{"id":40393,"date":"2016-06-06T04:26:58","date_gmt":"2016-06-06T09:26:58","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=40393"},"modified":"2016-06-06T04:26:58","modified_gmt":"2016-06-06T09:26:58","slug":"samsun-artik-kendimiz-yoguz-2","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=40393","title":{"rendered":"Samsun: Art\u0131k kendimiz yo\u011fuz…"},"content":{"rendered":"

\"Samsun\"<\/a>Aris Nalc\u0131\u00a0<\/strong><\/p>\n

Art\u0131k kendimiz yo\u011fuz.<\/em><\/p>\n

Seyircilerimiz de kalmad\u0131.<\/em><\/p>\n

Ama repliklerimiz f\u0131s\u0131lda\u015f\u0131r dururlar sabaha kadar.<\/em><\/p>\n

G\u00fcn a\u011far\u0131r, temizleyiciler gelir, replikler yerlerine ka\u00e7\u0131\u015f\u0131r\u2026<\/em><\/p>\n

Perde!<\/em><\/p>\n

Yukar\u0131daki bu c\u00fcmleler, Haldun Taner’in\u00a0Sersem Kocan\u0131n Kurnaz Kar\u0131s\u0131\u00a0<\/em>oyunundan. Osmanl\u0131 Tiyatrosu’nun kurucular\u0131ndan Tomas Fas\u00fclyeciyan’\u0131n oyundaki kapan\u0131\u015f tirad\u0131ndan sadece bir b\u00f6l\u00fcm.<\/p>\n

Her ne kadar Bursa’da Ahmet Vefik Pa\u015fa’n\u0131n tiyatrosu ile ad\u0131 an\u0131lsa da Fas\u00fclyeciyan’\u0131n en \u00f6nemli i\u015flerinden birisi 1890’larda Samsun’daki ilk tiyatro kurumunu kurmu\u015f olmas\u0131.<\/p>\n

1914 Osmanl\u0131 \u0130mparatorlu\u011fu n\u00fcfus say\u0131m\u0131na g\u00f6re Samsun (Canik) Sanca\u011f\u0131\u2019nda 35.907 Ermeni ya\u015f\u0131yordu. 49 kilise ve toplam 3.254 \u00f6\u011frenciye okuma imkan\u0131 veren 74 e\u011fitim kurumu bulunuyordu.<\/p>\n

Karadeniz’in e\u011flence hayat\u0131n\u0131n kalbinin att\u0131\u011f\u0131 bu \u015fehir 100 y\u0131l sonra, k\u00fclt\u00fcrel kimli\u011fini neredeyse tamamen yitirmi\u015f, bu kimli\u011fin son k\u0131r\u0131nt\u0131lar\u0131n\u0131 da kentsel d\u00f6n\u00fc\u015f\u00fcm projelerine kurban edece\u011fi g\u00fcnleri \u00e7aresizce bekliyor.<\/p>\n

Samsun asl\u0131nda Tarihi Ermenistan’a ve Ermeni platosuna yabanc\u0131 de\u011fil.\u00a0 Samsun’un Bizans d\u00f6neminde Armenia (Hayasa) idari b\u00f6lgesi olarak g\u00f6r\u00fcnd\u00fc\u011f\u00fc T\u00fcrk tarih\u00e7ilerin \u00e7ok g\u00f6rmek istemedi\u011fi bir ger\u00e7ektir.<\/p>\n

Bug\u00fcn ise eski Ermeni mahallesi Selahiye bu miras\u0131n son izlerini ta\u015f\u0131maya \u00e7al\u0131\u015f\u0131yor. Mahalledeki binalar aras\u0131nda gezinirken elimizde olmadan bu binalar\u0131n bug\u00fcne kadar ayakta kalabili\u011fine \u015fa\u015f\u0131r\u0131yoruz.<\/p>\n

Yerel tarih\u00e7i Baki Sar\u0131sakal\u2019\u0131n ifadesine g\u00f6re Selahiye Camii, Ermeni Kilisesi’nin temelleri \u00fczerine in\u015fa edilmi\u015f.<\/p>\n

Yap\u0131l\u0131\u015f tarihi 1840 olarak g\u00f6r\u00fcnen Surp (Aziz) Nigo\u011fayos Ermeni Kilisesi 1897 y\u0131l\u0131nda Piskoposluk Merkezi olmu\u015ftu. Hemen yan\u0131ndaki Nersesyan Ermeni Koleji\u2019nde 1914 y\u0131l\u0131na kadar 298 devam etmekteydi, kurulu\u015f y\u0131l\u0131 1883.<\/p>\n

