{"id":57431,"date":"2020-05-22T02:16:07","date_gmt":"2020-05-22T07:16:07","guid":{"rendered":"https:\/\/akunq.net\/tr\/?p=57431"},"modified":"2020-05-22T02:16:07","modified_gmt":"2020-05-22T07:16:07","slug":"benim-saroyan-amcam","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=57431","title":{"rendered":"Benim Saroyan Amcam"},"content":{"rendered":"

\"\"<\/strong><\/p>\n

Aziz G\u00f6kdemir<\/strong><\/p>\n

25 Haziran 1912, Kayseri\u2019nin k\u00f6y\u00fc Efkere.\u00a0<\/em><\/strong>Hayganu\u015f H. Kocayan, o y\u0131l yirmisine varmadan Amerika Birle\u015fik Devletleri\u2019nin Detroit \u015fehrine g\u00f6\u00e7 eden \u201cNur-i Ayn\u0131m [g\u00f6z\u00fcm\u00fcn nuru], Sevg\u00fcl\u00fc O\u011flum Garabed Kocayan Haz\u0131retleri\u2019ne\u201d mektup, daha do\u011frusu \u201cmekdup\u201d yaz\u0131yor. Ermeni harfleriyle T\u00fcrk\u00e7e.[1]<\/em><\/strong><\/p>\n

\u201cMekdubun okudum; a\u011flad\u0131m g\u00fcld\u00fcm. Ben ne idim de, ne oldum dedim. Bir d\u00fc\u015f\u00fcnd\u00fcm bu g\u00fcn\u00fc g\u00f6rd\u00fcm deyi. \u015eindik akl\u0131m fikrim Misag A\u011fa\u2019n\u0131n gelmesine bak\u0131yorum ki, o\u011flumun haberini alaca\u011f\u0131m deyi. Meyerse Allah Baba \u011farn\u0131m\u0131n i\u00e7indeki \u011farann\u0131\u011f k\u00f6\u015feleri \u0131\u015f\u0131d\u0131r\u0131m\u0131\u015f. \u00c7ok \u015f\u00fck\u00fcr. Allah\u2019\u0131n nazar\u0131 \u00fcsd\u00fcnde eksik olmaya, uzun \u00f6m\u00fcrler vere.\u201d<\/p>\n

Amerika\u2019ya g\u00f6\u00e7en g\u00f6\u00e7ene: \u201c\u2026 Nize\u2019den, Belegesi\u2019den on d\u00f6rt ki\u015fi \u00e7\u0131kd\u0131. Gel\u015fun da geliyor. M\u00fcyesergil\u2019in Hagop, hepisi bir geliyorlar. Marta \u015eeke\u2019nin Hagop da haz\u0131rlan\u0131yor.\u201d Geride kalan anneye d\u00fc\u015fen, sevgilerini yollamak: \u201cYarenin Karnig tarikden be\u015f g\u00fcn evel o tarafa yolcu oldu. \u015eeleg s\u0131rt\u0131mda ekin getiriyorudum. Anu\u015f Han\u0131m arabay\u0131nan kar\u015f\u0131ma geldi. Elimi pus etdi. \u2018Gabid yavrumunan sar\u0131l g\u00f6zlerini \u00f6p\u2019 dedim. Orda bir datl\u0131ca a\u011flad\u0131m.\u201d<\/p>\n

***<\/p>\n

31 A\u011fustos 1908, ABD\u2019nin California eyaletinin Fresno kasabas\u0131.\u00a0<\/strong>William Saroyan do\u011fuyor. Bitlis\u2019ten g\u00f6\u00e7en ailesinin yeni vatanda do\u011fan ilk ferdi.<\/p>\n

Aral\u0131k 2005, \u0130stanbul.\u00a0<\/strong>Ki\u011f\u0131l\u0131 ma\u011fazalar\u0131ndan birinde pantolon bak\u0131yorum. Tezg\u00e2htar tarihe merakl\u0131; benim Amerika\u2019dan geldi\u011fimi \u00f6\u011frenince dayanam\u0131yor, \u201cKi\u011f\u0131 sizin orada \u00e7ok me\u015fhurmu\u015f,\u201d diyor heyecanla. \u201cOsmanl\u0131 \u0130mparatorlu\u011fu\u2019nun son y\u00fczy\u0131l\u0131nda \u00e7ok k\u00f6yl\u00fc-kasabal\u0131 oradan Amerika\u2019ya g\u00f6\u00e7m\u00fc\u015f. Y\u00fczlercesi. Nedendir \u00e7\u00f6zemedim.\u201d<\/p>\n

18 May\u0131s 1981, Fresno.<\/strong>\u00a0William Saroyan \u015fapkas\u0131n\u0131 al\u0131p bu d\u00fcnyadan \u00e7ekip gidiyor son kez. \u201cBen, D\u00fcnyada\u201d \u00f6yk\u00fcs\u00fc yar\u0131s\u0131n\u0131 yitiriyor.<\/p>\n

20 May\u0131s 1981, \u0130stanbul.<\/strong>\u00a0\u00d6l\u00fcm,\u00a0Milliyet<\/em>\u2019in alt\u0131nc\u0131 sayfas\u0131nda k\u0131sa bir ajans haberiyle duyuruluyor. Altba\u015fl\u0131k: \u201c\u00dclkemize de gelmi\u015fti.\u201d (\u015eimdi d\u00fc\u015f\u00fcn\u00fcyorum da, \u201c\u00dclkesine gelmi\u015fti\u201d deseler daha g\u00fczel olurdu belki, ama i\u015fte insanlar iki, \u00fc\u00e7 hatta daha fazla \u00fclkeli olmay\u0131 kald\u0131rabiliyorlar da, \u00fclkeler nedense \u00e7o\u011fu kez iki, \u00fc\u00e7 veya daha fazla milletli, k\u00fclt\u00fcrl\u00fc, dinli olmay\u0131 beceremiyorlar.) Babam evdeki k\u00fct\u00fcphanenin s\u0131rt\u0131 lime lime olmu\u015f Varl\u0131k ciltlerinin durdu\u011fu b\u00f6l\u00fcm\u00fcne uzan\u0131yor, incecik Saroyan ciltlerini indiriyor okumak i\u00e7in. \u00dczg\u00fcn. Kim bu Saroyan? Babam\u0131n o y\u0131llarda oku diye elime tutu\u015fturdu\u011fu yazarlardan biri, Panait Istrati gibi. \u00c7ok fazla ilgilendi\u011fimi s\u00f6yleyemem; on \u00fc\u00e7 ya\u015f\u0131nday\u0131m, macera romanlar\u0131 okumay\u0131 tercih ediyorum.<\/p>\n

Eyl\u00fcl 1988, Brighton, \u0130ngiltere.\u00a0<\/strong>Staj ama\u00e7l\u0131 gitti\u011fim \u0130ngiltere\u2019nin kuzeyinden okulu k\u0131rar gibi ayr\u0131l\u0131p en g\u00fcneye, Brighton kasabas\u0131na kapa\u011f\u0131 atm\u0131\u015f\u0131m. Okyanusu k\u00f6p\u00fcrten, sahili d\u00f6ven r\u00fczg\u00e2r o kadar g\u00fc\u00e7l\u00fc ki bu kadar sene sonra bir onu hat\u0131rl\u0131yorum, bir de az sonra olacaklar\u0131. Turizm B\u00fcrosu tabelal\u0131, gazete bayiinden biraz hallice k\u00fc\u00e7\u00fck bir kul\u00fcbe var sahil \u015feridinde; kendimi g\u00fc\u00e7 bela oraya at\u0131yorum.<\/p>\n

