{"id":39622,"date":"2016-04-22T01:08:29","date_gmt":"2016-04-22T06:08:29","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=39622"},"modified":"2016-04-22T01:08:29","modified_gmt":"2016-04-22T06:08:29","slug":"tarih-vertigosu-hafiza-hipnozu-nar-niyetiyle-hatirlamak","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=39622","title":{"rendered":"Tarih vertigosu, haf\u0131za hipnozu: Nar Niyetiyle Hat\u0131rlamak"},"content":{"rendered":"

\"Tarih<\/a>Yektan T\u00fcrky\u0131lmaz<\/a><\/b><\/p>\n

D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131\u2019n\u0131n tarih boyunca T\u00fcrk-Ermeni ili\u015fkilerini merkeze alan \u201cNar Niyetiyle: Unutman\u0131n De\u011fil Hat\u0131rlaman\u0131n Zaman\u0131\u201d ba\u015fl\u0131kl\u0131 sergisi Nisan ay\u0131 ba\u015f\u0131nda Tophane-i Amire\u2019de izleyicilerle bulu\u015ftu. 29 Nisan\u2019a kadar gezilebilecek sergiyi soyk\u0131r\u0131m \u00fczerine \u00e7al\u0131\u015fmalar\u0131yla bilinen antropolog Dr. Yektan T\u00fcrky\u0131lmaz Agos i\u00e7in gezdi, kaleme ald\u0131.<\/i><\/b><\/p>\n

D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131n\u0131n Nar Niyetiyle: T\u00fcrk-Ermeni \u0130li\u015fkilerinde Unutman\u0131n De\u011fil Hat\u0131rlaman\u0131n Zaman\u0131 \u00a0sergisi Toph\u00e2ne-i \u00c2mire\u2019de ziyaret\u00e7ilerini a\u011f\u0131rl\u0131yor. Sergi mekan\u0131 esasen III. Selim zaman\u0131 eseri olsa da, temelini Fatih Sultan Mehmet\u2019in att\u0131\u011f\u0131, Kanuni\u2019nin zaferleri d\u00f6neminde alt\u0131n \u00e7a\u011f\u0131n\u0131 ya\u015fayan Osmanl\u0131 klasik d\u00f6nemi miras\u0131 bir askeri-end\u00fcstriyel yap\u0131. Dahas\u0131 g\u00f6rkemli sekiz kubbesiyle, Nar Niyetiyle sergisinin d\u00fczenleyicilerinin \u00f6zlemle g\u00f6nderme yapt\u0131klar\u0131\u00a0 Osmanl\u0131 \u0130mparatorlu\u011funun hen\u00fcz d\u00fczeni bozulmam\u0131\u015f ha\u015fmetli, kudretli ve istikrarl\u0131 g\u00fcnlerini simgeleyecek Toph\u00e2ne-i \u00c2mire\u2019den daha uygun tarihi dekor zor bulunurdu. S\u0131cak bir k\u0131rm\u0131z\u0131, siyah ve beyaz renklerle bezenmi\u015f sergi alan\u0131, binan\u0131n ihti\u015fam\u0131 i\u00e7erisinde maalesef olduk\u00e7a ezik kal\u0131yor. Serginin tarihsel b\u00fcy\u00fck anlat\u0131s\u0131 i\u00e7erisinde Osmanl\u0131 Ermenilerinin emsalsiz ve m\u00fckerrer felaketleri nas\u0131l dipnotla\u015f\u0131yor, silikle\u015fiyor ve hatta g\u00f6r\u00fcnemez kal\u0131yorsa, aynen \u00f6yle.<\/p>\n

Ziyaret\u00e7ileri sergi alan\u0131nda ilk olarak b\u00fcy\u00fck bir ekran pano kar\u015f\u0131l\u0131yor; bir saat sarkac\u0131 3-4 saniyelik devirlerle Osmanl\u0131 Ermenilerine ait pe\u015f-pe\u015fe g\u00f6rselleri ay\u0131r\u0131yor. \u0130shak Pa\u015fa Saray\u0131\u2019n\u0131n ard\u0131nda y\u00fckselen, zirvesi k\u0131rm\u0131z\u0131 bir daireyle i\u015faretlenmi\u015f Ararat fotosuyla ba\u015flayan kartpostallar birer altyaz\u0131yla sunuluyor. Sarka\u00e7 bir sa\u011fa bir sola d\u00f6nerken sergi izleyicisi \u015fu sat\u0131rlar\u0131 okuyor:\u00a0<\/p>\n

\u2018Ge\u00e7mi\u015fi Unutma…<\/i>
\nHat\u0131rla.<\/i>
\nGelecek i\u00e7in<\/i>
\nBirbirimize ne kadar benzedi\u011fimizi hat\u0131rla,<\/i>
\nNas\u0131l ya\u015fad\u0131\u011f\u0131m\u0131z\u0131 neler yapt\u0131\u011f\u0131m\u0131z\u0131.<\/i>
\nBir an\u0131n de\u011fil,<\/i>
\nUzun bir yolculu\u011fun yol arkada\u015f\u0131 oldu\u011fumuzu unutma<\/i>
\nBinlerce ya\u015fanm\u0131\u015fl\u0131\u011f\u0131<\/i>
\nSevin\u00e7leri, umutlar\u0131, ac\u0131lar\u0131 ve dayan\u0131\u015fmay\u0131 hat\u0131rla.<\/i>
\nGelece\u011fimiz i\u00e7in hat\u0131rla.<\/i>
\nGe\u00e7mi\u015fi unutma<\/i>
\n\u00c7\u00fcnk\u00fc yas tutmaya \u00f6l\u00fcm de\u011fil<\/i>
\nYa\u015fam \u00fczerine bir diyalog yara\u015f\u0131r.<\/i>
\nSessizli\u011fi k\u0131rarken, ac\u0131lar\u0131 anarken,<\/i>
\nbirlikte ve adilane hat\u0131rlamal\u0131 \u00a0\u00a0<\/i>
\nGe\u00e7mi\u015f bir pranga de\u011fil,<\/i>
\ngelece\u011fe uzanan bir k\u00f6pr\u00fc olsun diye.<\/i>
\nBirlikte y\u00fcr\u00fcmeye devam edelim diye…\u2019<\/i><\/p>\n

