{"id":55881,"date":"2019-11-29T04:11:19","date_gmt":"2019-11-29T09:11:19","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=55881"},"modified":"2019-11-29T04:11:19","modified_gmt":"2019-11-29T09:11:19","slug":"turkiye-muzik-tarihine-gomidas-vartbedin-mirasi","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=55881","title":{"rendered":"T\u00fcrkiye m\u00fczik tarihine Gomidas Vartbed\u2019in miras\u0131"},"content":{"rendered":"

\"\"<\/p>\n

Ermeni as\u0131ll\u0131 K\u00fctahya do\u011fumlu m\u00fczik ara\u015ft\u0131rmac\u0131s\u0131 Gomidas Vartabed\u2019in y\u0131llar boyunca Anadolu\u2019da dola\u015farak derledi\u011fi ve notalara aktard\u0131\u011f\u0131 T\u00fcrk\u00e7e, Ermenice, K\u00fcrt\u00e7e ve Fars\u00e7a t\u00fcrk\u00fcler, etnom\u00fczikologlar Burcu Y\u0131ld\u0131z ve Melissa Bilal\u2019in haz\u0131rlad\u0131\u011f\u0131 \u201cKalbim O Viran Evlere Benzer \u2013 Gomidas Vartabed\u2019in M\u00fczik Miras\u0131\u201d kitab\u0131nda hayat buldu.\u00a0<\/em><\/strong><\/p>\n

Ay\u00e7a Han<\/strong><\/p>\n

So\u011fomon So\u011fomonyan, 1894\u2019ten sonraki, bilinen ad\u0131yla Gomidas Vartabed T\u00fcrkiye m\u00fczik tarihi ve alandaki ara\u015ft\u0131rmalar ad\u0131na \u00f6nemli bir isim. 1869 y\u0131l\u0131nda d\u00fcnyaya geldi\u011fi K\u00fctahya\u2019da bulunan Aziz Teotoros Ermeni Kilisesi\u2019nde mugannilik (kiliselerde din\u00ee m\u00fczik icra edenlere verilen isim) yaparak ba\u015fl\u0131yor m\u00fczik ile olan ili\u015fkisi. K\u00fc\u00e7\u00fck ya\u015flarda kaybetti\u011fi annesi Takuhi Hovhannisyan Han\u0131m ve babas\u0131 Kevork So\u011fomonyan Bey de K\u00fctahya\u2019n\u0131n musiki\u015finaslar\u0131 aras\u0131nda an\u0131l\u0131yor. Etnom\u00fczikologlar Burcu Y\u0131ld\u0131z ve Melissa Bilal\u2019\u0131n haz\u0131rlad\u0131\u011f\u0131 ve Birzamanlar Yay\u0131nc\u0131l\u0131k etiketiyle raflarda yerini alan kitab\u0131n ismi: \u201cKalbim O Viran Evlere Benzer \u2013 Gomidas Vartabed\u2019in M\u00fczik Miras\u0131\u201d
\nKitapta, Vartabed\u2019in dostlar\u0131n\u0131n yazd\u0131\u011f\u0131 an\u0131lar\u0131, kendisinin yazd\u0131\u011f\u0131 akademik makalelerin T\u00fcrk\u00e7e \u00e7evirilerini okuyabilir; kitab\u0131n sonunda yer alan foto\u011fraflar ve belgelerle ya\u015fam \u00f6yk\u00fcs\u00fcne tan\u0131kl\u0131k edebilirsiniz.
\n\u0130stanbul Teknik \u00dcniversitesi M\u00fczikoloji B\u00f6l\u00fcm\u00fcnde do\u00e7ent \u00f6\u011fretim \u00fcyesi olarak etnom\u00fczikoloji dersleri veren Burcu Y\u0131ld\u0131z ve Ermenistan Amerikan \u00dcniversitesi, \u0130nsani ve Sosyal Bilimler Fak\u00fcltesinde \u00f6\u011fretim \u00fcyesi olan Melissa Bilal\u2019in akademik \u00e7al\u0131\u015fmalar\u0131 Ermeni m\u00fczi\u011fi \u00fczerine oldu\u011fundan, Gomidas Vartabed ikisinin de vazge\u00e7ilmez \u00e7al\u0131\u015fma alanlar\u0131ndan biri. 2010\u2019lu y\u0131llarda ba\u015flad\u0131klar\u0131 \u201cResounding Gomidas\u2019 Legacy\u201d isimli bir proje kapsam\u0131nda, Kalan M\u00fczik ve Anadolu K\u00fclt\u00fcr\u2019\u00fcn de te\u015fvikleriyle \u201cYerkaran\u201d isimli bir alb\u00fcm yay\u0131nlad\u0131lar. Alb\u00fcmde Gomidas Vartabed\u2019in, \u00e7o\u011fu daha \u00f6nce g\u00fcn \u0131\u015f\u0131\u011f\u0131na \u00e7\u0131kmam\u0131\u015f Ermenice, K\u00fcrt\u00e7e ve T\u00fcrk\u00e7e derlemelerinin d\u00fczenlemelerine yer verildi. O d\u00f6nemde Gomidas Vartabed\u2019in K\u00fcrt\u00e7e ve T\u00fcrk\u00e7e derlemelerinin de yer ald\u0131\u011f\u0131 kaynaklara ula\u015fmaya ba\u015flayan etnom\u00fczikologlar i\u00e7in, \u201cKalbim O Viran Evlere Benzer\u201d kitab\u0131 alb\u00fcm projesinin devam\u0131 olma niteli\u011fi de ta\u015f\u0131yor.<\/p>\n

