{"id":60509,"date":"2020-12-09T04:28:52","date_gmt":"2020-12-09T09:28:52","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=60509"},"modified":"2020-12-09T04:28:52","modified_gmt":"2020-12-09T09:28:52","slug":"asod-zoryan-1905-1970","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=60509","title":{"rendered":"A\u015fod Zoryan (1905-1970)"},"content":{"rendered":"

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\u0130ra Tzourou<\/strong><\/p>\n

A\u015fod Zoryan, 1905 y\u0131l\u0131nda T\u00fcrkiye\u2019nin kuzey k\u0131y\u0131s\u0131ndaki bir sahil kasabas\u0131 olan Giresun\u2019da do\u011fdu. Babas\u0131 Apig \u00fcnl\u00fc bir avukatt\u0131 ve annesi (ne yaz\u0131k ki ad\u0131n\u0131 bilmiyoruz) piyano \u00e7alan e\u011fitimli bir kad\u0131nd\u0131.\u00a0Dede Harutyun Zoryan ise Trabzon\u2019un tan\u0131nm\u0131\u015f t\u00fcccarlar\u0131ndand\u0131. Zaman\u0131nda son derece ilerici de\u011ferlere sahip olan Harutyun iki o\u011flu Apik ve Yervant\u2019\u0131n \u00fcniversite e\u011fitimi almas\u0131n\u0131 sa\u011flad\u0131. B\u00fcy\u00fck o\u011flu Apik\u2019in avukat oldu\u011funu g\u00f6recek kadar ya\u015fad\u0131, ancak 1895\u2019te II. Abd\u00fclhamid\u2019in emriyle Hamidiye birlikleri taraf\u0131ndan k\u00fc\u00e7\u00fck o\u011flu Yervant\u2019\u0131n gelece\u011fini g\u00f6remeden \u00f6ld\u00fcr\u00fcld\u00fc. Yervant ise 1920\u2019lerde Halep Devleti\u2019nin k\u0131demli ba\u015f muhasebecisi ve sayman\u0131 oldu ve 1943\u2019te emekli olana kadar \u00e7al\u0131\u015ft\u0131. Ermeni toplumuna, \u00f6zellikle gen\u00e7 Ermenilere g\u00fc\u00e7l\u00fc bir \u015fekilde ba\u011fl\u0131yd\u0131. Onun konumu, bir\u00e7ok yurtta\u015f\u0131na i\u015f olanaklar\u0131 a\u00e7mas\u0131n\u0131 sa\u011flad\u0131. 25 y\u0131l boyunca AGBU\u2019da \u00f6nemli g\u00f6revlerde bulundu ve 1931\u2019de Ermeni gen\u00e7leri aras\u0131nda e\u011fitim ve mesleki e\u011fitimi savunmaya devam eden AGBU Ermeni Gen\u00e7lik Derne\u011fi\u2019ni kurdu. 1946-1947\u2019de, da\u011f\u0131lm\u0131\u015f Ermenileri Sovyet Ermenistan\u0131\u2019na g\u00f6nderme \u00e7abalar\u0131nda \u00f6nemli bir rol oynad\u0131. A\u015fhod, \u00e7ok sonraki senelerde\u00a0Nansen pasaportunu kullanarak Halep\u2019teki amcas\u0131 Yervant\u2019\u0131 ve ailesini d\u00fczenli olarak ziyaret ederdi.<\/strong><\/em><\/p>\n

A\u015fod iki k\u0131z karde\u015fi Araksi ve Kristina gibi, 1915\u2019teki trajik olaylara kadar yerel Ermeni Okulu\u2019na kaydoldu. Bu korkun\u00e7 olaylar s\u0131ras\u0131nda, fanatik bir T\u00fcrk g\u00fcruhu babas\u0131 Apik\u2019i evinden al\u0131p\u00a0ac\u0131mas\u0131zca \u00f6ld\u00fcr\u00fcld\u00fc\u011f\u00fc yak\u0131ndaki tepelere g\u00f6t\u00fcrd\u00fc. Bir ata bindirilip g\u00f6t\u00fcr\u00fclen baban\u0131n fig\u00fcr\u00fc, karde\u015flerin hayatlar\u0131 boyunca unutamad\u0131klar\u0131 bir kare olarak haf\u0131zalar\u0131nda kald\u0131. Ailenin geri kalan\u0131, T\u00fcrkiye\u2019nin d\u00f6rt bir yan\u0131ndaki toplam Ermeni n\u00fcfusu gibi, evlerini terk etmek zorunda kald\u0131 ve g\u00fcneye do\u011fru s\u00fcr\u00fcld\u00fc.<\/p>\n