Ekran\u0131n sol yan\u0131ndaki sabit panoda iki y\u0131l \u00f6nceki ba\u015fbakan\u0131n\u0131n \u2018tarihi ba\u015fsa\u011fl\u0131\u011f\u0131\u2019 mesaj\u0131, sa\u011f tarafta ise o zaman d\u0131\u015fi\u015fleri bakan\u0131 olan Davuto\u011flu\u2019nun \u2018adil haf\u0131za\u2019 \u00e7a\u011fr\u0131s\u0131 yer al\u0131yor. Bu panolar\u0131 a\u015f\u0131p sergi alan\u0131na ula\u015f\u0131nca, olduk\u00e7a \u2018e\u011flenceli\u2019 bir tema\u015fan\u0131n sizi bekledi\u011fine emin oluyorsunuz: Orta alanda Orlando Carlo Calumeno\u2019nun e\u015fsiz koleksiyonundan metal \u00e7ubuklara sabitlenmi\u015f, y\u00fczlerce kartpostal g\u00f6r\u00fcyorsunuz. Esas olarak farkl\u0131 vilayetlerden Osmanl\u0131 Ermenilerinin g\u00fcnl\u00fck hayatlar\u0131n\u0131, ya\u015fam alanlar\u0131n\u0131 ve mesleki faaliyetlerini temsil eden g\u00f6rsellerden olu\u015fan bir kartpostallar deryas\u0131. Orta yerde ise, bu sefer dokunmatik bir ekrana yay\u0131lm\u0131\u015f kartlar. Bir parmak hareketiyle istedi\u011finizi se\u00e7iyor, b\u00fcy\u00fct\u00fcyorsunuz. Ben de dal\u0131yorum kar\u0131\u015ft\u0131rmaya. Bir Adana kartpostal\u0131na denk d\u00fc\u015f\u00fcyorum. G\u00f6rsele g\u00f6z\u00fcm a\u015fina 1909 Kilikya k\u0131r\u0131m\u0131n\u0131 resmeden bir foto. Alt\u0131nda k\u00fcrat\u00f6re ait Adana\u2019da Ermeni okulu minvalindeki yaz\u0131ya ac\u0131 bir g\u00fcl\u00fcmsemeyle bak\u0131yorum.<\/p>\n

Bu orta alandaki dikkat t\u00fcketen kartpostal \u015f\u00f6leninden kendinizi al\u0131p sa\u011f taraf\u0131n\u0131za bakarsan\u0131z duvar boyu\u00a0\u00a0 sizi k\u00fcrat\u00f6r ve d\u00fczenleyicilerin g\u00f6z\u00fcnden d\u00f6nemlere ayr\u0131lm\u0131\u015f \u2018T\u00fcrk-Ermeni\u2019 tarihi bekliyor. Hikayemiz 1064\u2019te, yani T\u00fcrklerin Anadolu\u2019ya giri\u015fiyle\u00a0\u00a0 ba\u015fl\u0131yorsa da temel vurgu 1878\u2019e (Berlin Kongresi) kadar \u00f6rnek bar\u0131\u015f d\u00f6nemi olarak devam eden Pax Ottomana \u00fczerine. Osmanl\u0131 tipi bar\u0131\u015ftan kas\u0131t \u0130mparatorlukta de\u011fi\u015fik dini cemaatleri M\u00fcsl\u00fcmanlar\u0131n en \u00fcstte oldu\u011fu bir hiyerar\u015fik bir \u00f6rg\u00fctleme ile bir arada ve dayan\u0131\u015fma i\u00e7erisinde tuttu\u011fu \u00f6v\u00fclen me\u015fhur millet sistemi. Hal b\u00f6yle olunca da alt\u0131 \u00e7izilen husus 1461\u2019de \u0130stanbul\u2019da Ermeni Patrikhanesinin kurulmas\u0131 ve onun etraf\u0131nda geli\u015fen \u2018Ermeni \u00f6zerkli\u011fi\u2019 oluyor. Takip eden ana ba\u015fl\u0131k 19. yy.\u2019da Osmanl\u0131 Reformlar\u0131 ve Ermeni R\u00f6nesans\u2019\u0131n\u0131 temsil i\u015fliyor: k\u00fclt\u00fcrel ayd\u0131nlanma, Bat\u0131\u2019yla geli\u015fen ili\u015fkiler, Amira s\u0131n\u0131f\u0131n\u0131n ve laiklerin y\u00fckseli\u015fi… Hemen ard\u0131ndan Berlin Konferans\u0131 sonras\u0131 Bat\u0131\u2019n\u0131n hem diplomatik m\u00fcdahaleleri hem de ideolojik etkileriyle gerilen \u2018Ermeni-T\u00fcrk\u2019ili\u015fkileri anlat\u0131l\u0131yor. Ermeni toplumunda \u2018Sosyalist \u0130htilalcili\u011fin\u2019\u00a0 k\u0131\u015fk\u0131rt\u0131c\u0131 eylemleri, Osmanl\u0131(c\u0131)l\u0131\u011f\u0131 yeniden yorumlayan Abd\u00fclhamit\u00a0 ve ilk \u2018\u00e7at\u0131\u015fmalar\u2019 ve gayet tan\u0131d\u0131k \u2018provokasyon tezi\u2019 tekrar edilirken o d\u00f6nemki ve sonraki devrimci, liberal ve hatta muhafazakar Ermeni \u00e7evrelerinin temel talebinin e\u015fit yurtta\u015fl\u0131\u011f\u0131 garanti at\u0131na alan yasal stat\u00fc ve \u00f6zy\u00f6netim oldu\u011funu g\u00f6remiyoruz, duyam\u0131yoruz:\u00a0<\/p>\n