    \n
  1. Y\u00dcZYILDA, K\u00dcTAHYA\u2019DA B\u0130R M\u00dcZ\u0130KOLOG<\/strong><\/li>\n<\/ol>\n

    Gomidas Vartabed e\u011fitimini bug\u00fcn Ermenistan Cumhuriyeti i\u00e7erisinde g\u00f6r\u00fcnen E\u00e7miadzin\u2019de ve Berlin\u2019de y\u00fcr\u00fct\u00fcyor. \u00c7al\u0131\u015fmalar\u0131n\u0131 hem Osmanl\u0131 \u0130mparatorlu\u011fu, hem de Rus \u0130mparatorlu\u011fu i\u00e7erisinde ger\u00e7ekle\u015ftiren Vartabed bir m\u00fczikolog, m\u00fczisyen, kompozit\u00f6r, koro \u015fefi, din adam\u0131\u2026 Bu sebeple \u00e7al\u0131\u015fmalar\u0131n\u0131n i\u00e7eri\u011finin olduk\u00e7a geni\u015f oldu\u011funu belirten Burcu Y\u0131ld\u0131z, Vartabed\u2019i \u015fu s\u00f6zlerle anlat\u0131yor: \u201cDerlemelerinden konu\u015fma ihtiyac\u0131 duyuyoruz, koral d\u00fczenlemeleri ayr\u0131 bir boyut ekliyor, m\u00fczik ara\u015ft\u0131rmalar\u0131 ve makaleler yine benzer \u015fekilde farkl\u0131 bir i\u00e7erik sunuyor. M\u00fczik ara\u015ft\u0131rmac\u0131lar\u0131 a\u00e7\u0131s\u0131ndan da bir\u00e7ok farkl\u0131 alanda de\u011ferlendirilebilir; bir yandan da \u00e7ok temel, \u00f6nemli \u00f6zelliklerinden bir tanesi de \u00e7ok \u00f6nemli bir m\u00fczikal bellek ta\u015f\u0131y\u0131c\u0131s\u0131 olmas\u0131. Bug\u00fcn Ermeni Halk M\u00fczi\u011fi\u2019ne ait, olu\u015fmu\u015f olan, standart repetruvar\u0131n \u00e7o\u011funun asl\u0131nda Gomidas\u2019\u0131n derlemelerinden elde edilmi\u015f repertuvar oldu\u011funu biliyoruz. Bu anlamda asl\u0131nda hem ge\u00e7mi\u015fe dair \u00e7ok \u00f6nemli bir yans\u0131t\u0131c\u0131, hem de asl\u0131nda bug\u00fcne de bir k\u00f6pr\u00fc olu\u015fturuyor Gomidas\u2019\u0131n \u00e7al\u0131\u015fmalar\u0131. Ama ayn\u0131 zamanda, yine m\u00fczik ara\u015ft\u0131rmalar\u0131nda, K\u00fcrt m\u00fczi\u011fine dair ilk notaya al\u0131nm\u0131\u015f eserleri de Gomidas Vartabed\u2019in yazd\u0131\u011f\u0131 bilinir. Bu kadar erken d\u00f6nemde hem Ermeni m\u00fczi\u011fi, hem T\u00fcrk m\u00fczi\u011fi, hem K\u00fcrt m\u00fczi\u011fi, bu farkl\u0131 alanlardan \u00e7al\u0131\u015fmalar\u0131 bir araya getirip birbiriyle konu\u015fturan ara\u015ft\u0131rmac\u0131lardan biri olmas\u0131 da \u00e7ok ilgimizi \u00e7ekmi\u015fti. Sadece bir alana odaklanmay\u0131p, bu tarz kar\u015f\u0131la\u015ft\u0131rmal\u0131 m\u00fczik ara\u015ft\u0131rmalar\u0131 yine onun d\u00f6neminde yap\u0131lmas\u0131 tercih edilen bir alan, o anlamda da bir \u00f6nc\u00fcl\u00fc\u011f\u00fc var.\u201d