\u0130\u00e7eride yuvarlak y\u00fczl\u00fc, siyah \u00e7er\u00e7eveli g\u00f6zl\u00fckl\u00fc, d\u00fcz siyah sa\u00e7l\u0131, benden be\u015f-on ya\u015f b\u00fcy\u00fck g\u00f6steren bir kad\u0131n oturuyor. Haritayla birlikte \u0130ngilizce birka\u00e7 bro\u015f\u00fcr toparl\u0131yorum raflardan; o beni \u015f\u00f6yle bir s\u00fcz\u00fcp, \u201c\u0130spanyolca da var isterseniz,\u201d diyor. \u201cVeya \u0130talyanca?\u201d<\/p>\n

A\u011fz\u0131m\u0131 a\u00e7masam ke\u015fke. \u201cYok, te\u015fekk\u00fcr ederim,\u201d diyorum. \u201cBenim dilimde bro\u015f\u00fcr bulunduraca\u011f\u0131n\u0131z\u0131 sanm\u0131yorum.\u201d<\/p>\n

Yurtd\u0131\u015f\u0131nda yerle\u015fik y\u0131llar\u0131m de\u011fil hen\u00fcz; t\u00f6rp\u00fcleyemedi\u011fim aksan\u0131m beni ele veriyor. \u201cAre you Turkish?\u201d diyor hemen. Hayret, kad\u0131n o kadar millet aras\u0131ndan nereden de bulup \u00e7\u0131kard\u0131! \u201cEvet, nas\u0131l bildiniz?\u201d<\/p>\n

\u201cI\u2019m _____\u201d diyor ama camlar\u0131 tepip duran r\u00fczg\u00e2rdan ikinci kelimeyi tam duyam\u0131yorum, belki de duymak istemiyorum.<\/p>\n

\u201cAnlayamad\u0131m.\u201d<\/p>\n

\u201cI\u2019m Armenian.\u201d<\/p>\n

Ermeni olmak T\u00fcrk aksan\u0131n\u0131 \u015f\u0131p diye ebelemeye olanak verdi\u011fine g\u00f6re T\u00fcrkiye\u2019den gitmi\u015f olmal\u0131. Ama \u0130ngilizceyi de anadili gibi konu\u015fuyor. Belki do\u011fma b\u00fcy\u00fcme \u0130ngilizdir de ailesi T\u00fcrk\u00e7e konu\u015fuyordur. \u201cBurada m\u0131 do\u011fdunuz?\u201d diye soruyorum. \u201cYoksa\u00a0\u015feyden<\/em>\u00a0sonra m\u0131 geldiniz, veya \u00f6nce mi\u2026?\u201d 1915 nere, 1988 nere; akl\u0131m da \u015fa\u015fm\u0131\u015f, \u00e7enem de.<\/p>\n

O k\u00fc\u00e7\u00fck kul\u00fcbenin daha fazla daralabilece\u011fini \u00f6nceden s\u00f6yleseniz inanmazd\u0131m. Kendimi d\u0131\u015far\u0131 at\u0131p Brighton sahiline o zamanlar h\u00e2kim olan kocaman, \u00fczerlerine kubbeli pasajlar kondurulmu\u015f iki iskeleden ortas\u0131 kesik olan\u0131na do\u011fru y\u00fcr\u00fcd\u00fc\u011f\u00fcm\u00fc hat\u0131rl\u0131yorum.<\/p>\n

Bir\u00a0\u015feyler<\/em>\u00a0biliyormu\u015fum demek, bilmemekte \u0131srar etmeme ra\u011fmen. \u00c7\u00fcnk\u00fc hepimiz biliyoruz.<\/p>\n

16 May\u0131s 1994, ABD\u2019nin Virginia eyaletinde Charlottesville kasabas\u0131.<\/strong>Christopher Hitchens (solun bir \u201cakis cenderesi\u201d oldu\u011fundan b\u0131kt\u0131\u011f\u0131n\u0131 beyan edip sa\u011fa meyletmeden \u00f6nceki d\u00f6nemindeyiz yazar\u0131n)\u00a0The Nation<\/em>\u00a0adl\u0131 haftal\u0131k dergide Bernard Lewis ile ilgili bir yaz\u0131 yay\u0131ml\u0131yor. Yaz\u0131n\u0131n ilgimi \u00e7eken yan\u0131, daha \u00f6nce adlar\u0131n\u0131 duymad\u0131\u011f\u0131m \u00c7a\u011flar Keyder\u2019in ve Taner Ak\u00e7am\u2019\u0131n kitaplar\u0131na de\u011finmesi. Yurtd\u0131\u015f\u0131ndaysan\u0131z, T\u00fcrkiye\u2019nin tarih tezlerini \u00e7at\u0131rdatan metinlerle kar\u015f\u0131la\u015fmamak m\u00fcmk\u00fcn de\u011fil, fakat bu metinlerde iflah olmaz bir millete mensup oldu\u011funuz gibi bir ton sezerseniz (ya da b\u00f6yle bir sezgi i\u00e7in bahane ar\u0131yorsan\u0131z) okuduklar\u0131n\u0131za \u0131s\u0131nman\u0131z, nesnel yakla\u015fman\u0131z zordur. Yaz\u0131dan edindi\u011fim izlenim, ad\u0131 ge\u00e7en kitaplar\u0131n anlatmak istediklerinden \u00f6d\u00fcn vermeden ama serinkanl\u0131 bir yakla\u015f\u0131mla yaz\u0131lm\u0131\u015f olduklar\u0131. Okumaya karar veriyorum. Murathan Mungan\u2019\u0131n deyi\u015fiyle \u201cd\u00fcnyan\u0131n kap\u0131lar\u0131\u201d a\u00e7\u0131l\u0131yor. \u201cNeresi s\u0131la bize, neresi gurbet,\u201d \u00fcstelik i\u015fsizim, bari bir \u015feyler \u00f6\u011freneyim diyorum ve d\u00f6rt y\u0131lda bir \u015fey bilmedi\u011fimi \u00f6\u011frenmeye yetecek kadar kitap ve makale okuyorum.<\/p>\n

Akademik yay\u0131nlar\u0131 okumak iyi ho\u015f da, insan bir s\u00fcre sonra dilde k\u0131vrakl\u0131k da ar\u0131yor. Tarihten ka\u00e7amak yapt\u0131\u011f\u0131m g\u00fcnlerden birinde, Virginia \u00dcniversitesi\u2019nin ana k\u00fct\u00fcphanesinin bas\u0131k tavanl\u0131 ek binas\u0131nda Ermeni edebiyat\u0131ndan \u00e7eviri eserleri ke\u015ffediyorum. \u00c7o\u011funun do\u011fum yeri T\u00fcrkiye\u2019de radyo programlar\u0131n\u0131 aray\u0131p \u015fark\u0131 t\u00fcrk\u00fc isteyenlerinkinden farkl\u0131 de\u011fil. Hani belki hat\u0131rlars\u0131n\u0131z, \u201c\u015eimdi Kastamonu\u2019dan arayan say\u0131n dinleyicimiz, \u00dclfet Ku\u015fkonmaz\u2019\u0131n\u2026\u201d Allah i\u00e7in g\u00fczel de yazm\u0131\u015flar, ama edebiyat derslerimizde kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z\u0131 hat\u0131rlam\u0131yorum bu insanlarla. \u0130simler hi\u00e7bir \u00e7a\u011fr\u0131\u015f\u0131m yapm\u0131yor, bir tanesi hari\u00e7: Annemle babam\u0131n ku\u015fa\u011f\u0131n\u0131n tutkunu oldu\u011fu\u00a0Aram Derler Ad\u0131ma<\/em>\u2019n\u0131n \u00fcslubunun tohumlar\u0131n\u0131n sezildi\u011fi gen\u00e7 Saroyan \u00f6yk\u00fcleri, hatta \u015fiirler buluyorum. \u201cVan G\u00f6l\u00fc\u2019ne\u201d diye bir \u015fiir olur da nas\u0131l haberim olmaz. Belki bir tek ben bilmiyorum, diye d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n