\u2018Bu partilerin giri\u015fimiyle ba\u015flat\u0131lan 1894 Sasun \u0130syan\u0131 ve daha sonra 1895 ve 1896 y\u0131llar\u0131nda \u0130stanbul\u2019da ger\u00e7ekle\u015ftirilen eylemler, merkeziyle zaten gergin olan ili\u015fkileri daha da zorla\u015ft\u0131rm\u0131\u015f ve kapsaml\u0131 bir \u00e7at\u0131\u015fmay\u0131 da beraberinde getirmi\u015ftir. Ermeni ihtilalci \u00f6rg\u00fctlenmesinin temel hedefi 1895 ve 1896 y\u0131llar\u0131nda yap\u0131ld\u0131\u011f\u0131 gibi ses getirici eylemler arac\u0131l\u0131\u011f\u0131yla Berlin Antla\u015fmas\u0131\u2019n\u0131n 61. Maddesi \u00e7er\u00e7evesinde B\u00fcy\u00fck Devletlerin m\u00fcdahalesini sa\u011flamak olmu\u015f, bu ise ili\u015fkileri daha da sertle\u015ftirmi\u015ftir.\u2019<\/p>\n

Do\u011fal olarak tarih anlat\u0131m\u0131z II. Me\u015frutiyet (1908-15) d\u00f6neminde, Osmanl\u0131c\u0131l\u0131k idealinin y\u00fckseli\u015fi ve \u00e7\u00f6k\u00fc\u015f\u00fc ve bunun b\u00f6lgesel, imparatorluk i\u00e7i ba\u011flam\u0131 ile s\u00fcr\u00fcyor, d\u00f6nem d\u00fcnya sava\u015f\u0131yla nihayetleniyor. Ve 1915\u2019e ula\u015f\u0131yoruz. 1915… tarihinin hemen yan\u0131nda b\u00fcy\u00fck\u00e7e bir Talat Pa\u015fa portesi konulmu\u015f. Laf\u0131 uzatmadan sergi d\u00fczenleyicilerinin k\u0131sa ge\u00e7ilen \u20181915 Sevk ve \u0130skan Kanunu\u2019 b\u00f6l\u00fcm\u00fcnde, B\u00fcy\u00fck Felakete dair \u015fu a\u00e7\u0131klamas\u0131yla yetinece\u011fim: \u00a0\u00a0<\/p>\n

\u2018Uygulamada de\u011fi\u015fik b\u00f6lgelerden Suriye\u2019ye g\u00f6nderilmek \u00fczere yola \u00e7\u0131kar\u0131lan sivil halka y\u00f6nelik, h\u00fck\u00fcmetin kontrol\u00fc d\u0131\u015f\u0131nda katliamlar da ger\u00e7ekle\u015fmi\u015ftir. Gerek bu katliamlar gerek uygulaman\u0131n icra edildi\u011fi zor ko\u015fullar nedeniyle Osmanl\u0131 Ermeni toplumunun \u00f6nemli bir k\u0131sm\u0131 ya\u015fam\u0131n\u0131 yitirmi\u015f, k\u00fclt\u00fcrel varl\u0131klar\u0131 tahribata u\u011fram\u0131\u015ft\u0131r.\u2019<\/p>\n

H\u00fck\u00fcmetin\u00a0 ko\u015fullar, u\u011frad\u0131\u011f\u0131 ihanet, kar\u015f\u0131 kar\u015f\u0131ya kald\u0131\u011f\u0131 komplo sonucu mecbur kal\u0131p hayata ge\u00e7irdi\u011fi bir uygulama ve istem d\u0131\u015f\u0131 bir felaket! \u0130\u015fte sergiyi d\u00fczenleyenlerin mahcup\u00e7a kabul etti\u011fi Osmanl\u0131 Ermenilerinin imhas\u0131n\u0131n izahat\u0131. Rusya\u2019n\u0131n, Bat\u0131l\u0131lar\u0131n, Ermeni devrimcilerin mesul\u00fc ve sivil halk\u0131n uygulay\u0131c\u0131s\u0131 oldu\u011fu, asla kast\u0131 bu olmayan h\u00fck\u00fcmetin ise, engellemeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 ve hatta sorumlular\u0131n\u0131 adalet \u00f6n\u00fcne \u00e7\u0131kard\u0131\u011f\u0131 bir soyk\u0131r\u0131m!\u00a0<\/p>\n