    \nM\u00fczikoloji tarihini inceledikleri derslerde, \u00e7al\u0131\u015fmalar\u0131n Avrupa ve Amerika merkezli ba\u015flad\u0131\u011f\u0131n\u0131, Gomidas Vartabed\u2019in \u00e7al\u0131\u015fmalar\u0131n\u0131n da ayn\u0131 d\u00f6neme denk geldi\u011fini s\u00f6yleyen Y\u0131ld\u0131z, genelde hep Avrupa\u2019da y\u00fcr\u00fct\u00fclen ara\u015ft\u0131rmalardan bahsedildi\u011fini belirtiyor ve ekliyor: \u201cGomidas Vartabed tam da bu d\u00f6nemde m\u00fczikolojinin bilimsel bir disiplin haline d\u00f6n\u00fc\u015fmesi \u00fczerine tart\u0131\u015fmalar\u0131n y\u00fcr\u00fct\u00fcld\u00fc\u011f\u00fc bir ortamda bulunuyor. Berlin\u2019e gidip Uluslararas\u0131 M\u00fczik Cemiyeti\u2019nin toplant\u0131lar\u0131na kat\u0131l\u0131p Ermeni m\u00fczi\u011fi \u00fczerine sunumlar yap\u0131yor. Hem bu ara\u015ft\u0131rmay\u0131 yap\u0131p hem de bir yandan asl\u0131nda bu topraklar\u0131 temsil eden bir kimlik. Ben \u00e7al\u0131\u015fmalar\u0131n\u0131n bu kapsam\u0131n\u0131 anlamaya ba\u015flad\u0131\u011f\u0131mda ger\u00e7ekten \u015fok olmu\u015ftum, \u00e7\u00fcnk\u00fc genelde bizde halk m\u00fczi\u011fi ara\u015ft\u0131rmalar\u0131 \u00f6zellikle Cumhuriyet sonras\u0131 d\u00f6nem olarak tart\u0131\u015f\u0131l\u0131r ve konu\u015fulur. T\u00fcrkiye\u2019deki halk m\u00fczi\u011fi genelde 20\u2019li y\u0131llar itibar\u0131yla ba\u015flat\u0131lm\u0131\u015ft\u0131r, ama bakt\u0131\u011f\u0131n\u0131zda Gomidas Vartabed\u2019in \u00e7al\u0131\u015fmalar\u0131 \u00e7ok daha erken d\u00f6nemde ba\u015flam\u0131\u015f. Sadece Ermenice derlemeleri a\u00e7\u0131s\u0131ndan de\u011fil, T\u00fcrk\u00e7e ve K\u00fcrt\u00e7e derlemelerinin oldu\u011funu da biliyoruz. Asl\u0131nda sadece Gomidas\u2019\u0131n de\u011fil Pahtikos isimli bir Rum ara\u015ft\u0131rmac\u0131n\u0131n da erken d\u00f6nem derlemeler yapt\u0131\u011f\u0131 bilinir, bu \u00e7al\u0131\u015fmalara T\u00fcrkiye\u2019deki ara\u015ft\u0131rmac\u0131l\u0131k tarihine tarihsel perspektif kazand\u0131rmak a\u00e7\u0131s\u0131ndan da \u00e7ok ihtiyac\u0131m\u0131z var. Bu y\u00fczden de Gomidas\u2019\u0131n \u00e7al\u0131\u015fmalar\u0131 dedi\u011finiz gibi, buradaki m\u00fczik tarihi ara\u015ft\u0131rmac\u0131l\u0131\u011f\u0131 i\u00e7in \u00e7ok \u00f6nemli ve bizim de bu kitab\u0131 yay\u0131nlamaktaki en temel dertlerimizden biri, art\u0131k bu literat\u00fcrde bu isimlerin an\u0131lmas\u0131.\u201d<\/p>\n