Kuytu bir k\u00f6\u015fede ilgi bekleyen fotokopi makinas\u0131n\u0131 o g\u00fcnlerde epey memnun ediyorum; Siamanto, Sibil, Turyan, Varujan\u2026 \u00c7o\u011fu hayatta de\u011fil; se\u00e7kilerde tek t\u00fck h\u00e2l\u00e2 ya\u015fayan bir \u015fair g\u00f6rd\u00fc\u011f\u00fcmde dizeleri ya k\u0131zg\u0131n, ya k\u0131rg\u0131n.<\/p>\n

1998, \u0130stanbul.<\/strong>\u00a0Babama esmi\u015f, askerlik ve mecburi hizmetini yapt\u0131\u011f\u0131 1960\u2019l\u0131 y\u0131llarda Tatvan civar\u0131nda \u00e7ekti\u011fi foto\u011fraflar\u0131 ve yazd\u0131\u011f\u0131 mektuplar\u0131 kitapla\u015ft\u0131r\u0131yor. Babaannemle ilgili yazd\u0131\u011f\u0131 bir \u00f6nceki kitab\u0131n\u0131 Fethi Naci\u2019nin\u00a0Yeni Y\u00fczy\u0131l<\/em>\u00a0gazetesindeki k\u00f6\u015fesinde[2]\u00a0\u00f6vm\u00fc\u015f olmas\u0131ndan cesaret alm\u0131\u015f olabilir. Muazzam bir foto\u011fraf\u00e7\u0131 babam, mektuplar\u0131n dili de \u015fa\u015f\u0131rt\u0131c\u0131 olgunlukta, ama kitapta bir iki foto\u011fraf var ki, ayn\u0131 kaliteyi tutturam\u0131yor. \u00c7\u00fcnk\u00fc babam de\u011fil, eline makine verilen birileri \u00e7ekmi\u015f: bir ay\u0131, uzun boylu bir gen\u00e7 ve daha ya\u015fl\u0131, \u015fapkal\u0131, a\u00e7\u0131k renk pard\u00f6s\u00fcl\u00fc bir adam. Ne alaka diye okuyorum. Saroyan\u2019\u0131n 1964\u2019te Bitlis\u2019e yapt\u0131\u011f\u0131 bir ziyaretten bahsediliyor.<\/p>\n

\u201cBu nas\u0131l olur?\u201d diyorum. \u201cBu adam\u0131n memleketine geldi\u011finden kimsenin haberi yok. Hem ay\u0131 oynuyor ama seyredenin y\u00fcz\u00fc se\u00e7ilmiyor; asparagas olmas\u0131n.\u201d<\/p>\n

\u201c\u2018Kimsenin haberi yok\u2019 derken kendi hesab\u0131na konu\u015f,\u201d diye tersliyor babam. \u201cYan\u0131ndaki uzun boylu adam bizim Arek. Aray\u0131p konu\u015furuz \u015fimdi.\u201d<\/p>\n

Arek Amca telefonda anlat\u0131yor: \u201cAilesinin evi buras\u0131yd\u0131 diye bir harabe g\u00f6sterdiler. Gitti oturdu. Mendilini \u00e7\u0131kard\u0131, g\u00f6zya\u015flar\u0131n\u0131 sildi. Y\u0131k\u0131lm\u0131\u015f duvar\u0131n ta\u015flar\u0131n\u0131 mendiliyle temizledi.\u201d O g\u00fcn yanlar\u0131nda olan (daha do\u011frusu Arek Amca gibi -hasbelkader b\u00f6lgede askerli\u011fini yapmakta oldu\u011fu i\u00e7in- sadece o g\u00fcn geziye d\u00e2hil olmay\u0131p ilk g\u00fcnden beri Saroyan\u2019a refakat eden) Ara Altunyan\u2019la da temasa ge\u00e7ip hat\u0131rlad\u0131klar\u0131n\u0131 yazd\u0131r\u0131p bana fakslat\u0131yor. Yanlar\u0131nda gazeteci-yazarlar Bedros Zobyan (Marmara) ve Fikret Otyam\u2019\u0131n (Cumhuriyet) da oldu\u011funu \u00f6\u011frenince Cumhuriyet ar\u015fivini aray\u0131p Otyam\u2019\u0131n Bitlis\u2019te \u00e7ekti\u011fi foto\u011fraflardan bir k\u0131sm\u0131n\u0131 ediniyoruz. Bu kez ay\u0131 arkadan foto\u011fraflanm\u0131\u015f, Saroyan\u2019\u0131n y\u00fcz\u00fc a\u00e7\u0131k se\u00e7ik. Elinde de ince belli \u00e7ay barda\u011f\u0131. Ay\u0131 ve bardak bural\u0131; o halde, Saroyan buraya gelmi\u015f. Ku\u015fkum kalm\u0131yor.<\/p>\n

Bu anlat\u0131lar\u0131, foto\u011fraflar\u0131 toparlamam\u0131n nedeni, \u00f6yk\u00fclerimi basan yay\u0131nevinin yeni \u00e7\u0131karaca\u011f\u0131 dergi i\u00e7in bir yaz\u0131 istemi\u015f olmas\u0131. \u201cElimde y\u0131llard\u0131r g\u00fcn y\u00fcz\u00fc g\u00f6rmemi\u015f foto\u011fraflar, iki de yepyeni tan\u0131kl\u0131k var,\u201d diye \u00f6zetliyorum \u00e7er\u00e7eveyi, yaz\u0131y\u0131 \u00f6nerirken. \u201c\u0130ki sayfa ay\u0131r\u0131rs\u0131n\u0131z, foto\u011fraf a\u011f\u0131rl\u0131kl\u0131, aralar\u0131 a\u00e7\u0131klamalarla doldururum.\u201d<\/p>\n

Evdeki hesap \u00e7ar\u015f\u0131ya uymuyor. Saroyan\u2019\u0131 Amerika\u2019daki \u00e7a\u011fda\u015flar\u0131n\u0131n, ele\u015ftirmenlerin, tarih\u00e7ilerin kaleminden okuduk\u00e7a T\u00fcrkiye\u2019de o zamana kadar \u00e7izilmi\u015f yazar portresinin olduk\u00e7a s\u0131n\u0131rl\u0131 oldu\u011fu \u00e7\u0131kar\u0131m\u0131na varmamak olanaks\u0131z. Telefonda bana uzun uzun \u00e2\u015f\u0131k oldu\u011fu Saroyan\u2019\u0131 anlatan Otyam\u2019\u0131n samimiyetinden ku\u015fku duymuyorum ama onun kafas\u0131ndaki kal\u0131b\u0131n d\u0131\u015f\u0131na ta\u015f\u0131yor Saroyan. Olduk\u00e7a apolitik, her \u015feyden \u00f6nce h\u00fcmanist bir yazar, \u00fclkemizde bilindi\u011fi kadar\u0131yla. \u201cDiaspora\u201d etiketiyle yekpare tahayy\u00fcl etti\u011fimiz toplumla ili\u015fkisi, Otyam\u2019\u0131n bana s\u00f6yledi\u011fi gibi \u201cY\u00fcr\u00fcy\u00fc\u015f d\u00fczenlediler, o gitmedi\u201d \u015feklinde \u00f6zetlenebilir mi? D\u00fczinelerce yap\u0131t yay\u0131mlam\u0131\u015f bir yazara kar\u015f\u0131 duydu\u011fumuz sevgi ve ilginin kayna\u011f\u0131 neden sadece bir avu\u00e7 \u00f6yk\u00fc? Beckett\u2019in, Ionesco\u2019nun habercisi olan tiyatro eserleri neden hi\u00e7 konu\u015fulmuyor? K\u0131saca, bizim i\u00e7in bir tarz \u00f6yk\u00fcn\u00fcn ustas\u0131 Saroyan ve ayr\u0131nt\u0131lar\u0131na pek girmek istemedi\u011fimiz bir \u015fekilde \u201cAnadolulu\u201d; ondan \u00f6tesi yok. Yaz\u0131, haliyle, iki sayfaya s\u0131\u011famayacak.<\/p>\n

