n
1924 y\u0131l\u0131ndan beri babas\u0131n\u0131n g\u00f6revlendirildi\u011fi Vlahsaray Kilisesi\u2019nin bah\u00e7esindeki evde do\u011fan karde\u015flerinin aksine o, 1929 y\u0131l\u0131nda Burgazada\u2019da do\u011fdu. Ancak t\u00fcm \u00e7ocuklu\u011fu Fener\u2019deki o bah\u00e7ede, o kilisenin i\u00e7inde ge\u00e7ti.<\/p>\n
Babas\u0131 Konstantinos Paikopoulos, Vlahsaray Kilisesi\u2019nin papaz\u0131 olarak g\u00f6revlendirilmi\u015fti. Babas\u0131n\u0131n, 50 y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcre boyunca hizmet etti\u011fi kilisenin bah\u00e7esindeki ah\u015fap evde 5 karde\u015fiyle birlikte ya\u015fad\u0131. Kilise m\u00fczi\u011fi ile babas\u0131 sayesinde tan\u0131\u015ft\u0131. \u0130lk ilahileri ona babas\u0131 \u00f6\u011fretti. 10 ya\u015f\u0131na geldi\u011finde Patriklik kilisesinde muganili\u011fe devam etti. Babas\u0131n\u0131n \u00f6\u011fretti\u011fi bu meziyetini hala devam ettiriyor. Bug\u00fcn benimle sohbet eden 92 ya\u015f\u0131ndaki \u0130stanbul beyefendisi, g\u00f6rd\u00fc\u011f\u00fcm kadar\u0131yla iki \u015feyden asla vazge\u00e7miyor; an\u0131lar\u0131ndan ve babas\u0131n\u0131n \u00f6\u011fretti\u011fi ilahilerinden. T\u00fcm \u00e7ocuklu\u011funa hala s\u0131ms\u0131k\u0131 tutunmu\u015f bir \u015fekilde Vlahsaray\u2019\u0131 anlat\u0131yordu. Bug\u00fcn o bah\u00e7edeki yok olan evleri, kom\u015fular\u0131n\u0131, \u015fimdi talan halde olan bah\u00e7esindeki oyunlar\u0131n\u0131 ve tabii ilk a\u015fk\u0131n\u0131\u2026<\/p>\n
\u0130lk a\u015fk\u0131 Froso o kilisenin bah\u00e7esinde oturan kom\u015fular\u0131ndan biriydi. 14 ya\u015f\u0131ndayd\u0131 ona a\u015f\u0131k oldu\u011funda. Bah\u00e7ede oynarken g\u00f6r\u00fcp, sevmi\u015fti. Dimosthenis Paikopoulos her bahar u\u00e7urtmas\u0131n\u0131 arkada\u015flar\u0131yla birlikte arka bah\u00e7ede u\u00e7uruyordu. \u201cArka bah\u00e7enin manzaras\u0131 \u00e7ok g\u00fczeldi\u201d derken Meryem Ana yortular\u0131nda o bah\u00e7ede masalar kurarak kutlad\u0131klar\u0131 panay\u0131r g\u00fcnlerini ise \u201cc\u00fcmb\u00fc\u015f yap\u0131yorduk\u201d diye anlatt\u0131.<\/p>\n
\u0130lk \u00f6nce sevgilisi ayr\u0131ld\u0131 o bah\u00e7eden. Ailesi birlikte ba\u015fka yere ta\u015f\u0131nan Froso\u2019sunu y\u0131larca g\u00f6rmedi. Y\u0131llar sonra tekrar kar\u015f\u0131la\u015ft\u0131\u011f\u0131nda yeniden denemek isteseler de olmad\u0131, \u00a0yollar\u0131 art\u0131k tamamen ayr\u0131ld\u0131. Dimosthenis Paikopoulos \u00f6nce sevgilisinden sonra da \u00e7ocuklu\u011fundan ayr\u0131ld\u0131 o bah\u00e7ede.<\/p>\n
Ve 1964 Vlahsaray\u2019\u0131n da kap\u0131s\u0131na dayand\u0131. Dimosthenis Paikopoulos, bir\u00e7oklar\u0131 gibi s\u00fcrg\u00fcn edildi yuvas\u0131ndan. Evini, kilisesini, ailesini b\u0131rak\u0131p gitmek zorunda kald\u0131. Babas\u0131n\u0131n ya\u015f\u0131 art\u0131k 60\u2019lar\u0131n \u00fcst\u00fcndeydi, s\u00fcrg\u00fcne tabi tutulmad\u0131. Giderken arkas\u0131ndan yayas\u0131n\u0131n (b\u00fcy\u00fckanne) d\u00f6kt\u00fc\u011f\u00fc g\u00f6zya\u015flar\u0131n\u0131 anlatt\u0131: \u201cBir daha seni g\u00f6rmek nasip olmayacak bana, dedi. Olmad\u0131 da beni g\u00f6remeden \u00f6ld\u00fc.\u201d<\/p>\nDimosthenis Paikopoulos babas\u0131 Konstantinos Paikopoulos ile birlikte Vlahsaray\u2019da\u200b\u200b\u200b\u200b\u200b\u200b\u200b<\/em><\/p>\nY\u0131l 1974\u2019e geldi\u011finde art\u0131k babas\u0131 ve annesi i\u00e7in de ayr\u0131lma vakti gelmi\u015fti. \u00c7ocuklar\u0131n\u0131n yan\u0131na Atina\u2019ya g\u00f6\u00e7 ettiler. Dimosthenis Paikopoulos, babas\u0131n\u0131n bir s\u00f6z\u00fcn\u00fc an\u0131msad\u0131 o anda:<\/p>\n