    \u00a0\u2018GER\u00c7E\u011e\u0130N \u0130NK\u00c2RI\u2026\u2019<\/strong><\/p>\n

    Gomidas Vartabed \u00e7o\u011funlukla bug\u00fcnk\u00fc Ermenistan Cumhuriyeti i\u00e7erisinde yer alan Do\u011fu Ermenistan k\u00f6ylerini gezip Ermenice ve K\u00fcrt\u00e7e \u015fark\u0131lar derliyor, K\u00fctahya, \u0130stanbul ve E\u00e7miadzin\u2019de dinledi\u011fi T\u00fcrk\u00e7e \u015fark\u0131lar\u0131 notaya al\u0131yor, Sarkis Hayguni\u2019nin Ermeni-K\u00fcrt destanlar\u0131 derlemesinden par\u00e7alar\u0131n transkripsiyonlar\u0131n\u0131 yaz\u0131yor ve bu transkripsiyonlar, bir\u00e7ok K\u00fcrt m\u00fczi\u011fi ara\u015ft\u0131rmac\u0131s\u0131 taraf\u0131ndan notaya aktar\u0131lan ilk K\u00fcrt\u00e7e derlemeler olarak tan\u0131mlan\u0131yor. Peki bu topraklarda do\u011fmu\u015f ve hayat\u0131n\u0131n b\u00fcy\u00fck k\u0131sm\u0131n\u0131 bu topraklarda ge\u00e7irmi\u015f Vartabed hakk\u0131nda bilinenler neden bu kadar az ve hakk\u0131nda T\u00fcrk\u00e7e kaynak bulmak neden bu kadar zor? Melissa Bilal bunun sadece Gomidas Vartabed\u2019e \u00f6zg\u00fc bir durum olmad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor: \u201cBu topraklar\u0131n Ermenilerin anayurdu oldu\u011funun ve bu anayurttaki varl\u0131klar\u0131n\u0131n kitlesel \u015fiddet yoluyla yok edilmi\u015f oldu\u011fu ger\u00e7e\u011finin ink\u00e2r\u0131, bug\u00fcn T\u00fcrkiye\u2019de Ermenilerin h\u00e2l\u00e2 ya\u015famaya devam etti\u011fi bilgisinin kimi \u00e7evrelerde yaratt\u0131\u011f\u0131 rahats\u0131zl\u0131k ve Ermenilerin m\u00fczikal miraslar\u0131n\u0131 ku\u015faktan ku\u015fa\u011fa aktar\u0131rken kar\u015f\u0131la\u015ft\u0131klar\u0131 zorluklar\u0131n konu\u015fulmamas\u0131 birbirleriyle ili\u015fkili temel sebepler. Cumhuriyet\u2019in kurulu\u015funu takip eden on y\u0131llar boyunca, T\u00fcrk\u00e7e d\u0131\u015f\u0131ndaki dillerde s\u00f6ylenen \u015fark\u0131lar kamusal alanda susturulmu\u015f, bir\u00e7ok \u015fark\u0131 T\u00fcrk\u00e7e s\u00f6zl\u00fc varyantlar\u0131 ile ya da ezgilerine T\u00fcrk\u00e7e s\u00f6zler yaz\u0131larak kitleselle\u015ftirilmeye \u00e7al\u0131\u015f\u0131lm\u0131\u015f. Erken Cumhuriyet d\u00f6neminde kurumsalla\u015fan halk m\u00fczi\u011fi \u00e7al\u0131\u015fmalar\u0131, ulusal s\u00f6ylemin kurucu sessizliklerinin \u00fcretildi\u011fi temel alanlardan biri haline gelmi\u015f. Bir bilgi \u00fcretim kanal\u0131 olarak m\u00fczikoloji ulus devletin millile\u015ftirdi\u011fi co\u011frafyan\u0131n