May\u0131s 1999, \u0130stanbul.<\/strong>\u00a0E<\/em>\u00a0dergisi, sa\u011folsun, tek aral\u0131kl\u0131 on be\u015f A4 sayfas\u0131 i\u015fgal eden yaz\u0131y\u0131 sadece y\u00fczde 30 kesintiyle yay\u0131ml\u0131yor. (Yirmi y\u0131la yak\u0131n bir s\u00fcre sonra yaz\u0131n\u0131n kesintisiz hali\u00a0Amerika\u2019dan Bitlis\u2019e William Saroyan<\/em>\u00a0adl\u0131 kitapta yay\u0131mlanacak.[3]) Yaz\u0131 o zamana kadar okyanusun bu taraf\u0131nda bilinmeyen bir \u00f6yk\u00fcden \u015fu al\u0131nt\u0131yla a\u00e7\u0131l\u0131yor: \u201cK\u00fcrt\u00e7e, dedi anneannem, kalbin dilidir. T\u00fcrk\u00e7e, m\u00fcziktir. Bir \u015farap deresi gibi akar, yumu\u015fak, tatl\u0131, parlak. Bizim dilimiz, diye ba\u011f\u0131rd\u0131, ac\u0131n\u0131n dilidir. \u00d6l\u00fcm\u00fc tatt\u0131k hep; dilimizde nefretin, ac\u0131n\u0131n y\u00fck\u00fc var.\u201d[4]<\/p>\n

Kas\u0131m 1999, \u0130stanbul.<\/strong>\u00a0T\u00dcYAP kitap fuar\u0131 o zaman Tepeba\u015f\u0131\u2019nda. Gezerken Aras Yay\u0131nc\u0131l\u0131k\u2019\u0131n stand\u0131na u\u011fruyorum. O zamanlar yay\u0131nevi gen\u00e7 say\u0131l\u0131r, stant da minicik, haf\u0131zam beni yan\u0131ltm\u0131yorsa.\u00a0Brighton\u2019daki k\u00fc\u00e7\u00fck kul\u00fcbe\u2026<\/em><\/p>\n

Yay\u0131nevinden \u00e7\u0131kan kitaplar\u0131 bir s\u00fcredir takip ediyor ve okuyorum; kendilerini adad\u0131klar\u0131 u\u011fra\u015f, i\u011fneyle kuyu kazman\u0131n aynadaki aksi, koca bir bo\u015flu\u011fu y\u00fcks\u00fckle ta\u015f\u0131d\u0131klar\u0131 suyla doldurmaya benziyor. \u0130\u00e7imden bunlar ge\u00e7iyor ama ne kadar\u0131 a\u011fz\u0131mdan \u00e7\u0131k\u0131yor bilemiyorum. Ayr\u0131l\u0131rken ismimi s\u00f6yledi\u011fimde beni \u015fa\u015f\u0131rtan bir \u015fey oluyor; beni ismen tan\u0131d\u0131klar\u0131n\u0131 s\u00f6yl\u00fcyorlar ve yay\u0131nevinin haftal\u0131k toplant\u0131s\u0131na davet ediyorlar.<\/p>\n

O y\u0131llarda kap\u0131s\u0131ndan ad\u0131m att\u0131\u011f\u0131m yay\u0131nevleri, bir bankan\u0131n genel merkezini and\u0131ran YKY hari\u00e7 (\u00e7\u00fcnk\u00fc bir bankan\u0131n genel merkez binas\u0131ndalar!), sigara duman\u0131na bo\u011fulmu\u015f, balyalar\u0131n olu\u015fturdu\u011fu bir labirentten ge\u00e7erek y\u00f6netim birimlerine var\u0131lan yerler. Sigara hari\u00e7, bug\u00fcn de \u00f6yle baz\u0131lar\u0131, belki bir\u00e7o\u011fu. O nedenle, ertesi hafta toplant\u0131ya gitti\u011fimde kar\u015f\u0131ma \u00e7\u0131kan mek\u00e2n beni \u015fa\u015f\u0131rt\u0131yor. Bir i\u015f han\u0131n\u0131n zemin kat\u0131 olmas\u0131na ra\u011fmen tertemiz, aile dostumuz mimar Cengiz Bekta\u015f\u2019\u0131n b\u00fcrosu (o \u201c\u00f6zy\u00f6netim i\u015fli\u011fi\u201d derdi) kadar muntazam. De\u011fil sigara, ortal\u0131kta k\u00fcll\u00fck yok.<\/p>\n

Muhabbetler banda al\u0131n\u0131p \u00e7\u00f6z\u00fcld\u00fc\u011f\u00fcnde ayn\u0131 tad\u0131 vermez; Saroyan\u2019\u0131n Fikret Otyam\u2019\u0131n evinde Ankaral\u0131 yazarlarla topland\u0131\u011f\u0131 gecenin kayd\u0131n\u0131 dinleyince de anla\u015f\u0131l\u0131yor bu. Yine de o g\u00fcnk\u00fc sohbetimizin kayd\u0131 olsun isterdim.<\/p>\n

Ama burada konumuz muhabbet de\u011fil. Yay\u0131nevi de Saroyan\u2019la ilgili bir se\u00e7ki haz\u0131rl\u0131\u011f\u0131nda; acaba devam\u0131n\u0131 getirmek i\u00e7in birlikte \u00e7al\u0131\u015fmak ister miyim?<\/p>\n

Otorite de\u011fil merakl\u0131 bir okuyucu oldu\u011fumu, Ermeni edebiyat\u0131 konusunda bir s\u00f6z s\u00f6ylenecekse bunun, hele o an bulundu\u011fumuz yerde bana d\u00fc\u015fmeyece\u011fini dilimin d\u00f6nd\u00fc\u011f\u00fc kadar anlatmaya \u00e7al\u0131\u015f\u0131yorum. Tomo Abi\u2019nin (Yetvart Tomasyan) sakal\u0131n\u0131 s\u0131vazlay\u0131p bir yandan sevecenlikle g\u00fcl\u00fcmserken di\u011fer yandan insan\u0131n boyunu \u00f6l\u00e7\u00fcp sicilini de\u015fifre eden bir bak\u0131\u015f\u0131 vard\u0131r, g\u00f6zleri gece vapuru projekt\u00f6r\u00fc gibi olur, y\u00fcz\u00fcme o \u015fekilde bak\u0131p, \u201cTamam, \u015fehrinden ta\u015fras\u0131na, bat\u0131s\u0131yla do\u011fusuyla Ermeni edebiyat\u0131n\u0131 bizden sor, ama bu adam Amerikal\u0131, sen Amerikal\u0131s\u0131n, ve bu yaz\u0131da yabana at\u0131lmayacak bir birikim var. Bizim kan\u0131m\u0131z sen bu i\u015fi k\u0131v\u0131r\u0131rs\u0131n,\u201d diyor. Yaz\u0131m\u0131n yay\u0131mland\u0131\u011f\u0131 dergiyi \u00f6n\u00fcme konuyor. Sat\u0131rlar\u0131n alt\u0131 cetvelle \u00e7izilmi\u015f. (Daha sonralar\u0131 Tomo Abi\u2019nin bask\u0131s\u0131 bitmi\u015f kitaplar\u0131 ayn\u0131 titizlikle de\u011fme m\u00fccellite ta\u015f \u00e7\u0131kartacak \u015fekilde fotokopileyip ev yap\u0131m\u0131 kitap haline getirdi\u011fine de tan\u0131k olaca\u011f\u0131m.)<\/p>\n