Kolejde ‘T\u0131brots’\u00a0(okul)\u00a0<\/em>adl\u0131 bir de dergi yay\u0131nlanmaktayd\u0131.<\/p>\n

Kilise \u00e7an\u0131 m\u00fcze deposunda,
\nokul piyanosu m\u00fcd\u00fcr\u00fcn odas\u0131nda<\/strong><\/p>\n

\u015eimdilerde, kilisenin \u00e7an\u0131 Samsun Etno\u011frafya M\u00fczesi’nin deposunda, Nersesyan Ermeni Koleji’nin antika piyanosu ise 30 A\u011fustos \u0130lk\u00f6\u011fretim Okulu’nun M\u00fcd\u00fcr\u00fc’n\u00fcn odas\u0131nda ‘gizlenmekte’.<\/p>\n

Biz Etno\u011frafya M\u00fczesi’ni gezmek istesek de kentsel d\u00f6n\u00fc\u015f\u00fcm projeleri kapsam\u0131nda rehabilitasyon yap\u0131ld\u0131\u011f\u0131ndan m\u00fczenin kapal\u0131 oldu\u011fu bilgisi payla\u015f\u0131l\u0131yor bizimle.<\/p>\n

Umar\u0131m bu rehabilitasyonun ard\u0131ndan depoda ‘gizle’nen \u00e7an da ortadan kilise, okul ve di\u011fer binalar gibi kaybolmaz.<\/p>\n

Samsun’daki baz\u0131 sokak isimleri \u015f\u00f6yleydi:\u00a0Mihail Soka\u011f\u0131, Arapyan Soka\u011f\u0131, Bo\u011fosyan Soka\u011f\u0131, Tatarya Soka\u011f\u0131\u00a0<\/em>\u015fimdi ise Mektep, \u0130stiklal, Kurtulu\u015f…<\/p>\n

Sigara fabrikas\u0131n\u0131n kurulu\u015fu ile birlikte geli\u015fen \u00c7iftlik Caddesi \u00fczerinde Ermeni Kilisesi ve Rum Kilisesi binalar\u0131 kendini hemen g\u00f6steriyor.<\/p>\n

Samsun her 30-40 y\u0131lda bir toplu y\u0131k\u0131m ve in\u015faatlar ge\u00e7iren bir \u015fehir. Bu sebeple de 100 y\u0131l \u00f6ncesinden kalan mimari izlere rastlamak olduk\u00e7a zor. \u015eehrin Pera’s\u0131 haline getirilmeye \u00e7al\u0131\u015f\u0131lan \u00c7iftlik Caddesi’nde yap\u0131lan restorasyon tek tip binalar, y\u00fcksek kiralar ve kaygan kald\u0131r\u0131mlar\u0131 ile yeni bir dalgan\u0131n habercisi. Bu dalga kalan son Ermeni ve Rum evlerini de yok edecek.<\/p>\n

Rum ve Ermeni kiliselerinin oldu\u011fu b\u00f6lgede kurulu okullar\u0131n binalar\u0131 Samsun’un yerel mimarisinden o denli keskin bir \u00e7izgiyle ayr\u0131l\u0131yor ki anda 23 Nisan \u0130mam Hatip Okulu olarak hizmet veren bu okullarda halen izlere rastlayabilirsiniz.<\/p>\n

Yap yak\u0131\u015ft\u0131r restorasyon<\/strong><\/p>\n

Tek tek \u00f6zel \u015fah\u0131slardan al\u0131narak ve kar\u015f\u0131l\u0131kl\u0131 anla\u015farak restore edilen evlerden birinin \u00f6n\u00fcndeyiz. Bir amca ve e\u015fi binadaki r\u00f6tu\u015flar\u0131 yap\u0131yor.<\/p>\n

“Ben yeni ald\u0131m bu evi, ama 100 y\u0131ll\u0131k ge\u00e7mi\u015fi vard\u0131r” diyor.<\/p>\n

Bahsetti\u011fi evi An\u0131tlar Kurulu restore etmesi i\u00e7in izin vermi\u015f. Restorasyon demek mahalledekiler i\u00e7in y\u0131k\u0131p eskisinin ayn\u0131s\u0131n\u0131 ta\u015ftan yapmak demek. O da y\u0131km\u0131\u015f binay\u0131 \u015fimdi betondan yapt\u0131\u011f\u0131 yeni binay\u0131 ah\u015fapla kaplayarak ‘restore’ etmi\u015f olacak…<\/p>\n

Ermeni mahallesinde bir\u00e7ok evi \u00f6n\u00fcm\u00fczdeki y\u0131llarda ayn\u0131 kader bekliyor.<\/p>\n