yak\u0131n tarihinde ya\u015fanan \u015fiddeti ve ekonomik ve k\u00fclt\u00fcrel talan\u0131 \u00f6nemsizle\u015ftirme, me\u015frula\u015ft\u0131rma ve unutturma i\u015flevini \u00fcstlenmi\u015f. T\u00fcrkiye m\u00fczikoloji tarih yaz\u0131m\u0131nda, Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun son d\u00f6neminde \u00e7e\u015fitli milletlerden ara\u015ft\u0131rmac\u0131 ve m\u00fczisyenlerin y\u00fcr\u00fctt\u00fckleri halk m\u00fczi\u011fi derleme, notaya alma, yay\u0131nlama, d\u00fczenleme ve icra \u00e7al\u0131\u015fmalar\u0131na nadiren yer verilmi\u015f, verildi\u011finde de, Gomidas Vartabed \u00f6rne\u011finde en az\u0131ndan, makalemde detayl\u0131 anlatt\u0131\u011f\u0131m gibi, itibars\u0131zla\u015ft\u0131r\u0131lmaya \u00e7al\u0131\u015f\u0131lm\u0131\u015f. K\u0131sacas\u0131, Gomidas Vartabed hakk\u0131nda konu\u015fmak direkt olarak 24 Nisan 1915\u2019te tutuklanmas\u0131yla ba\u015flayan s\u00fcrece dair konu\u015fmay\u0131 gerektirece\u011finden, b\u00fct\u00fcn di\u011fer tutuklanan ve \u00f6l\u00fcm s\u00fcrg\u00fcn\u00fcne g\u00f6nderilen ayd\u0131nlarla birlikte Gomidas Vartabed\u2019in hikayesi de sessizle\u015ftirildi. Dahas\u0131 bir de son y\u0131llarda T\u00fcrkiye\u2019de kamusal alanda, ger\u00e7eklikle ilgisi olmayan bir \u2018Gomidas Vartabed\u2019i Halide Edip ve Mehmet Emin kurtard\u0131\u2019 miti dola\u015fmaya ba\u015flad\u0131 ki bu da Gomidas Vartabed\u2019le y\u00fczle\u015fmeyi iyice geciktirdi.\u201d
    \nBurcu Y\u0131ld\u0131z ise T\u00fcrkiye\u2019de \u00f6zellikle T\u00fcrkiye d\u0131\u015f\u0131ndaki etnisitelerin k\u00fclt\u00fcrel miraslar\u0131na ar\u015fivsel anlamda ula\u015fman\u0131n pek m\u00fcmk\u00fcn olmad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor: \u201cBiz Gomidas\u2019\u0131n kendi yay\u0131nlar\u0131na hem ar\u015fivlerden ula\u015fabildik, hem de son d\u00f6nemde Ermenistan\u2019dan ara\u015ft\u0131rmac\u0131lar\u0131n yay\u0131nlad\u0131klar\u0131 derleme kitaplardan yararland\u0131k. Melissa son d\u00f6nemde de Ermenistan\u2019da bulundu\u011fundan, o da birebir ar\u015fivlere girerek oradan \u00e7al\u0131\u015fmalara ula\u015fabildi. Bizim burada kulland\u0131\u011f\u0131m\u0131z kaynaklar\u0131n bir\u00e7o\u011fu bug\u00fcn ara\u015ft\u0131rmac\u0131lar\u0131n bulabilece\u011fi, kitap\u00e7\u0131lardan sat\u0131n alabilece\u011fi i\u00e7erikler ama maalesef ki T\u00fcrk\u00e7e yay\u0131n \u00e7ok \u00e7ok s\u0131n\u0131rl\u0131\u201d diyor.<\/p>\n

