{"id":60559,"date":"2020-12-14T02:49:35","date_gmt":"2020-12-14T07:49:35","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=60559"},"modified":"2020-12-14T02:49:35","modified_gmt":"2020-12-14T07:49:35","slug":"tiyatromuzun-bellegi-hagop-ayvaz","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=60559","title":{"rendered":"Tiyatromuzun belle\u011fi: Hagop Ayvaz"},"content":{"rendered":"

\"\"<\/p>\n

BAHAR \u00c7UHADAR<\/strong><\/p>\n

Sahneye ad\u0131m\u0131n\u0131 ilk kez att\u0131\u011f\u0131 1928 senesinden \u00f6mr\u00fcn\u00fc tamamlad\u0131\u011f\u0131 2006 y\u0131l\u0131na kadar T\u00fcrkiye tiyatrosunun hem sanat\u00e7\u0131 hem de yay\u0131nc\u0131 olarak bir par\u00e7as\u0131 olmu\u015f, Ermenice tiyatro dergisi \u2018Kulis\u2019i 50 sene boyunca kesintisiz yay\u0131mlam\u0131\u015f, binlerce yaz\u0131l\u0131 ve g\u00f6rsel materyalden olu\u015fan ar\u015fiviyle tiyatro belle\u011fine d\u00f6n\u00fc\u015fm\u00fc\u015f bir isim: Hagop Ayvaz\u2026 Ermeni tiyatrocu ve yay\u0131nc\u0131 Hagop Ayvaz\u2019\u0131n ki\u015fisel ar\u015fivi, \u2018Kulis: Bir Tiyatro Belle\u011fi, Hagop Ayvaz\u2019 ba\u015fl\u0131kl\u0131 sergiyle Yap\u0131 Kredi K\u00fclt\u00fcr Sanat\u2019ta seyirciyle bulu\u015fuyor. Sergi vesilesiyle Ayvaz\u2019\u0131n \u2018tiyatro cenneti\u2019ne sokulduk\u2026<\/strong><\/em><\/p>\n

Beyo\u011flu\u2019nun boydan boya\u00a0tiyatro<\/a>\u00a0mek\u00e2nlar\u0131yla dolu oldu\u011fu, \u015eehzadeba\u015f\u0131\u2019n\u0131n, Kad\u0131k\u00f6y\u2019\u00fcn, \u00dcsk\u00fcdar\u2019\u0131n, Pangalt\u0131\u2019n\u0131n sanat ve k\u00fclt\u00fcr merkezleri olarak nefes al\u0131p verdi\u011fi, yazl\u0131k tiyatrolar\u0131n \u015fehre yay\u0131ld\u0131\u011f\u0131, sahnelerden \u00e7okdilli repliklerin y\u00fckseldi\u011fi, 100 sene \u00f6ncesinin \u0130stanbul\u2019una dair en ufak bir iz bulmak m\u00fcmk\u00fcn m\u00fc bug\u00fcn? Beyo\u011flu\u2019nda Ses Tiyatrosu d\u0131\u015f\u0131nda ya\u015famaya devam eden bir k\u00f6kl\u00fc tiyatro sahnesi daha yokken, bir zamanlar \u015fehrin k\u00fclt\u00fcr-sanat hayat\u0131na can vermi\u015f binalar\u0131n \u00fczerinde, ge\u00e7mi\u015fine i\u015faret eden tek bir plaket dahi yokken\u2026 Birka\u00e7 g\u00fcnd\u00fcr, yar\u0131m as\u0131rl\u0131k Ankara Sanat Tiyatrosu\u2019nun mek\u00e2n\u0131ndan \u00e7\u0131kmak zorunda kal\u0131\u015f\u0131n\u0131 konu\u015fuyoruz. K\u00f6ks\u00fczl\u00fc\u011f\u00fcm\u00fcz\u00fcn, belleksizli\u011fimizin, muhafaza edemeyi\u015fimizin \u00f6rnekleri durmadan art\u0131yor.\u00a0Hal b\u00f6yleyken, 15 Aral\u0131k\u2019ta Yap\u0131 Kredi K\u00fclt\u00fcr Sanat\u2019ta a\u00e7\u0131lacak olan bir sergi, kolektif haf\u0131zam\u0131z\u0131 uyanmaya \u00e7a\u011f\u0131r\u0131yor.<\/p>\n

