{"id":45581,"date":"2018-03-30T02:50:34","date_gmt":"2018-03-30T07:50:34","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=45581"},"modified":"2018-03-30T02:50:34","modified_gmt":"2018-03-30T07:50:34","slug":"1915in-golgesinde-unutulma-ve-hatirlanma","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=45581","title":{"rendered":"1915\u2019in g\u00f6lgesinde unut(ul)ma ve hat\u0131rla(n)ma"},"content":{"rendered":"

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Yersiz Kumpanya\u2019n\u0131n ilk oyunu olan \u2018Unutulan\u2019, pr\u00f6miyerini 11 Mart\u2019ta Karak\u00f6y \u0130kinci Kat\u2019ta yapt\u0131. Elif Ongan Tek\u00e7e\u2019nin yazd\u0131\u011f\u0131, Sanem \u00d6ge\u2019nin y\u00f6netti\u011fi iki ki\u015filik oyunun karakterleri Mari ve N\u0131vart, Elif Ongan Tek\u00e7e ve Bur\u00e7ak Karabo\u011fa G\u00fcney taraf\u0131ndan canland\u0131r\u0131l\u0131yor. \u2018Unutulan\u2019\u0131, oyuncular\u0131 ve y\u00f6netmeniyle konu\u015ftuk.<\/em><\/strong><\/p>\n

VARTAN ESTUKYAN<\/strong><\/p>\n

ALTU\u011e YILMAZ<\/strong><\/p>\n

\u00a0\u2018Unutulan\u2019, Yersiz Tiyatro\u2019nun ilk oyunu. Kumpanyan\u0131z nas\u0131l kuruldu?<\/strong><\/p>\n

Elif Ongan Tek\u00e7e: Biz bu \u00e7al\u0131\u015fmaya asl\u0131nda bir kumpanya kural\u0131m diye ba\u015flamam\u0131\u015ft\u0131k. Oyun \u00fczerine \u00e7al\u0131\u015f\u0131rken ya\u015fad\u0131\u011f\u0131m\u0131z s\u00fcre\u00e7 belirleyici oldu. Yersizlik de o s\u00fcre\u00e7te do\u011fdu.<\/p>\n

\u2018Yersizlik\u2019ten kast\u0131n\u0131z ne?<\/strong><\/p>\n

Bur\u00e7ak Karabo\u011fa G\u00fcney: Hem yersiz, hem de yerini bilmez \u015fekilde konu\u015fan, hadsiz… O y\u00fczden de bu ismi tercih ettik.<\/p>\n

Sanem \u00d6ge: \u0130stanbul\u2019da yersiz kalmak \u00e7ok zor bir \u015fey de\u011fil zaten.<\/p>\n

Bu oyunu yazarken ne t\u00fcr kaynaklardan beslendiniz?<\/strong><\/p>\n

EOT: En ba\u015fta, Osmanl\u0131 d\u00f6nemindeki feminist kad\u0131nlara dair bir ara\u015ft\u0131rma yap\u0131yorduk. O d\u00f6nemi ara\u015ft\u0131r\u0131p Zabel Esayan\u2019a rastlamayan ve ondan etkilenmeyen yoktur herhalde. Zamanla o konudan uzakla\u015f\u0131p, d\u00f6nemin tiyatro \u00e7al\u0131\u015fmalar\u0131n\u0131 ve bunlara dair kaynaklar\u0131 ara\u015ft\u0131rmaya ba\u015flad\u0131k. Bo\u011fazi\u00e7i \u00dcniversitesi\u2019nden Nilg\u00fcn Firidino\u011flu\u2019yla g\u00f6r\u00fc\u015ft\u00fck; ondan Ermeni tiyatrosundan ve Tanzimat D\u00f6nemi\u2019nden tiyatro metinleri, yeni \u00e7eviriler ve kitaplar ald\u0131k. Daha sonra, konuyla ilgili tezleri okumaya ba\u015flad\u0131k. Bu okumalar ald\u0131 ba\u015f\u0131n\u0131 gitti. Ard\u0131ndan Zerrin Yan\u0131kkaya\u2019n\u0131n, Yeditepe \u00dcniversitesi\u2019nde verdi\u011fi, tam da o d\u00f6nemde ara\u015ft\u0131rd\u0131\u011f\u0131m\u0131z konuya odaklanan derslere kat\u0131ld\u0131k. T\u00fcm bu s\u00fcre\u00e7te hik\u00e2yelerini \u00f6\u011frendi\u011fimiz kad\u0131nlar bizi \u00e7ok etkiledi ve Bur\u00e7ak bana, bu konuda bir oyun yazmam gerekti\u011fini s\u00f6yledi.<\/p>\n