    Gomidas Vartabed\u2019in T\u00fcrk\u00e7e derlemeleri i\u00e7inde yer alan, Hampartzum notas\u0131yla ve Ermeni harfleriyle yaz\u0131lm\u0131\u015f bir \u015fark\u0131. (Ye\u011fi\u015fe \u00c7arents Edebiyat ve Sanat M\u00fczesi Gomidas Vartabed Ar\u015fivi, Erivan.)<\/em><\/strong><\/p>\n

    \u0130STANBUL\u2019DAK\u0130 YA\u015eAMI VE B\u0130R S\u00dcRG\u00dcN\u00dcN TRAVMASI<\/strong><\/p>\n

    12 ya\u015f\u0131nda anne ve babas\u0131n\u0131 kaybeden Gomidas Vartabed, E\u00e7miadzin\u2019e Ruhban okuluna gidiyor ve e\u011fitimini orada al\u0131yor. E\u00e7miadzin bug\u00fcn Ermenistan Cumhuriyeti\u2019nde bir b\u00f6lge, ve orada Ruhban okulunda, m\u00fczi\u011fe olan yetene\u011fiyle de dikkat \u00e7ekiyor. \u00c7al\u0131\u015fmalar\u0131na a\u011f\u0131rl\u0131kl\u0131 olarak m\u00fczik alan\u0131nda devam ediyor ve o d\u00f6nem E\u00e7miadzin\u2019deki e\u011fitiminden sonra, ayn\u0131 okula m\u00fczik \u00f6\u011fretmeni olarak atan\u0131yor. Bir d\u00f6nem Berlin\u2019de 3 y\u0131l kadar e\u011fitim alma f\u0131rsat\u0131 buluyor; piyano, kompozisyon, \u015fan, armoni\u2026 O d\u00f6nem m\u00fczikoloji \u00e7evrelerine de kat\u0131ld\u0131\u011f\u0131, m\u00fczikoloji derslerini de takip etti\u011fi bir d\u00f6nem. Sonras\u0131nda s\u00fcrekli Avrupa\u2019ya gidip gelen Vartabed, K\u00fctahyal\u0131 oldu\u011fu i\u00e7in arada K\u00fctahya\u2019ya da gidip geliyor. 1910 y\u0131l\u0131nda, ara\u015ft\u0131rma olanaklar\u0131 daha iyi oldu\u011fu i\u00e7in, \u00e7al\u0131\u015fmalar\u0131na odaklanabilece\u011fi bir ortam ar\u0131yor kendisine. \u0130stanbul\u2019da bulunan Galata Surp Krikor Lusavori\u00e7 kilisesinin muganni heyetinin davetiyle \u0130stanbul\u2019a geliyor. Burada okunan kilise m\u00fcziklerinin, ayinin \u00e7oklu seslendirilmesini talep ediyorlar ve Vartabed \u0130stanbul\u2019a yerle\u015fiyor. \u0130stanbul\u2019a yerle\u015ftikten hemen sonra 300 ki\u015filik Kusan (Ozan) Korosu\u2019nu kuruyor. Konserler veriyor, akademik ara\u015ft\u0131rmalar\u0131n\u0131 y\u00fcr\u00fct\u00fcyor, buradaki okullarda Ermeni m\u00fczi\u011fini anlatt\u0131\u011f\u0131 dersler oluyor ve bir\u00e7ok \u00f6\u011frenci yeti\u015ftiriyor.Burcu Y\u0131ld\u0131z Vartabed\u2019in o d\u00f6nemde sadece Ermeni toplumuyla de\u011fil, Osmanl\u0131 entelekt\u00fcelleriyle de s\u00fcrekli al\u0131\u015fveri\u015f i\u00e7erisinde oldu\u011funu belirtiyor: \u201cBurada kendine tekrar bir hayat kurmu\u015f oluyor Gomidas Vartabed, ta ki 1915 y\u0131l\u0131na kadar. 1915 y\u0131l\u0131nda \u0130stanbul\u2019da Ermeni cemaatinin \u00f6nde gelen ayd\u0131nlar\u0131 ve entelekt\u00fcelleriyle birlikte \u00c7ank\u0131r\u0131\u2019ya s\u00fcrg\u00fcn ediliyor. Hayatta kalabilen ve d\u00f6nmeyi ba\u015farabilen sekiz ki\u015fiden biri olarak geri d\u00f6n\u00fcyor. D\u00f6nd\u00fc\u011f\u00fcnde \u00e7al\u0131\u015fmalar\u0131n\u0131n b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131n talan edildi\u011fini g\u00f6r\u00fcyor ve \u00e7ok k\u0131sa bir s\u00fcre daha \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrebildikten sonra \u00a0ak\u0131l sa\u011fl\u0131\u011f\u0131n\u0131 yitirdi\u011fi ve yakla\u015f\u0131k 20 y\u0131ll\u0131k bir suskunluk s\u00fcrecine ge\u00e7ti\u011fi gibi bir durum s\u00f6z konusu.\u201d<\/p>\n