\u201cBizi \u0130stanbul\u2019dan g\u00f6nderiyorlar. Bizim i\u00e7in \u0130stanbul d\u0131\u015f\u0131nda ya\u015famak diye bir \u015fey yok\u201d<\/em><\/p><\/blockquote>\nBir daha 27 y\u0131l sonra d\u00f6nebildi \u0130stanbul\u2019a. \u0130lk geldi\u011fi yer evi oldu ancak hi\u00e7 de b\u0131rakt\u0131\u011f\u0131 gibi de\u011fildi. \u201cG\u00f6r\u00fcnce \u00e7ok \u00fcz\u00fcld\u00fcm\u201d diyebildi ba\u015fka da s\u00f6z \u00e7\u0131kmad\u0131 a\u011fz\u0131ndan. O c\u00fcmb\u00fc\u015fl\u00fc panay\u0131rlardan, u\u00e7urtmalar\u0131n u\u00e7tu\u011fu, \u00e7ocuklar\u0131n ko\u015ftu\u011fu bah\u00e7eden geriye bu virane kalm\u0131\u015ft\u0131.<\/p>\n
Haf\u0131za olmadan bina sadece ta\u015f duvard\u0131r. Bug\u00fcn bu yap\u0131lar\u0131 \u00f6nemli k\u0131lan da bu haf\u0131zad\u0131r. Bu y\u00fczden Vlahsaray\u2019\u0131n hik\u00e2yesini anlatmadan \u00f6nce Dimosthenis Paikopoulos\u2019un hik\u00e2yesini anlatt\u0131m sizlere. Bir de bilirsiniz i\u015fte\u2026 Shakespeare\u2019in de dedi\u011fi gibi, \u201cArt\u0131k konu\u015fman\u0131n zaman\u0131 geldi, \u00e7ekilen ac\u0131lar unutulmuyor \u00e7\u00fcnk\u00fc.\u201d<\/p>\n
Osmanl\u0131-Hristiyan mimarisinin izi<\/strong><\/p>\nPanagia Paramithia \u201cTeselli eden Meryem Ana\u2026\u201d Bu tarihi yap\u0131ya verilen bu kutsal ada s\u0131\u011f\u0131narak, Meryem\u2019in tesellisinde tarihi biraz daha geri sarmaya ba\u015flayal\u0131m.<\/p>\n
Bir saray kilisesi olan Panagia Paramithia Kilisesi, Osmanl\u0131 devrinin \u00f6nemli an\u0131tlar\u0131 aras\u0131nda yer al\u0131yor. Ortodoks toplumunun yo\u011fun bir n\u00fcfusunun Fener-Balat \u00e7evresinde ya\u015fad\u0131\u011f\u0131na dikkat \u00e7eken Sanat Tarih\u00e7isi Hayri Fehmi Y\u0131lmaz, \u201cOsmanl\u0131 i\u00e7in Ortodoks toplumu tek bir milletti. Vlah ya da ulah diye hitap edilen Romanya halk\u0131 ve Orta do\u011fu Ortodokslar\u0131n\u0131 tek bir millet olarak g\u00f6r\u00fcl\u00fcyordu\u201d dedi.<\/p>\n
Osmanl\u0131 beyliklerindeki yerli y\u00f6neticilerin o\u011flu ya da karde\u015flerinden birinin \u0130stanbul\u2019a getirildi\u011fine dikkat \u00e7eken Y\u0131lmaz, bu y\u00fczden Eflak ve Bo\u011fdan Beylikleri\u2019nin de \u0130stanbul\u2019da temsilciliklerinin oldu\u011funu s\u00f6yledi. Eflak beylerinin Osmanl\u0131 ile yak\u0131n bir ili\u015fki i\u00e7erisinde oldu\u011funu s\u00f6yleyen Y\u0131lmaz, \u0130stanbul\u2019a getirilen Eflak beylerinin Fener\u2019de bug\u00fcn Vlahsaray Kilisesi olarak bilinen b\u00f6lgede ya\u015fad\u0131klar\u0131n\u0131 anlatt\u0131:<\/p>\n