BKG: Biz bir \u015fey \u00e7\u0131karm\u0131\u015ft\u0131k; do\u011fa\u00e7lama yapmam\u0131z laz\u0131md\u0131 ama olmazd\u0131, bir \u015fey yaz\u0131lmal\u0131yd\u0131. Oyun, bu konular\u0131 da i\u00e7ermeliydi, \u00e7\u00fcnk\u00fc bir\u00e7ok \u015fey okumu\u015f, biriktirmi\u015ftik. Elif, sa\u011f olsun, yazd\u0131.<\/p>\n

Oyunun y\u00f6netmeni olarak siz projeye nas\u0131l dahil oldunuz?<\/strong><\/p>\n

S\u00d6: Ben oyunun yaz\u0131m s\u00fcrecinde \u00e7al\u0131\u015fman\u0131n i\u00e7inde de\u011fildim. \u0130ki ki\u015fi de sahnede oldu\u011fundan kendilerine d\u0131\u015far\u0131dan bakam\u0131yorlard\u0131. Elif \u201cSen de bakar m\u0131s\u0131n?\u201d diye rica etti, ba\u015fta y\u00f6netmen olarak girmesem de projeye bu \u015fekilde dahil oldum.<\/p>\n

Oyunda, 1915 ve sonras\u0131yla ilgili olarak birbirinden farkl\u0131 travmalar\u0131 olan iki kad\u0131n g\u00f6r\u00fcyoruz. Bu travmalar\u0131 nas\u0131l \u2018b\u00f6l\u00fc\u015ft\u00fcrd\u00fcn\u00fcz\u2019?<\/strong><\/p>\n

EOT: Yaz\u0131m s\u00fcrecinde hep tek bir kad\u0131n \u00fczerinden d\u00fc\u015f\u00fcnd\u00fck. Benim tez konum, biri olamadan di\u011feri olamayan ikili karakterleri konu al\u0131yordu. 19. y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda ya\u015fam\u0131\u015f, \u00e7ok tan\u0131nm\u0131\u015f ve be\u011fenilen bir oyuncu olan Mari N\u0131vart\u2019\u0131, Mari ve N\u0131vart olarak iki karaktere b\u00f6ld\u00fck. Mari N\u0131vart\u2019\u0131n hik\u00e2yesi iyi biliniyor; bir T\u00fcrk\u2019le g\u00f6n\u00fcl ili\u015fkisi ya\u015f\u0131yor ve ondan hamile kal\u0131yor fakat etraf\u0131nda yarg\u0131lay\u0131c\u0131 bir ortam oldu\u011fu i\u00e7in \u00e7ocu\u011fu d\u00fc\u015f\u00fcrmek istiyor, bunun i\u00e7in de farkl\u0131 y\u00f6ntemler deniyor. Bir g\u00fcn, Kamelyal\u0131 Kad\u0131n\u2019\u0131 oynarken, denedi\u011fi y\u00f6ntemlerden birinden dolay\u0131 sahnede kanama ge\u00e7iriyor ve hayat\u0131n\u0131 kaybediyor. Bu herkes i\u00e7in trajik ve b\u00fcy\u00fck bir hik\u00e2ye. O d\u00f6neme dek g\u00f6r\u00fclm\u00fc\u015f en b\u00fcy\u00fck cenaze t\u00f6reniyle defnediliyor. Mari N\u0131vart\u2019\u0131n bu hik\u00e2yesi karakterlere b\u00f6l\u00fcnd\u00fc\u011f\u00fc zaman, oyunun yap\u0131s\u0131 da olu\u015fmaya ba\u015flad\u0131. \u2018Kamelyal\u0131 Kad\u0131n\u2019 bizim oyunumuzda da merkezde duruyor.<\/p>\n

Karakterlerin travmalar\u0131n\u0131n kayna\u011f\u0131 oyun boyunca kadar \u00e7e\u015fitli sembollerle, g\u00f6ndermelerle anlat\u0131l\u0131yor fakat oyunun sonlar\u0131nda, do\u011frudan 1915\u2019e dair betimlemeler giriyor devreye. Orada bir didaktizm riski yok mu?<\/strong><\/p>\n

