{"id":38137,"date":"2016-01-16T03:09:23","date_gmt":"2016-01-16T08:09:23","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=38137"},"modified":"2016-01-16T03:09:23","modified_gmt":"2016-01-16T08:09:23","slug":"iki-memleketli-grafik-roman-ayvali-ayvalik-egenin-iki-yakasini-bulusturuyor","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=38137","title":{"rendered":"\u0130ki memleketli grafik roman \u2018Ayvali-Ayval\u0131k\u2019, Ege\u2019nin iki yakas\u0131n\u0131 bulu\u015fturuyor"},"content":{"rendered":"

\"Ayvali-Ayval\u0131k\"<\/a>Maral Dink<\/b><\/a><\/p>\n

Yunanistan\u2019da 2015 y\u0131l\u0131nda En \u0130yi \u00c7izgiroman ve En \u0130yi Senaryo \u00f6d\u00fcll\u00fc, Fransa\u2019da y\u0131l\u0131n en iyi \u00e7\u0131k\u0131\u015f yapan yabanc\u0131 \u00e7izgiroman\u0131 say\u0131lan ba\u015fyap\u0131t niteli\u011findeki \u2018Ayvali-Ayval\u0131k\u2019, \u0130stos Yay\u0131nc\u0131l\u0131k taraf\u0131ndan T\u00fcrk\u00e7eye \u00e7evrilerek yay\u0131mland\u0131. Aile tarihinden ba\u015flayarak, kitab\u0131n olu\u015fum s\u00fcrecini konu\u015ftu\u011fumuz Solo\u00fap, \u2018memlekete d\u00f6n\u00fc\u015f\u2019\u00fcn\u00fc \u2018birbirini anlamaya dair bir d\u00f6n\u00fc\u015f\u2019 olarak tan\u0131ml\u0131yor. <\/i><\/b><\/p>\n

\u201cYa\u015fam\u0131n ger\u00e7ek anlam\u0131n\u0131 arayan, bulmaya \u00e7al\u0131\u015fan bir mart\u0131dan daha sorumluluk sahibi biri olabilir mi? Bin y\u0131ld\u0131r yapt\u0131\u011f\u0131m\u0131z tek \u015fey, bal\u0131k pe\u015finde ko\u015fmak. Art\u0131k ya\u015famak i\u00e7in bir nedenimiz olmal\u0131; \u00f6\u011frenmek, ke\u015ffetmek, \u00f6zg\u00fcr olmak gibi. Bana bir \u015fans verin, \u00f6\u011frendiklerimi size g\u00f6stereyim\u201d diyordu, Richard Bach\u2019\u0131n \u2018Mart\u0131\u2019 kitab\u0131n\u0131n kahraman\u0131 Jonathan Livingston. Yemek bulmak yerine, u\u00e7may\u0131 ve ke\u015ffetmeyi ama\u00e7lad\u0131\u011f\u0131 i\u00e7in, s\u00fcr\u00fcs\u00fc taraf\u0131ndan sorumsuzlukla su\u00e7lanm\u0131\u015ft\u0131. Ancak o, yoluna devam etmi\u015f, kendi s\u0131n\u0131r\u0131lar\u0131n\u0131 a\u015fm\u0131\u015f, bir g\u00fcn d\u0131\u015fland\u0131\u011f\u0131 s\u00fcr\u00fcye d\u00f6n\u00fcp arkada\u015flar\u0131na da yol g\u00f6stermi\u015fti.<\/p>\n

Yunanistan\u2019\u0131n \u00e7izgiroman ve karikat\u00fcr \u00fcstad\u0131 Solo\u00fap\u2019un ilk grafik roman\u0131 \u2018Ayvali-Ayval\u0131k\u2019\u0131n kapa\u011f\u0131nda yer alan g\u00f6rkemli mart\u0131, bana Jonathan Livingston\u2019\u0131 an\u0131msatt\u0131. K\u00f6kleri \u0130zmir\u2019e uzanan, \u00fc\u00e7\u00fcnc\u00fc ku\u015fak bir m\u00fcbadil torunu olan Solo\u00fap, kula\u011f\u0131nda ninesinin m\u00fcbadele hik\u00e2yeleri, Midilli\u2019den Ayval\u0131k\u2019a do\u011fru yapt\u0131\u011f\u0131 bir gemi yolculu\u011funda \u2018Ayvali\u2019yi yazmaya karar vermi\u015f. Ege\u2019nin iki yakas\u0131ndaki halklar\u0131n bitmeyen s\u00fcrg\u00fcn\u00fcn\u00fc, ac\u0131, g\u00f6\u00e7 ve \u00f6zlemle ortakla\u015fan tarihlerini, her iki taraf\u0131n da bak\u0131\u015f a\u00e7\u0131s\u0131yla anlatan grafik roman, Solo\u00fap\u2019un \u00e7e\u015fitli kaynaklardan edindi\u011fi tan\u0131kl\u0131klara ve ar\u015fivlere dayan\u0131yor.<\/p>\n

Osmanl\u0131 d\u00f6nemi Ayval\u0131k\u2019\u0131n\u0131 en iyi tasvir eden yazarlardan Fotis Kondo\u011flu, Amele Taburlar\u0131 s\u00fcrg\u00fcn\u00fcnden kurtulmay\u0131 ba\u015farm\u0131\u015f Ayval\u0131kl\u0131 \u00f6yk\u00fcc\u00fc \u0130lias Venezis, bir T\u00fcrk subay\u0131yla ya\u015fad\u0131\u011f\u0131 \u00e7arp\u0131c\u0131 g\u00fcnleri anlatan Agapi Venezi-Molivyati ve Giritli T\u00fcrklerin maruz kald\u0131\u011f\u0131 \u015fiddeti kaleme alan Ahmet Yorulmaz\u2019\u0131n anlat\u0131lar\u0131n\u0131 i\u00e7eren kitap, Solo\u00fap\u2019un \u2018memlekete d\u00f6n\u00fc\u015f\u2019\u00fc ve Ayval\u0131k\u2019ta kendisi gibi m\u00fcbadil torunu olan Mehmet\u2019le kar\u015f\u0131la\u015fmas\u0131yla son buluyor.<\/p>\n

