{"id":58588,"date":"2020-08-31T01:28:26","date_gmt":"2020-08-31T06:28:26","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=58588"},"modified":"2020-08-31T01:28:26","modified_gmt":"2020-08-31T06:28:26","slug":"kent-belleginde-baska-bir-kayip-kariye","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=58588","title":{"rendered":"Kent belle\u011finde ba\u015fka bir kay\u0131p: Kariye"},"content":{"rendered":"

\"\"<\/h4>\n

Mozaiklerde kullan\u0131lan mimari unsurlar, insan bedeninin temsilindeki hacimsel vurgulamalar, siyasi a\u00e7\u0131dan \u00e7\u00f6k\u00fc\u015f i\u00e7inde olan bir imparatorlu\u011fun sanat anlam\u0131nda yeni bir \u00fcslubu ye\u015fertti\u011finin habercisidir. Nitekim yap\u0131y\u0131 d\u00fcnya sanat tarihinde se\u00e7kin bir konuma yerle\u015ftiren ve ayn\u0131 zamanda k\u00fclt\u00fcr miras\u0131 stat\u00fcs\u00fcne kavu\u015fturan, tam da bu \u00f6zellikleridir.<\/em><\/h4>\n

SERAP Y\u00dcZG\u00dcLLER*<\/strong><\/p>\n

K\u00fclt\u00fcrel mirasa ili\u015fkin duyarl\u0131l\u0131\u011f\u0131n g\u00fc\u00e7l\u00fc olmad\u0131\u011f\u0131 bir co\u011frafyan\u0131n insanlar\u0131 olmakla birlikte \u201c\u015fehirler \u015fehri \u0130stanbul\u201d s\u00f6z\u00fcn\u00fc kim bilir ka\u00e7 kez i\u015fitmi\u015fizdir. Yaln\u0131zca i\u00e7inden bir denizin ge\u00e7mesi midir bu kenti b\u00f6ylesi de\u011ferli k\u0131lan ya da daha \u00f6nemlisi neden d\u00fcnya k\u00fclt\u00fcr miras\u0131n\u0131n bir par\u00e7as\u0131d\u0131r bu kent? Tarih, k\u00fclt\u00fcr ve sanat a\u00e7\u0131s\u0131ndan bar\u0131nd\u0131rd\u0131\u011f\u0131 unsurlarla evrensel bir de\u011fer kazan\u0131r \u201ck\u00fclt\u00fcrel miras\u201d olarak tan\u0131mlanan k\u00fclt\u00fcr varl\u0131klar\u0131. Daha erken tarihi bir yana \u0130stanbul\u2019u bu kategorinin i\u00e7ine yerle\u015ftiren ise ku\u015fkusuz Bizans ve Osmanl\u0131 imparatorluklar\u0131n\u0131n \u00e7ok katmanl\u0131 yap\u0131s\u0131n\u0131 b\u00fcnyesinde bar\u0131nd\u0131rmas\u0131d\u0131r. Her iki imparatorlu\u011fa da ba\u015fkentlik yapm\u0131\u015f bu kentin \u201cd\u00fcnya k\u00fclt\u00fcr miras\u0131\u201d s\u0131fat\u0131n\u0131 s\u00fcrd\u00fcrebilmesi, elbette Bizans kimli\u011fi izlerinin de b\u00fct\u00fcn unsurlar\u0131yla korunmas\u0131, g\u00f6r\u00fclebilir k\u0131l\u0131nmas\u0131 ile m\u00fcmk\u00fcnd\u00fcr. Bu perspektiften \u2013ya da ger\u00e7eklikten- bak\u0131ld\u0131\u011f\u0131nda mimarisi bir yana \u00f6zellikle resim program\u0131yla Bizans\u2019tan kalan simge bir yap\u0131 olan Kariye\u2019nin m\u00fcze stat\u00fcs\u00fcnde kalmas\u0131n\u0131n \u00f6nemi a\u015fikard\u0131r.<\/p>\n