S\u00d6: Var. En \u00e7ok dikkat etmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131z yer de oras\u0131 oldu. Dokunakl\u0131 bir hik\u00e2yeye dokunakl\u0131 bir sanatsal bi\u00e7im \u00fcretildi\u011finde, hik\u00e2yenin etkisi d\u00fc\u015f\u00fcyor. Anlatmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131z mesele \u00e7ok ac\u0131kl\u0131, dokunakl\u0131, trajik bir yere gidebiliyordu, \u00f6yle olunca da anlat\u0131 zay\u0131fl\u0131yordu. Onu ba\u015fka bir \u015fekilde anlatman\u0131n yollar\u0131n\u0131 arad\u0131k. Oyunun metni \u00e7ok daha uzun ve ac\u0131kl\u0131yd\u0131; metnin neredeyse yar\u0131s\u0131n\u0131 kesmek zorunda kald\u0131k. Metni k\u0131rparken, \u00e7ok dokunakl\u0131 yerleri sadele\u015ftirmeye de \u00e7al\u0131\u015ft\u0131k. Niyetimiz ac\u0131nd\u0131rmak de\u011fildi \u00e7\u00fcnk\u00fc. B\u00f6yle mevzularda ac\u0131nd\u0131rman\u0131n hi\u00e7bir zaman i\u015fe yaramad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. O y\u00fczden, \u201cKimseyi kimseye ac\u0131nd\u0131rmadan bu hik\u00e2yeyi nas\u0131l anlatabiliriz?\u201d sorusunu sorduk kendimize. Bunu yapmaya \u00e7al\u0131\u015ft\u0131k, \u00f6yle olmamas\u0131 i\u00e7in elimizden geleni yapt\u0131k ama izleyiciye ajite gelen yerler olabilir.<\/p>\n

Oyun, hat\u0131rlama-unutma, r\u00fcya-hakikat, \u00fcmit-\u00fcmitsizlik gibi ikili kar\u015f\u0131tl\u0131klar \u00fczerine kurulu…<\/strong><\/p>\n

EOT: \u00d6yle. Kar\u015f\u0131tl\u0131klar\u0131 yan yana getirebilirsek meseleyi daha derin ya da hakiki anlatabilece\u011fimizi d\u00fc\u015f\u00fcnd\u00fck. Zaten, bir kavramdan bahsederken, onu tek ba\u015f\u0131na de\u011fil, ancak kar\u015f\u0131t\u0131yla beraber var edebiliyorsunuz. B\u00fct\u00fcn oyun bunun \u00fczerine kurulu. Unutmaktan ve unutulmaktan bahsetti\u011finizde, hat\u0131rlamak ve hat\u0131rlanmak da kendili\u011finden geliyor.<\/p>\n

Oyunda, iyi bilinen \u00fc\u00e7 kanto seslendiriyorsunuz. Se\u00e7imi neye g\u00f6re yapt\u0131n\u0131z?<\/strong><\/p>\n

BKG: Oyunda ikisi ezgili olarak, biri ezgisiz okunan \u00fc\u00e7 kanto var: \u2018Kalplere vur bir z\u0131mba\u2019, \u2018Ko\u015fa ko\u015fa\u2019 ve \u2018B\u00fclb\u00fcl Kantosu\u2019. Bizim i\u00e7in, bunlar\u0131n bilinir olmalar\u0131ndan ziyade, s\u00f6zlerinin oyunun i\u00e7eri\u011fiyle ili\u015fkilendirilebilmesi \u00f6nemliydi. Bu \u00fc\u00e7 kantonun da s\u00f6zleri, oyunun konusuna uygundu.<\/p>\n

Oyuncular\u0131n aksanl\u0131 karakterler canland\u0131rmas\u0131 yapayl\u0131k riski ta\u015f\u0131r. \u2018Unutulan\u2019daki iki karakter de, taklit havas\u0131 vermeden, \u0130stanbul Ermeni aksan\u0131yla T\u00fcrk\u00e7e konu\u015fuyor. Bu konuda nas\u0131l \u00e7al\u0131\u015fma yapt\u0131n\u0131z?<\/strong><\/p>\n

Elif Ongan Tek\u00e7e: \u00d6nce Bercuhi Berberyan\u2019la, ard\u0131ndan, yine bir tiyatrocu olan arkada\u015f\u0131m\u0131z Arlet\u2019le \u00e7al\u0131\u015ft\u0131k. Daha sonra y\u00f6netmenimiz Sanem, konu\u015fmam\u0131z\u0131n, kula\u011fa farkl\u0131 bir leh\u00e7e gibi geldi\u011fini s\u00f6yledi. Bunun \u00fczerine, Bur\u00e7ak\u2019la birlikte Kurtulu\u015f sokaklar\u0131nda dola\u015fmaya ba\u015flad\u0131k ve semtteki baz\u0131 kafelerde oturduk, etraf\u0131 dinledik. Daha sonra, bir Ermeni okulunun m\u00fcdiresi arac\u0131l\u0131\u011f\u0131yla, canland\u0131rd\u0131\u011f\u0131m\u0131z karakterlerin ya\u015flar\u0131nda iki Ermeni kad\u0131nla tan\u0131\u015ft\u0131k. Onlar\u0131 dinleyince, o zamana kadar yapt\u0131\u011f\u0131m\u0131z \u00e7al\u0131\u015fmalarda ufak tefek yanl\u0131\u015flar oldu\u011funu fark ettik ve aksan\u0131m\u0131z\u0131 yeniden d\u00fczenledik.<\/p>\n