Yunanistan\u2019da 2015 y\u0131l\u0131nda En \u0130yi \u00c7izgiroman ve En \u0130yi Senaryo \u00f6d\u00fcll\u00fc, Fransa\u2019da y\u0131l\u0131n en iyi \u00e7\u0131k\u0131\u015f yapan yabanc\u0131 \u00e7izgiroman\u0131 say\u0131lan ba\u015fyap\u0131t niteli\u011findeki \u2018Ayvali-Ayval\u0131k\u2019, \u0130stos Yay\u0131nc\u0131l\u0131k taraf\u0131ndan T\u00fcrk\u00e7eye \u00e7evrilerek yay\u0131mland\u0131. Aile tarihinden ba\u015flayarak, kitab\u0131n olu\u015fum s\u00fcrecini konu\u015ftu\u011fumuz Solo\u00fap, \u2018memlekete d\u00f6n\u00fc\u015f\u2019\u00fcn\u00fc \u2018birbirini anlamaya dair bir d\u00f6n\u00fc\u015f\u2019 olarak tan\u0131ml\u0131yor. \u2018Ayvali-Ayval\u0131k\u2019 kitab\u0131, s\u00fcrg\u00fcnl\u00fck ve ac\u0131 dolu bu co\u011frafyada, Solo\u00fap\u2019un, devletlerin resm\u00ee tarih anlat\u0131lar\u0131na inanmak yerine, Mart\u0131 Jonathan gibi u\u00e7mak, \u00f6\u011frenmek ve \u00f6zg\u00fcr olmak isteyenlere bir arma\u011fan\u0131.<\/p>\n

\u00a0\u2018Ayvali-Ayval\u0131k\u2019\u0131 yazmaya ba\u015flarken temel motivasyonunuz neydi?<\/b><\/p>\n

Kitap, Ayval\u0131k\u2019a yapt\u0131\u011f\u0131m g\u00fcn\u00fcbirlik bir yolculuktan sonra hissetti\u011fim, genelde tart\u0131\u015fmad\u0131\u011f\u0131m\u0131z \u015feylere dair sorular\u0131 kafamda yerli yerine oturtma ihtiyac\u0131ndan do\u011fdu. Hem tamam\u0131 K\u00fc\u00e7\u00fck Asya do\u011fumlu b\u00fcy\u00fckannelerim ve b\u00fcy\u00fckbabalar\u0131m\u0131n ba\u015f\u0131na gelenleri, hem de T\u00fcrkiye ile Yunanistan aras\u0131ndaki \u00f6nyarg\u0131lardan dolay\u0131 bug\u00fcn bizlerin neler ya\u015fad\u0131\u011f\u0131n\u0131 anlama arzusundan do\u011fdu.<\/p>\n

Kitap i\u00e7in nas\u0131l ve ne kadar bir s\u00fcre ara\u015ft\u0131rma yapt\u0131n\u0131z? Hangi kaynaklara ba\u015fvurdunuz? Kitab\u0131n ne kadar\u0131 kurgu, ne kadar\u0131 ger\u00e7ek?<\/b><\/p>\n

Bu grafik roman, yo\u011fun bir ara\u015ft\u0131rma ve \u00e7al\u0131\u015fmayla ge\u00e7en \u00fc\u00e7 y\u0131lda tamamland\u0131. \u00d6ncelikle \u0130lias Venezis, Dido Sotiriu, Fotis Kondo\u011flu gibi edebi kaynaklara, \u0130zmir ve \u00c7e\u015fme\u2019den gelen m\u00fcbadillerin aile ar\u015fivlerinde bulunan foto\u011fraflara y\u00f6neldim. Senaryo ilerledik\u00e7e ara\u015ft\u0131rmam tarihsel \u00e7al\u0131\u015fmalara, T\u00fcrk edebiyat\u00e7\u0131lar\u0131n yazd\u0131klar\u0131na, eski foto\u011fraflara ve kartpostallara do\u011fru geni\u015fledi, k\u00fct\u00fcphanelerde ve ar\u015fivlerde ara\u015ft\u0131rmalar yapmaya koyuldum. D\u00f6nemin \u00fcniformalar\u0131, gemileri, al\u0131\u015fkanl\u0131klar\u0131 ve k\u0131yafetlerini inceledim. Ve tabii ki, g\u00f6rsel d\u00fcnyam\u0131 olu\u015fturmak i\u00e7in Ayval\u0131k\u2019\u0131 defalarca ziyaret ettim. Senaryo ger\u00e7ek olaylardan besleniyor, tan\u0131kl\u0131klara dayan\u0131yor. Kitaptaki d\u00f6rt yazar\u0131n anlat\u0131lar\u0131 da, \u00e7o\u011funlukla ya\u015fad\u0131klar\u0131ndan ve tan\u0131k olduklar\u0131ndan olu\u015fuyor. Ancak kitapta \u2018hayal \u00fcr\u00fcn\u00fc\u2019 olarak tan\u0131mlayaca\u011f\u0131m\u0131z her \u015fey, asl\u0131nda \u00e7ok say\u0131da, irili ufakl\u0131 tan\u0131kl\u0131\u011f\u0131n bir araya getirilmi\u015f halinden olu\u015fturulmu\u015ftur.<\/p>\n