\u0130talyan Katolik Kilisesi’ne s\u0131\u011f\u0131nan kitaplar<\/strong><\/p>\n

Samsun’da kalan son H\u0131ristiyanlar, Katolikler. Ermeni ve Rum dini yap\u0131lar\u0131ndan \u00e7ok daha sonra in\u015faa edilmi\u015f olan \u0130talyan Katolik Kilisesi yar\u0131 aktif durumda. Ayda bir Trabzon’dan gelen bir bek\u00e7i taraf\u0131ndan a\u00e7\u0131l\u0131yor, temizleniyor. Ancak aktif bir cemaat oldu\u011fu s\u00f6ylenemez. Kilise daha \u00e7ok Samsunlular\u0131n bulu\u015fma mekan\u0131 veya bir birlerine yol tarif etmek i\u00e7in kulland\u0131klar\u0131 bir simge sadece.<\/p>\n

Kilisenin mahzenindeki k\u00fct\u00fcphanedeki Ermenice ve Rumca kitaplar b\u00f6lgede eskiden buluna Ermeni okullar\u0131ndan ve kiliselerinden kalma. \u0130talyan Katolik Kilisesi Ermenilerin Samsun’daki izlerinin tamamen silinmesine ra\u011fmen en az\u0131ndan kitaplar\u0131n\u0131n baz\u0131lar\u0131n\u0131 kurtulmas\u0131na vesile olmu\u015f. Buradaki kitaplar hem yerel tarih\u00e7iler hem de ara\u015ft\u0131rmac\u0131lar i\u00e7in alt\u0131n de\u011ferinde. Ancak\u00a0 k\u00fct\u00fcphane de kilise gibi ayda bir temizlik i\u00e7in a\u00e7\u0131l\u0131yor.<\/p>\n

Ladik’teki papaz\u0131n g\u00f6zya\u015flar\u0131<\/strong><\/p>\n

1915 \u00f6ncesinde 3000’e yak\u0131n Ermeni’nin ya\u015fad\u0131\u011f\u0131 ve Amasya ve Samsun aras\u0131nda kime ait oldu\u011fu hep tart\u0131\u015fma konusu olan Ladik’e do\u011fru yola \u00e7\u0131k\u0131yoruz. Burada Surp Krikor Lusavori\u00e7 ad\u0131nda bir kilisenin oldu\u011fu yaz\u0131l\u0131 kaynaklarda.<\/p>\n

Kasaba merkezinde eski bir kahveye at\u0131yoruz kendimizi. Oradakiler Ladik’in belediye ba\u015fkanlar\u0131ndan birinin tarihi beesteni y\u0131kt\u0131\u011f\u0131n\u0131 anlat\u0131yorlar.<\/p>\n

Aralar\u0131ndan biri;\u00a0“O ba\u015fkan da gitti buralardan zaten. Cahillikten y\u0131kt\u0131 i\u015fte”\u00a0<\/em>diye sitem ediyor.<\/p>\n

Eski hamam\u0131 ve manast\u0131r\u0131 g\u00f6steriyorlar kasaban\u0131n tarihi mekanlar\u0131 aras\u0131nda. Mansat\u0131r Surp Krikor Lusavori\u00e7 olsa gerek diye yola d\u00fc\u015f\u00fcyoruz.<\/p>\n

Hamam\u0131 bulduk ama kiliseden eser yok.<\/p>\n

Sokak aralar\u0131nda gezinirken bize havlayan k\u00f6peklerini geri \u00e7eken Emin Bey yeti\u015fiyor yard\u0131m\u0131m\u0131za. Kilisenin i\u00e7inde oldu\u011fu s\u00f6ylenen arazinin sahibi. Sadece bir duvar\u0131 kalm\u0131\u015f olan yap\u0131y\u0131 g\u00f6stermek i\u00e7in bizi i\u00e7eri al\u0131yor ve ba\u015fl\u0131yor anlatmaya hikayesini:<\/p>\n

“\u00c7ok geldiler almak i\u00e7in buralar\u0131 ama satmad\u0131m ben. Satmam da. Kilisenin oldu\u011fu yerden yol ge\u00e7ti 15 y\u0131l kadar \u00f6nce. Geldiler kaz\u0131 yapacaklar. Bizim arsa da kilisenin bu duvar\u0131ndan ba\u015fl\u0131yor. Babam bakt\u0131 ki kaz\u0131 makineleri bizim arsaya do\u011fru d\u00f6nd\u00fc hemen m\u00fcdahale ettik. Yol i\u00e7in izin verdik ama arsam\u0131z\u0131n i\u00e7inde kalan b\u00f6l\u00fcm\u00fcne dokundurmad\u0131k. ama kazd\u0131lar. Alt\u0131n\u0131 s\u00fct\u00fcne getirdiler. Bir kap\u0131s\u0131 ve duvar\u0131 duruyordu zaten o da y\u0131k\u0131ld\u0131. Ta\u015flar\u0131ndan yine duvar yapt\u0131m. Aha burada…”<\/em><\/p>\n