Oyun, 6 ve 28 Nisan\u2019da Karak\u00f6y \u0130kinci Kat\u2019ta, 17 Nisan\u2019da Kumbarac\u0131 50\u2019de, 23 Nisan\u2019da Ku\u015fadas\u0131\u2019nda sahnelenecek.<\/p>\n

http:\/\/www.agos.com.tr\/tr\/yazi\/20415\/1915in-golgesinde-unut-ul-ma-ve-hatirla-n-ma<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Yersiz Kumpanya\u2019n\u0131n ilk oyunu olan \u2018Unutulan\u2019, pr\u00f6miyerini 11 Mart\u2019ta Karak\u00f6y \u0130kinci Kat\u2019ta yapt\u0131. Elif Ongan Tek\u00e7e\u2019nin yazd\u0131\u011f\u0131, Sanem \u00d6ge\u2019nin y\u00f6netti\u011fi iki ki\u015filik oyunun karakterleri Mari ve N\u0131vart, Elif Ongan Tek\u00e7e ve Bur\u00e7ak Karabo\u011fa G\u00fcney taraf\u0131ndan canland\u0131r\u0131l\u0131yor. \u2018Unutulan\u2019\u0131, oyuncular\u0131 ve y\u00f6netmeniyle konu\u015ftuk. VARTAN ESTUKYAN ALTU\u011e YILMAZ \u00a0\u2018Unutulan\u2019, Yersiz Tiyatro\u2019nun ilk oyunu. Kumpanyan\u0131z nas\u0131l kuruldu? Elif Ongan […]<\/p>\n","protected":false},"author":7,"featured_media":45583,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,71],"tags":[],"class_list":["post-45581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-mulakatlar"],"yoast_head":"\n1915\u2019in g\u00f6lgesinde unut(ul)ma ve hat\u0131rla(n)ma - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=45581\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1915\u2019in g\u00f6lgesinde unut(ul)ma ve hat\u0131rla(n)ma - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Yersiz Kumpanya\u2019n\u0131n ilk oyunu olan \u2018Unutulan\u2019, pr\u00f6miyerini 11 Mart\u2019ta Karak\u00f6y \u0130kinci Kat\u2019ta yapt\u0131. Elif Ongan Tek\u00e7e\u2019nin yazd\u0131\u011f\u0131, Sanem \u00d6ge\u2019nin y\u00f6netti\u011fi iki ki\u015filik oyunun karakterleri Mari ve N\u0131vart, Elif Ongan Tek\u00e7e ve Bur\u00e7ak Karabo\u011fa G\u00fcney taraf\u0131ndan canland\u0131r\u0131l\u0131yor. \u2018Unutulan\u2019\u0131, oyuncular\u0131 ve y\u00f6netmeniyle konu\u015ftuk. VARTAN ESTUKYAN ALTU\u011e YILMAZ \u00a0\u2018Unutulan\u2019, Yersiz Tiyatro\u2019nun ilk oyunu. Kumpanyan\u0131z nas\u0131l kuruldu? 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Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/akunq.net\/tr\/?p=45581","og_locale":"en_US","og_type":"article","og_title":"1915\u2019in g\u00f6lgesinde unut(ul)ma ve hat\u0131rla(n)ma - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi","og_description":"Yersiz Kumpanya\u2019n\u0131n ilk oyunu olan \u2018Unutulan\u2019, pr\u00f6miyerini 11 Mart\u2019ta Karak\u00f6y \u0130kinci Kat\u2019ta yapt\u0131. Elif Ongan Tek\u00e7e\u2019nin yazd\u0131\u011f\u0131, Sanem \u00d6ge\u2019nin y\u00f6netti\u011fi iki ki\u015filik oyunun karakterleri Mari ve N\u0131vart, Elif Ongan Tek\u00e7e ve Bur\u00e7ak Karabo\u011fa G\u00fcney taraf\u0131ndan canland\u0131r\u0131l\u0131yor. \u2018Unutulan\u2019\u0131, oyuncular\u0131 ve y\u00f6netmeniyle konu\u015ftuk. VARTAN ESTUKYAN ALTU\u011e YILMAZ \u00a0\u2018Unutulan\u2019, Yersiz Tiyatro\u2019nun ilk oyunu. Kumpanyan\u0131z nas\u0131l kuruldu? 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