\u015eebinkarahisar\u2019da bir T\u00fcrk, A\u015fod ve k\u0131z karde\u015flerinden birini sat\u0131n ald\u0131\u011f\u0131nda hen\u00fcz \u00e7ocuk ya\u015flardayd\u0131lar. K\u0131sa bir s\u00fcre sonra \u201csahipleri\u201d \u00f6ld\u00fc\u011f\u00fcnde ba\u015fka bir aile, 2 \u00e7ocu\u011fa sahiplendi ve\u00a0A\u015fod\u2019un ad\u0131n\u0131 H\u00fcseyin olarak de\u011fi\u015ftirdi. Bir s\u00fcre sonra Girasun\u2019dan gen\u00e7 bir T\u00fcrk iki karde\u015fi tan\u0131d\u0131. D\u00f6nemin yasas\u0131na g\u00f6re iki karde\u015fi sat\u0131n ald\u0131 ve Zoryan ailesinin Trabzon\u2019da bullunan mallar\u0131na el koyma umuduyla onlar\u0131 \u015fehre geri g\u00f6t\u00fcrd\u00fc. Fakat Trabzona vard\u0131klar\u0131nda t\u00fcm m\u00fclkler ya\u011fmalanm\u0131\u015ft\u0131. Mecburen tekrar geri d\u00f6nd\u00fckleri Girasun\u2019da A\u015fod ve k\u0131z karde\u015fi, Ba\u011fdatl\u0131 bir Arap subayla evli olan bir kuzenini tesad\u00fcfen buldu.\u00a0K\u0131sa s\u00fcre sonra g\u00fcvenliklerini garanti eden bu k\u00fc\u00e7\u00fck aileye kat\u0131ld\u0131lar. Yeni aileleri Kayseri \u00fczerinden \u0130stanbul\u2019a ve daha sonra G\u00fcrcistan\u2019\u0131n sahil kenti Batum\u2019a ta\u015f\u0131nd\u0131lar.<\/p>\n

15 ya\u015f\u0131nda bir gen\u00e7 olan A\u015fod, \u015fans eseri day\u0131s\u0131 Vahan Balaryan\u2019\u0131n yak\u0131nlardaki bir \u015fehir olan Sohum\u2019da ya\u015fad\u0131\u011f\u0131n\u0131 duyar. Day\u0131 ye\u011fenlarinin hayatta olmas\u0131 sevinci ile iki genci bir d\u00f6nem yan\u0131na al\u0131r.\u00a0\u00a0Ancak 1921\u2019in ba\u015flar\u0131nda, kuzenlerinin kocas\u0131 gen\u00e7leri yan\u0131na almak ister ve\u00a0\u0130stanbul\u2019a g\u00f6t\u00fcr\u00fcr. Bu b\u00fcy\u00fck \u015fehirde A\u015fod, Ermeni Yesayan Yetimhanesine kaydolur. Yetimhanede A\u015fod\u2019un yeteneklerini \u201cke\u015ffederler\u201d ve derhal sanat e\u011fitimi almas\u0131 i\u00e7in Viyana\u2019ya g\u00f6ndermeye karar verirler. A\u015fod karde\u015fini yetimhanede b\u0131rak\u0131r ve e\u011fitim i\u00e7in Viyanaya gider. Ressam ya\u015fam\u0131n\u0131n\u00a0son d\u00f6nemlerinde iki k\u0131z karde\u015finin de Amerika\u2019da olduklar\u0131n\u0131 \u00f6\u011frendi\u011fi vakit Worcester, Massachusetts\u2019e gider, orada da\u00a0sanat eserleri yaratt\u0131r.<\/p>\n

A\u015fod, Eyl\u00fcl 1922\u2019de vard\u0131\u011f\u0131 Viyana\u2019da\u00a0Wiener Kunstschule Sanat okulunda\u00a0\u00fc\u00e7 y\u0131l okur ve ard\u0131ndan Profes\u00f6r Umberto Coromaldi\u2019nin rehberli\u011finde Roma G\u00fczel Sanatlar Akademisi\u2019nde \u00fc\u00e7 y\u0131l daha e\u011fitim al\u0131r. Ayn\u0131 zamanda, Academie de France\u2019da Villa Medicis\u2019te (1926-1928) derslere de kat\u0131l\u0131r.<\/p>\n