Sevk ve \u0130skan\u2019\u0131n hemen alt\u0131ndaki \u2018Cumhuriyet, Ulus-Devlet ve Ermeniler\u2019 b\u00f6l\u00fcm\u00fc \u2018k\u00fc\u00e7\u00fclm\u00fc\u015f\u2019 Ermeni toplumunun az\u0131nl\u0131k stat\u00fcs\u00fcne sahip oldu\u011fu cumhuriyet y\u00f6netiminde \u2019siyasal ve sosyal krizler, ekonomik buhranlar, toplumun geni\u015f kesimlerinde oldu\u011fu gibi az\u0131nl\u0131klarda da zaman zaman ma\u011fduriyetlere\u2019 yol a\u00e7t\u0131\u011f\u0131 not d\u00fc\u015f\u00fclm\u00fc\u015f. Tabii ki yine faili olmayan, program\u0131 olmayan \u2018ortak\u2019 bir ma\u011fduriyet bu. Bu k\u0131sma 1965 sonras\u0131 y\u00fckselen Ermenilerin d\u00fcnya \u00e7ap\u0131ndaki soyk\u0131r\u0131m tan\u0131nmas\u0131 talepleri, d\u00fczenleyenlerin tabiriyle \u2018organize bir propaganda kampanyas\u0131\u2019 ve bunun yaratt\u0131\u011f\u0131 radikalle\u015fme sonucu T\u00fcrk diplomatlar\u0131n \u00f6ld\u00fcr\u00fclmeleri de araya s\u0131k\u0131\u015ft\u0131r\u0131lm\u0131\u015f. \u00a0 \u00a0<\/p>\n

Bu arada b\u00fcy\u00fck\u00e7e, yine dokunmatik bir\u00a0 ekran tarihsel anlat\u0131n\u0131n \u00f6zetini sunuyor ziyaret\u00e7iye. 22 dijital sayfadan olu\u015fan \u00f6zetin ilk yedi sayfas\u0131 mutlu Osmanl\u0131 ge\u00e7mi\u015fine g\u00f6nderme yaparken on \u00fc\u00e7 sayfa apolejetik bir dille B\u00fcy\u00fck Felaket\u2019e giden yolu anlat\u0131yor. M\u00fcsl\u00fcmanlar ba\u015fta olmak \u00fczere her grubun b\u00fcy\u00fck ac\u0131lar \u00e7ekti\u011fi Osmanl\u0131 son d\u00f6neminde soyk\u0131r\u0131ma uzanan yolda misyonerler, silahlanan Ermeni milliyet\u00e7ileri, d\u00fcnya sava\u015f\u0131ndaki Ermeni g\u00f6n\u00fcll\u00fcleri, sava\u015f\u0131n kaotik ortam\u0131, 2. D\u00fcnya sava\u015f\u0131nda Japonlar\u0131n Amerika\u2019da \u2018tehcir ve iskan\u0131\u2019, (Ermenilere kar\u015f\u0131) \u2018intikam pe\u015findeki yerel gruplar\u2019 vb. her unsur, ko\u015ful, \u00f6rnek ve akt\u00f6re yer verilmi\u015f. Bu \u00e7ok \u2018b\u00fcy\u00fck resimde\u2019 bir tek h\u00fck\u00fcmet, onun karar ve tercihi ve dolay\u0131s\u0131yla adalet gerektiren sorumlulu\u011fu yok.\u00a0 Son sayfada okuyucuyu bir s\u00fcrpriz bekliyor, Hrant Dink\u2019ten bir al\u0131nt\u0131:<\/p>\n

\u2018Ger\u00e7ek hakem halklar ve onlar\u0131n vicdanlar\u0131d\u0131r. Benim vicdan\u0131mda ise, hi\u00e7bir devlet erkinin vicdan\u0131, hi\u00e7bir halk\u0131n vicdan\u0131 ile boy \u00f6l\u00e7\u00fc\u015femez. Benim tek istedi\u011fim can\u0131m T\u00fcrkiyeli arkada\u015flar\u0131mla ortak ge\u00e7mi\u015fimi alabildi\u011fine etrafl\u0131ca ve o tarihten hi\u00e7 de husumet \u00e7\u0131karmamacas\u0131na \u00f6zg\u00fcrce konu\u015fabilmek\u2019 (1 Kas\u0131m 2004)<\/p>\n

Ekran\u0131n tam kar\u015f\u0131s\u0131ndaki duvarda da Hrant Dink\u2019in yukar\u0131daki s\u00f6zleriyle bir kez daha kar\u015f\u0131la\u015f\u0131yorsunuz, bu defa Dink\u2019in bir foto\u011fraf\u0131 da eklenmi\u015f. Bu s\u00f6zlerin sahibinin soyk\u0131r\u0131mdan g\u00fcn\u00fcm\u00fcze katmerle\u015ferek gelen ve\u00a0 serginin yok sayd\u0131\u011f\u0131 pop\u00fcler ve resmi Ermeni d\u00fc\u015fmanl\u0131\u011f\u0131n\u0131n son d\u00f6nem en bilindik kurban\u0131 oldu\u011funu k\u00fcrat\u00f6re hat\u0131rlatmak gerekir mi acaba!<\/p>\n

Bin y\u0131ll\u0131k ortak tarihi ge\u00e7tikten sonra ziyaret\u00e7inin kar\u015f\u0131s\u0131na bir siyah duvar geliyor. Bu duvar\u0131n arkas\u0131 serginin ikinci temel malzemesi (esasen Osmanl\u0131) ar\u015fiv belgelerine ayr\u0131lm\u0131\u015f. Orada bir ku\u015fak gibi yan yana s\u0131ralanm\u0131\u015f on alt\u0131 foto\u011fraf\u0131n \u00fcst sol taraf\u0131nda bir kez daha d\u00f6nemin ba\u015fbakan\u0131, \u015fimdiki cumhurba\u015fkan\u0131n\u0131n \u20181915 olaylar\u0131\u2019 ile ilgili bilindik 23 Nisan 2014 tarihli \u2018ba\u015fsa\u011fl\u0131\u011f\u0131\u2019 dile\u011fi yer al\u0131yor. Alt solda ise ortak ge\u00e7mi\u015f ge\u00e7ildikten sonra \u015fu ibare yer al\u0131yor:<\/p>\n