Yunanistan\u2019da kitapla ilgili ne t\u00fcr yorumlar ald\u0131n\u0131z?<\/b><\/p>\n

Kitap, Yunanistan\u2019da ak\u0131l almaz derecede yo\u011fun ilgi g\u00f6rd\u00fc. Kitab\u0131n piyasaya \u00e7\u0131kt\u0131\u011f\u0131 g\u00fcnden bu yana ge\u00e7en bir y\u0131l i\u00e7inde, Yunanca bas\u0131nda y\u0131llard\u0131r herhangi bir kitap i\u00e7in yaz\u0131lmad\u0131\u011f\u0131 kadar \u00e7ok yaz\u0131 yaz\u0131ld\u0131. Kitap, ulusal alanda iki \u00e7izgiroman \u00f6d\u00fcl\u00fcne lay\u0131k g\u00f6r\u00fcld\u00fc (y\u0131l\u0131n en iyi \u00e7izgiroman\u0131 ve en iyi senaryo) ve pek \u00e7ok \u00fcniversitenin tarih, antropoloji, filoloji, g\u00fczel sanatlar, ileti\u015fim b\u00f6l\u00fcmlerinde okutulmaya ba\u015fland\u0131; hakk\u0131nda paneller, tiyatro oyunlar\u0131 ve konserler d\u00fczenlendi. Ge\u00e7en y\u0131l \u015eubat ay\u0131nda, Yunanistan\u2019\u0131n belki de en \u00f6nemli sanat m\u00fczelerinden biri olan, Atina\u2019daki Benaki M\u00fczesi\u2019nde kitab\u0131n b\u00fcy\u00fck \u00f6l\u00e7ekli bir sergisi d\u00fczenlendi. O g\u00fcnden bu yana, t\u00fcm Yunanistan\u2019dan (Midilli, Girit, Patra, Trakya, Selanik ve daha pek \u00e7ok yerden) bizlere davetler geliyor. Bu kitab\u0131n en heyecan verici yanlar\u0131ndan biri de t\u00fcm ya\u015flara hitap etmi\u015f olmas\u0131; hatta daha \u00f6nce ellerine \u00e7izgiroman almam\u0131\u015f olan ikinci ku\u015fak m\u00fcbadiller bile kitab\u0131 okudu! T\u00fcm bu deneyimler, kitab\u0131 haz\u0131rlarken hayal ettiklerimin \u00e7ok \u00f6tesine ge\u00e7mi\u015f oldu.<\/p>\n

Kitab\u0131n T\u00fcrk\u00e7eye \u00e7evrilip T\u00fcrkiye\u2019de yay\u0131mlanm\u0131\u015f olmas\u0131 sizin i\u00e7in ne ifade ediyor?<\/b><\/p>\n

Bu kitab\u0131n iki memleketi var: Yunanistan ve T\u00fcrkiye. Ayvali-Ayval\u0131k\u2019ta Ege\u2019nin her iki taraf\u0131nda ya\u015fayanlar\u0131n \u2018kar\u015f\u0131 taraftaki\u2019ne dair \u00f6nyarg\u0131lar\u0131n\u0131 yans\u0131tmaya \u00e7al\u0131\u015ft\u0131m. Ancak ve ancak \u2018\u00f6teki\u2019nin duygular\u0131n\u0131 bilir, onun, ders kitaplar\u0131n\u0131n ya da resm\u00ee ulusal anlat\u0131lar\u0131n tasvir etti\u011fi canavar olmad\u0131\u011f\u0131n\u0131 anlayabilirsek, bu insanlar\u0131n benzer korkulara, a\u015fklara ve tekinsizliklere sahip oldu\u011funu g\u00f6rebiliriz. Ayn\u0131 zamanda Yunanistan\u2019da ya\u015fayan bizlerin ve T\u00fcrkiye\u2019de ya\u015fayan sizlerin, birbirimizin k\u00fclt\u00fcr\u00fcne sayg\u0131 duyarak, bar\u0131\u015f i\u00e7inde ya\u015fama arzusuna s\u0131kl\u0131kla tan\u0131kl\u0131k ettim ve buna dair s\u00f6z s\u00f6ylemek istedim.<\/p>\n

Bu t\u00fcr tarihsel hik\u00e2yeleri, grafik romanla belgesel tad\u0131nda anlatman\u0131n nas\u0131l bir \u00f6nemi ve etkisi var?<\/b><\/p>\n

Kitap, Yunanistan\u2019da ve Fransa\u2019da yay\u0131mland\u0131. Her iki \u00fclkedeki tepkilere bakt\u0131\u011f\u0131mda, grafik roman\u0131n ve \u00e7izgilerle anlat\u0131m\u0131n, \u00e7ok \u00f6nemli konulara dair daha geni\u015f kitlelere do\u011frudan ula\u015fman\u0131n \u00e7ok g\u00fczel bir yolu oldu\u011funu g\u00f6r\u00fcyorum. Bir de bunu genelde karikat\u00fcrlerdeki gibi indirgemeci bir \u015fekilde yapm\u0131yor. Grafik romanlar, art\u0131k daha geni\u015f bir kitleye ula\u015fan, olgun bir sanat bi\u00e7imi olarak alg\u0131lan\u0131yor.<\/p>\n