Roma\u2019da bulundu\u011fu d\u00f6nem A\u015fod Zoryan, Circolo Artistico Bienali\u2019ne kat\u0131l\u0131r. Bu sergi onun sanat \u00e7evresindeki ilk deneyimidir.\u00a01929 Eyl\u00fcl\u00fcn\u00fcn ikinci yar\u0131s\u0131nda yirmi ya\u015f\u0131nda akendi yaklar\u0131 \u00fczerine basabilen bir gen\u00e7 olarak, \u0130skenderiye\u2019ye ta\u015f\u0131nan day\u0131s\u0131 Vahan\u2019\u0131n yan\u0131na gider.<\/p>\n

\u0130skenderiye o zamanlar g\u00fczel bir kozmopolit sahil kentiydi. Zoryan bu \u015fehirde 12 mutlu y\u0131l ya\u015fad\u0131. \u0130lk olarak Bo\u011fosyan Ermeni Okulu\u2019nda (1941 y\u0131l\u0131na kadar) resim \u00f6\u011fretmeni olarak \u00e7al\u0131\u015ft\u0131. Ayr\u0131ca \u0130skenderiye\u2019nin y\u0131ll\u0131k sanat salonunda sanatsal eserleriyle aktif olarak yer ald\u0131.<\/p>\n

1939\u2019da tek ki\u015filik sergisini 6-16 \u015eubat\u2019ta Galerie Gr\u00e9goire\u2019da ger\u00e7ekle\u015ftirdi. Bu sergi b\u00fcy\u00fck bir ba\u015far\u0131yd\u0131 ve \u0130skenderiye\u2019deki ya\u015fam\u0131n\u0131n ve sanat kariyerinin doruk noktas\u0131 olarak kabul edilebilir.<\/p>\n

1941 y\u0131l\u0131nda Naziler, \u0130skenderiye\u2019deki \u0130ngiliz deniz \u00fcss\u00fcn\u00fc birka\u00e7 kez bombalad\u0131. Zaman zaman baz\u0131 bombalar \u015fehrin kalbine isabet etti ve y\u00fczlerce ki\u015fi \u00f6ld\u00fc. Sonu\u00e7 olarak, Kahire\u2019ye ka\u00e7an Zoryan ve day\u0131s\u0131n\u0131n ailesi de dahil olmak \u00fczere panik ya\u015fayan binlerce insan \u015fehirden ka\u00e7t\u0131.<\/p>\n

1941 den sonra hayat\u0131nda daha ba\u015far\u0131l\u0131 ve m\u00fcreffeh yeni bir ya\u015fam d\u00f6nemi ba\u015flad\u0131. Boulaq\u2019taki Kalousdian Ermeni\u00a0Okulu\u2019nda resim \u00f6\u011fretmeni olarak i\u015fe al\u0131nd\u0131. 1952\u2019de tamamen yarat\u0131c\u0131 faaliyetlerine konsantre olabilmek i\u00e7in bu i\u015ften ayr\u0131ld\u0131. Studyosunda \u00f6zel bir sanat okulu a\u00e7arak gen\u00e7 nesile ders vermeye ba\u015flad\u0131. Bu okulda, her iki cinsiyetten bir\u00e7ok gen\u00e7 \u00f6\u011frenciye sanat\u0131n temellerini \u00f6\u011fretti. Zoryan\u0131n sa\u011fl\u0131k sorunlar\u0131 nedeni ile okul 1968\u2019de kapat\u0131ld\u0131. Dershanenin kapat\u0131lmas\u0131, 10-28 \u015eubat 1969\u2019da Kahire\u2019deki Frans\u0131z K\u00fclt\u00fcr Merkezi\u2019nde d\u00fczenlenen son tek ki\u015filik sergisinin a\u00e7\u0131l\u0131\u015f\u0131ndan hemen \u00f6nceydi.<\/p>\n

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A\u015fod Zoryan, \u00fcnl\u00fc Ermeni \u015fair Silva Kaputikyan\u2019\u0131n portresini yap\u0131yor. Sa\u011f k\u00f6\u015fede outran \u00f6\u011frencisi Nora Azadyan<\/figcaption><\/figure>\n<\/div>\n