AYAKKABI \u0130MALATHANES\u0130NDEN \u2018KUL\u0130S<\/a>\u2019E\u2026
\n<\/strong>\u2018Kulis: Bir Tiyatro Belle\u011fi,\u00a0Hagop Ayvaz<\/a>\u2019 ba\u015fl\u0131kl\u0131 sergi Osmanl\u0131 ve T\u00fcrkiye tiyatro tarihinin pek \u00e7ok a\u00e7\u0131dan g\u00f6r\u00fcnmez k\u0131l\u0131nm\u0131\u015f tarihini an\u0131msatmak \u00fczere haz\u0131r\u2026\u00a0Hrant Dink Vakf\u0131<\/a>\u00a0\u00f6nc\u00fcl\u00fc\u011f\u00fcnde, Yap\u0131 Kredi Yay\u0131nlar\u0131 ve\u00a0T\u00fcrkiye Tiyatro Vakf\u0131<\/a>i\u015fbirli\u011fiyle, Kevser G\u00fcler, Banu Atca ve\u00a0Esen \u00c7amurdan<\/a>\u2019\u0131n k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde haz\u0131rlanan sergi; 19\u2019uncu y\u00fczy\u0131ldan itibaren \u015fehrin tiyatro hayat\u0131n\u0131, T\u00fcrkiye tiyatrosunun temelini atan Ermeni tiyatro emek\u00e7ilerini, topluluklar\u0131n\u0131, onlar\u0131n a\u00e7t\u0131klar\u0131 mek\u00e2nlar\u0131 ve d\u00f6nemin kent ya\u015fam\u0131nda tiyatronun yerini an\u0131msatan kapsaml\u0131 bir ar\u015fivden do\u011fmu\u015f. Osmanl\u0131ca, Ermenice ve T\u00fcrk\u00e7e 600 civar\u0131nda elyazmas\u0131 ve matbu tiyatro metni, 500\u2019den fazla Ermenice ve T\u00fcrk\u00e7e dergi ve bro\u015f\u00fcr, foto\u011fraflar, kartpostallar, \u00e7izimler\u2026 Ve 1946-1996 y\u0131llar\u0131 aras\u0131nda kesintisiz yay\u0131mlanan Ermenice tiyatro dergisi Kulis\u2026 12 bine yak\u0131n g\u00f6rsel materyal\u2026 Bir tiyatro cenneti\u2026 Ve bu \u2018cennet\u2019i kuran isim:\u00a0Belleksizli\u011fimize inat, devasa bir ar\u015fiv yarat\u0131p bug\u00fcnlere ula\u015fmas\u0131n\u0131 sa\u011flayan, \u00f6mr\u00fcn\u00fc tiyatroya adam\u0131\u015f Ermeni oyuncu, y\u00f6netmen, yay\u0131nc\u0131 ve yazar Hagop Ayvaz\u2026\u00a0<\/strong><\/p>\n

\"Tiyatromuzun<\/figure>\n

Hagop Ayvaz ve Zaruhi De\u011firmenciyan \u2019Son Perde\u2019 adl\u0131 oyunda.<\/strong><\/p>\n