Birlikte bir rota \u00e7iziyoruz o ak\u015fam ve izleyen aylarda, kimi zaman bir araya gelerek, kimi zaman yaz\u0131\u015farak. Eski \u00e7evirilerdeki atlamalar, baz\u0131 \u00f6yk\u00fclerin ya k\u0131rp\u0131lmas\u0131 ya es ge\u00e7ilmesi benim de, yay\u0131nevindeki arkada\u015flar\u0131n da can\u0131n\u0131 s\u0131kan bir konu; o nedenle projenin metnin anlam\u0131na sad\u0131k \u00e7evirilere, Edirne\u2019nin bat\u0131s\u0131nda bilinen ama bize kapal\u0131 metinlere yer vermesi gerekti\u011finde hemfikiriz. Buna ek olarak, Amerika\u2019da bile unutulmu\u015f metinlere yer vermek istedi\u011fimi \u00e7\u0131tlat\u0131yorum o noktada. Bitlis\u2019te ge\u00e7irdi\u011fi g\u00fcn hakk\u0131nda neler d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fc de kendi a\u011fz\u0131ndan uzun uzun dinlesek, biraz biz susup, ne g\u00fczel olur. Y\u0131llar sonra\u00a0Yetmi\u015f Bin S\u00fcryani<\/em>\u00a0(2005) ve\u00a0Amerika\u2019dan Bitlis\u2019e William Saroyan<\/em>\u00a0(2008) ciltleriyle bunlar ger\u00e7ek olacak.<\/p>\n

Ama daha yolun ba\u015f\u0131nday\u0131z. Tan\u0131\u015fmam\u0131z\u0131 izleyen y\u0131llarda birbiri ard\u0131na\u00a0\u00d6dlekler Cesurdur<\/em>\u00a0(2001),\u00a0Paris-Fresno G\u00fcncesi 1967-68<\/em>\u00a0(2001),\u00a0\u0130nsanl\u0131k Komedisi<\/em>\u00a0(2002) ve\u00a0Y\u00fcre\u011fim Da\u011flardad\u0131r\/Ya\u015famak Vakti<\/em>\u00a0(2003) yay\u0131mlan\u0131yor. Bunlardan ilki, ilk yay\u0131mlanma tarihleri yakla\u015f\u0131k 1934-1975 aras\u0131nda de\u011fi\u015fen bir \u00f6yk\u00fc se\u00e7kisi, ikincisi de ad\u0131ndan anla\u015f\u0131laca\u011f\u0131 gibi bir g\u00fcnce. Tan\u0131\u015ft\u0131\u011f\u0131m\u0131zda bu kitaplar\u0131n yay\u0131n program\u0131na zaten al\u0131nm\u0131\u015f oldu\u011funu s\u00f6ylemeliyim.<\/p>\n

Bunu belirtmemin nedeni \u015fu: Se\u00e7imler yap\u0131lm\u0131\u015f, \u00e7eviriler \u0131smarlanm\u0131\u015f, y\u00fck\u00fcn b\u00fcy\u00fck b\u00f6l\u00fcm\u00fc s\u0131rtlanm\u0131\u015f; bana kalan, okuyup baz\u0131 de\u011fi\u015fiklikler \u00f6nermek ve sunu\u015f yaz\u0131lar\u0131n\u0131 yazmak. O ikincisini yaparken de bazen daha ba\u015far\u0131l\u0131 oluyorum diyeyim, gerisini siz anlay\u0131n.<\/p>\n

\u00dc\u00e7\u00fcnc\u00fc ve d\u00f6rd\u00fcnc\u00fc kitaplar, yay\u0131nevinin benden roman ve oyun se\u00e7memi istemesiyle programa giriyor. Saroyan\u2019\u0131n en \u00fcnl\u00fc roman\u0131yla en \u00fcnl\u00fc iki oyununu se\u00e7mek zor bir i\u015f de\u011fil. (Bu iki oyun bug\u00fcn ayr\u0131 ayr\u0131 bas\u0131l\u0131p tekrar okura sunulmu\u015f durumda, bir tanesinin ad\u0131 T\u00fcrk\u00e7ede yeniden yorumlanm\u0131\u015f olarak [En G\u00fczel G\u00fcnlerin<\/em>]). Sunu\u015f yaz\u0131s\u0131nda da bir kaynaktan al\u0131nt\u0131 yaparken \u00e7eviride fazla Can Y\u00fccel\u2019vari davrand\u0131\u011f\u0131m i\u00e7in Aras\u2019tan Lora Sar\u0131 b\u00fcy\u00fck bir nezaketle d\u00fczeltiyor y\u0131llar sonra oyunlar yeniden bask\u0131ya girerken.<\/p>\n

Haziran 2000, Harput; Temmuz 2000, \u0130stanbul.\u00a0<\/strong>Ola\u011fan\u00fcst\u00fc ko\u015fullar\u0131n biraz geriledi\u011fi aylarda ilk kez baz\u0131 illeri gezme f\u0131rsat\u0131n\u0131 buluyorum. \u0130nsanlar bask\u0131 ya da \u00f6l\u00fcm korkusu olmadan biraz daha rahat konu\u015fabiliyorlar ama y\u00fczlerdeki bezmi\u015fli\u011fi, co\u011frafyan\u0131n harap olmu\u015f halini g\u00f6r\u00fcp etkilenmemek m\u00fcmk\u00fcn de\u011fil. Yan\u0131mda Aras\u2019\u0131n yay\u0131mlad\u0131\u011f\u0131 en sevdi\u011fim kitaplardan\u00a0G\u00fcvercinim Harput\u2019ta Kald\u0131<\/em>\u00a0(Hamasde\u011f, 1997 [1963]) var. Kapak foto\u011fraf\u0131ndaki manast\u0131r\u0131 ar\u0131yoruz; biraz uzun s\u00fcr\u00fcyor tam yeri belirtilmedi\u011fi i\u00e7in. \u00c7obanlara sora sora bulabiliyoruz sonunda; ama bulmasak daha iyi. Her \u015feyi anl\u0131yorum da duvar\u0131n deli\u011finden havan topu gibi i\u00e7eri sokulup b\u0131rak\u0131lm\u0131\u015f metal boru niye\u2026? Bu t\u00fcr manzaralarla kar\u015f\u0131la\u015fm\u0131\u015f olan Saroyan\u2019\u0131n o anda bir \u015fey demeyip 1970\u2019li y\u0131llarda yazd\u0131klar\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. Bu izlenimlerimi Sarkis Seropyan\u00a0Agos<\/em>\u00a0gazetesinde[5]\u00a0yay\u0131mlad\u0131\u011f\u0131 i\u00e7in burada tekrarlamak istemiyorum; \u00f6zetle kafam allak bullak d\u00f6n\u00fcyorum \u0130stanbul\u2019a. \u201cYedi\u011fin i\u00e7ti\u011fin yan\u0131nda kals\u0131n, bize g\u00f6rd\u00fcklerini anlat,\u201d diyor Aras\u2019taki arkada\u015flar, \u201cYahu bana yanl\u0131\u015f yerde manast\u0131r aratt\u0131n\u0131z,\u201d diye sitem ediyorum \u015faka yollu. Kederi kelimelere d\u00f6kmeyi beceremiyorum y\u00fcz y\u00fcze.<\/p>\n

Saroyan \u00e7al\u0131\u015fmalar\u0131 s\u00fcredursun, yay\u0131neviyle k\u00fc\u00e7\u00fck bir Ermeni edebiyat\u0131 se\u00e7kisini planl\u0131yoruz. Bu kez ger\u00e7ekten bilmedi\u011fim sularday\u0131m ama be\u015f-alt\u0131 y\u0131l \u00f6nce k\u00fct\u00fcphanede malzeme toplayarak ge\u00e7irdi\u011fim aylar i\u015fime yar\u0131yor. Elimdeki metinlerden daha \u00f6nce T\u00fcrk\u00e7e yay\u0131mlanmam\u0131\u015f \u015fiirleri yay\u0131na haz\u0131rlamak i\u00e7in ister istemez garip bir y\u00f6nteme ba\u015fvuruyoruz. Ermeniceden \u0130ngilizceye \u00e7evrilmi\u015f olanlar\u0131 ben T\u00fcrk\u00e7eye \u00e7eviriyorum, Payline Tomasyan Ermenice as\u0131llar\u0131n\u0131 bulup T\u00fcrk\u00e7eye \u00e7eviriyor, ikisini kar\u015f\u0131la\u015ft\u0131r\u0131yoruz. \u201cHayret,\u201d diyor Payline Han\u0131m, \u201cbir iki kelime hari\u00e7 birbirini tutuyor \u00e7eviriler.\u201d Ermenice olduk\u00e7a matematiksel bir dildir derler; belki buna yorulabilir sonu\u00e7, ama ben o bir-iki kelimenin \u015fiirlerin en can al\u0131c\u0131 yerleri oldu\u011funu d\u00fc\u015f\u00fcnmeyi tercih ediyorum.<\/p>\n