\u201cBulundu\u011fumuz bu alanda bir s\u00fcr\u00fc teras\u0131n \u00fczerine bir saray oturtulmu\u015f idi. 16. y\u00fczy\u0131lda seyyah Stephan Gerlach Eflak prensleri i\u00e7in in\u015fa edilen bir kiliseden bahseder. Saray ne zaman olu\u015fturuldu, kesin konu\u015fam\u0131yoruz. Sultan S\u00fcleyman\u2019\u0131n 1529\u2019da bu alan\u0131 Efl\u00e2k Beyleri\u2019ne hediye etti\u011fi s\u00f6ylense de bu kesin bir bilgi de\u011fil.\u201d<\/p>\nVlahsaray Kilisesi<\/em><\/p>\nEfl\u00e2k Beyleri taraf\u0131ndan \u0130stanbul Patrikhanesi\u2019ne hediye edilen Saray, patrikhanenin Pammakaristos Manast\u0131r\u0131\u2019ndan (Fethiye Camii) \u00e7\u0131kart\u0131lmas\u0131ndan sonra, yakla\u015f\u0131k 1587 tarihinde yeni adresi oldu. Hayri Fehmi Y\u0131lmaz, \u0130stanbul Patrikhanesi\u2019nin 1587-1597 y\u0131llar\u0131 aras\u0131nda burada hizmet verdi\u011fini ifade etti. O d\u00f6nemde bu k\u00fc\u00e7\u00fck, m\u00fctevaz\u0131 kilisenin kentin katedrali oldu\u011funa dikkat \u00e7eken Y\u0131lmaz, Moskova Patrikhanesi\u2019nin otosefal (ba\u011f\u0131ms\u0131zl\u0131k) karar\u0131n\u0131n da bu kiliseden \u00e7\u0131kt\u0131\u011f\u0131n\u0131 dile getirdi.<\/p>\n
Kiliseyi Osmanl\u0131 devri Hristiyan yap\u0131s\u0131 olarak de\u011ferlendiren ve sade mimarisine dikkat \u00e7eken Y\u0131lmaz, Tanzimat\u2019tan sonra in\u015fa edilen kiliselerin daha g\u00f6rkemli oldu\u011funu hat\u0131rlatt\u0131. Kilisenin tipik Ortodoks yap\u0131s\u0131 oldu\u011funu s\u00f6yleyen Y\u0131lmaz, tasar\u0131m, malzeme ve detaylarda Osmanl\u0131 etkisinin oldu\u011funu ifade etti.<\/p>\n
Kilisenin 1978 y\u0131l\u0131ndaki bir yang\u0131n sonucunda kullan\u0131lmayacak duruma gelmesiyle kentin haf\u0131zas\u0131ndan \u00e7\u0131kt\u0131\u011f\u0131n\u0131 s\u00f6yleyen Y\u0131lmaz, Rumlar\u0131n n\u00fcfusu h\u0131zla azalsa da yap\u0131lar\u0131n muhafazas\u0131na devam ettiklerini kaydetti.<\/p>\nFoto\u011fraf: \u0130zzet Keribar<\/em><\/p>\nVlahsaray Kilisesi\u2019nin restorasyonu ba\u015flad\u0131<\/strong><\/p>\nVlahsaray Rum Ortodoks Kilisesi Vakf\u0131\u2019n\u0131n giri\u015fimiyle ba\u015flat\u0131lan restorasyon projesi kapsam\u0131nda, tarihi yap\u0131n\u0131n arkeolojik kaz\u0131lar\u0131 yap\u0131ld\u0131 ve temelleri ortaya \u00e7\u0131kt\u0131. Birinci derece tarihi eser olarak onaylanan kilisesinin restorasyon projesine\u00a0\u00d6zye\u011fin \u00dcniversitesi \u00d6\u011fretim \u00dcyesi, Mimar Do\u00e7. Dr. Alessandro Camiz ve ekibi de katk\u0131 sunuyor.<\/p>\n
Camiz, yapacaklar\u0131 belgelendirme ve koruma projesine ba\u011fl\u0131 olarak tarihi yap\u0131da yap\u0131lan arkeolojik testler, sismik analizler ve jeoradar testleri sonucunda toplanan verilerin, tarihsel bilgilerle kar\u015f\u0131la\u015ft\u0131r\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n
Camiz, arkeolojik kaz\u0131larda farkl\u0131 duvar dokusu ve farkl\u0131 har\u00e7lara sahip oldu\u011fu anla\u015f\u0131lan temelin yap\u0131m tekni\u011fi hakk\u0131nda ilgin detaylara sa\u011flad\u0131\u011f\u0131n\u0131 ifade etti. Camiz, tarihsel ara\u015ft\u0131rmalar ve sa\u011flam bir teknik incelemeyle duvar\u0131n yap\u0131m tekni\u011fini g\u00fcvenilir bir \u015fekilde tan\u0131mlaman\u0131n m\u00fcmk\u00fcn oldu\u011funu dile getirdi.<\/p>\n