Siyaseten bu kitab\u0131n nas\u0131l bir etkisi olabilir sizce?<\/b><\/p>\n

\u2018Ayvali-Ayval\u0131k\u2019\u0131n \u015f\u00fcphesiz siyasi bir boyutu var. Bu siyasi boyut, asl\u0131nda s\u0131radan insanlar\u0131n sava\u015flar olmadan, k\u00f6ktencilikten, milliyet\u00e7iliklerden ve \u00f6nyarg\u0131lardan uzak, bar\u0131\u015f i\u00e7inde ya\u015fama ihtiyac\u0131ndan ibarettir. Bu da herkesin tarihe daha \u00e7ok \u00f6zele\u015ftirel yakla\u015f\u0131mla bakmas\u0131 gerekti\u011fi anlam\u0131na geliyor. \u00d6ncelikle kendi hatalar\u0131m\u0131z\u0131 fark edip, \u2018\u00f6tekiler\u2019in d\u00fc\u015f\u00fcncelerine sayg\u0131 duymazsak, elle tutulur yeni bir yakla\u015f\u0131m\u0131 nas\u0131l olu\u015fturabiliriz ki? B\u00f6yle bir kitap, halklar\u0131n d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131n\u0131n s\u0131n\u0131rlar\u0131n\u0131 geni\u015fletmeye katk\u0131 sunabilir. D\u00fc\u015fmanl\u0131\u011f\u0131n \u00f6nyarg\u0131lar\u0131ndan ve silahlar\u0131n diplomasisinden \u00f6te bir y\u00f6nelim sunabilir.<\/p>\n

Kitab\u0131n sonunda aile alb\u00fcm\u00fcnden foto\u011fraflar ve k\u0131sa bilgiler g\u00f6r\u00fcyoruz. Kitapta yer veremedi\u011finiz, aile tarihinin eksik kalan k\u0131sm\u0131n\u0131 anlat\u0131r m\u0131s\u0131n\u0131z? \u00d6zellikle nineniz Maria ve dedeniz Angelos\u2019un hik\u00e2yesinden bahseder misiniz?<\/b><\/p>\n

Dedem Angelos, Bay\u0131nd\u0131r do\u011fumlu. K\u00fc\u00e7\u00fckken hep duyard\u0131m, \u2018Bayindiri\u2019 derlerdi Yunancada. Annesini ve babas\u0131n\u0131 k\u00fc\u00e7\u00fck ya\u015fta kaybetti\u011fi i\u00e7in, onu bir t\u00fct\u00fcn t\u00fcccar\u0131 olan zengin \u0130zmirli amcas\u0131 evlatl\u0131k edinmi\u015f. Sava\u015f\u0131n zorlu y\u0131llar\u0131nda okumak i\u00e7in Berlin\u2019e gitmi\u015f. B\u00fcy\u00fckannem Maria da \u0130zmir\u2019de do\u011fmu\u015f, babas\u0131 Frans\u0131z demiryollar\u0131nda terzi olarak \u00e7al\u0131\u015f\u0131yormu\u015f. Kitapta g\u00f6rd\u00fc\u011f\u00fcn\u00fcz foto\u011fraflar, b\u00fcy\u00fckannem Maria\u2019n\u0131n 1919\u2019da Berlin\u2019e, dedeme g\u00f6nderdi\u011fi a\u015fk mektuplar\u0131ndan. Bu y\u00fczden yang\u0131ndan zarar g\u00f6rmemi\u015f, g\u00fcn\u00fcm\u00fcze ula\u015fabilmi\u015fler. B\u00fcy\u00fckannem de \u0130zmir kordonunda, yang\u0131n, deniz ve silahlar aras\u0131ndaki cehennemde kalan binlerce insan aras\u0131ndaym\u0131\u015f. \u00c7aresizlik i\u00e7inde, tecav\u00fczden ka\u00e7mak ve intihar etmek i\u00e7in denize atlam\u0131\u015f. Fakat sonu\u00e7 olarak, \u00f6l\u00fc bedenler aras\u0131ndan y\u00fczm\u00fc\u015f ve bir Amerikan gemisi taraf\u0131ndan kurtar\u0131lm\u0131\u015f. K\u00fc\u00e7\u00fckl\u00fc\u011f\u00fcmde, ba\u015f\u0131ndan ge\u00e7enleri ayr\u0131nt\u0131l\u0131 bir \u015fekilde anlat\u0131rd\u0131 bana.<\/p>\n

Kitab\u0131n son b\u00f6l\u00fcm\u00fcnde Ayval\u0131k\u2019ta bir T\u00fcrk aileyle kar\u015f\u0131la\u015fman\u0131z\u0131 anlat\u0131yorsunuz. Neler hissettiniz? Aile b\u00fcy\u00fcklerinden dinledi\u011finiz Ayvali ile nas\u0131l bir ba\u011f kurdunuz?<\/b><\/p>\n

Kitab\u0131n tamam\u0131 bir ayna asl\u0131nda. \u201cK\u00f6ro\u011flu\u201d ba\u015fl\u0131kl\u0131 b\u00f6l\u00fcmde anlat\u0131lan kar\u015f\u0131la\u015fma, kendimizle bir kar\u015f\u0131la\u015fmad\u0131r (K\u00f6ro\u011flu, kar\u015f\u0131l\u0131kl\u0131 dans edilen ve Yunan adalar\u0131nda m\u00fcbadil torunlar\u0131n\u0131n h\u00e2l\u00e2 oynad\u0131\u011f\u0131 bir danst\u0131r). Ne kadar \u00e7ok birbirimizi tan\u0131rsak, verdi\u011fimiz tepkilerin birbirine ne kadar benzedi\u011fini g\u00f6rebiliriz. Kar\u015f\u0131l\u0131kl\u0131 \u00f6nyarg\u0131lar\u0131m\u0131z ayn\u0131, ancak dostlu\u011fa ve ileti\u015fime olan ihtiyac\u0131m\u0131z da bir o kadar benzer.<\/p>\n