    K\u0131tl\u0131kla m\u00fccadele eden Van halk\u0131 yarar\u0131na Leopold Favre\u2019\u0131n sponsorlu\u011funda d\u00fczenlenmi\u015f olan Cenevre konserinin afi\u015fi, 1 Haziran 1907. Tasar\u0131m Edgar Chahine taraf\u0131ndan yap\u0131lm\u0131\u015f.<\/em><\/strong><\/p>\n

    \u2018KALB\u0130M O V\u0130RAN EVLERE BENZER\u2019<\/strong><\/p>\n

    Kitab\u0131n \u201cAn\u0131lar\u201d b\u00f6l\u00fcm\u00fcnde, Gomidas Vartabed\u2019le birlikte de \u00e7al\u0131\u015fm\u0131\u015f olan Vanl\u0131 derlemeci Dikran \u00c7ituni\u2019nin \u201cGomidas\u2019la\u201d ba\u015fl\u0131kl\u0131 bir an\u0131 yaz\u0131s\u0131 da yer al\u0131yor. \u00c7ituni yaz\u0131s\u0131nda, s\u00fcrg\u00fcnden d\u00f6nen Vartabedle ilgili \u015funlar\u0131 kaleme al\u0131yor: \u201cBirka\u00e7 \u015fansl\u0131 ki\u015fi geri d\u00f6nd\u00fc. Gomidas O \u015fansl\u0131lardan biri oldu. \u0130nanam\u0131yorduk. D\u00f6nd\u00fc\u011f\u00fc g\u00fcn ko\u015fup onu g\u00f6rmeye gittim. Doktor Vahram Torkomyanlar\u2019da yemekteydi. Vartabed ve ben birlikte d\u00f6nd\u00fc\u011f\u00fcm\u00fczde gece yar\u0131s\u0131yd\u0131.
    \nMehtapl\u0131, sakin o harika may\u0131s gecesi, g\u00f6zlerimin \u00f6n\u00fcnden hi\u00e7 gitmiyor. Taksim spor sahas\u0131 boyunca uzanan bo\u015f ve \u0131ss\u0131z caddede \u00e7ifte g\u00f6lgelerimiz, ay \u0131\u015f\u0131\u011f\u0131 alt\u0131nda hayaletler gibiydi. E\u00e7miadzin\u2019in ve \u0130stanbul\u2019un, evdeki, sokaktaki, konserlerdeki, hepimizin bildi\u011fi \u015fen Gomidas yoktu art\u0131k. Onun i\u00e7inde bir \u015fey derinden y\u0131k\u0131lm\u0131\u015ft\u0131.Notaya d\u00f6km\u00fc\u015f oldu\u011fu \u015fu kederli \u015fark\u0131daki gibi:
    \n\u2018Kalbim o viran evlere benzer Direkleri k\u0131r\u0131lm\u0131\u015f, s\u00fctunlar\u0131 yerinden oynam\u0131\u015f\u2026\u2019 \u201cS\u00fcrg\u00fcnden d\u00f6nd\u00fckten sonra \u0130stanbul\u2019da bir s\u00fcre \u00e7al\u0131\u015fmalar\u0131na devam eden Gomidas Vartabed\u2019in ya\u015fad\u0131\u011f\u0131 travma, ruh sa\u011fl\u0131\u011f\u0131n\u0131n bozulmas\u0131na neden oldu. Ekim ay\u0131nda La Paix hastanesine kald\u0131r\u0131ld\u0131. 1919\u2019da Pariste\u2019ki Ville- \u00c8vrard hastanesine, 1921\u2019de Villejuif\u2019te bir klini\u011fe nakledildi. 1935\u2019te bu klinikte vefat etti; ard\u0131nda T\u00fcrkiye m\u00fczik tarihi i\u00e7in b\u00fcy\u00fck bir miras b\u0131rakarak\u2026