Zoryan\u2019\u0131n \u00f6\u011frencileri aras\u0131ndan baz\u0131lar\u0131n\u0131n isimlerinden bahsedebiliriz:\u00a0Harmig Balaryan (day\u0131s\u0131n\u0131n k\u0131z\u0131), Nora \u0130pekyan, Eliz Partan, Joseph Egoyan, \u015eu\u015fan Devletyan-Egoyan, Rose Papazyan, Chant Avedisyan, Vah\u00e9 Varjabedyan, Laila Ezzat ve Mervat Refaat. Ayr\u0131ca, eskizler \u00e7izmek i\u00e7in\u00a0zaman zaman okulunu ziyaret edenler aras\u0131nda\u00a0ressam Herant Antranikyan (1909 \u2013 1963) da bulunmaktayd\u0131. Burada, M\u0131s\u0131r Krali\u00e7esi Farida\u2019n\u0131n 1948\u2019in sonlar\u0131nda Kral Faruk\u2019dan (M\u0131s\u0131r\u2019\u0131n son kral\u0131) bo\u015fand\u0131ktan sonra 1950\u2019lerin ba\u015flar\u0131nda Zoryan okulunda okudu\u011funu belirtmekte fayda var. Ayr\u0131ca Frans\u0131z h\u00fck\u00fcmetinden onur \u00f6d\u00fclleri alan karikat\u00fcrist Edmond Kiraz, Zoryan\u2019\u0131n \u00f6\u011frencilerinden biriydi.<\/p>\n

1940\u2019larda Zoryan, Kahire\u2019de \u00fc\u00e7 ki\u015fisel sergi d\u00fczenledi. Hotel Continental\u2019da (1942); Soci\u00e9t\u00e9 Orientale de Publicit\u00e9\u2019de (1944) ve Galeri ADAM\u2019da (1948).<\/p>\n

T\u00fcm bu sergilerin olduk\u00e7a ba\u015far\u0131l\u0131 olmas\u0131, Kahire\u2019deki parlak kariyerinin yolunu a\u00e7t\u0131. \u00dcnl\u00fc ve m\u00fcreffeh bir hale geldi ve sonu\u00e7 olarak, daha cesur ve daha basitle\u015ftirilmi\u015f bir stile, \u00f6nemsiz ayr\u0131nt\u0131lardan ar\u0131nm\u0131\u015f ve parlak, doygun \u201cFauvist\u201d renkler kullanarak, \u0130talyan akademisini a\u015fmay\u0131 ba\u015fard\u0131.<\/p>\n

On ki\u015fisel serginin yan\u0131 s\u0131ra Zoryan, Kahire, \u0130skenderiye ve yurtd\u0131\u015f\u0131nda bir\u00e7ok karma sergiye kat\u0131ld\u0131. Baz\u0131lar\u0131ndan bahsetmek gerekirse; Kahire ve \u0130skenderiye\u2019nin y\u0131ll\u0131k salonlar\u0131nda yapt\u0131\u011f\u0131 kat\u0131l\u0131mlardan\u00a0\u00a0\u0130skenderiye Bienali (1955 ve 1957), Paris\u2019in k\u0131\u015f salonu (1952), Kahire\u2019de (1945, 1958 ve 1962\u2019de) ve \u0130skenderiye\u2019de (1953\u2019te), Armeno-M\u0131s\u0131r sanat\u00e7\u0131lar\u0131n\u0131n d\u00f6rt b\u00fcy\u00fck sergisinde yer ald\u0131.<\/p>\n

Ku\u015fkusuz, Zoryan do\u011fa ve ya\u015famdaki g\u00fczelli\u011fi (\u00f6zellikle kad\u0131n g\u00fczelli\u011fini) sanat\u0131yla ifade eden bir sanat\u00e7\u0131yd\u0131. \u0130ki eseri onun \u015faheseri olarak iddia edilebilir. Bu eserlerden birincisi , b\u00fcy\u00fck dikey \u201cErmeni Halk Danslar\u0131 Toplulu\u011fu\u201d 180 x 450 cm., ikincisi ise 120 x 92 cm boyutlar\u0131nda \u201cPamuk Toplay\u0131c\u0131lar\u201d ba\u015fl\u0131kl\u0131, yatay panoramik \u00e7al\u0131\u015fmalard\u0131r.<\/p>\n