1911\u2019de \u0130stanbul, Yenikap\u0131\u2019da d\u00fcnyaya gelen, tiyatroyla \u00fcvey babas\u0131n\u0131n ayakkab\u0131 imalathanesinde \u00e7\u0131rakl\u0131k yapt\u0131\u011f\u0131 s\u0131rada tan\u0131\u015fan Ayvaz, i\u00e7ine gen\u00e7 ya\u015f\u0131nda d\u00fc\u015fen tiyatro ate\u015fini, hayata veda etti\u011fi 2006\u2019ya kadar canl\u0131 tutmu\u015f. Ayn\u0131 handa \u00e7al\u0131\u015ft\u0131\u011f\u0131 Harutyun Samurka\u015f\u2019\u0131n kendisini \u015eark Tiyatrosu\u2019na (Arevelyan Taderahump) g\u00f6t\u00fcr\u00fcp kumpanyan\u0131n y\u00f6netmeni Krikor Hagopyan ile tan\u0131\u015fmas\u0131yla ba\u015fl\u0131yor tiyatro hayat\u0131. Sahneye ilk kez 1928\u2019de, Narl\u0131kap\u0131 \u015eafak Tiyatrosu\u2019nda, ailesinden gizli \u00e7\u0131k\u0131yor; Srapion Manasyan\u2019\u0131n \u2018\u00c7a\u011fatsbanin A\u011f\u00e7ig\u0131\u2019 (De\u011firmencinin K\u0131z\u0131) adl\u0131 Ermenice operetinde fig\u00fcran olarak\u2026 1929\u2019da ayn\u0131 sahnede, \u2018\u0130ki Ahbap \u00c7avu\u015f\u2019ta rol al\u0131yor. Na\u015fit \u00d6zcan, Bedros Baltazar, Haz\u0131m K\u00f6rm\u00fck\u00e7\u00fc ve Aram Elmas\u2019\u0131n aralar\u0131nda bulundu\u011fu \u00f6nemli tiyatrocularla dostluklar kuruyor. 1930\u2019da ise Beyo\u011flu Yeni\u015fehir Mangasar Bah\u00e7e Tiyatrosu\u2019ndaki \u2018Kara De\u011firmen Cinayeti\u2019 oyunuyla ilk ba\u015frol\u00fcn\u00fc \u00fcstleniyor.Ayvaz\u2019\u0131n oyuncu, yazar ve y\u00f6netmen olarak hem profesyonel hem de amat\u00f6r topluluklarla s\u00fcrd\u00fcrd\u00fc\u011f\u00fc sanat \u00fcretimi ge\u00e7im s\u0131k\u0131nt\u0131s\u0131ndan ve az\u0131nl\u0131klara y\u00f6nelik bask\u0131c\u0131 uygulamalardan nasibini al\u0131yor elbette\u2026\u00a0Akl\u0131 sahnedeyken tekstil at\u00f6lyelerinde \u00e7al\u0131\u015fmak, sonuncusu, sadece gayrim\u00fcslimlere uygulanan \u2018yirmi kur\u2019a ihtiyat\u2019 sebebiyle olmak \u00fczere \u00fc\u00e7 kere askerlik hizmeti yapmak, A\u015fkale s\u00fcrg\u00fcn\u00fcn\u00fcnden \u015fans eseri kurtulmak (kendi deyi\u015fiyle \u2018kazma-k\u00fcrekten kurtulu\u015f\u2019), Ermeni meslekta\u015flar\u0131n\u0131n -yine kendi deyi\u015fiyle- \u2018uzaklara\u2019 gitmek zorunda kalmas\u0131, Ermenice tiyatronun bir s\u00fcreli\u011fine yasaklanmas\u0131 bu zorluklar\u0131n sadece ba\u015fl\u0131klar\u0131\u2026 Ayvaz \u00e7a\u011f\u0131n\u0131n tiyatro g\u00fcndemini, 1946\u2019da kurdu\u011fu Ermenice tiyatro dergisi \u2018Kulis\u2019 ile birlikte kayda almaya ba\u015fl\u0131yor.\u00a0<\/strong><\/p>\n