Yap\u0131n\u0131n, terk edilmesinin ard\u0131ndan \u00e7evresel fakt\u00f6rlerin de neden oldu\u011fu zay\u0131fl\u0131klar\u0131 oldu\u011funa dikkat \u00e7eken Camiz, restorasyon projesinin art\u0131k buna son verece\u011fini s\u00f6yledi. Restorasyon projesi kapsam\u0131nda tarihi yap\u0131n\u0131n duvarlar\u0131 g\u00fc\u00e7lendirildikten sonra bir an evvel \u00e7at\u0131n\u0131n eklenmesi gerekti\u011fini belirten Camiz, \u201c\u00c7at\u0131n\u0131n yeniden in\u015fas\u0131 i\u00e7in tarihsel veriler incelenecek ve ayn\u0131 d\u00f6neme ait benzer binalar g\u00f6zlemlenecek\u201d dedi.<\/p>\n
Camiz, kompleksin \u015fu anda Yunanistan\u2019da Vatopedi Manast\u0131r\u0131\u2019nda bulunan bir Meryem Ana ikonas\u0131na adand\u0131\u011f\u0131n\u0131 hat\u0131rlatarak kompleksin 16. y\u00fczy\u0131ldaki \u00f6zelliklerini anlatt\u0131:<\/p>\n
\u201c\u00c7imen Sokak\u2019ta bulunan ve merkezinde kilisenin yer ald\u0131\u011f\u0131 kompleks, bir zamanlar konut ve depolama i\u015flevlerine sahip tek ve iki katl\u0131 ah\u015fap ek binalarla \u00e7evriliydi. Dik bir yama\u00e7 \u00fczerinde kademeli olarak terasland\u0131r\u0131lan kompleksin kilise avlusu k\u0131rma \u00e7at\u0131yla \u00f6rt\u00fclm\u00fc\u015ft\u00fcr. \u0130nce kesme ta\u015flar\u0131n kullan\u0131ld\u0131\u011f\u0131 avludan kiliseye birka\u00e7 giri\u015f vard\u0131r.\u201d<\/em><\/p><\/blockquote>\nCamiz, kilisenin bug\u00fcnk\u00fc \u00e7an kulesinin Tanzimat Ferman\u0131\u2019ndan sonra yasaklar\u0131n kalkmas\u0131n\u0131n ard\u0131ndan eklendi\u011fine dikkat \u00e7ekti. Camiz, kilisenin anlat\u0131ld\u0131\u011f\u0131 gibi ekletik mimari g\u00f6r\u00fcn\u00fcm\u00fc ile 19. y\u00fczy\u0131l Osmanl\u0131s\u0131n\u0131n da i\u00e7 dinamiklerini yans\u0131tt\u0131\u011f\u0131n\u0131 s\u00f6yledi. Yap\u0131n\u0131n Vlahsaray Rum Ortodoks Kilisesi Vakf\u0131\u2019na ait oldu\u011funu ifade eden Camiz, kilise aktif olmasa da kurumun bug\u00fcne kadar yap\u0131 i\u00e7in d\u00fczenli olarak bak\u0131m yapt\u0131\u011f\u0131n\u0131 da ekledi.<\/p>\n
\u201cProjeyi devam ettirmek i\u00e7in finansa ihtiyac\u0131m\u0131z var\u201d<\/strong><\/p>\nVlahsaray Panagia Rum Ortodoks Kilisesi Vakf\u0131 Ba\u015fkan\u0131 Laki Vingas, projeye yaln\u0131zca bir Rum kilisesinin ihyas\u0131 olarak bak\u0131lmamas\u0131 gerekti\u011fini s\u00f6yledi. \u0130stanbul\u2019un k\u00fclt\u00fcrel miraslar\u0131ndan olan bu kilisenin korunmas\u0131 ve korurken de \u00fcniversiteler, toplum gibi payda\u015flarla s\u00fcrecin geli\u015ftirilmesi gerekti\u011fini dile getiren Vingas, \u201c\u0130stanbul\u2019un tarihsel b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fcn bir katman\u0131 bu kilise. \u015eu anda basit bir \u015fekilde Vlahsaray diye indirgesek de \u0130stanbul\u2019un dokunulmam\u0131\u015f, ke\u015ffedilmemi\u015f bir boyutu var\u201d dedi.<\/p>\n
Projeye 2010 y\u0131l\u0131nda vak\u0131f ba\u015fkan\u0131 olduktan sonra ba\u015flad\u0131klar\u0131n\u0131 anlatan Vingas, ilk \u00f6nce kilisenin t\u00fczel ki\u015filik problemlerini \u00e7\u00f6zd\u00fcklerini s\u00f6yledi. Ancak tek problem t\u00fczel ki\u015filik de\u011fildi. Vlahsaray\u2019\u0131n tapusu da yoktu. Vingas, vak\u0131f y\u00f6netimi ile birlikte \u00e7al\u0131\u015fmalar\u0131 ba\u015flatt\u0131, tapudaki \u015ferhi kald\u0131rarak kiliseyi yeniden vakf\u0131n \u00fczerine kaydetti.\u00a0 O s\u00fcre\u00e7ten sonra restorasyon projelerinin ba\u015flat\u0131ld\u0131\u011f\u0131n\u0131 ifade eden Vingas, \u201c\u00c7ok me\u015fakkatli bir s\u00fcre\u00e7ti. Bilgi ve belgeye ula\u015fmakta zorlan\u0131yordum. Fener\u2019de ya\u015fayan daha sonra Yunanistan\u2019a giden b\u00fcy\u00fcklerimizle temasa ge\u00e7tim ancak \u00e7ok fazla bilgi yoktu Vlahsaray i\u00e7in\u201d diye konu\u015ftu.<\/p>\n