Edirnekap\u0131\u2019da bulunan, Bizans\u2019taki ismiyle Khora Manast\u0131r Kilisesi\u2019nin tarihi Justinianus d\u00f6nemine kadar uzan\u0131r. 1947-58 tarihleri aras\u0131nda yap\u0131lan arkeolojik \u00e7al\u0131\u015fmalar yap\u0131n\u0131n be\u015f yap\u0131m evresinden ge\u00e7ti\u011fini ortaya koymu\u015ftur. Bu evrelerin iki belirleyici u\u011fra\u011f\u0131, 1120\u2019lerde \u0130saakios Komnenos\u2019un banili\u011finde ger\u00e7ekle\u015ftirilen neredeyse yeniden in\u015fa s\u00fcreci ve Latin i\u015fgalinin ard\u0131ndan Palaiologoslar d\u00f6neminde imparatorlu\u011fun se\u00e7kin devlet adamlar\u0131ndan Theodoros Metokhites\u2019in banili\u011finde ek yap\u0131lar, mozaik ve fresk \u00e7evrimleriyle esasen bug\u00fcn bildi\u011fimiz haline getirildi\u011fi, 1316-21 y\u0131llar\u0131 aras\u0131ndaki geni\u015f \u00e7apl\u0131 restorasyon \u00e7al\u0131\u015fmalar\u0131d\u0131r. 1511\u2019de II. Bayez\u0131d d\u00f6neminde camiye d\u00f6n\u00fc\u015ft\u00fcr\u00fclen yap\u0131, arkeolojik \u00e7al\u0131\u015fmalarla zengin mozaik ve fresk program\u0131n\u0131n g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131lmas\u0131n\u0131n ard\u0131ndan 1948\u2019de m\u00fcze olarak ziyarete a\u00e7\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\"\"<\/div>\n

Khora\u2019n\u0131n \u00f6zelli\u011fi<\/strong>
\nKhora Manast\u0131r Kilisesi\u2019nin hem \u00fcslup hem de ikonografik i\u00e7erik a\u00e7\u0131s\u0131ndan zengin ve \u00fcnik resim program\u0131, ana mekan olan naostaki mozaik panolarla ba\u015flar, i\u00e7 ve d\u0131\u015f nartekslerdeki mozaiklerle devam ederek mezar \u015fapelindeki (parekklesion) fresklerle tamamlan\u0131r. Orta Bizans d\u00f6nemi resim sanat\u0131na egemen olan kat\u0131-donuk \u00fcsluptan a\u00e7\u0131k bi\u00e7imde ayr\u0131larak do\u011falc\u0131l\u0131\u011f\u0131n n\u00fcvelerini i\u00e7inde bar\u0131nd\u0131ran canl\u0131 bir betimleme anlay\u0131\u015f\u0131n\u0131n hayata ge\u00e7irildi\u011fi bu resim \u00e7evrimi, Son Bizans d\u00f6neminin ba\u015fkent \u00fcslubundaki en yetkin \u00f6rnekleri kabul edilmektedir. Bat\u0131 Orta\u00e7a\u011f\u2019\u0131n\u0131n da tipik \u00f6zelli\u011fi olan ve derinlik alg\u0131s\u0131n\u0131 devre d\u0131\u015f\u0131 b\u0131rakan alt\u0131n sar\u0131s\u0131 fon kullan\u0131m\u0131na kar\u015f\u0131n mozaiklerde kullan\u0131lan mimari unsurlar, insan bedeninin temsilindeki hacimsel vurgulamalar, siyasi a\u00e7\u0131dan \u00e7\u00f6k\u00fc\u015f i\u00e7inde olan bir imparatorlu\u011fun sanat anlam\u0131nda yeni bir \u00fcslubu ye\u015fertti\u011finin habercisidir.<\/p>\n

\"\"<\/div>\n

Nitekim yap\u0131y\u0131 d\u00fcnya sanat tarihinde se\u00e7kin bir konuma yerle\u015ftiren ve ayn\u0131 zamanda k\u00fclt\u00fcr miras\u0131 stat\u00fcs\u00fcne kavu\u015fturan, tam da bu \u00f6zellikleridir. \u00d6te yandan Meryem\u2019in ya\u015fam\u00f6yk\u00fcs\u00fcne ili\u015fkin bu denli ayr\u0131nt\u0131l\u0131 ve kapsaml\u0131 bir resim program\u0131n\u0131n ba\u015fka bir \u00f6rne\u011fi olmad\u0131\u011f\u0131n\u0131 belirtmek gerekir. Mozaikler bir yana mezar \u015fapelinde bulunan fresk \u00e7evrimindeki Eski Ahit sahneleri teolojik ba\u011flamda Meryem\u2019in \u00f6n belirimi olarak yorumlanan konulara ayr\u0131lm\u0131\u015f, b\u00f6ylece yap\u0131n\u0131n ismindeki \u00f6rt\u00fck anlamla da peki\u015ftirildi\u011fi \u00fczere kilisenin Meryem\u2019e adanm\u0131\u015fl\u0131\u011f\u0131 daha etkili k\u0131l\u0131nm\u0131\u015ft\u0131r. (Grek\u00e7e\u2019de \u201ckent d\u0131\u015f\u0131\u201d anlam\u0131nda kullan\u0131lan khora s\u00f6zc\u00fc\u011f\u00fc, \u201ckapsanamaz olan\u0131 kapsayan\u201d s\u0131fat\u0131yla \u0130sa\u2019y\u0131 rahminde ta\u015f\u0131yan Meryem\u2019i sembolize etmektedir). Elbette pek \u00e7ok ara\u015ft\u0131rmaya konu olmu\u015f Kariye\u2019nin sanat tarihi a\u00e7\u0131s\u0131ndan \u00f6nemini bu k\u0131sa yaz\u0131ya s\u0131\u011fd\u0131rmak m\u00fcmk\u00fcn de\u011fil! Bununla birlikte i\u00e7 narteksteki Deesis mozai\u011fi ile mezar \u015fapelinde yer alan Anastasis freskinin yayg\u0131n tipolojinin d\u0131\u015f\u0131na \u00e7\u0131kan kompozisyon anlay\u0131\u015flar\u0131n\u0131, yap\u0131n\u0131n \u00fcnikli\u011fi anlam\u0131nda ayr\u0131ca anmak gerek.<\/p>\n