\"Tiyatromuzun<\/figure>\n

Kulis\u2019in 15 Aral\u0131k 1946 tarihli ilk say\u0131s\u0131n\u0131n kapa\u011f\u0131.
\n<\/strong>
\n\u0130STANBUL\u2019UN \u00c7OKD\u0130LL\u0130\u00a0T\u0130YATRO HAYATININ TANI\u011eI<\/strong>
\nKendisiyle 70\u2019lerde\u00a0 tan\u0131\u015fan ele\u015ftirmen, yazar ve akademisyen Prof. Dr.\u00a0Dikmen G\u00fcr\u00fcn<\/a>, \u2018tiyatro sevdal\u0131s\u0131\u2019 olarak tan\u0131mlad\u0131\u011f\u0131 dostunu \u015fu s\u00f6zlerle anlat\u0131yor: \u201cCa\u011falo\u011flu\u2019ndaki k\u00fc\u00e7\u00fck Kulis matbaas\u0131na kocaman bir tiyatro d\u00fcnyas\u0131 s\u0131\u011fd\u0131rm\u0131\u015ft\u0131. Foto\u011fraflar, dergiler, gazete kup\u00fcrleri, kitaplar, kitap\u00e7\u0131klar ve ciltler halinde \u2018Kulis\u2019ler\u2026 Bir dergi \u00e7\u0131karman\u0131n getirdi\u011fi maddi zorluklar\u0131n \u00f6tesinde T\u00fcrkiye\u2019nin i\u00e7inden ge\u00e7ti\u011fi siyasal \u00e7alkant\u0131lar Hagop Bey\u2019e de de\u011fmi\u015fti. Ama dik duran bir insand\u0131. Espriliydi, sevecendi ve bilgisini, an\u0131lar\u0131n\u0131 payla\u015fmak ona b\u00fcy\u00fck keyif verirdi. Bir tiyatro dergisini 50 y\u0131l \u00e7\u0131karmak b\u00fcy\u00fck \u00f6zveri, m\u00fccadele isteyen bir i\u015f. Bir konu\u015fmam\u0131zda, \u2018Bu 50 y\u0131l\u0131, \u00f6mr\u00fcm\u00fcn daha \u00e7ok k\u0131sm\u0131n\u0131 Kulis\u2019e hasrederek tamamlad\u0131m,\u201d demi\u015fti. Tiyatromuzun \u00f6zenle korunmas\u0131 gereken belle\u011fi olarak de\u011ferlendiriyorum Kulis\u2019i.\u201dHagop Ayvaz \u2018Kulis\u2019i ya\u015fatmak i\u00e7in T\u00fcrkiyeli Ermenilerin zorunlu g\u00f6\u00e7 etti\u011fi kentlerden Halep, \u015eam, Ba\u011fdat, Beyrut ve Tahran\u2019a yolculuklar yap\u0131yor, buralarda dergiye abone kazand\u0131r\u0131yor. Yaz\u0131lar\u0131na, 2006\u2019da Kulis\u2019in yay\u0131n hayat\u0131na son vermesinden sonra Agos gazetesinde devam eden Ayvaz\u2019\u0131n ar\u015fivi \u00f6nce Agos\u2019a, ard\u0131ndan Hrant Dink Vakf\u0131\u2019na ba\u011f\u0131\u015flan\u0131yor.\u00a0Ele\u015ftirmen, dramaturg ve T\u00fcrkiye Tiyatro Vakf\u0131 Kurucu Ba\u015fkan\u0131 Esen \u00c7amurdan, 19\u2019uncu y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131yla 1960\u2019lar aras\u0131 \u0130stanbul merkezli tiyatroya odaklanan ar\u015fivin Direkleraras\u0131\u2019ndaki tiyatro ruhundan melodram furyas\u0131na,\u00a0Dar\u00fclbedayi<\/a>\u2019nin a\u00e7\u0131l\u0131\u015f\u0131ndan Ermeni oyuncular\u0131n sahneden \u00e7ekilmek zorunda kal\u0131\u015flar\u0131na kadar, pek \u00e7ok \u015fey anlatt\u0131\u011f\u0131na dikkat \u00e7ekiyor.<\/p>\n

\"Tiyatromuzun<\/figure>\n

Muhsin Ertu\u011frul, Neyyire Neyir Ertu\u011frul, Cahide Sonku ve Melek Kobra \u2018Kral Lear\u2019da. \u0130stanbul \u015eehir Tiyatrosu, 1938.\u00a0<\/strong><\/p>\n

Ayvaz\u2019\u0131n bir d\u00f6nemin tiyatro binalar\u0131n\u0131n yitip gitmi\u015f olmas\u0131na duydu\u011fu \u00fcz\u00fcnt\u00fcy\u00fc ve bir tiyatro m\u00fczesine olan \u00f6zlemini de vurguluyor \u00c7amurdan. Ar\u015fivi \u00e7al\u0131\u015f\u0131rken onu en \u00e7ok \u015fa\u015f\u0131rtan detaylar\u0131 soruyorum, anlat\u0131yor: \u201cYaz mevsiminde \u00e7e\u015fitli bah\u00e7elerde, mesire yerlerinde yap\u0131lan tiyatro g\u00f6sterilerini okumu\u015ftum ama bu denli yayg\u0131n olmalar\u0131 beni \u00e7ok \u015fa\u015f\u0131rtt\u0131. Kentin hemen her yerinde tiyatro yap\u0131l\u0131yor, bu demektir ki bir o kadar da seyirci var. S\u00fcrekli bir kent i\u00e7i turne devinimi var \u0130stanbul\u2019da. Anadolu\u2019ya da \u00e7ok giden topluluk oluyor. \u00dcsk\u00fcdar sanata d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fcyle tan\u0131nm\u0131\u015f, Kad\u0131k\u00f6y sanat ve sanat\u00e7\u0131lar\u0131n yuvas\u0131, Pangalt\u0131 etkin bir Ermeni k\u00fclt\u00fcr merkezi i\u015flevinde. Bir o d\u00f6nemi d\u00fc\u015f\u00fcn\u00fcn, bir de bug\u00fcnk\u00fc duruma bak\u0131n\u2026\u201d\u00c7amurdan sergiyi gezenlerin dikkatiniyse en \u00e7ok 19\u2019uncu y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131n\u0131n tiyatro hareketlili\u011finin \u00e7ekece\u011fini d\u00fc\u015f\u00fcn\u00fcyor: \u201cBinalar\u0131n ya da sahne olarak kullan\u0131lan yerlerin \u00e7oklu\u011fu, seyircinin ilgisi\u2026 \u00c7okdillilik, Ermeni sanat\u00e7\u0131lar\u0131n a\u011f\u0131rl\u0131\u011f\u0131, tiyatromuzun \u00f6nc\u00fcleri olu\u015flar\u0131\u2026 Ke\u015fke t\u00fcm bunlar ve daha fazlas\u0131 serginin ziyaret\u00e7isini bug\u00fcn\u00fc biraz sorgulamaya y\u00f6neltse\u2026\u201d<\/p>\n