Bug\u00fcn hala \u0130stanbul Rum Patrikli\u011fi k\u00fct\u00fcphanesinde ara\u015ft\u0131rmalar\u0131na devam eden Vingas, s\u00fcre\u00e7te Akillas Milas ve Dimitris Palavidis\u2019ten ald\u0131\u011f\u0131 foto\u011fraflarla kilisenin i\u00e7 dizayn\u0131n\u0131 ke\u015ffedebildiklerini s\u00f6yledi. Vingas \u015f\u00f6yle devam etti:<\/p>\n
\u201cKilise \u00e7evresinde ara\u015ft\u0131rmalar yapt\u0131k ve etraf\u0131nda 5 m\u00fc\u015ftemilat oldu\u011funu fark ettik. Bu m\u00fc\u015ftemilatlar i\u00e7in kaynak toplamaya ba\u015flad\u0131k. Bu s\u00fcre\u00e7 tamamlan\u0131nca r\u00f6leve restit\u00fcsyon ve restorasyon projelerini de tamamlad\u0131k. Ayn\u0131 zamanda Arkeoloji M\u00fcd\u00fcrl\u00fc\u011f\u00fc nezaretinde de arkeolojik kaz\u0131lar yap\u0131ld\u0131 ve kal\u0131nt\u0131lar\u0131 da bulduk.\u201d<\/em><\/p><\/blockquote>\nProjeler haz\u0131r ancak ger\u00e7ekle\u015fmesi i\u00e7in \u00f6n\u00fcnde bir engel var, o engel de finans. Vingas, bug\u00fcne kadar sponsor bulabildiklerini ama \u015fu an projeyi devam ettirebilecek b\u00fct\u00e7elerinin kalmad\u0131\u011f\u0131n\u0131 ekledi. Vingas, 500 y\u0131l \u00f6nceki bir tarihi g\u00fcn\u00fcm\u00fcze ta\u015f\u0131yan, adeta bir k\u00f6pr\u00fc vazifesi g\u00f6ren kilise i\u00e7in \u00e7a\u011fr\u0131da bulunuyor.<\/p>\n
\u00d6zye\u011fin \u00dcniversitesi ile kapsaml\u0131 bir \u00e7al\u0131\u015fma yapt\u0131klar\u0131n\u0131 s\u00f6yleyen Vingas, yerel y\u00f6neticilerle diyaloglar\u0131n\u0131 devam ettirirken ayn\u0131 zamanda mahalleliyle de ileti\u015fime ge\u00e7mek istediklerini vurgulad\u0131:<\/p>\n
\u201cAmac\u0131m\u0131z sadece bir binay\u0131 in\u015fa etmek, ihya etmek de\u011fil. \u0130nsanlar\u0131n bilgilerini de ihya etmek istiyoruz. Kopmu\u015f olan tarihi birle\u015ftirmek niyetindeyiz. \u00d6zetle, orada ne oldu\u011funu ne i\u00e7in yap\u0131ld\u0131\u011f\u0131n\u0131 bilinsin ve bir aidiyet ili\u015fkisinin kurulmas\u0131n\u0131 istiyoruz. Bu projeyi hem mahallelilere hem de belediyeye eksiksiz anlatabilmeyi \u00e7abal\u0131yoruz.\u201d<\/em><\/p><\/blockquote>\nVlahsaray ikonu 50 y\u0131l sonra yuvas\u0131na geri d\u00f6nd\u00fc<\/em><\/p>\nProje kapsam\u0131nda kompleks i\u00e7inde bulunan 5 m\u00fc\u015ftemilat\u0131n da yeniden yap\u0131laca\u011f\u0131na dikkat \u00e7eken Vingas, \u201cToplant\u0131 salonu, Erasmus \u00f6\u011frencileri i\u00e7in \u00e7al\u0131\u015fma ortam\u0131 gibi sosyal ortamlar sa\u011flad\u0131k\u201d dedi. Vingas, ge\u00e7en g\u00fcnlerde K\u00fclt\u00fcr Bakan\u0131 Mehmet Nuri Ersoy ile bir araya geldi\u011fini ve b\u00f6lgeye dair bir harita verdi\u011fini ifade etti. Vingas, b\u00f6lgenin turist \u00e7ekebilecek dinamizmi olan bir mek\u00e2n oldu\u011funu dile getirdi.<\/p>\n