\u20181915 tehciri yirminci y\u00fczy\u0131l\u0131n ilk b\u00fcy\u00fck felaketi olan Birinci D\u00fcnya Sava\u015f\u0131 ko\u015fullar\u0131nda ya\u015fanm\u0131\u015f elim bir insanl\u0131k trajedisi olarak yerini alm\u0131\u015ft\u0131r.\u2019\u00a0<\/p>\n

Sa\u011f alttaki yaz\u0131 ise size on alt\u0131 foto\u011fraf\u0131n \u2018Balkanlar\u2019da, Anadolu\u2019da ve Kafkasya\u2019da\u2019 d\u00fcnya sava\u015f\u0131 \u00f6ncesinde, esnas\u0131nda ve sonras\u0131nda\u00a0 ya\u015fanan b\u00fcy\u00fck g\u00f6\u00e7 dalgalar\u0131na ait oldu\u011funu hat\u0131rlat\u0131yor!<\/p>\n

Duvar\u0131n arkas\u0131 olduk\u00e7a ilgi \u00e7ekici (da\u011f\u0131t\u0131c\u0131 da denilebilir) bir \u015fekilde organize edilmi\u015f: \u00fczerindeki etikete g\u00f6re belgeyi detayl\u0131 g\u00f6rmek isterseniz \u00fczerine bas\u0131nca i\u00e7inden ekran \u00e7\u0131kan duvara g\u00f6m\u00fclm\u00fc\u015f onlarca \u00e7ekmece. Ekranlarda belgelerin Osmanl\u0131ca orijinallerini, T\u00fcrk\u00e7e transkripsiyonlar\u0131n\u0131 veya \u0130ngilizce terc\u00fcmesini okuyabilirsiniz. Belgeler k\u0131sm\u0131 da serginin kalan\u0131n\u0131n aksine sosyal, k\u00fclt\u00fcrel (ortak )tarihe g\u00f6nderme yapm\u0131yor, do\u011frudan \u20181915 olaylar\u0131n\u0131 ve tehciri\u2019 konu ediyor. Siyah duvara paralel beyaz zemin \u00fczerine \u2018Osmanl\u0131 Devleti\u2019nin Ermenilere y\u00f6nelik uygulamalar\u0131\u2019, \u20181915 Tehciri\u2019 ve \u2018Ermeni \u0130syanlar\u0131\u2019 ba\u015fl\u0131klar\u0131 yerle\u015ftirilmi\u015f. Ancak son ba\u015fl\u0131k \u015fok etkisi yap\u0131yor \u2018Ermenilerin Geri D\u00f6n\u00fc\u015f\u00fc ve Mallar\u0131n \u0130adesi.\u2019 Yani mutlu son! G\u00f6zlerimi ovu\u015fturup tekrar bak\u0131yorum, aynen de do\u011fru g\u00f6rm\u00fc\u015f\u00fcm. Tabii ki m\u00fctareke d\u00f6nemine ait 2-3 belge de bu ba\u015fl\u0131\u011f\u0131n delili olarak serpi\u015ftirilirmi\u015f. Bir kez daha kar\u015f\u0131m\u0131za dokunmatik bir ekran \u00e7\u0131k\u0131yor, daha fazla belge, daha detayl\u0131 bilgi isteyen merakl\u0131 (veya ilgi da\u011f\u0131tmak isteyen) ziyaret\u00e7iler i\u00e7in.\u00a0<\/p>\n

Belgeler k\u0131sm\u0131nda belki de serginin en sakl\u0131 k\u0131sm\u0131nda, silahl\u0131 Ermeni gruplar\u0131n \u00f6ld\u00fcrd\u00fc\u011f\u00fc T\u00fcrk yetkililer ve ailelerine at\u0131fla 34 foto\u011fraf\u0131n duvarda yerini alm\u0131\u015f. Di\u011fer tarafta ise tarihi hikayeye Ermenistan-T\u00fcrkiye ili\u015fkileri de eklenmi\u015f.<\/p>\n