\"Tiyatromuzun<\/figure>\n

Dar\u00fclbedayi\u2019nin Ferah Tiyatrosu\u2019nda sahne ald\u0131\u011f\u0131 d\u00f6nemdeki kadrosu: Muammer Karaca, Behzat Butak, Haz\u0131m K\u00f6rm\u00fck\u00e7\u00fc, Galip Arcan, Muhsin Ertu\u011frul, Nurettin \u015eefkati, K\u00fc\u00e7\u00fck Kemal (Kemal K\u00fc\u00e7\u00fck), \u00f6n s\u0131rada sa\u011fdan ikinci Neyyire Neyir Ertu\u011frul.
\n<\/strong>
\n\u2018BEYO\u011eLU\u2019NDA LAHMACUNCULAR ARTIYOR, T\u0130YATROLAR AZALIYOR\u2019<\/strong>
\nDikmen G\u00fcr\u00fcn, Ayvaz\u2019\u0131n tiyatronun Beyo\u011flu\u2019ndan silini\u015fine duydu\u011fu tepkiyi an\u0131msat\u0131yor: \u201cHagop Ayvaz ar\u015fivi ve \u2018Kulis\u2019 bizleri; onun gen\u00e7lik y\u0131llar\u0131nda birlikte \u00e7al\u0131\u015ft\u0131\u011f\u0131 sanat\u00e7\u0131lar\u0131n d\u00fcnyas\u0131ndan, \u015eehzadeba\u015f\u0131\u2019ndan, Pera\u2019dan, yazl\u0131k bah\u00e7e tiyatrolar\u0131ndan Dar\u00fclbedayi\u2019ye ve 2000\u2019lerin ba\u015flar\u0131na getirecektir. Hagop Bey\u2019in, \u2018Ben Muhsin Ertu\u011frul\u2019la Dar\u00fclbedayi\u2019yi ya\u015fad\u0131m. Ama sadece benim i\u00e7in de\u011fil, T\u00fcrk tiyatrosu i\u00e7in \u00e7ok de\u011ferli olan Muhsin Ertu\u011frul\u2019un mezar\u0131n\u0131n nerede oldu\u011funu eminim ki bug\u00fcn gen\u00e7 tiyatrocular\u0131n \u00e7o\u011fu bilmez\u2019 s\u00f6zleri anlaml\u0131d\u0131r. Belleksiz bir toplumuz. Var olan\u0131 korumuyoruz. 1960\u2019larda adeta bir tiyatro cenneti olan Beyo\u011flu\u2019nun \u015fimdiki haline bak\u0131n! \u2018Ne yaz\u0131k ki Beyo\u011flu\u2019nda lahmacuncu say\u0131s\u0131 art\u0131yor ama tiyatrolar azal\u0131yor!\u2019 diye bo\u015funa dememi\u015fti Hagop Ayvaz. Umuyorum ki bu sergi ileriye d\u00f6n\u00fck olarak olumlu katk\u0131lar sunsun tiyatro d\u00fcnyam\u0131za. Belleklerimizi tazelesin\u2026\u201d\u00a095 senelik \u00f6mr\u00fcn\u00fc tiyatroya adayan Hagop Ayvaz, miras b\u0131rakt\u0131\u011f\u0131 bu e\u015fsiz birikim arac\u0131l\u0131\u011f\u0131yla bize ge\u00e7mi\u015fe do\u011fru bir k\u00f6pr\u00fc kurma imk\u00e2n\u0131 vermekle, k\u00fclt\u00fcrel belle\u011fimizi canland\u0131rmakla kalm\u0131yor; Esen \u00c7amurdan\u2019\u0131n da vurgulad\u0131\u011f\u0131 \u00fczere bir tiyatro m\u00fczesine kavu\u015fmam\u0131z i\u00e7in benzersiz bir f\u0131rsat da sunuyor.<\/p>\n