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Ermeni Halk Danslar\u0131 Toplulu\u011fu<\/figcaption><\/figure>\n

Bu \u00e7al\u0131\u015fmalardan ilki 1966\u2019da yap\u0131ld\u0131.\u00a0Son derece hassas bir \u015fekilde, airbrush ile p\u00fcsk\u00fcrt\u00fclen renkli ya\u011fl\u0131 boyalar kullan\u0131ld\u0131. Kompozisyon simetrik olarak dengelenmi\u015ftir ve kahverengilerin, grilerin, k\u00fc\u00e7\u00fck mavi ve k\u0131rm\u0131z\u0131n\u0131n renk uyumlar\u0131\u00a0\u00a0g\u00fczel bir \u015fekilde i\u015flenmi\u015ftir. Bununla birlikte, kahverengiler ve mavilerle hassas bir \u015fekilde renklendirilen \u201cbask\u0131n\u201d renk beyazd\u0131r ve tuvalin% 75\u2019ini kaplar. Bu devasa eserin icras\u0131nda ustas\u0131na yard\u0131m eden yetenekli Eliz Partam (1930-2007) da burada belirtilmelidir.<\/p>\n

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Pamuk Toplay\u0131c\u0131lar\u0131<\/figcaption><\/figure>\n<\/div>\n

\u0130kinci \u015faheser, 1968\u2019de yap\u0131lan ve Zoryan\u2019\u0131n son eserlerinden biri olan \u201cPamuk Toplay\u0131c\u0131lar\u0131\u201d d\u0131r. Kahire\u2019deki Mazlumyan koleksiyonundaki bu paha bi\u00e7ilmez eser, zemine d\u00fcz olarak yerle\u015ftirilmi\u015f tuvale boya damlatmak (action painting) gibi modern y\u00f6ntemlerle yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

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\u0130san\u0131n Dirili\u015fi<\/figcaption><\/figure>\n<\/div>\n

Son olarak, sanat\u00e7\u0131n\u0131n \u201c\u0130sa\u2019n\u0131n Dirili\u015fi\u201d ba\u015fl\u0131kl\u0131 \u00f6nemli bir dini tablosundan s\u00f6z edilebilir. Bu eser \u00f6zellikle Kahire\u2019deki Ermeni Ortodoks Kilisesi i\u00e7in 1944 y\u0131l\u0131nda yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Zoryan hi\u00e7 evlenmedi,\u00a04 Haziran 1970\u2019te Kahire\u2019de \u00f6ld\u00fc. Ressam\u0131n Amerika\u2019da ya\u015f\u0131yan k\u0131z karde\u015fleri, Zoryan\u2019\u0131n \u00f6l\u00fcm\u00fc ard\u0131ndan\u00a0Edmont Azadyan\u2019dan evrak i\u015flerini haz\u0131rlamas\u0131 i\u00e7in 1970\u2019te M\u0131s\u0131r\u2019a gitmesini istediler. Ama\u00e7lar\u0131\u00a0ressam\u0131n 100 eserini\u00a0Ermenistan\u2019a ba\u011f\u0131\u015flamakt\u0131. Sovyet b\u00fcy\u00fckel\u00e7ili\u011finin b\u00fcrokrasi i\u015flemlerini Azadyan \u00fcstlendi. Dr. K. Mazloumyan\u2019\u0131n yard\u0131mlar\u0131 ile eserlerin\u00a0Ermenistan\u2019a ula\u015fmas\u0131 d\u00f6rt y\u0131l s\u00fcrd\u00fc. G\u00fcn\u00fcm\u00fczde bu eserler\u00a0Ermenistan Ulusal Resim Galerisinde sergilenmektedir.<\/p>\n