Bu t\u00fcr g\u00f6\u00e7lere maruz kalm\u0131\u015f halklar\u0131n sonraki ku\u015faklar\u0131, ne kadar zaman ge\u00e7erse ge\u00e7sin, ge\u00e7mi\u015fle ba\u011f ve ili\u015fki kurmak istiyor. Sizce bunun nedeni nedir? <\/b><\/p>\n

\u201cMemlekete d\u00f6n\u00fc\u015f!\u201d Bu devasa bir mesele. Kendi kaderimizi tayin etmeye ve insan ruhuna dair, Homeros\u2019tan bug\u00fcne dek g\u00fcndemde olan, devasa bir mesele. Bu yaln\u0131zca atalar\u0131m\u0131z\u0131n nerede g\u00f6m\u00fclece\u011fine dair bir konu de\u011fil. \u00d6rne\u011fin, ben \u00fc\u00e7\u00fcnc\u00fc ku\u015fak m\u00fcbadil torunu olarak, atalar\u0131m\u0131n memleketine \u2018d\u00f6nmek\u2019 konusunda hissetti\u011fim ihtiya\u00e7tan \u00f6t\u00fcr\u00fc kendime \u015fa\u015f\u0131r\u0131yorum. Ben, K\u00fc\u00e7\u00fck Asya\u2019yla b\u00f6yle bir ba\u011f kuruyorum, m\u00fcbadil Giritli T\u00fcrkler de Girit\u2019le\u2026 D\u00fcnyada milyonlarca insan, ayn\u0131 duygular\u0131 besliyor. Her \u015feyin \u00f6tesinde, san\u0131r\u0131m bu, derin bir fark\u0131ndal\u0131k ve haysiyet meselesi. K\u00f6klerini bilmek, k\u00fclt\u00fcr\u00fcn\u00fc bilmek istiyor insan. Hepimizin geri d\u00f6nmek istedi\u011fi \u015fey, tam da bu.<\/p>\n

Vatan aray\u0131\u015f\u0131, oraya d\u00f6n\u00fc\u015fle bitmiyor. Ninenin vatan\u0131n\u0131 bulduktan y\u0131llar sonra orada ya\u015fama iste\u011fi oluyor mu, yoksa o topra\u011fa y\u00f6nelik his, platonik bir a\u015fk olarak m\u0131 kal\u0131yor?<\/b><\/p>\n

D\u00f6nmeli, ama nas\u0131l?.. Bazen Yunanistan\u2019da, Ankara\u2019ya kadar uzanan, tarihd\u0131\u015f\u0131 Yunanistan haritalar\u0131, yahut T\u00fcrkiye\u2019de de Trakya\u2019n\u0131n tamam\u0131n\u0131, Ege Adalar\u0131\u2019n\u0131 ve Girit\u2019i dahil eden tarihd\u0131\u015f\u0131 T\u00fcrkiye haritalar\u0131 g\u00f6r\u00fcyorum. D\u00f6n\u00fc\u015f, kaybedilmi\u015f\/kazan\u0131lm\u0131\u015f topraktan ibaretmi\u015f. Hay\u0131r, benim \u2018d\u00f6n\u00fc\u015f\u2019\u00fcm, kitab\u0131mdaki Mehmet karakterinin d\u00f6n\u00fc\u015f\u00fc gibi, birbirini anlamaya dair bir d\u00f6n\u00fc\u015f. Diyalog ve kar\u015f\u0131l\u0131kl\u0131 sayg\u0131 k\u00f6pr\u00fcleri in\u015fa eden bir d\u00f6n\u00fc\u015f.<\/p>\n

Fotis, \u0130lias, Agapi, Hasan ve sizden sonra, gelecek ku\u015fa\u011fa nas\u0131l bir mesaj\u0131 olacak bu kitab\u0131n? \u2018Ge\u00e7mi\u015fin \u015feytanlar\u0131\u2019n\u0131 kovmak nas\u0131l m\u00fcmk\u00fcn olabilir?<\/b><\/p>\n

\u00d6ncelikle, \u00f6zele\u015ftirimizi yapal\u0131m; tarihi, \u00f6nyarg\u0131s\u0131z bir \u015fekilde yeniden okuyal\u0131m ve sonra \u00e7ekti\u011fimiz \u00e7ileler i\u00e7in \u2018\u00f6tekileri\u2019 yarg\u0131layal\u0131m. Bu yaln\u0131zca T\u00fcrkleri, yahut Yunanlar\u0131 ilgilendirmiyor, t\u00fcm d\u00fcnyan\u0131n halklar\u0131n\u0131 ilgilendiriyor.<\/p>\n

Tan\u0131nm\u0131\u015f karikat\u00fcrist Filistinli Naci El Ali, Hanzala karakterini hep s\u0131rt\u0131 d\u00f6n\u00fck \u00e7izdi. Bu, Filistin\u2019de ya\u015fananlar kar\u015f\u0131s\u0131nda t\u00fcm insanl\u0131\u011f\u0131n sessiz kalmas\u0131na olan k\u00fcsk\u00fcnl\u00fc\u011f\u00fcn ifadesiydi. \u2018Ayvali\u2019de de, her b\u00f6l\u00fcm\u00fcn sonunda s\u0131rt\u0131 d\u00f6n\u00fck karakterler, gemiyi u\u011furlayanlar, el sallayanlar g\u00f6r\u00fcyoruz. Bu anlat\u0131m\u0131n Hanzala\u2019da g\u00f6rd\u00fc\u011f\u00fcm\u00fcz gibi, \u00f6zel ve sembolik bir anlam\u0131 var m\u0131?<\/b><\/p>\n