\"Tiyatromuzun<\/figure>\n

Hagop Ayvaz, \u2018Othello<\/em>\u2019da, \u2018Cassio\u2019 rol\u00fcnde.<\/strong><\/p>\n

SERG\u0130, M\u00dcZE KURMA U\u011eRA\u015eIMIZI DESTEKLED\u0130<\/strong>
\nEsen \u00c7amurdan:<\/strong>\u00a0M\u00fcze kurma u\u011fra\u015f ve \u00e7abam\u0131zda ne denli hakl\u0131 oldu\u011fumuzu ve yola devam etmemizi \u00f6\u011f\u00fctledi bize Ayvaz dostumuz. Hrant Dink Vakf\u0131 bilin\u00e7li ve sorumlu davran\u0131p bu ar\u015fivi bir sergiye d\u00f6n\u00fc\u015ft\u00fcrmeseydi, sergiyle birlikte i\u00e7eri\u011fini ara\u015ft\u0131rmac\u0131lara a\u00e7masayd\u0131; k\u0131sacas\u0131 bu ar\u015fiv sanat-k\u00fclt\u00fcrden uzak, sorumsuz ellerde olsayd\u0131 T\u00fcrkiye tiyatrosu yine eksik kalacakt\u0131. Hep oldu\u011fu gibi. \u015eimdi hi\u00e7 olmazsa bir se\u00e7enek sunuldu insanlara, b\u00f6yle de bir yol olabilir dendi.<\/p>\n

Dikmen G\u00fcr\u00fcn:<\/strong>\u00a0Bu sergiyi g\u00f6rmek \u00e7ok mutlu ederdi Hagop Ayvaz Bey\u2019i. Bunu, Kulis\u2019e ve ar\u015fivine bir sayg\u0131 olman\u0131n \u00f6tesinde, yak\u0131n zamanda hayata ge\u00e7ece\u011fine y\u00fcrekten inand\u0131\u011f\u0131m T\u00fcrkiye Tiyatro M\u00fczesi\u2019nin \u00e7al\u0131\u015fmalar\u0131na destek olacak bir etkinlik olarak da de\u011ferlendirirdi. Bu \u00fclkede bir Tiyatro M\u00fczesi\u2019nin olmamas\u0131na \u00e7ok \u00fcz\u00fcl\u00fcrd\u00fc Hagop Ayvaz. Y\u0131ld\u0131z Saray\u0131\u2019nda bulunan, \u00f6zde de\u011fil s\u00f6zde Tiyatro M\u00fczesi\u2019nin neden b\u00f6yle at\u0131l b\u0131rak\u0131ld\u0131\u011f\u0131n\u0131 her zaman sorgulard\u0131. Yurtd\u0131\u015f\u0131ndaki benzerleri gibi zenginle\u015ftirilmesi, takviye edilmesi gerekti\u011fini vurgulard\u0131. Ger\u00e7ekten de \u0130stanbul gibi bir k\u00fclt\u00fcr-sanat merkezinde bir Tiyatro M\u00fczesi olmaz m\u0131? Buna ihtiya\u00e7 duyulmaz m\u0131? Hagop Ayvaz \u201cMuhsin Ertu\u011frul Tepeba\u015f\u0131 Dram Tiyatrosu\u2019nu m\u00fczeye d\u00f6n\u00fc\u015ft\u00fcrecekti ama yakt\u0131lar\u201d diye anlat\u0131rd\u0131. \u201cT\u0131pk\u0131 Aksaray K\u00fc\u00e7\u00fck Opera gibi, K\u00fclt\u00fcr Saray\u0131 gibi, \u015ean Tiyatrosu gibi yak\u0131ld\u0131\u2026\u201d Dahas\u0131; uzak ve yak\u0131n tarihimizde bug\u00fcn var, yar\u0131n yok olan tiyatro binalar\u0131m\u0131z\u0131n yerlerini bile bilmiyoruz. Merak etmiyoruz. Oralarda oynam\u0131\u015f olan k\u0131ymetli sanat\u00e7\u0131lar\u0131m\u0131za selam bile edemiyoruz\u2026 Kimbilir, belki bundan sonra yapabiliriz b\u00fct\u00fcn bunlar\u0131\u2026<\/p>\n