Hikayesinin en ilgin\u00e7 tarf\u0131 bundan sonra ba\u015fl\u0131yor:\u00a0“O zaman daha gen\u00e7tik. Z\u0131p\u0131rd\u0131k. Kaz\u0131dan bir gece \u00f6nce gittim dedemin k\u00fcpleri vard\u0131 onlara \u015farap doldurdum. getirdim buraya kazacaklar\u0131 yere g\u00f6md\u00fcm. Ertesi g\u00fcn kaz\u0131 ba\u015flad\u0131\u011f\u0131nda t\u00fcm kasaba buradayd\u0131. \u015eenlik alan\u0131 gibi bi\u015fey \u00e7\u0131kacak diye bekliyorlar… (g\u00fcl\u00fcyor) Bir bakt\u0131lar i\u00e7i \u015farap dolu k\u00fcpler \u00e7\u0131kt\u0131. Ba\u015flad\u0131lar efsaneye ‘Papaz’\u0131n g\u00f6zya\u015flar\u0131ym\u0131\u015f’. Buras\u0131 k\u00fc\u00e7\u00fck yer insanlara me\u015fgale laz\u0131m. Herkes bunu konu\u015fur oldu. Efsane ald\u0131 ba\u015f\u0131n\u0131 gitti… Hi\u00e7bir \u015fey de \u00e7\u0131kmad\u0131.”<\/em><\/p>\n

Takfurmeydan\u0131’n\u0131n Harut Day\u0131’s\u0131<\/strong><\/p>\n

\u00c7ar\u015famba’dan B\u00fclent Ba\u015fokur’un bir anlat\u0131s\u0131 kula\u011f\u0131m\u0131zda Samsun’dan ayr\u0131l\u0131yoruz:<\/p>\n

Babaannemin ya\u015fad\u0131\u011f\u0131 k\u00f6yde ya\u015fayan M\u00fcsl\u00fcman olmayan aileler de ya\u015f\u0131yor, k\u00f6y\u00fcn ismi Tekfurmeydan\u0131 \u015fimdiki ismi Beylerce. \u00c7ar\u015famba’ya 5 Km, T\u00fcrkler ve gayr\u0131m\u00fcsl\u00fcmler birlikte ya\u015f\u0131yorlar, hi\u00e7bir problem yok, birbirlerinin d\u00fc\u011f\u00fcnlerine cenazelerine gidiyorlar, do\u011fan bebeklere hediye al\u0131p gidiyorlar, kutlamalar\u0131n\u0131 beraber yap\u0131yorlar, bir gece k\u00f6peklerin havlamas\u0131yla uyan\u0131yorlar.<\/p>\n