Dip Notlar :\u00a0<\/em><\/p>\n

    \n
  1. Edit\u00f6r ve k\u00f6\u015fe yazar\u0131 Edmont Y. Azadyan, Michigan Detroit\u2019teki Alex ve Marie Manoogian M\u00fczesi Dan\u0131\u015fman\u0131d\u0131r.\u00a0\u00a0Diaspora\u2019n\u0131n Ermenistan K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 Dan\u0131\u015fman\u0131 ve Ermenistan Cumhuriyeti Bilimler Akademisi \u00fcyesidir. Ermeni gazetesi Zartonk\u2019un edit\u00f6r yard\u0131mc\u0131s\u0131 ve M\u0131s\u0131r\u2019\u0131n Kahire kentindeki Arev gazetesinin yaz\u0131 i\u015fleri m\u00fcd\u00fcr\u00fc olarak da g\u00f6rev yapm\u0131\u015ft\u0131r. Ermenistan Demokratik Liberal Partisi\u2019nin lideridir. Azadyan, Portreler ve Profiller, G\u00f6zlemler ve Ele\u015ftiriler ve G\u00fcncel Tarih dahil olmak \u00fczere Ermenice ve \u0130ngilizce dillerinde kitaplar yazm\u0131\u015ft\u0131r.\u00a0G\u00fcnl\u00fck gazete ve edebiyat dergilerinde 1500\u2019den fazla makale, kitap ele\u015ftirisi ve deneme yay\u0131nlam\u0131\u015ft\u0131r. \u0130ki dilli son yay\u0131n\u0131 \u00fcnl\u00fc Ermeni \u015fair Vahan Tekeyan\u2019a ithaf edilmi\u015ftir.<\/em><\/li>\n
  2. Dr. Yervant Zoryan, d\u00fcnya \u00e7ap\u0131nda yakla\u015f\u0131k 10.200 \u00e7al\u0131\u015fan\u0131 olan Synopsys Inc.\u2019in ba\u015f mimar\u0131\u00a0,ayn\u0131 zamanda 700 ki\u015fiyi istihdam eden Ermenistan yan kurulu\u015funun da ba\u015fkan\u0131 ressam A\u015fod Zoryan\u0131n baba taraf\u0131ndan akrabas\u0131d\u0131r. Metnin ba\u015f\u0131nda s\u00f6z edilen Yervant Zoryan dedesidir. Dr. Zoryan 35 ABD patentine sahiptir, d\u00f6rt kitap yazm\u0131\u015ft\u0131r, 350\u2019nin \u00fczerinde makale yay\u0131nlam\u0131\u015f ve \u00e7ok say\u0131da en iyi makale \u00f6d\u00fcl\u00fcn\u00fc alm\u0131\u015ft\u0131r. 1999 y\u0131l\u0131ndan bu yana IEEE \u00dcyesi olan Dr. Zoryan, BIST\u2019e yapt\u0131\u011f\u0131 katk\u0131lardan \u00f6t\u00fcr\u00fc 2005 y\u0131l\u0131nda prestijli End\u00fcstriyel \u00d6nc\u00fc \u00d6d\u00fcl\u00fc\u2019n\u00fc ve diplomasi alan\u0131nda IEEE Hans Karlsson \u00d6d\u00fcl\u00fc\u2019n\u00fc 2006\u2019da ald\u0131. TTTC\u2019ye liderlik etti\u011fi i\u00e7in IEEE \u00dcst\u00fcn Hizmetler \u00d6d\u00fcl\u00fc\u2019n\u00fc, EDA\u2019ya ola\u011fan\u00fcst\u00fc katk\u0131lar\u0131ndan dolay\u0131 IEEE De\u011ferli \u00d6d\u00fcl\u00fc\u2019n\u00fc ve 2014\u2019te Ermenistan Cumhuriyeti Ulusal Bilim Madalyas\u0131\u2019n\u0131 ald\u0131. \u015eu anda Dr. Zoryan, Ermenistan\u2019da bili\u015fim sekt\u00f6r\u00fcn\u00fcn refah\u0131n\u0131 sa\u011flamak ve gen\u00e7 Ermeniler aras\u0131nda teknolojik e\u011fitimi te\u015fvik etmek i\u00e7in \u00e7e\u015fitli giri\u015fimlerde yer almaktad\u0131r. Ona g\u00f6re profesyonel e\u011fitim g\u00fc\u00e7l\u00fc bir silaht\u0131r. Nitekim atalar\u0131 i\u00e7in sadece ba\u015far\u0131ya giden bir yol de\u011fil, kelimenin tam anlam\u0131yla bir hayatta kalma arac\u0131 olarak e\u011fitim hayat\u0131n \u00f6n plan\u0131ndad\u0131r. Yervant Zoryan \u00e7ocuk ya\u015fta Kahire\u2019yi ziyaret ettiklerinde \u00e7ok say\u0131da \u00fcnl\u00fcn\u00fcn portrelerini \u00e7izen amcas\u0131 A\u015fodu an\u0131lar\u0131nda yad eder.\u201cBenimle ve k\u0131z karde\u015flerimle s\u0131k s\u0131k oynad\u0131\u011f\u0131n\u0131 hat\u0131rl\u0131yorum ama hi\u00e7 evlenmedi ve hi\u00e7 \u00e7ocu\u011fu olmad\u0131. \u00c7ocukluk y\u0131llar\u0131na ait an\u0131lar\u0131 her zaman onu rahats\u0131z ediyor gibiydi, \u201ddiye hat\u0131rl\u0131yor Yervant.<\/em><\/li>\n<\/ol>\n