Yap\u0131n\u0131n tarihi boyunca defalarca yang\u0131n ge\u00e7irdi\u011fini hat\u0131rlatan Vingas, binadan geriye yadig\u00e2r bir \u015fey kalmad\u0131\u011f\u0131n\u0131 da s\u00f6yledi. Yakla\u015f\u0131k 50 y\u0131l sonra \u00fczerinde kilisenin ad\u0131n\u0131n oldu\u011fu bir ikona bulduklar\u0131n\u0131 belirten Vingas, o tek yadig\u00e2r\u0131 ald\u0131klar\u0131n\u0131 ve patrikhaneye teslim ettiklerini ifade etti.<\/p>\n
\u201cProje toplum kat\u0131l\u0131m\u0131na a\u00e7\u0131k olmal\u0131\u201d<\/strong><\/p>\nMimarl\u0131k Tarih\u00e7isi Banu Pekol, projede toplum kat\u0131l\u0131m\u0131n\u0131n olmas\u0131 gerekti\u011fi g\u00f6r\u00fc\u015f\u00fcnde.<\/p>\n
Toplum kat\u0131l\u0131m\u0131n\u0131n asl\u0131nda k\u00fclt\u00fcrel miras y\u00f6netiminin alt ba\u015fl\u0131\u011f\u0131 oldu\u011funu ifade eden Pekol, \u201cBu binay\u0131 insanlar yapt\u0131, insanlar i\u00e7in yapt\u0131 ve insans\u0131z d\u00fc\u015f\u00fcnemezsin\u201d dedi.<\/p>\n
Pekol, bug\u00fcn insanlar\u0131n ya\u015fad\u0131klar\u0131 yerdeki tarihi yap\u0131lar\u0131n ne oldu\u011funun fark\u0131nda olmad\u0131\u011f\u0131n\u0131 dile getirdi. Pekol, \u201cFener\u2019de i\u015fler durumda olan Rum lisesini bile kilise zannediyorlar. Sadece turistler de\u011fil, orada ya\u015fayanlar bile o okulun aktif halde i\u015fledi\u011finin fark\u0131nda de\u011fil\u201d diye konu\u015ftu.<\/p>\n
\u201cVlahsaray hi\u00e7 i\u015flemiyor, \u00f6n\u00fcnde bir duvar var. Tamamen kopuk mahallesinden\u201d diyen Pekol, toplum kat\u0131l\u0131m\u0131 oldu\u011funda daha kal\u0131c\u0131 bir etki elde etmenin m\u00fcmk\u00fcn oldu\u011funu s\u00f6yledi. Politikalar de\u011fi\u015fse bile toplumlar\u0131n kal\u0131c\u0131 oldu\u011funa dikkat \u00e7eken Pekol, \u201cOradaki insanlar\u0131 projeye angaje etti\u011finizde, b\u00f6lgedeki yerel y\u00f6netimler de\u011fi\u015fse de sahiplenmeye devam ediyorlar\u201d \u015feklinde kaydetti.<\/p>\n
Vlahsaray projesi i\u00e7in \u201ca\u00e7\u0131k \u015fantiye\u201d \u00f6nerisinde bulunan Pekol, \u015fantiyenin kapal\u0131 oldu\u011fu saatler ya da g\u00fcnlerde, k\u00fclt\u00fcrel etkinliklerin yap\u0131labilece\u011finden bahsetti. Pekol, Vlahsaray\u2019\u0131n arazi olarak da bu tarz etkinlikleri i\u00e7in yerinin oldu\u011funu s\u00f6yledi.<\/p>\n
Pekol, \u201cBu kilise restore edilir ve yaln\u0131zca H\u0131ristiyan turistlerin ak\u0131n\u0131na u\u011frarsa daha k\u00f6t\u00fc olacak. Bu en istenmemesi gereken \u015fey. Bu \u015fekilde daha \u00e7ok tepki toplayacak, protestolar olacak ve haliyle g\u00fcvenlik \u00f6nlemleri daha da artacak. Dolay\u0131s\u0131yla bu toplum kat\u0131l\u0131m\u0131n\u0131 yapmak durumundalar\u201d dedi.<\/p>\n
\u201cCemaat olmad\u0131k\u00e7a i\u015fleyen bir kilisenin ne anlam\u0131 var\u201d diyen Pekol, projeyi toplum kat\u0131l\u0131m\u0131 olmadan yaparlarsa restore etmenin \u00e7ok bir anlam ifade etmeyece\u011fini dile getirdi. Pekol, sadece bu tarz etkinlikler de\u011fil, malzeme al\u0131\u015fveri\u015fi, yemek gibi bir\u00e7ok ihtiyac\u0131n da mahalledeki esnaftan yap\u0131lmas\u0131 gerekti\u011fine dikkat \u00e7ekti.<\/p>\n