Sergiyi k\u00fcrat\u00f6r\u00fcn kurgusunun sizi y\u00f6nlendirdi\u011fi gibi sa\u011f taraftan izlemeye ba\u015flad\u0131ysan\u0131z sizi belgelerin hemen ard\u0131ndan olduk\u00e7a renkli bir \u2018Bizim Ermenilerin\u2019 Osmanl\u0131 sosyal-k\u00fclt\u00fcrel-mimari tarihindeki temsili k\u0131sm\u0131 bekliyor ziyaret\u00e7iyi. \u00dcnl\u00fc Ermeni mimarlar\u0131, Osmanl\u0131 imparatorlu\u011funda Ermeni yaz\u0131n ve bas\u0131n\/m tarihi, Ermeni tiyatrosu, m\u00fczi\u011fi ve m\u00fczisyenleri hakk\u0131nda g\u00f6rseller, objeler ve k\u0131sa anlat\u0131lar olduk\u00e7a ho\u015f ve rahatlat\u0131c\u0131 bir izlenim ve haleti ruhiye yaratacak cinsten. Ki\u015fisel merak\u0131mdan \u00f6zellikle Ermenice kitaplara bak\u0131yorum, biri hari\u00e7 Osmanl\u0131 son d\u00f6neme ait olduk\u00e7a rasgele se\u00e7ilmi\u015f, Ermeni yay\u0131n tarihinde \u00f6zel bir \u00f6nemi olmayan y\u0131ll\u0131klar, konu\u015fma k\u0131lavuzu, s\u00f6zl\u00fck, \u00e7eviri… Zanaat k\u0131sm\u0131nda sergilenen objeler i\u00e7in de ayn\u0131s\u0131n\u0131 s\u00f6yleyebilirim. Bu arada g\u00f6z\u00fcm Bas\u0131n Edebiyat Mizah b\u00f6l\u00fcm\u00fcnde altta yuvarlak \u00e7er\u00e7eveler i\u00e7erisindeki Zabel Yesayan\u00a0 ve Krikor Zohrab\u2019a tak\u0131l\u0131yor. Hi\u00e7bir a\u00e7\u0131klama yok, ne yazd\u0131lar, ne ya\u015fad\u0131lar ve (Krikor Zohrab, Daniel Varujan ve di\u011ferleri) niye \u00f6ld\u00fcler \u00a0ve daha \u00f6nemlisi bizlere ne anlatmaya \u00e7al\u0131\u015ft\u0131lar, koca bir suskunluk….<\/p>\n

Eminim bu sergi \u00e7o\u011fu gezenler i\u00e7in olduk\u00e7a ilgin\u00e7, s\u0131ra d\u0131\u015f\u0131 olacakt\u0131r. Bir\u00e7ok\u00a0 \u0130stanbullu Ermeni\u2019yi de kendi tarihlerine ait sosyal, k\u00fclt\u00fcrel kay\u0131tlar\u0131 sergileniyor g\u00f6rmek olduk\u00e7a mutlu edecektir, hakl\u0131 ve anla\u015f\u0131l\u0131r olarak. Ancak, acaba bu iki t\u00fcrden ilginin de bir ortak sebebi yok mu? Soyk\u0131r\u0131m bir tek tehcirle, katliamla, \u00e7ocuklara el koyulmas\u0131yla, kad\u0131nlar\u0131n ka\u00e7\u0131r\u0131lmas\u0131yla, mallara el konulmas\u0131yla Ermenileri fiziken ortadan kald\u0131rmad\u0131, ayn\u0131 zamanda hem Ermenili\u011fe kar\u015f\u0131 nefreti daha \u00f6nce g\u00f6r\u00fclmedik \u00f6l\u00e7\u00fcde b\u00fcy\u00fctt\u00fc, hem de onlar\u0131 kendi topraklar\u0131n\u0131n yabanc\u0131s\u0131 ilan etti. Dolay\u0131s\u0131yla Ermenilerin bu \u00fclkedeki k\u00f6kl\u00fc sosyal, k\u00fclt\u00fcrel ve ekonomik varl\u0131klar\u0131n\u0131 normalle\u015ftirmek y\u00f6n\u00fcndeki her giri\u015fim, ister istemez soyk\u0131r\u0131m\u0131n y\u0131k\u0131nt\u0131lar\u0131yla kar\u015f\u0131 kar\u015f\u0131ya kalmay\u0131, muhasebeyi ve de adalet talebini konu\u015fmay\u0131 gerektirecek bir ad\u0131m olacakt\u0131r. Nar Niyetiyle: T\u00fcrk-Ermeni \u0130li\u015fkilerinde Unutman\u0131n De\u011fil Hat\u0131rlaman\u0131n Zaman\u0131 sergisinin de d\u00fczenleyicilerinin niyetinden ba\u011f\u0131ms\u0131z b\u00f6yle bir etkisi olaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum.\u00a0<\/p>\n

Serginin d\u00fczenleyicilerinin defaten tekrar ettikleri bir nokta bu topraklardaki Ermeni tarihinin 1915\u2019e indirgenemeyece\u011fi. Yak\u0131n d\u00f6nem tarihyaz\u0131c\u0131l\u0131\u011f\u0131 da bu noktan\u0131n alt\u0131n\u0131 kal\u0131nca \u00e7iziyor asl\u0131nda. 1915 kendinden sonraki tarihi b\u00fcy\u00fck \u00f6l\u00e7\u00fcde a\u00e7\u0131klasa da, geriye do\u011fru binlerce y\u0131ll\u0131k Ermeni varl\u0131\u011f\u0131n\u0131, k\u00fclt\u00fcr\u00fcn\u00fc, deneyimini a\u00e7\u0131klayamaz. Benzer bir noktay\u0131 Holokost i\u00e7in de yapabiliriz, Almanya\u2019da Yahudi-Alman ili\u015fkileri bir tek soyk\u0131r\u0131ma indirgenemez; ancak bu durum bizi bir k\u0131r\u0131lma noktas\u0131, telafisi m\u00fcmk\u00fcn olmayan bir deneyim olarak soyk\u0131r\u0131m\u0131 tarihd\u0131\u015f\u0131la\u015ft\u0131rmak, istisnala\u015ft\u0131rmak ve ucuzlatmaya g\u00f6t\u00fcrmemelidir. Unutulmamas\u0131 gereken iki temel nokta var burada. Birincisi, 1915 bin y\u0131ll\u0131k Ermeni-T\u00fcrk (sergiyi d\u00fczenleyenlerin diliyle s\u00f6yl\u00fcyorum) tarihinin ka\u00e7\u0131n\u0131lmaz bir sonucu de\u011fildi, ancak o tarihin m\u00fcmk\u00fcn k\u0131ld\u0131\u011f\u0131 sonu\u00e7lardan biriydi. Di\u011fer nokta ise 1915\u2019in asla bir istisna olmad\u0131\u011f\u0131d\u0131r. Sergide g\u00f6zlerim \u0131srarla 1894-96 katliamlar\u0131na ait bir temsil, bir yorum, bir g\u00f6rsel arad\u0131 ancak maalesef; ha keza, 1909 Adana pogromu sergide, belli ki, 1915\u2019i istisnai bir d\u00f6nem, olay olarak g\u00f6stermek i\u00e7in kasten pas ge\u00e7ilmi\u015f. Bu durum sergi d\u00fczenleyicilerin \u00e7ok\u00e7a sarf ettikleri \u2018adil haf\u0131za\u2019 bir yana, son y\u00fcz elli y\u0131ll\u0131k Ermeni tarihinin temelden tahrif etmek demektir.\u00a0<\/p>\n