Evet, hakl\u0131s\u0131n\u0131z. S\u0131rt\u0131 d\u00f6n\u00fck karakterler, ba\u015fka bir anlam i\u00e7eriyor. Bu y\u00f6ntemle asl\u0131nda okurun bak\u0131\u015f a\u00e7\u0131s\u0131, her karakterin bak\u0131\u015f a\u00e7\u0131s\u0131yla ve bakt\u0131\u011f\u0131 y\u00f6nle e\u015fleniyor. Okuyucu, her karakterin tam arkas\u0131nda durarak, o karakterin g\u00f6rd\u00fc\u011f\u00fcn\u00fc g\u00f6r\u00fcyor. Sinemadaki bir \u00f6znel planda oldu\u011fu kadar mutlak bir \u015fekilde \u00f6zde\u015flik duyamayacak olsak da, bahsetti\u011finiz \u00e7izimlerle belki karakterlerin duygular\u0131n\u0131 ve d\u00fc\u015f\u00fcncelerini anlamam\u0131z m\u00fcmk\u00fcn olur. Belki ayn\u0131 ac\u0131lar\u0131 hisseder, ayn\u0131 d\u00fc\u015f\u00fcncelere dalabiliriz.<\/p>\n

\u0130stos Yay\u0131nc\u0131l\u0131k: \u2018\u0130ki vatana sahip bu kitab\u0131n iki dilde de iyi konu\u015fmas\u0131 gerekiyordu\u2019<\/b><\/p>\n

Kitab\u0131 basmaya nas\u0131l karar verdiniz? Yay\u0131ma haz\u0131rlama s\u00fcrecinde kar\u015f\u0131la\u015ft\u0131\u011f\u0131n\u0131z zorluklar neler oldu?<\/b><\/p>\n

Solo\u00fap, Yunanistan\u2019daki \u00fcretimlerini, karikat\u00fcr ve \u00e7izgiroman \u00e7al\u0131\u015fmalar\u0131n\u0131 takip etti\u011fimiz bir sanat\u00e7\u0131yd\u0131. \u2018Ayvali-Ayval\u0131k\u2019\u0131n tamamland\u0131\u011f\u0131na dair ilk haberler \u00e7\u0131kt\u0131\u011f\u0131nda, daha Yunanistan\u2019da yay\u0131mlanmadan temasa ge\u00e7tik ve kitab\u0131n T\u00fcrk\u00e7edeki yay\u0131mc\u0131s\u0131 olduk. Ancak, \u00e7eviri s\u00fcreci biraz uzun s\u00fcrd\u00fc; zira iki vatana sahip bir kitab\u0131n, i\u00e7erdi\u011fi ve ruhunu tesis eden iki dilde de iyi \u2018konu\u015fmas\u0131\u2019 gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcyorduk. \u00c7ok dikkatli bir T\u00fcrk\u00e7ele\u015ftirme yapmak istedik; hem g\u00fcndelik\/k\u00fclt\u00fcrel referanslar ve \u00f6zel kelimeler okuyucu i\u00e7in notlanmal\u0131, hem de d\u00f6rt ayr\u0131 yazar ve \u00e7izer\/anlat\u0131c\u0131n\u0131n \u00fcsluplar\u0131 ayr\u0131\u015ft\u0131r\u0131lmal\u0131yd\u0131; ayr\u0131ca iki dildeki ortak kelimeler metinde korunmal\u0131, leh\u00e7esel farklara dikkat edilmeliydi. T\u00fcm bu metinsel ince i\u015f\u00e7ilik, grafik uygulamada da ayr\u0131ca bir i\u015f\u00e7ilik ve s\u00fcre gerektirdi. \u00c7evirmenimiz Hasan \u00d6zg\u00fcr Tuna, bu anlamda \u00e7ok ba\u015far\u0131l\u0131 bir i\u015f \u00e7\u0131kard\u0131. Solo\u00fap da bu T\u00fcrk\u00e7e bask\u0131 i\u00e7in pek \u00e7ok sayfada yeniden kaligrafik uygulama yapt\u0131. Bu anlamda kitap, T\u00fcrkiye bask\u0131s\u0131 ve T\u00fcrk\u00e7e okuru i\u00e7in ba\u015ftan ba\u015fa d\u00fc\u015f\u00fcn\u00fcld\u00fc ve yeniden \u00e7al\u0131\u015f\u0131ld\u0131.<\/p>\n

Kitab\u0131n hedef kitlesi kimlerdir? Yunanistanl\u0131 okur ile T\u00fcrkiyeli okur aras\u0131nda kitab\u0131n alg\u0131lanmas\u0131 a\u00e7\u0131s\u0131ndan ne t\u00fcr farklar olabilir?<\/b><\/p>\n

\u2018Ayvali-Ayval\u0131k\u2019 hat\u0131rlamaya dair bir kitap. Bir tarih kitab\u0131; g\u00fc\u00e7l\u00fc bir edebi gelene\u011fi al\u0131nt\u0131l\u0131yor, ayr\u0131ca mimari ve ikonografiye dair detayl\u0131 \u00f6rnekler sunuyor ve yine bug\u00fcn\u00fcn tatil mek\u00e2nlar\u0131n\u0131n g\u00f6r\u00fcnmeyen ge\u00e7mi\u015fini \u00e7iziyor. Midilli ile Ayval\u0131k aras\u0131ndaki g\u00fcn\u00fcbirlik bir yolculu\u011fu, okuyucu i\u00e7in sinematografik bir zaman yolculu\u011funa d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor. \u2018Ayval\u0131k\u2019\u0131 okumak, ger\u00e7ekten iyi bir film izlemek gibi.<\/p>\n