\u00a9 The Independentturkish<\/strong><\/em><\/p>\nhttps:\/\/www.indyturk.com\/node\/312456\/haber\/bir-\u00e7ocuk-bir-a\u015fk-bir-kilise-vlahsaray-restorasyon-i\u00e7in-yard\u0131m-bekliyor<\/a><\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"\u0130stanbul Fener\u2019de bulunan 16. y\u00fczy\u0131lda Eflak beyleri i\u00e7in yap\u0131lan, 1929 y\u0131l\u0131ndan s\u00fcrg\u00fcn edildi\u011fi 1964 y\u0131l\u0131na kadar Dimosthenis Bey\u2019in evi olan Vlahsaray Kilisesi i\u00e7in restorasyon projesi ba\u015flad\u0131, ancak maddi kaynak yetersizli\u011finden tamamlanam\u0131yor. Melike \u00c7apan \u0130lk a\u015fk\u0131n\u0131 orada g\u00f6rd\u00fc. \u0130lk kiliseye orada gitti. Bug\u00fcn hala s\u00fcrd\u00fcrd\u00fc\u011f\u00fc muganili\u011fi (okuyuculuk) babas\u0131ndan ilk o kilisede \u00f6\u011frendi. Bahsetti\u011fim ki\u015fi Dimosthenis Paikopoulos. […]<\/p>\n","protected":false},"author":7,"featured_media":61390,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,34],"tags":[],"class_list":["post-61389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-istanbul"],"yoast_head":"\n
Bir \u00e7ocuk, bir a\u015fk, bir kilise: Vlahsaray restorasyon i\u00e7in yard\u0131m bekliyor - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=61389\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bir \u00e7ocuk, bir a\u015fk, bir kilise: Vlahsaray restorasyon i\u00e7in yard\u0131m bekliyor - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"\u0130stanbul Fener\u2019de bulunan 16. y\u00fczy\u0131lda Eflak beyleri i\u00e7in yap\u0131lan, 1929 y\u0131l\u0131ndan s\u00fcrg\u00fcn edildi\u011fi 1964 y\u0131l\u0131na kadar Dimosthenis Bey\u2019in evi olan Vlahsaray Kilisesi i\u00e7in restorasyon projesi ba\u015flad\u0131, ancak maddi kaynak yetersizli\u011finden tamamlanam\u0131yor. Melike \u00c7apan \u0130lk a\u015fk\u0131n\u0131 orada g\u00f6rd\u00fc. \u0130lk kiliseye orada gitti. Bug\u00fcn hala s\u00fcrd\u00fcrd\u00fc\u011f\u00fc muganili\u011fi (okuyuculuk) babas\u0131ndan ilk o kilisede \u00f6\u011frendi. Bahsetti\u011fim ki\u015fi Dimosthenis Paikopoulos. 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Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/akunq.net\/tr\/?p=61389","og_locale":"en_US","og_type":"article","og_title":"Bir \u00e7ocuk, bir a\u015fk, bir kilise: Vlahsaray restorasyon i\u00e7in yard\u0131m bekliyor - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","og_description":"\u0130stanbul Fener\u2019de bulunan 16. y\u00fczy\u0131lda Eflak beyleri i\u00e7in yap\u0131lan, 1929 y\u0131l\u0131ndan s\u00fcrg\u00fcn edildi\u011fi 1964 y\u0131l\u0131na kadar Dimosthenis Bey\u2019in evi olan Vlahsaray Kilisesi i\u00e7in restorasyon projesi ba\u015flad\u0131, ancak maddi kaynak yetersizli\u011finden tamamlanam\u0131yor. Melike \u00c7apan \u0130lk a\u015fk\u0131n\u0131 orada g\u00f6rd\u00fc. \u0130lk kiliseye orada gitti. Bug\u00fcn hala s\u00fcrd\u00fcrd\u00fc\u011f\u00fc muganili\u011fi (okuyuculuk) babas\u0131ndan ilk o kilisede \u00f6\u011frendi. Bahsetti\u011fim ki\u015fi Dimosthenis Paikopoulos. […]","og_url":"https:\/\/akunq.net\/tr\/?p=61389","og_site_name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","article_published_time":"2021-02-09T07:07:44+00:00","og_image":[{"width":1368,"height":911,"url":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2021\/02\/Fener.jpeg","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"12 