{"id":35682,"date":"2015-07-11T03:25:08","date_gmt":"2015-07-11T08:25:08","guid":{"rendered":"http:\/\/akunq.net\/tr\/?p=35682"},"modified":"2015-07-11T03:25:55","modified_gmt":"2015-07-11T08:25:55","slug":"zahrad-siir-icin-dogmus-siir-icin-yasamis-biri","status":"publish","type":"post","link":"https:\/\/akunq.net\/tr\/?p=35682","title":{"rendered":"\u2018Zahrad \u015fiir i\u00e7in do\u011fmu\u015f, \u015fiir i\u00e7in ya\u015fam\u0131\u015f biri\u2019"},"content":{"rendered":"

\"Zahrad\"<\/a>Nazl\u0131 Berivan <\/b><\/p>\n

Ermenice \u015fiirin \u00f6zg\u00fcn ve bereketli ozan\u0131 Zahrad\u2019\u0131n 91. ya\u015f\u0131na ithafen bir kitap yay\u0131mland\u0131. Bug\u00fcne dek hi\u00e7 \u00e7evrilmemi\u015f eserlerinden olu\u015fan \u201cFerah Tut Y\u00fcre\u011fini\u201d Ermeni k\u00fclt\u00fcr\u00fc ve tarih dendi\u011finde akla gelen ilk adreslerden biri olan Aras Yay\u0131nc\u0131l\u0131k taraf\u0131ndan bas\u0131ld\u0131. Kitab\u0131n \u00e7evirmeni, Zahrad\u2019\u0131n \u015fiirlerini daha \u00f6nce \u00fc\u00e7 kez okurlarla bulu\u015fturan Ohannes \u015ea\u015fkal.<\/i><\/b><\/p>\n

\u0130lk eserlerini 1940\u2019l\u0131 y\u0131llardan itibaren Ermenice s\u00fcreli yay\u0131nlarda vermeye ba\u015flayan ve o tarihten, hayat\u0131n\u0131 kaybetti\u011fi 2007\u2019ye dek, yakla\u015f\u0131k 60 y\u0131l y\u00fczlerce \u015fiiriyle edebiyat severlerin kalbinde yer edinen Zahrad, hayat dolu, mizah ve zeka y\u00fckl\u00fc \u015fiirleriyle, Ermenice \u015fiirin tarihinde de \u00f6zel bir yere sahip. Ohannes \u015ea\u015fkal ile Zahrad\u2019a, Ermeni \u015fiirine dair bir s\u00f6yle\u015fi ger\u00e7ekle\u015ftirdik.<\/p>\n

Zahrad\u2019\u0131 Ermeni \u015fiirinde nereye koyars\u0131n\u0131z? Nedir \u00f6nemi, kar\u015f\u0131l\u0131\u011f\u0131 sizin i\u00e7in?<\/p>\n

\u00d6nce bir girizgah yapmal\u0131y\u0131m. T\u00fcrkiye\u2019de Ermeni \u015eiiri, Edebiyat\u0131 ve K\u00fclt\u00fcr\u00fc, 1915 k\u0131y\u0131m\u0131yla, g\u00fcr\u00fcl g\u00fcr\u00fcl akan o zengin, c\u0131v\u0131l c\u0131v\u0131l ve k\u00f6kl\u00fc ge\u00e7mi\u015finden insafs\u0131zca kopart\u0131lm\u0131\u015ft\u0131r. \u015eairlerini, yazarlar\u0131n\u0131, ayd\u0131nlar\u0131n\u0131, e\u011fitmenlerini, her biri ayr\u0131 bir yarat\u0131c\u0131 olan zanaatkarlar\u0131n\u0131 ve k\u00fclt\u00fcrel de\u011ferlerini yitirmi\u015f bir halk\u0131n kendi habitat\u0131ndan da kopart\u0131lm\u0131\u015f oldu\u011fu d\u00fc\u015f\u00fcn\u00fcl\u00fcrse, durumun vahametini var\u0131n siz hesaplay\u0131n! Anadolu co\u011frafyas\u0131nda as\u0131rlardan bu yana s\u00fcr\u00fcp gelen yerel k\u00fclt\u00fcrel \u00e7e\u015fitlili\u011fiyle b\u00fct\u00fcn bir Ermeni k\u00fclt\u00fcr\u00fc, b\u00fct\u00fcn o leh\u00e7eler, deyim ve atas\u00f6zleri, masallar, destanlar,\u00a0 y\u00f6reye \u00f6zg\u00fc gelenekler,\u00a0 g\u00f6renekler; mimarisinden zanaat\u0131na kadar ne varsa, b\u00fct\u00fcn hepsi, insan varl\u0131\u011f\u0131yla birlikte, neredeyse topyek\u00fcn kaz\u0131nd\u0131 yery\u00fcz\u00fcnden. Sanki hi\u00e7 var olmam\u0131\u015f, sanki hi\u00e7 ya\u015fa(n)mam\u0131\u015f!<\/p>\n