Dergi, bir \u00f6nceki y\u0131l Saroyan yaz\u0131m\u0131 yay\u0131mlayan dergi, ama bu kez edit\u00f6r\u00fcm Metin Ka\u00e7an. Pideli, k\u00fcf\u00fcrl\u00fc, \u015famata-g\u0131rg\u0131r dumanalt\u0131 bir ortamda i\u015fini gayet g\u00fczel g\u00f6t\u00fcr\u00fcyor Metin. Bazen hayretle izliyorum onu; ge\u00e7mi\u015finden habersiz de\u011filim ve g\u00f6zlerinin ard\u0131nda, kendi etraf\u0131na \u00f6rd\u00fc\u011f\u00fc duvar\u0131n gerisinde gizli ba\u015fka bir insan\u0131 ar\u0131yorum hep. O insan on iki bu\u00e7uk y\u0131l sonra duvar\u0131 k\u0131r\u0131p Bo\u011faz K\u00f6pr\u00fcs\u00fc\u2019nden atlayacak.<\/p>\n

2003, 11 Nisan ve 20 Temmuz.<\/strong>\u00a0\u00d6nce William Saroyan\u2019\u0131n k\u0131z\u0131 Lucy Saroyan 57 ya\u015f\u0131nda sirozdan, sonra da iki kez evlenip bo\u015fand\u0131\u011f\u0131 kar\u0131s\u0131 Carol Grace (farkl\u0131 d\u00f6nemlerde ta\u015f\u0131d\u0131\u011f\u0131 soyadlar\u0131 Doree, Marcus, Saroyan, Matthau) 78 ya\u015f\u0131nda beyin kanamas\u0131ndan \u00f6l\u00fcyor.[6]\u00a0Bu \u00f6l\u00fcmlerin ard\u0131ndan \u00e7\u0131kan gazete yaz\u0131lar\u0131 \u00f6vg\u00fc dolu kitap ele\u015ftirilerinde yer almayan olaylar\u0131 hat\u0131rlat\u0131yorlar hepimize.[7]\u00a0\u00c7ocuklar\u0131n\u0131n nafakas\u0131n\u0131 kumarda t\u00fcketen, \u00f6mr\u00fcn\u00fcn son on y\u0131l\u0131nda onlarla ili\u015fkiyi kesen, miras\u0131nda hemen hemen hi\u00e7 yer vermeyip malvarl\u0131\u011f\u0131n\u0131n neredeyse tamam\u0131n\u0131 kendi an\u0131s\u0131n\u0131 ve eserlerini ya\u015fatacak bir vak\u0131f kurulmas\u0131 i\u00e7in ay\u0131ran, en k\u00f6t\u00fcs\u00fc de \u00e7ocuklar\u0131n\u0131n \u00f6n\u00fcnde Carol\u2019a hakaretler ya\u011fd\u0131ran, bo\u011faz\u0131n\u0131 s\u0131kan, merdivenden a\u015fa\u011f\u0131 iten bir Saroyan tablosu \u00e7iziliyor. Bu trajik aile tablosunun ancak kopuk baba-o\u011ful (Aram Saroyan) aya\u011f\u0131 1999 tarihli yaz\u0131mda yer al\u0131yor. \u0130tiraf edeyim ki her y\u0131l, Saroyan konusunda bilmedi\u011fim \u015feyler \u00f6\u011freniyorum. Bu bazen k\u0131sa bir yaz\u0131, bazen bir karalama, bazen de b\u00f6yle ezber bozan bir portre olabiliyor.<\/p>\n

2003-2004, \u0130stanbul.<\/strong>\u00a0Saroyan dizisinin ilk d\u00f6rt kitab\u0131n\u0131 geride b\u0131rakt\u0131ktan sonra bir s\u00fcredir benim diziye ba\u015flarken ilk hayal etti\u011fim kitap olan\u00a0Yetmi\u015f Bin S\u00fcryani<\/em>\u00a0\u00fczerinde \u00e7al\u0131\u015f\u0131yoruz. T\u0131pk\u0131\u00a0\u00d6dlekler Cesurdur<\/em>\u2019da oldu\u011fu gibi, b\u00f6yle bir kitap yok Amerika\u2019da; \u015fu ya da bu nedenle \u00fclkemizde yay\u0131mlanmam\u0131\u015f (bask\u0131s\u0131 bitmi\u015f kitaplarda, dergilerde, ya da ar\u015fivlerde kald\u0131\u011f\u0131 i\u00e7in zor bulunan ya da T\u00fcrkiye d\u0131\u015f\u0131nda gayet iyi bilindi\u011fi halde g\u00f6rmezden gelinmi\u015f) metinleri toplad\u0131\u011f\u0131m\u0131z cilde \u00f6yk\u00fclerden birinin ad\u0131n\u0131 se\u00e7iyoruz isim olarak.<\/p>\n

Zaman zaman bu \u00f6yk\u00fclerden baz\u0131lar\u0131n\u0131 k\u0131saca \u201cgen\u00e7lik \u00f6yk\u00fcleri\u201d diye tan\u0131mlad\u0131\u011f\u0131m oldu; bu yan\u0131lt\u0131c\u0131 ya da eksik, \u015fu iki nedenden \u00f6t\u00fcr\u00fc:<\/p>\n

(1) Saroyan\u2019\u0131n ilk -ve bug\u00fcn ABD\u2019de halen en kolay bulunabilen kitab\u0131 olan-\u00a0The Daring Young Man on the Flying Trapeze<\/em>, 1934 y\u0131l\u0131nda yay\u0131mlanm\u0131\u015f, i\u00e7inde yer alan \u00f6yk\u00fcler de 1933-34 y\u0131llar\u0131nda yaz\u0131lm\u0131\u015f. B\u00fcy\u00fck \u00f6l\u00e7\u00fcde unutulmu\u015f ya da nadiren hat\u0131rlanan diyebilece\u011fimiz di\u011fer \u00f6yk\u00fclerse\u00a0ayn\u0131 y\u0131llarda<\/em>\u00a0yaz\u0131lm\u0131\u015f ve ABD\u2019de Ermeni toplumunun okudu\u011fu yay\u0131n organ\u0131 olan\u00a0Hairenik Daily<\/em>\u2019de 1933-34 y\u0131llar\u0131nda yay\u0131mlanm\u0131\u015f. Yani tamam, adam gen\u00e7, ama bir grup \u00f6yk\u00fc \u00e7ok daha gen\u00e7ken, di\u011fer grup \u00f6yk\u00fc nispeten olgunluk d\u00f6neminde kaleme al\u0131nm\u0131\u015f de\u011fil. Zaman dilimi ayn\u0131, mecralar farkl\u0131 sadece.<\/p>\n

(2) Di\u011fer \u201cyitik\u201d \u00f6yk\u00fclerle birlikte an\u0131lsa da \u00e7ok daha ge\u00e7 tarihlerde yaz\u0131lm\u0131\u015f bir metin de var bu derlemede: 21 Kas\u0131m 1964\u2019te\u00a0Saturday Evening Post<\/em>\u2019ta yay\u0131mlanan \u201cShout Armenia Wherever You Go\u201d (Nereye Gidersen Git, \u00c7\u0131\u011fl\u0131\u011f\u0131nda Memleket).<\/p>\n