Sergi, D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131 \u00e7evresinin 2009 protokoller tart\u0131\u015fmalar\u0131 ve ard\u0131ndan in\u015fa ettikleri yeni inkarc\u0131l\u0131k s\u00f6ylemini \u00e7ok iyi yans\u0131t\u0131yor. \u20181915 olaylar\u0131n\u0131\u2019 bir insanl\u0131k trajedisi oldu\u011funu kabul edip, katliamlar\u0131 ya benzer katliam ve n\u00fcfus temizli\u011fi hareketleriyle kar\u015f\u0131la\u015ft\u0131rma i\u00e7erisinde bo\u011funtuya getirmek, ba\u011flam vurgusu yaparak, yerel g\u00fc\u00e7lerin k\u0131r\u0131mlara kat\u0131l\u0131m\u0131n\u0131 neredeyse karar verme mekanizmas\u0131 seviyesine y\u00fckseltmek ve \u2018devrimci Ermenileri\u2019, yani ma\u011fdurlar\u0131 su\u00e7lamak, kas\u0131t kavram\u0131n\u0131 mutlakla\u015ft\u0131rarak hukuken incelenebilir ve de devlet tarihini lekeleyebilir bir mesele olmaktan \u00e7\u0131karmak, bu yeni inkarc\u0131l\u0131\u011f\u0131n en s\u0131k ba\u015fvurdu\u011fu ara\u00e7lar olmu\u015ftur. \u015e\u00fcphesiz soyk\u0131r\u0131mlar karma\u015f\u0131k, katmanl\u0131 ve \u00e7ok sebepli olaylard\u0131r. Ancak bu ba\u011flamda \u00e7ok kritik iki nokta mevcut. Birincisi soyk\u0131r\u0131m\u0131 bir s\u00fcre\u00e7 olarak ele almay\u0131 reddedip onu olayla\u015ft\u0131rmak. \u0130kincisi ise failli\u011fin ve karar vericili\u011fin, daha geni\u015f ele al\u0131nabilecek sorumluluk kavram\u0131 i\u00e7erisinde bo\u011funtuya getirilmesidir. Bir ba\u015fka deyi\u015fle Ermeni Soyk\u0131r\u0131m\u0131\u2019nda sorumluluk b\u00fcy\u00fck devletleri, ve hatta kimi Ermeni akt\u00f6rleri i\u00e7ine alacak kadar geni\u015fletilebilir, ama karar verici ve temel failin kim(ler) oldu\u011fu \u00e7ok a\u00e7\u0131kt\u0131r. Ancak bundan birka\u00e7 y\u0131l \u00f6ncesine kadar h\u00fck\u00fcmetin farkl\u0131 kesimleri aras\u0131nda bu yeni s\u00f6ylem konusunda g\u00f6ze \u00e7arpan bir yak\u0131nla\u015fma vard\u0131ysa da, son iki y\u0131lda yar\u0131m as\u0131rd\u0131r kendisini Ermeni meselesinin T\u00fcrkiye cephesinde temel akt\u00f6rleri g\u00f6ren D\u0131\u015fi\u015fleri ile devletin di\u011fer kurum ve akt\u00f6rleri aras\u0131nda bir tutum ve s\u00f6ylem ayr\u0131l\u0131\u011f\u0131 belirginle\u015fiyor. Bu sergi ayn\u0131 zamanda bunun da a\u00e7\u0131k bir ifadesi oluyor\u00a0<\/p>\n