Bir Diyarbak\u0131r Ermenicesi ya da Bursa Ermenicesi konu\u015fulamaz art\u0131k, canland\u0131r\u0131lamaz da. \u015eimdi ne o insanlar var, ne o okullar, ne o kurumlar, ne de o atmosfer\u2026\u00a0 Amasya\u2019da ya da Antep\u2019te bir Paregentan \u015fenli\u011fini r\u00fcyalar\u0131m\u0131zda bile g\u00f6remeyiz art\u0131k. Anadolu\u2019da Ermenice bir gazete \u00e7\u0131kamayacak bir daha. Sivas, bir Taniel Varujan yaratamayacak art\u0131k. Hangisine yanacaks\u0131n\u0131z; kay\u0131plar\u0131n b\u00fcy\u00fckl\u00fc\u011f\u00fcn\u00fc havsala almaz! \u0130\u015fte, 1915 muazzam k\u0131y\u0131m\u0131, hasbelkader kalanlar, kurtulanlar ve k\u0131l\u0131\u00e7 art\u0131klar\u0131 \u00fczerinde derin ve silinemez izler b\u0131rakm\u0131\u015ft\u0131r; haf\u0131zalara kaz\u0131nm\u0131\u015ft\u0131r.<\/p>\n

Yeniden canlanma, toparlanma hangi d\u00f6neme denk geliyor?<\/p>\n

Uzun ve derin bir sessizlikten sonra, diaspora d\u0131\u015f\u0131nda,T\u00fcrkiye\u2019de, ba\u015fat olarak sadece \u0130stanbul Ermeni toplumunda bir toparlanma ve yeniden bir k\u00fclt\u00fcrel canlanmaya tan\u0131k oluyoruz. Anadolu Ermenileri, sadece ve sadece \u201cvar olma\u201d derdine d\u00fc\u015fm\u00fc\u015ft\u00fc \u00e7\u00fcnk\u00fc; k\u00fclt\u00fcr\u00fcn\u00fc de gizli, a\u00e7\u0131k, k\u00f6r-topal s\u00fcrd\u00fcrm\u00fc\u015ft\u00fcr, nereye kadar s\u00fcrd\u00fcrebilmi\u015fse\u2026 \u015eiir \u00fczerinden y\u00fcr\u00fcrsek, 1940\u2019l\u0131 y\u0131llarda Garbis Cancigyan ve Haygazun Kalustyan\u2019la ba\u015flayan yenilik\u00e7i bir Ermeni \u015fiirinin de ye\u015ferdi\u011fini g\u00f6r\u00fcyoruz. Zahrad, Antan \u00d6zer ve Zareh Khrakhuni gibi \u015fairler de bu halkaya eklemlenenlerden. Cancigyan da bamba\u015fka bir \u015fair. Hayalleri olan, son derece duyarl\u0131, yufka y\u00fcrekli ve y\u00fcrekli bir \u015fair. 26 ya\u015f\u0131nda, daha hayat\u0131n\u0131n bahar\u0131nda veremden \u00f6ld\u00fc\u011f\u00fc i\u00e7in ondaki par\u0131lt\u0131l\u0131 yarat\u0131c\u0131l\u0131\u011f\u0131n onu ve \u015fiirini nerelere vard\u0131rabilece\u011fini ancak tahmin etmekle avunuyorum.<\/p>\n