Kapakta al\u0131\u015ft\u0131\u011f\u0131m\u0131z posb\u0131y\u0131kl\u0131, ya\u015f\u0131n\u0131 ba\u015f\u0131n\u0131 alm\u0131\u015f Saroyan imgesinin tam tersi bir foto\u011fraf kullan\u0131lmas\u0131n\u0131 arzulad\u0131\u011f\u0131m i\u00e7in, Paris\u2019te ya\u015fayan dostumuz Profes\u00f6r Dickran Kouymjian\u2019\u0131 evindeki kutularda har\u0131l har\u0131l arat\u0131yoruz g\u00fcnlerce. (Hi\u00e7bir \u015fey kal\u0131c\u0131 de\u011fil; kitab\u0131n ilk bask\u0131lar\u0131n\u0131 s\u00fcsleyen foto\u011fraf art\u0131k Aras\u2019\u0131n Saroyan dizisine 2017 y\u0131l\u0131nda d\u00e2hil olan\u00a0Aram Derler Ad\u0131ma<\/em>\u2019n\u0131n kapa\u011f\u0131nda yer al\u0131yor. Hepimizin \u00f6yle tan\u0131y\u0131p sevdi\u011fi b\u0131y\u0131kl\u0131 Saroyan\u2019sa, Bitlis foto\u011fraflar\u0131ndan hat\u0131rlad\u0131\u011f\u0131m\u0131z pardes\u00fcs\u00fc ve \u015fapkas\u0131yla bir kez daha\u00a0Yetmi\u015f Bin S\u00fcryani<\/em>\u2019nin kapa\u011f\u0131nda.)<\/p>\n

Benim bulabildi\u011fim \u00fc\u00e7 Saroyan \u015fiirinden ikisi, \u201cVan G\u00f6l\u00fc\u2019ne\u201d ve \u201cF\u0131rat\u2019a\u201d da bu kitapta yer al\u0131yor. Metinlerin \u00e7evirisini Ohannes K\u0131l\u0131\u00e7da\u011f\u0131 (ve bir \u00f6yk\u00fc i\u00e7in Arman Artu\u00e7) ile b\u00f6l\u00fc\u015ft\u00fc\u011f\u00fcm\u00fcz kitap hakk\u0131nda kaleme ald\u0131\u011f\u0131m geriye bak\u0131\u015f,\u00a0Sarn\u0131\u00e7 \u00d6yk\u00fc<\/em>\u00a0dergisinin 23. Say\u0131s\u0131nda (May\u0131s-Haziran 2015) bulunabilir.<\/p>\n

19-23 Ocak 2007, \u0130stanbul.<\/strong>\u201cYakla\u015f\u0131yor yakla\u015fmakta olan.\u201d Yakla\u015f\u0131yor yakla\u015fmakta olan\u2026\u00a0Hepimiz Hrant Dink\u2019iz<\/em>,\u00a0Hepimiz Ermeniyiz<\/em>\u00a0yaz\u0131l\u0131 yuvarlak siyah raketler sokaklardan ta\u015f\u0131yor. Hi\u00e7birimiz de\u011filiz oysa, \u00e7\u00fcnk\u00fc biz hayattay\u0131z, o de\u011fil.<\/p>\n

    \n
  1. \u201cBurada \u00f6lmek ve \u00f6l\u00fclerimle birlikte olmak istiyorum.\u201d William Saroyan,\u00a0Bitlis<\/em>(oyun, 1975).<\/li>\n<\/ol>\n

    Bu kez farkl\u0131 bir Saroyan kitab\u0131,\u00a0Amerika\u2019dan Bitlis\u2019e William Saroyan<\/em>, bize yazar\u0131n 1964 gezisi sonras\u0131 neler d\u00fc\u015f\u00fcn\u00fcp yazd\u0131\u011f\u0131n\u0131 ortaya koyup enine boyuna incelememize olanak veriyor.\u00a0Bitlis<\/em>\u00a0oyununun etraf\u0131nda odaklanan s\u00f6yle\u015filer, gezi notlar\u0131 ve de\u011ferlendirmeler i\u00e7eren bu zengin yumak, \u00e7ileli bir metin arama ve \u00e7evirme faaliyeti sonucu ortaya \u00e7\u0131k\u0131p Saroyan\u2019\u0131n 100. do\u011fum y\u0131l\u0131na k\u0131lpay\u0131 yeti\u015fiyor.<\/p>\n

    Sunu\u015f yaz\u0131m da beni Saroyan dizisinin hemen her cildinde zorlayan i\u00e7 \u00e7eki\u015fmeleri hat\u0131rlat\u0131yor bana. Baz\u0131 \u015feyleri duymak istemeyenlere bir \u015fekilde ula\u015fabilmek i\u00e7in \u00f6l\u00e7\u00fcl\u00fc bir dil kullanmak, sanki ya\u015fananlar \u00e7ok travmal\u0131 de\u011filmi\u015f ya da ma\u011fduriyetler e\u015fitlenebilirmi\u015f gibi bir yakla\u015f\u0131ma kayma tehlikesini i\u00e7erebiliyor. Kitaptan kitaba daha \u00e7ok okuyup \u00f6\u011frendik\u00e7e tarihe bak\u0131\u015f\u0131m ve edebiyat anlay\u0131\u015f\u0131m da s\u00fcrekli evrildi\u011fi i\u00e7in, bu sunu\u015f yaz\u0131lar\u0131n\u0131 yazmaya oturdu\u011fumda miad\u0131 \u015fimdiden dolmu\u015f d\u00fc\u015f\u00fcncelerle vakit ald\u0131\u011f\u0131mdan endi\u015fe ediyorum. Bug\u00fcn, yani aradan on iki y\u0131l ge\u00e7tikten sonra ise, her bir yaz\u0131y\u0131 farkl\u0131 \u015fekilde yazmal\u0131yd\u0131m diye d\u00fc\u015f\u00fcnmekten kendimi alam\u0131yorum. Ama 2008\u2019e d\u00f6nersek, o noktada dostlu\u011fumuz on y\u0131l\u0131 bulan Rober Kopta\u015f, her zamanki gibi g\u00fcl\u00fcmsemeyi ihmal etmeden ve benden umudu kesmeden, yap\u0131c\u0131 \u00f6neriler sunarak bana yaz\u0131y\u0131 tamamlat\u0131yor.<\/p>\n

    29 Nisan 2020, Washington.\u00a0<\/strong>K\u0131sa bir s\u00fcre i\u00e7in \u0130nternet eri\u015fimine a\u00e7\u0131lan, Lusin Dink\u2019in y\u00f6netti\u011fi\u00a0Saroyan \u00dclkesi<\/em>\u00a0(2013) belgeselini seyrediyorum tekrar. Saroyan\u2019\u0131n bak\u0131\u015f a\u00e7\u0131s\u0131ndan Zigana Ge\u00e7idi\u2019ni, Van G\u00f6l\u00fc\u2019n\u00fc, derken Bitlis\u2019i g\u00f6r\u00fcyoruz. O yollar, o da\u011flar, o barakalar, o \u00e7ocuklar, 1964\u2019ten bu yana hi\u00e7 de\u011fi\u015fmemi\u015f gibi duruyorlar. Fikret Otyam\u2019la babam\u0131n d\u00f6nem foto\u011fraflar\u0131n\u0131n renklendirilmi\u015f hali sanki. Bitlis ve di\u011fer kasabalarda g\u00f6ze \u00e7arpan \u201cmodern mimari,\u201d \u00e7anak antenler, cep telefonu bayileri vesaire olmasa t\u0131ls\u0131m hi\u00e7 bozulmayacak.<\/p>\n