    Kaynaklar :<\/p>\n

    Aurora Humanitarian Initiative Charitable Foundation<\/em><\/p>\n

    Armenian General Benevolent Un\u0131on, Egypt<\/em><\/p>\n

    The Armenian Mirror-Spectator.<\/em><\/p>\n

    https:\/\/hyetert.org\/2020\/12\/07\/asod-zor%cf%85an-1905-1970\/<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

    \u0130ra Tzourou A\u015fod Zoryan, 1905 y\u0131l\u0131nda T\u00fcrkiye\u2019nin kuzey k\u0131y\u0131s\u0131ndaki bir sahil kasabas\u0131 olan Giresun\u2019da do\u011fdu. Babas\u0131 Apig \u00fcnl\u00fc bir avukatt\u0131 ve annesi (ne yaz\u0131k ki ad\u0131n\u0131 bilmiyoruz) piyano \u00e7alan e\u011fitimli bir kad\u0131nd\u0131.\u00a0Dede Harutyun Zoryan ise Trabzon\u2019un tan\u0131nm\u0131\u015f t\u00fcccarlar\u0131ndand\u0131. Zaman\u0131nda son derece ilerici de\u011ferlere sahip olan Harutyun iki o\u011flu Apik ve Yervant\u2019\u0131n \u00fcniversite e\u011fitimi almas\u0131n\u0131 sa\u011flad\u0131. […]<\/p>\n","protected":false},"author":7,"featured_media":60510,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,70,19],"tags":[],"class_list":["post-60509","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-makaleler","category-unluler"],"yoast_head":"\nA\u015fod Zoryan (1905-1970) - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=60509\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A\u015fod Zoryan (1905-1970) - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"\u0130ra Tzourou A\u015fod Zoryan, 1905 y\u0131l\u0131nda T\u00fcrkiye\u2019nin kuzey k\u0131y\u0131s\u0131ndaki bir sahil kasabas\u0131 olan Giresun\u2019da do\u011fdu. Babas\u0131 Apig \u00fcnl\u00fc bir avukatt\u0131 ve annesi (ne yaz\u0131k ki ad\u0131n\u0131 bilmiyoruz) piyano \u00e7alan e\u011fitimli bir kad\u0131nd\u0131.\u00a0Dede Harutyun Zoryan ise Trabzon\u2019un tan\u0131nm\u0131\u015f t\u00fcccarlar\u0131ndand\u0131. Zaman\u0131nda son derece ilerici de\u011ferlere sahip olan Harutyun iki o\u011flu Apik ve Yervant\u2019\u0131n \u00fcniversite e\u011fitimi almas\u0131n\u0131 sa\u011flad\u0131. […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/akunq.net\/tr\/?p=60509\" \/>\n<meta property=\"og:site_name\" content=\"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"article:published_time\" content=\"2020-12-09T09:28:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2020\/12\/Achod-Zorian-1905.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"434\" \/>\n\t<meta property=\"og:image:height\" content=\"537\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60509#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60509\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/#\\\/schema\\\/person\\\/096f1d38a12cce57fb855b485ed24c9e\"},\"headline\":\"A\u015fod Zoryan (1905-1970)\",\"datePublished\":\"2020-12-09T09:28:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60509\"},\"wordCount\":2066,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60509#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/akunq.net\\\/tr\\\/wp-content\\\/uploads\\\/sites\\\/6\\\/2020\\\/12\\\/Achod-Zorian-1905.jpg\",\"articleSection\":[\"Haberler\",\"Makaleler\",\"\u00dcnl\u00fcler\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60509#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60509\",\"url\":\"https:\\\/\\\/akunq.net\\\/tr\\\/?p=60509\",\"name\":\"A\u015fod Zoryan (1905-1970) - 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