Yunanistanl\u0131 okur, m\u00fcbadele ve toplumsal etkisi hususunda daha bilgili ve ilgili. Bunda elbette 1,5 milyon gibi y\u00fcksek say\u0131da n\u00fcfus hareketlili\u011finin k\u00fc\u00e7\u00fck bir \u00fclkede yaratt\u0131\u011f\u0131 k\u00f6kl\u00fc ve y\u0131k\u0131c\u0131 etkinin pay\u0131 var. Bu etki, kesintiye u\u011framayan bir aktar\u0131m\u0131 da beraberinde getirmi\u015f. T\u00fcrkiye\u2019de ise m\u00fcbadele daha az an\u0131lan bir tarihsel vaka; m\u00fcbadil aileler, yerli toplumla daha h\u0131zl\u0131 kayna\u015fm\u0131\u015f ve Cumhuriyet\u2019in in\u015fas\u0131n\u0131n merkez\u00ee bir unsuru olmu\u015f. Dolay\u0131s\u0131yla, \u00f6zg\u00fcn ve zorlu aile hik\u00e2yeleri, daha az al\u0131nt\u0131lanm\u0131\u015f ve genel olarak toplumun meselesi olamam\u0131\u015f, ta ki 90\u2019larda T\u00fcrkiye\u2019deki m\u00fcbadil aileleri yan yana gelip hik\u00e2yelerini payla\u015fmaya ba\u015flayana kadar…<\/p>\n

Hat\u0131rlamak neden \u00f6nemli?\u00a0<\/b><\/p>\n

Y\u00fcz y\u0131l \u00f6ncenin hayaletlerinin, bug\u00fcn\u00fcm\u00fcz\u00fcn temelinde g\u00f6m\u00fcl\u00fc kalmamas\u0131 i\u00e7in ruhlara ve kaybolmu\u015f hayatlara sayg\u0131 duru\u015funda bulunmak, onlar\u0131 ac\u0131lar\u0131ndan \u00f6zg\u00fcrle\u015ftirmek; edebi, tarih\u00ee ve hayati bir sorumluluk. Sava\u015f\u0131n, g\u00f6\u00e7\u00fcn ve m\u00fcbadelenin kurbanlar\u0131n\u0131 anmam\u0131z; bug\u00fcn T\u00fcrkiye ve Yunanistan n\u00fcfusunun \u00f6nemli ve etkin bir k\u0131sm\u0131n\u0131 olu\u015fturan ve aile ge\u00e7mi\u015fleri travmalar, kay\u0131plar, yoksulluk ve yoksunlukla damgalanm\u0131\u015f; her \u015feye s\u0131f\u0131rdan ba\u015flamak, tan\u0131mad\u0131klar\u0131 ve ne yaz\u0131k ki d\u0131\u015fland\u0131klar\u0131 topraklarda yeniden bir hayat kurmak zorunda kalan t\u00fcm insanlar\u0131 hat\u0131rlamam\u0131z ve birlikte bir kez daha sormam\u0131z gerekiyor: G\u00f6\u00e7menlerin umutlar\u0131 onlarla birlikte \u00f6ld\u00fc, peki ya bizim umutlar\u0131m\u0131z?<\/p>\n

\u00c7evirmen Hasan \u00d6zg\u00fcr Tuna: \u2018Grafik romanda kelimeler, \u00e7izgilerin e\u015flik\u00e7isidir\u2019<\/b><\/p>\n

Farkl\u0131 ekollerden \u00e7ok \u00f6nemli be\u015f ayr\u0131 yazar\u0131n (Solo\u00fap, Kondo\u011flu, Venezis, Yorulmaz, Venezi-Molivyati) \u00fcsluplar\u0131n\u0131, ayn\u0131 cilt i\u00e7inde, m\u00fcmk\u00fcn olan en iyi \u015fekilde yans\u0131tabilmek, ba\u015fl\u0131 ba\u015f\u0131na b\u00fcy\u00fck bir sorumluluktu. Onun d\u0131\u015f\u0131nda, H\u0131ristiyanl\u0131k ile ilgili terminoloji, Giritli M\u00fcsl\u00fcman m\u00fcbadillerin kitapta konu\u015ftu\u011fu Yunanca leh\u00e7e, Ahmet Yorulmaz\u2019\u0131n aslen T\u00fcrk\u00e7e yaz\u0131lm\u0131\u015f eserini Solo\u00fap\u2019un yorumu \u00fczerinden yeni bir metinmi\u015f gibi yeniden T\u00fcrk\u00e7eye \u00e7evirmek, \u00e7eviri s\u00fcresince kar\u015f\u0131la\u015ft\u0131\u011f\u0131m en b\u00fcy\u00fck zorluklard\u0131. Bir grafik roman\u0131 romandan ay\u0131ran en b\u00fcy\u00fck \u00f6zellik, grafik roman\u0131n \u00e7o\u011funlukla \u00e7izgilerden olu\u015fuyor olmas\u0131 ve anlat\u0131lan hik\u00e2yede kelimelerin \u00e7izgilere e\u015flik ediyor olu\u015fudur. Ancak meseleye bu \u00e7er\u00e7eveden, yani kelimelerin ba\u015frolde de\u011fil e\u015flik\u00e7i rol\u00fcnde oldu\u011fu ba\u015f\u0131ndan kabul edilerek bak\u0131ld\u0131\u011f\u0131 zaman, bir grafik roman metninin talep etti\u011fi esnekli\u011fe cevap verilebilir.<\/p>\n