Babaannemin annesi d\u0131\u015far\u0131 \u00e7\u0131k\u0131yor, k\u00f6pekler bir beyaz kuma\u015f\u0131 ku\u015fatm\u0131\u015f havl\u0131yorlar, bir bebek a\u011flamas\u0131 duyuluyor, hemen k\u00f6pekleri koval\u0131yorlar, beyaz kuma\u015f\u0131 a\u00e7t\u0131klar\u0131nda i\u00e7inde bir bebek oldu\u011funu g\u00f6r\u00fcyorlar, bebe\u011fi al\u0131p eve geliyorlar sonra bu bebe\u011fin kom\u015fular\u0131ndan bir gayr\u0131m\u00fcslim aileye ait oldu\u011funu anl\u0131yorlar fakat o zamanlar k\u00f6yler 30-40 haneli ve evler birbirine uzak. Sabah hava \u0131\u015f\u0131y\u0131nca bebe\u011fi g\u00f6t\u00fcrmek \u00fczere bebe\u011fi doyurup uyutuyorlar. Sabah kalk\u0131p bebe\u011fi g\u00f6t\u00fcr\u00fcyorlar fakat k\u00f6y\u00fcn gayr\u0131m\u00fcslim mahallesinde kimse yok. Evler bo\u015falm\u0131\u015f, ortal\u0131kta kimseler yok, aile bebe\u011fi al\u0131p tekrar geri d\u00f6n\u00fcyor. Bebe\u011fin ailesini daha \u00f6nce bildikleri i\u00e7in aile bir g\u00fcn geri d\u00f6ner \u00e7ocuklar\u0131n\u0131 al\u0131r d\u00fc\u015f\u00fcncesi ile ne ismini de\u011fi\u015ftiryorlar, ismi Harut olarak kal\u0131yor, ailenin erkekleri sava\u015fa g\u00f6t\u00fcr\u00fclmek \u00fczere askere al\u0131n\u0131nca evin reisi Harut oluyor, evdeki t\u00fcm \u00e7ocuklar Harut’u Day\u0131 olarak biliyor, babaannem de Harut Day\u0131 diye anlat\u0131rd\u0131. Sonra \u00fclke yine Yunanl\u0131lar, \u0130ngilizler, Ruslar taraf\u0131ndan i\u015fgal edilince evde art\u0131k erkek kalmad\u0131\u011f\u0131ndan bu kez Harut Day\u0131 askere gidiyor ve bir daha gelmiyor. Evde \u015fu anda ya\u015fad\u0131\u011f\u0131m vatan\u0131 savunmak \u00fczere sava\u015fa gidenlerden iki ki\u015finin ismini biliyorum. Biri Harut Day\u0131, di\u011feri M\u00fclaz\u0131m Ekrem. M\u00fclaz\u0131m Ekrem’in resmi var fakat Harut day\u0131n\u0131n yok. Babaannem o zaman k\u00fc\u00e7\u00fck oldu\u011fu i\u00e7in ve ara\u015ft\u0131rma imkan\u0131m\u0131z da olmad\u0131\u011f\u0131 i\u00e7in hangi milletten oldu\u011funu bilemedi. Bende internet yayg\u0131nla\u015f\u0131nca ara\u015ft\u0131rma yap\u0131p Harut’un Ermeni ismi oldu\u011funu \u00f6\u011frendim.Babaannem \u00f6ld\u00fc\u011f\u00fcnde 100 ya\u015f civar\u0131ndayd\u0131, \u00f6leli 20 y\u0131l oldu. Belki birilerinin hikayesi ile \u00e7ak\u0131\u015f\u0131r da bir akrabas\u0131 bulunur.<\/p>\n

http:\/\/t24.com.tr\/yazarlar\/aris-nalci\/samsun-artik-kendimiz-yoguz,14410?utm_medium=social&utm_content=sharebutton<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Aris Nalc\u0131\u00a0 Art\u0131k kendimiz yo\u011fuz. Seyircilerimiz de kalmad\u0131. Ama repliklerimiz f\u0131s\u0131lda\u015f\u0131r dururlar sabaha kadar. G\u00fcn a\u011far\u0131r, temizleyiciler gelir, replikler yerlerine ka\u00e7\u0131\u015f\u0131r\u2026 Perde! Yukar\u0131daki bu c\u00fcmleler, Haldun Taner’in\u00a0Sersem Kocan\u0131n Kurnaz Kar\u0131s\u0131\u00a0oyunundan. Osmanl\u0131 Tiyatrosu’nun kurucular\u0131ndan Tomas Fas\u00fclyeciyan’\u0131n oyundaki kapan\u0131\u015f tirad\u0131ndan sadece bir b\u00f6l\u00fcm. Her ne kadar Bursa’da Ahmet Vefik Pa\u015fa’n\u0131n tiyatrosu ile ad\u0131 an\u0131lsa da Fas\u00fclyeciyan’\u0131n en […]<\/p>\n","protected":false},"author":7,"featured_media":40394,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,70],"tags":[],"class_list":["post-40393","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","category-makaleler"],"yoast_head":"\nSamsun: Art\u0131k kendimiz yo\u011fuz... - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=40393\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Samsun: Art\u0131k kendimiz yo\u011fuz... - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Aris Nalc\u0131\u00a0 Art\u0131k kendimiz yo\u011fuz. Seyircilerimiz de kalmad\u0131. Ama repliklerimiz f\u0131s\u0131lda\u015f\u0131r dururlar sabaha kadar. G\u00fcn a\u011far\u0131r, temizleyiciler gelir, replikler yerlerine ka\u00e7\u0131\u015f\u0131r\u2026 Perde! Yukar\u0131daki bu c\u00fcmleler, Haldun Taner’in\u00a0Sersem Kocan\u0131n Kurnaz Kar\u0131s\u0131\u00a0oyunundan. Osmanl\u0131 Tiyatrosu’nun kurucular\u0131ndan Tomas Fas\u00fclyeciyan’\u0131n oyundaki kapan\u0131\u015f tirad\u0131ndan sadece bir b\u00f6l\u00fcm. 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