Kariye gibi bir yap\u0131y\u0131 m\u00fcze stat\u00fcs\u00fcnde ya\u015fatmak, \u0130stanbul\u2019un farkl\u0131 k\u00fclt\u00fcr katmanlar\u0131n\u0131n ortak k\u00fclt\u00fcrel ge\u00e7mi\u015f anlay\u0131\u015f\u0131yla korunmas\u0131, toplumsal belle\u011fin kesintisiz s\u00fcrd\u00fcr\u00fclebilmesi ve kente aidiyet duygusunun yara almamas\u0131 a\u00e7\u0131s\u0131ndan bir gerekliliktir. \u00d6zellikle k\u00fclt\u00fcrel miras kimli\u011fi kazanm\u0131\u015f kentleri, ancak b\u00fct\u00fcn katmanlar\u0131n\u0131n soluk alabildi\u011fi bir belle\u011fe sahip toplumlar ya\u015fatabilir. Elbette \u0130stanbul da bu ger\u00e7eklikten azade de\u011fildir.<\/p>\n

* Do\u00e7. Dr., Sanat Tarih\u00e7isi<\/em><\/p>\n

FOTO\u011eRAFLAR: Berge Arabian\u00a0<\/em><\/p>\n

http:\/\/www.agos.com.tr\/tr\/yazi\/24491\/kent-belleginde-baska-bir-kayip-kariye<\/em><\/strong>\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Mozaiklerde kullan\u0131lan mimari unsurlar, insan bedeninin temsilindeki hacimsel vurgulamalar, siyasi a\u00e7\u0131dan \u00e7\u00f6k\u00fc\u015f i\u00e7inde olan bir imparatorlu\u011fun sanat anlam\u0131nda yeni bir \u00fcslubu ye\u015fertti\u011finin habercisidir. Nitekim yap\u0131y\u0131 d\u00fcnya sanat tarihinde se\u00e7kin bir konuma yerle\u015ftiren ve ayn\u0131 zamanda k\u00fclt\u00fcr miras\u0131 stat\u00fcs\u00fcne kavu\u015fturan, tam da bu \u00f6zellikleridir. SERAP Y\u00dcZG\u00dcLLER* K\u00fclt\u00fcrel mirasa ili\u015fkin duyarl\u0131l\u0131\u011f\u0131n g\u00fc\u00e7l\u00fc olmad\u0131\u011f\u0131 bir co\u011frafyan\u0131n insanlar\u0131 olmakla […]<\/p>\n","protected":false},"author":7,"featured_media":58589,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,34,70],"tags":[],"class_list":["post-58588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-istanbul","category-makaleler"],"yoast_head":"\nKent belle\u011finde ba\u015fka bir kay\u0131p: Kariye - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=58588\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kent belle\u011finde ba\u015fka bir kay\u0131p: Kariye - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Mozaiklerde kullan\u0131lan mimari unsurlar, insan bedeninin temsilindeki hacimsel vurgulamalar, siyasi a\u00e7\u0131dan \u00e7\u00f6k\u00fc\u015f i\u00e7inde olan bir imparatorlu\u011fun sanat anlam\u0131nda yeni bir \u00fcslubu ye\u015fertti\u011finin habercisidir. Nitekim yap\u0131y\u0131 d\u00fcnya sanat tarihinde se\u00e7kin bir konuma yerle\u015ftiren ve ayn\u0131 zamanda k\u00fclt\u00fcr miras\u0131 stat\u00fcs\u00fcne kavu\u015fturan, tam da bu \u00f6zellikleridir. 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Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/akunq.net\/tr\/?p=58588","og_locale":"en_US","og_type":"article","og_title":"Kent belle\u011finde ba\u015fka bir kay\u0131p: Kariye - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","og_description":"Mozaiklerde kullan\u0131lan mimari unsurlar, insan bedeninin temsilindeki hacimsel vurgulamalar, siyasi a\u00e7\u0131dan \u00e7\u00f6k\u00fc\u015f i\u00e7inde olan bir imparatorlu\u011fun sanat anlam\u0131nda yeni bir \u00fcslubu ye\u015fertti\u011finin habercisidir. Nitekim yap\u0131y\u0131 d\u00fcnya sanat tarihinde se\u00e7kin bir konuma yerle\u015ftiren ve ayn\u0131 zamanda k\u00fclt\u00fcr miras\u0131 stat\u00fcs\u00fcne kavu\u015fturan, tam da bu \u00f6zellikleridir. SERAP