    Saroyan\u2019\u0131n g\u00f6zlerinin i\u00e7ine oturup yoku\u015fu t\u0131rman\u0131yoruz, Ermeni mahallesine do\u011fru. (\u00d6yleydi hep; o mahalleler, k\u00f6yler, sarp yerlere kurulurdu, belki bir nebze g\u00fcvence olsun diye, belki de verimsiz ve istenmeyen topraklar oldu\u011fundan.) Kaz\u0131nm\u0131\u015f de\u011fil, yap\u0131\u015ft\u0131r\u0131lm\u0131\u015f de\u011fil, blok haz\u0131rlan\u0131rken r\u00f6lyef olu\u015facak \u015fekilde yontulmu\u015f harflerin s\u00fcsledi\u011fi bir k\u00f6\u015feta\u015f\u0131n\u0131 yakal\u0131yor kamera harabeler aras\u0131nda. Saroyan\u2019\u0131n mendiliyle o ta\u015flar\u0131 neden sildi\u011fini daha iyi anl\u0131yorum \u015fimdi.<\/p>\n

    Lusin Dink\u2019le 2011-2012 aras\u0131 Saroyan metinleri ve g\u00f6rselleri konusunda uzun s\u00fcre yaz\u0131\u015fm\u0131\u015ft\u0131k; ar\u015fivimde duran metinleri istemi\u015fti. Y\u0131llar \u00f6nce tozlu bir k\u00fct\u00fcphanede bulup T\u00fcrk\u00e7eye \u00e7evirdi\u011fim \u201cVan G\u00f6l\u00fc\u2019ne\u201dnin dizelerinin, \u201cYa\u015fayanlar ve \u00d6l\u00fcler\u201din dile geli\u015fini izlemek garip bir duygu. 12 Ocak 1934\u2019te\u00a0Hairenik Daily<\/em>\u2019de yay\u0131mlanan ve do\u011frusu \u201cYaz Kahkahas\u0131\u201d olmal\u0131yken\u00a0Yetmi\u015f Bin S\u00fcryani<\/em>\u00a0derlememiz i\u00e7in bile isteye, daha oylumlu ve kal\u0131c\u0131 olsun diye \u201cYaz Ne\u015fesi\u201d diye \u00e7evirdi\u011fim \u00f6yk\u00fcn\u00fcn Aslan Eni\u015fte\u2019si beliriyor ekranda, at arabas\u0131n\u0131 sessiz sakin s\u00fcrerken:<\/p>\n

    Krikor, \u201cAnlatsana eni\u015fte,\u201d dedi, \u201coras\u0131, b\u00fcy\u00fcklerimizin \u00fclkesi nas\u0131l bir yerdi?\u201d<\/em><\/p>\n

    \u201cBuras\u0131 nas\u0131lsa i\u015fte ayn\u0131 \u00f6yleydi,\u201d dedi Aslan eni\u015fte. \u201cT\u0131pk\u0131s\u0131. Her \u015fey ayn\u0131yd\u0131, toprak, g\u00f6ky\u00fcz\u00fc, g\u00fcne\u015f; ben \u00e7ocuktum -tek fark o.\u201d<\/em><\/p>\n

    ***<\/p>\n

    11 May\u0131s 1915, Efkere.\u00a0<\/strong>Garabed Kocayan\u2019\u0131n annesi Hayganu\u015f H. Kocayan son mektubunu yaz\u0131yor.<\/p>\n

    Notlar<\/strong><\/p>\n

    [1]\u00a0Bu \u00fc\u00e7 paragrafta yer alan al\u0131nt\u0131lar ve yaz\u0131n\u0131n sonundaki bilgi: Jonathan Varjabedian ve H. \u015e\u00fckr\u00fc Il\u0131cak,\u00a0Sevg\u00fcl\u00fc O\u011flum Garabed \u2013 Mekdubun Okudum, A\u011flad\u0131m, G\u00fcld\u00fcm: Kayseri Efkere\u2019den Amerika\u2019ya Kocayan Ailesi Mektuplar\u0131 (1912-1919)\u00a0(\u0130stanbul: Histor Press, 2018, s. 29, 401-405).<\/em><\/p>\n

    [2]\u00a04 May\u0131s 1998.<\/em><\/p>\n

    [3]\u00a0Aziz G\u00f6kdemir, \u201cBir Gezinin Prizmas\u0131ndan William Saroyan\u201d (Amerika\u2019dan Bitlis\u2019e William Saroyan\u00a0i\u00e7inde; \u0130stanbul: Aras Yay\u0131nc\u0131l\u0131k, 2008, 93-118).<\/em><\/p>\n

    [4]\u00a0\u00d6yk\u00fc \u201cYa\u015fayanlar ve \u00d6l\u00fcler\u201d (The Living and the Dead), kitap\u00a0\u00dc\u00e7 Kere \u00dc\u00e7(Three Times Three), iki seferinde de 1938 olarak yanl\u0131\u015f yazd\u0131\u011f\u0131m yay\u0131n y\u0131l\u0131ysa 1936.<\/em><\/p>\n

    [5]\u00a022 Temmuz 2000.<\/em><\/p>\n

    [6]\u00a0Baz\u0131 kaynaklarda Carol Grace\u2019in \u00f6l\u00fcm tarihi 21 Temmuz 2003.<\/em><\/p>\n

    [7]\u00a0\u00d6rne\u011fin\u00a0The Guardian, 10 A\u011fustos 2003 (<\/em>link<\/em><\/a>);\u00a0The Los Angeles Times, 25 May\u0131s 2003 (<\/em>link<\/em><\/a>).<\/em><\/p>\n

    https:\/\/parsomenfanzin.com\/2020\/05\/18\/benim-saroyan-amcam\u00a0<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

    Aziz G\u00f6kdemir 25 Haziran 1912, Kayseri\u2019nin k\u00f6y\u00fc Efkere.\u00a0Hayganu\u015f H. Kocayan, o y\u0131l yirmisine varmadan Amerika Birle\u015fik Devletleri\u2019nin Detroit \u015fehrine g\u00f6\u00e7 eden \u201cNur-i Ayn\u0131m [g\u00f6z\u00fcm\u00fcn nuru], Sevg\u00fcl\u00fc O\u011flum Garabed Kocayan Haz\u0131retleri\u2019ne\u201d mektup, daha do\u011frusu \u201cmekdup\u201d yaz\u0131yor. Ermeni harfleriyle T\u00fcrk\u00e7e.[1] \u201cMekdubun okudum; a\u011flad\u0131m g\u00fcld\u00fcm. Ben ne idim de, ne oldum dedim. Bir d\u00fc\u015f\u00fcnd\u00fcm bu g\u00fcn\u00fc g\u00f6rd\u00fcm deyi. […]<\/p>\n","protected":false},"author":7,"featured_media":57432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,70,19],"tags":[],"class_list":["post-57431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-makaleler","category-unluler"],"yoast_head":"\nBenim Saroyan Amcam - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=57431\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Benim Saroyan Amcam - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Aziz G\u00f6kdemir 25 Haziran 1912, Kayseri\u2019nin k\u00f6y\u00fc Efkere.\u00a0Hayganu\u015f H. Kocayan, o y\u0131l yirmisine varmadan Amerika Birle\u015fik Devletleri\u2019nin Detroit \u015fehrine g\u00f6\u00e7 eden \u201cNur-i Ayn\u0131m [g\u00f6z\u00fcm\u00fcn nuru], Sevg\u00fcl\u00fc O\u011flum Garabed Kocayan Haz\u0131retleri\u2019ne\u201d mektup, daha do\u011frusu \u201cmekdup\u201d yaz\u0131yor. Ermeni harfleriyle T\u00fcrk\u00e7e.[1] \u201cMekdubun okudum; a\u011flad\u0131m g\u00fcld\u00fcm. Ben ne idim de, ne oldum dedim. Bir d\u00fc\u015f\u00fcnd\u00fcm bu g\u00fcn\u00fc g\u00f6rd\u00fcm deyi. 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