Sergiyi d\u00fczenleyenler bunun bir soyk\u0131r\u0131m veya Ermeni sorununun nas\u0131l hat\u0131rlanmas\u0131 gerekti\u011fi \u00fczerine bir sergi olmad\u0131\u011f\u0131n\u0131 iddia edebilir. Ancak T\u00fcrkiye\u2019de, soyk\u0131r\u0131m anmas\u0131n\u0131n y\u0131ld\u00f6n\u00fcm\u00fcne denk d\u00fc\u015fen bir zamanda, haf\u0131za temal\u0131 bir\u00a0\u00a0 sergi ka\u00e7\u0131n\u0131lmaz olarak hem 1915 ve sonu\u00e7lar\u0131\u00a0 hem de ondan \u00f6nceki felaketlerle diyalog i\u00e7erisindedir.\u00a0\u00a0 Soyk\u0131r\u0131m gibi felaketlerin m\u00fczele\u015ftirilmesi veya sergilerde\u00a0 temsiline dair laf\u0131 \u00e7ok uzatmadan iki noktan\u0131n alt\u0131n\u0131 \u00e7izmek isterim. Bu yaln\u0131z bu sergi i\u00e7in de\u011fil yak\u0131n zamanda d\u00fczenlenmi\u015f bir ba\u015fka sergi i\u00e7in de ge\u00e7erli olacakt\u0131r. Birincisi, bu gibi temsillerde e\u011fer ama\u00e7 felaketler kar\u015f\u0131s\u0131nda duyarl\u0131l\u0131k geli\u015ftirmek ise, temsildeki hedeflerden biri bilgilendirmek ise, di\u011feri ziyaret\u00e7inin konsantrasyonunu en \u00fcste d\u00fczeye \u00e7\u0131kar\u0131p, huzursuz etmek, ona ma\u011fdurlar\u0131n deneyimlerini elverdi\u011fi \u00f6l\u00e7\u00fcde hissettirmek, onun anlamakla s\u0131radanla\u015ft\u0131rmak aras\u0131nda bocalamas\u0131na m\u00fcmk\u00fcn oldu\u011funca engel olmakt\u0131r. Ayr\u0131ca soyk\u0131r\u0131m t\u00fcr\u00fc felaketlerin temsilinde itina, malzeme se\u00e7imi ve d\u00fczenlenmesinde \u00f6zene bilhassa \u00f6zen g\u00f6sterilmelidir. Maalesef bu sergi hem daha \u00f6nce Osman K\u00f6ker\u2019in k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde iki kez sergilenmi\u015f bir malzemeyi kullanmas\u0131, hem defaten yay\u0131nlanm\u0131\u015f Osmanl\u0131 belgelerine s\u0131\u011f\u0131nmas\u0131 ve hem de kullan\u0131lan di\u011fer obje, kitap vb. se\u00e7imindeki \u00f6zensizlikle bu standartlardan olduk\u00e7a uzak d\u00fc\u015f\u00fcyor. Ancak bence en sorunlu k\u0131s\u0131m b\u00fct\u00fcn serginin bir rahatlatma, sergi s\u0131ras\u0131nda kullan\u0131lan teknolojiyle ilgisini da\u011f\u0131tma, ziyaret\u00e7iyi kendini e\u011flendirir bir halde getirmesidir. Sergiyi gezip Toph\u00e2ne-i \u00c2mire\u2019nin \u00e7\u0131k\u0131\u015f\u0131na bir\u00e7ok ziyaret\u00e7inin olduk\u00e7a \u2018ho\u015f\u2019 bir temsil gezdiklerini d\u00fc\u015f\u00fcnerek y\u00f6neldiklerine \u015f\u00fcphem yok.<\/p>\n

Ben ise geriye d\u00f6n\u00fcp bakt\u0131\u011f\u0131mda hipnozit\u00f6r\u00fcn sarkac\u0131n\u0131 g\u00f6r\u00fcyorum. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/p>\n

OKUMAK \u0130\u00c7\u0130N TIKLAYIN: K\u00fcrat\u00f6r G\u00fczin Erken sergiyi anlat\u0131yor – Derdimiz t\u00fcm olay\u0131 1915’e kilitlemene 4 y\u0131ll\u0131k zaman diliminde anlatmak\u00a0<\/a><\/p>\n

http:\/\/www.agos.com.tr\/tr\/yazi\/15089\/tarih-vertigosu-hafiza-hipnozu-nar-niyetiyle-hatirlamak<\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Yektan T\u00fcrky\u0131lmaz D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131\u2019n\u0131n tarih boyunca T\u00fcrk-Ermeni ili\u015fkilerini merkeze alan \u201cNar Niyetiyle: Unutman\u0131n De\u011fil Hat\u0131rlaman\u0131n Zaman\u0131\u201d ba\u015fl\u0131kl\u0131 sergisi Nisan ay\u0131 ba\u015f\u0131nda Tophane-i Amire\u2019de izleyicilerle bulu\u015ftu. 29 Nisan\u2019a kadar gezilebilecek sergiyi soyk\u0131r\u0131m \u00fczerine \u00e7al\u0131\u015fmalar\u0131yla bilinen antropolog Dr. Yektan T\u00fcrky\u0131lmaz Agos i\u00e7in gezdi, kaleme ald\u0131. D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131n\u0131n Nar Niyetiyle: T\u00fcrk-Ermeni \u0130li\u015fkilerinde Unutman\u0131n De\u011fil Hat\u0131rlaman\u0131n Zaman\u0131 \u00a0sergisi Toph\u00e2ne-i […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-39622","post","type-post","status-publish","format-standard","hentry","category-haberler"],"yoast_head":"\nTarih vertigosu, haf\u0131za hipnozu: Nar Niyetiyle Hat\u0131rlamak - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=39622\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tarih vertigosu, haf\u0131za hipnozu: Nar Niyetiyle Hat\u0131rlamak - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Yektan T\u00fcrky\u0131lmaz D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131\u2019n\u0131n tarih boyunca T\u00fcrk-Ermeni ili\u015fkilerini merkeze alan \u201cNar Niyetiyle: Unutman\u0131n De\u011fil Hat\u0131rlaman\u0131n Zaman\u0131\u201d ba\u015fl\u0131kl\u0131 sergisi Nisan ay\u0131 ba\u015f\u0131nda Tophane-i Amire\u2019de izleyicilerle bulu\u015ftu. 29 Nisan\u2019a kadar gezilebilecek sergiyi soyk\u0131r\u0131m \u00fczerine \u00e7al\u0131\u015fmalar\u0131yla bilinen antropolog Dr. Yektan T\u00fcrky\u0131lmaz Agos i\u00e7in gezdi, kaleme ald\u0131. 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