Kitapta anlat\u0131lanlar\u0131 biliyordum, s\u00f6z\u00fc ge\u00e7en eserleri okumu\u015ftum; ama as\u0131l etkilendi\u011fim, Solo\u00fap\u2019un olaya yakla\u015f\u0131m\u0131 oldu. Daha \u00e7eviri s\u00fcreci devam ederken i\u00e7imde \u00e7ok \u015fiddetli bir \u015fekilde hem Yunanistan\u2019\u0131, Lezvos Adas\u0131\u2019n\u0131, hem de Ayval\u0131k\u2019\u0131 ziyaret edip kitapta ge\u00e7en yerleri g\u00f6rme arzusu do\u011fdu. Buralarda daha \u00f6nce bulunmama, ya\u015fanan trajediden haberdar olmama ra\u011fmen, o topraklara hi\u00e7 Solo\u00fap\u2019un bakt\u0131\u011f\u0131pencereden bakmam\u0131\u015ft\u0131m. Dolay\u0131s\u0131yla, \u00e7eviriyi bitirir bitirmez bir yolculuk d\u00fczenleyip oralarda ya\u015fayan insanlar\u0131 bir de o g\u00f6zle g\u00f6rmek \u00fczere, t\u0131pk\u0131 kitaptaki Solo\u00fap karakteri gibi \u00e7antay\u0131 s\u0131rt\u0131ma vurup yola \u00e7\u0131kt\u0131m. Gitti\u011fim yerler i\u00e7inde, beni en fazla etkileyen Ayval\u0131k oldu. Kent merkezinde o y\u0131k\u0131nt\u0131lar i\u00e7inde, terk edilmi\u015f, kap\u0131s\u0131na kilit vurulmu\u015f Rum evleri olsun, kitapta s\u00f6z\u00fc edilen trajik olaylar\u0131n ya\u015fand\u0131\u011f\u0131 zamandan kalma Arnavut kald\u0131r\u0131mlar\u0131 olsun, her \u015fey garip bir \u015fekilde sanki daha d\u00fcn ya\u015fanm\u0131\u015f gibiydi. Kentin bir k\u0131sm\u0131 \u00e7irkin betonla\u015fmadan nasibini al\u0131rken, di\u011fer bir k\u0131sm\u0131 da unutulmaya y\u00fcz tutmu\u015f \u00e7ok ac\u0131 bir ge\u00e7mi\u015fi, t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131yla g\u00f6zler \u00f6n\u00fcne seriyordu. Bu iki farkl\u0131 d\u00fcnyan\u0131n bir arada bulunuyor olu\u015fu, benim i\u00e7in \u00e7ok \u00e7arp\u0131c\u0131yd\u0131.<\/p>\n

Solo\u00fap\u2019un s\u00f6yle\u015fisinin \u00e7evirisi i\u00e7in \u0130stos Yay\u0131nc\u0131l\u0131k ve Aleksandros Kamburis\u2019e te\u015fekk\u00fcr ederiz.<\/i><\/p>\n

http:\/\/www.agos.com.tr\/tr\/yazi\/14027\/iki-memleketli-grafik-roman-ayvali-ayvalik-egenin-iki-yakasini-bulusturuyor<\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Maral Dink Yunanistan\u2019da 2015 y\u0131l\u0131nda En \u0130yi \u00c7izgiroman ve En \u0130yi Senaryo \u00f6d\u00fcll\u00fc, Fransa\u2019da y\u0131l\u0131n en iyi \u00e7\u0131k\u0131\u015f yapan yabanc\u0131 \u00e7izgiroman\u0131 say\u0131lan ba\u015fyap\u0131t niteli\u011findeki \u2018Ayvali-Ayval\u0131k\u2019, \u0130stos Yay\u0131nc\u0131l\u0131k taraf\u0131ndan T\u00fcrk\u00e7eye \u00e7evrilerek yay\u0131mland\u0131. Aile tarihinden ba\u015flayarak, kitab\u0131n olu\u015fum s\u00fcrecini konu\u015ftu\u011fumuz Solo\u00fap, \u2018memlekete d\u00f6n\u00fc\u015f\u2019\u00fcn\u00fc \u2018birbirini anlamaya dair bir d\u00f6n\u00fc\u015f\u2019 olarak tan\u0131ml\u0131yor. \u201cYa\u015fam\u0131n ger\u00e7ek anlam\u0131n\u0131 arayan, bulmaya \u00e7al\u0131\u015fan bir […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,54,71,53],"tags":[],"class_list":["post-38137","post","type-post","status-publish","format-standard","hentry","category-haberler","category-kitaplar-elestiriler","category-mulakatlar","category-turkiyede-azinliklar"],"yoast_head":"\n\u0130ki memleketli grafik roman \u2018Ayvali-Ayval\u0131k\u2019, Ege\u2019nin iki yakas\u0131n\u0131 bulu\u015fturuyor - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=38137\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0130ki memleketli grafik roman \u2018Ayvali-Ayval\u0131k\u2019, Ege\u2019nin iki yakas\u0131n\u0131 bulu\u015fturuyor - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Maral Dink Yunanistan\u2019da 2015 y\u0131l\u0131nda En \u0130yi \u00c7izgiroman ve En \u0130yi Senaryo \u00f6d\u00fcll\u00fc, Fransa\u2019da y\u0131l\u0131n en iyi \u00e7\u0131k\u0131\u015f yapan yabanc\u0131 \u00e7izgiroman\u0131 say\u0131lan ba\u015fyap\u0131t niteli\u011findeki \u2018Ayvali-Ayval\u0131k\u2019, \u0130stos Yay\u0131nc\u0131l\u0131k taraf\u0131ndan T\u00fcrk\u00e7eye \u00e7evrilerek yay\u0131mland\u0131. 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