Y\u00dcZG\u00dcLLER* K\u00fclt\u00fcrel mirasa ili\u015fkin duyarl\u0131l\u0131\u011f\u0131n g\u00fc\u00e7l\u00fc olmad\u0131\u011f\u0131 bir co\u011frafyan\u0131n insanlar\u0131 olmakla […]","og_url":"https:\/\/akunq.net\/tr\/?p=58588","og_site_name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","article_published_time":"2020-08-31T06:28:26+00:00","og_image":[{"width":702,"height":466,"url":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2020\/08\/Kariye-6.jpg","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/akunq.net\/tr\/?p=58588#article","isPartOf":{"@id":"https:\/\/akunq.net\/tr\/?p=58588"},"author":{"name":"admin","@id":"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e"},"headline":"Kent belle\u011finde ba\u015fka bir kay\u0131p: Kariye","datePublished":"2020-08-31T06:28:26+00:00","mainEntityOfPage":{"@id":"https:\/\/akunq.net\/tr\/?p=58588"},"wordCount":901,"commentCount":0,"image":{"@id":"https:\/\/akunq.net\/tr\/?p=58588#primaryimage"},"thumbnailUrl":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2020\/08\/Kariye-6.jpg","articleSection":["Haberler","Istanbul","Makaleler"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/akunq.net\/tr\/?p=58588#respond"]}]},{"@type":"WebPage","@id":"https:\/\/akunq.net\/tr\/?p=58588","url":"https:\/\/akunq.net\/tr\/?p=58588","name":"Kent belle\u011finde ba\u015fka bir kay\u0131p: Kariye - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","isPartOf":{"@id":"https:\/\/akunq.net\/tr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/akunq.net\/tr\/?p=58588#primaryimage"},"image":{"@id":"https:\/\/akunq.net\/tr\/?p=58588#primaryimage"},"thumbnailUrl":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2020\/08\/Kariye-6.jpg","datePublished":"2020-08-31T06:28:26+00:00","author":{"@id":"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e"},"breadcrumb":{"@id":"https:\/\/akunq.net\/tr\/?p=58588#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/akunq.net\/tr\/?p=58588"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/akunq.net\/tr\/?p=58588#primaryimage","url":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2020\/08\/Kariye-6.jpg","contentUrl":"https:\/\/akunq.net\/tr\/wp-content\/uploads\/sites\/6\/2020\/08\/Kariye-6.jpg","width":702,"height":466},{"@type":"BreadcrumbList","@id":"https:\/\/akunq.net\/tr\/?p=58588#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/akunq.net\/tr"},{"@type":"ListItem","position":2,"name":"Kent belle\u011finde ba\u015fka bir kay\u0131p: Kariye"}]},{"@type":"WebSite","@id":"https:\/\/akunq.net\/tr\/#website","url":"https:\/\/akunq.net\/tr\/","name":"Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/akunq.net\/tr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/akunq.net\/tr\/#\/schema\/person\/096f1d38a12cce57fb855b485ed24c9e","name":"admin","url":"https:\/\/akunq.net\/tr\/?author=7"}]}},"_links":{"self":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts\/58588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58588"}],"version-history":[{"count":1,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts\/58588\/revisions"}],"predecessor-version":[{"id":58590,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/posts\/58588\/revisions\/58590"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=\/wp\/v2\/media\/58589"}],"wp:attachment":[{"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akunq.net\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}