    \nT\u00fcrkiye\u2019nin ge\u00e7mi\u015findeki k\u00fclt\u00fcrel \u00e7e\u015fitlilik ve bunun yok olu\u015f s\u00fcrecine dair kitaplar yay\u0131nlayan, etkinlikler d\u00fczenleyen Birzamanlar Yay\u0131nc\u0131l\u0131k, \u201cGaleri Birzamanlar\u201d isimli sergi ve etkinlik mek\u00e2n\u0131n\u0131 da hayata ge\u00e7irdi. Ermeni m\u00fczikolog Gomidas Vartabed\u2019in 150. do\u011fum y\u0131l\u0131nda, hayat\u0131n\u0131 ve m\u00fczi\u011fini anlatan \u201cKalbim O Viran Evlere Benzer\u201d sergisi de, yar\u0131n itibari ile Galeri Birzamanlar\u2019da ziyarete a\u00e7\u0131l\u0131yor. 29 Ocak 2020 tarihinde sona erecek sergi; hen\u00fcz tan\u0131\u015fmam\u0131\u015f olanlar\u0131n, Vartabed\u2019le tan\u0131\u015fmalar\u0131 i\u00e7in bir f\u0131rsat.<\/p>\n

    http:\/\/www.cumhuriyet.com.tr\/haber\/kultur-sanat\/1704784\/turkiye-muzik-tarihine-gomidas-vartbedin-mirasi.html<\/a><\/strong><\/em><\/p>\n

    \u00a0<\/strong><\/p>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

    Ermeni as\u0131ll\u0131 K\u00fctahya do\u011fumlu m\u00fczik ara\u015ft\u0131rmac\u0131s\u0131 Gomidas Vartabed\u2019in y\u0131llar boyunca Anadolu\u2019da dola\u015farak derledi\u011fi ve notalara aktard\u0131\u011f\u0131 T\u00fcrk\u00e7e, Ermenice, K\u00fcrt\u00e7e ve Fars\u00e7a t\u00fcrk\u00fcler, etnom\u00fczikologlar Burcu Y\u0131ld\u0131z ve Melissa Bilal\u2019in haz\u0131rlad\u0131\u011f\u0131 \u201cKalbim O Viran Evlere Benzer \u2013 Gomidas Vartabed\u2019in M\u00fczik Miras\u0131\u201d kitab\u0131nda hayat buldu.\u00a0 Ay\u00e7a Han So\u011fomon So\u011fomonyan, 1894\u2019ten sonraki, bilinen ad\u0131yla Gomidas Vartabed T\u00fcrkiye m\u00fczik tarihi […]<\/p>\n","protected":false},"author":7,"featured_media":55882,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,70,19],"tags":[],"class_list":["post-55881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-makaleler","category-unluler"],"yoast_head":"\nT\u00fcrkiye m\u00fczik tarihine Gomidas Vartbed\u2019in miras\u0131 - 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