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/akunq.net\/tr\/?p=61389#article","isPartOf":{"@id":"https:\/\/akunq.net\/tr\/?p=61389"},"author":{"name":"admin","@id":"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e"},"headline":"Bir \u00e7ocuk, bir a\u015fk, bir kilise: Vlahsaray restorasyon i\u00e7in yard\u0131m bekliyor","datePublished":"2021-02-09T07:07:44+00:00","mainEntityOfPage":{"@id":"https:\/\/akunq.net\/tr\/?p=61389"},"wordCount":2439,"commentCount":0,"image":{"@id":"https:\/\/akunq.net\/tr\/?p=61389#primaryimage"},"thumbnailUrl":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2021\/02\/Fener.jpeg","articleSection":["Haberler","Istanbul"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/akunq.net\/tr\/?p=61389#respond"]}]},{"@type":"WebPage","@id":"https:\/\/akunq.net\/tr\/?p=61389","url":"https:\/\/akunq.net\/tr\/?p=61389","name":"Bir \u00e7ocuk, bir a\u015fk, bir kilise: Vlahsaray restorasyon i\u00e7in yard\u0131m bekliyor - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","isPartOf":{"@id":"https:\/\/akunq.net\/tr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/akunq.net\/tr\/?p=61389#primaryimage"},"image":{"@id":"https:\/\/akunq.net\/tr\/?p=61389#primaryimage"},"thumbnailUrl":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2021\/02\/Fener.jpeg","datePublished":"2021-02-09T07:07:44+00:00","author":{"@id":"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e"},"breadcrumb":{"@id":"https:\/\/akunq.net\/tr\/?p=61389#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/akunq.net\/tr\/?p=61389"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/akunq.net\/tr\/?p=61389#primaryimage","url":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2021\/02\/Fener.jpeg","contentUrl":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2021\/02\/Fener.jpeg","width":1368,"height":911},{"@type":"BreadcrumbList","@id":"https:\/\/akunq.net\/tr\/?p=61389#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/akunq.net\/tr"},{"@type":"ListItem","position":2,"name":"Bir \u00e7ocuk, bir a\u015fk, bir kilise: Vlahsaray restorasyon i\u00e7in yard\u0131m bekliyor"}]},{"@type":"WebSite","@id":"https:\/\/akunq.net\/tr\/#website","url":"https:\/\/akunq.net\/tr\/","name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/akunq.net\/tr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e","name":"admin","url":"https:\/\/akunq.net\/tr\/?author=7"}]}},"_links":{"self":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts\/61389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=61389"}],"version-history":[{"count":1,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts\/61389\/revisions"}],"predecessor-version":[{"id":61391,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts\/61389\/revisions\/61391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/media\/61390"}],"wp:attachment":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=61389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=61389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=61389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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