\u2018Kulis: Bir Tiyatro Belle\u011fi, Hagop Ayvaz\u2019 15 Aral\u0131k 2020-21 \u015eubat 2021 tarihleri aras\u0131nda Yap\u0131 Kredi K\u00fclt\u00fcr Sanat\u2019ta ziyaret\u00e7ilerini bekliyor.<\/strong><\/p>\n

https:\/\/www.hurriyet.com.tr\/kitap-sanat\/tiyatromuzun-bellegi-hagop-ayvaz-41685606<\/a><\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

BAHAR \u00c7UHADAR Sahneye ad\u0131m\u0131n\u0131 ilk kez att\u0131\u011f\u0131 1928 senesinden \u00f6mr\u00fcn\u00fc tamamlad\u0131\u011f\u0131 2006 y\u0131l\u0131na kadar T\u00fcrkiye tiyatrosunun hem sanat\u00e7\u0131 hem de yay\u0131nc\u0131 olarak bir par\u00e7as\u0131 olmu\u015f, Ermenice tiyatro dergisi \u2018Kulis\u2019i 50 sene boyunca kesintisiz yay\u0131mlam\u0131\u015f, binlerce yaz\u0131l\u0131 ve g\u00f6rsel materyalden olu\u015fan ar\u015fiviyle tiyatro belle\u011fine d\u00f6n\u00fc\u015fm\u00fc\u015f bir isim: Hagop Ayvaz\u2026 Ermeni tiyatrocu ve yay\u0131nc\u0131 Hagop Ayvaz\u2019\u0131n ki\u015fisel […]<\/p>\n","protected":false},"author":7,"featured_media":60560,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,70,19],"tags":[],"class_list":["post-60559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-makaleler","category-unluler"],"yoast_head":"\nTiyatromuzun belle\u011fi: Hagop Ayvaz - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=60559\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tiyatromuzun belle\u011fi: Hagop Ayvaz - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"BAHAR \u00c7UHADAR Sahneye ad\u0131m\u0131n\u0131 ilk kez att\u0131\u011f\u0131 1928 senesinden \u00f6mr\u00fcn\u00fc tamamlad\u0131\u011f\u0131 2006 y\u0131l\u0131na kadar T\u00fcrkiye tiyatrosunun hem sanat\u00e7\u0131 hem de yay\u0131nc\u0131 olarak bir par\u00e7as\u0131 olmu\u015f, Ermenice tiyatro dergisi \u2018Kulis\u2019i 50 sene boyunca kesintisiz yay\u0131mlam\u0131\u015f, binlerce yaz\u0131l\u0131 ve g\u00f6rsel materyalden olu\u015fan ar\u015fiviyle tiyatro belle\u011fine d\u00f6n\u00fc\u015fm\u00fc\u015f bir isim: Hagop Ayvaz\u2026 Ermeni tiyatrocu ve yay\u0131nc\u0131 Hagop Ayvaz\u2019\u0131n ki\u015fisel […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/akunq.net\/tr\/?p=60559\" \/>\n<meta property=\"og:site_name\" content=\"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"article:published_time\" content=\"2020-12-14T07:49:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2020\/12\/Hagop-Ayvaz.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"750\" \/>\n\t<meta property=\"og:image:height\" content=\"422\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60559#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60559\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/#\\\/schema\\\/person\\\/096f1d38a12cce57fb855b485ed24c9e\"},\"headline\":\"Tiyatromuzun belle\u011fi: Hagop Ayvaz\",\"datePublished\":\"2020-12-14T07:49:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60559\"},\"wordCount\":1933,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60559#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/akunq.net\\\/tr\\\/wp-content\\\/uploads\\\/sites\\\/6\\\/2020\\\/12\\\/Hagop-Ayvaz.jpg\",\"articleSection\":[\"Haberler\",\"Makaleler\",\"\u00dcnl\u00fcler\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60559#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60559\",\"url\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60559\",\"name\":\"Tiyatromuzun belle\u011fi: Hagop Ayvaz - 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