\u201cZahrad \u015fiir i\u00e7in do\u011fmu\u015f, \u015fiir i\u00e7in ya\u015fam\u0131\u015f biri; ta i\u015fin ba\u015f\u0131nda donan\u0131ml\u0131, birikimli.\u201d<\/p>\n

Zahrad da, Cancigyan gibi \u00e7\u0131k\u0131\u015f\u0131ndan itibaren modern Ermeni \u015fiirinin \u00f6nemli yenilik\u00e7i \u015fairlerinden biri oluyor. Klasik Ermeni \u015fiirini \u00e7ok iyi \u00f6z\u00fcmsemi\u015f; ilk \u015fiirleri de klasik Ermeni \u015fiiri kal\u0131plar\u0131 i\u00e7inde yaz\u0131lm\u0131\u015f, harikulade \u015fiirler\u2026 Kendi sesini bulma s\u00fcrecinde Zahrad, yerle\u015fik kal\u0131plar\u0131n d\u0131\u015f\u0131na \u00e7\u0131kar, \u015fiirini \u00f6zg\u00fcnle\u015ftirir, \u015fiire felsefesini kor ve k\u00fc\u00e7\u00fck d\u00fcnyalardaki b\u00fcy\u00fckl\u00fc\u011f\u00fc anlat\u0131r bize; b\u00fcy\u00fck be\u011feni toplar. \u015eiir ser\u00fcveninde grafi\u011fi hep y\u00fckselen bir e\u011fri \u00e7izer; \u015fiir evrelerinde bir kopukluk ya da d\u00fc\u015f\u00fc\u015f g\u00f6ze ili\u015fmez, giderek zenginle\u015fen bir b\u00fct\u00fcnsellikten s\u00f6z edebiliriz, bizatihi. Kendinden sonra gelenleri oldu\u011fu kadar, diaspora ve Ermenistan \u015fairlerini de etkiler Zahrad.<\/p>\n

Ama, bug\u00fcn durum vahim\u2026Zareh Khrakhuni ve bir sonraki ku\u015faktan \u0130kna Sar\u0131aslan gibi iyi \u015fairleri saymazsak Ermeni \u015fiiri (ve edebiyat\u0131 da) kendi ana dilinde yok olma yolunda. Yeni ku\u015faklar yeti\u015fmiyor \u00e7\u00fcnk\u00fc, Ermenice bir edebiyat dergisi yok\u2026 Ermeni dili, konu\u015fma dili olarak yayg\u0131nla\u015fmad\u0131k\u00e7a ve yaz\u0131nsal gelene\u011fine iki elle sar\u0131lmad\u0131k\u00e7a, ka\u00e7\u0131n\u0131lmaz son \u00e7ok uzak de\u011fil.<\/p>\n

YA\u015eAMSAL OLANA A\u015eKLA BA\u011eLIYDI<\/b><\/p>\n

\u201cZahrad\u2019\u0131n \u00f6l\u00fcme kar\u015f\u0131 duran, dolay\u0131s\u0131yla da ya\u015fam\u0131 kutsayan bir \u015fiirsel do\u011frultusu vard\u0131.\u201d Zahrad\u2019\u0131n \u015fiirlerinde belirgin bir canl\u0131l\u0131k ve g\u00fc\u00e7 hissediyoruz; yenilmi\u015fli\u011fe, bo\u015f vermi\u015fli\u011fe isyan her dizesi. Ki\u015fisel olarak da tan\u0131\u015ft\u0131\u011f\u0131n\u0131z i\u00e7in soruyorum, b\u00f6yle biri miydi Zahrad?<\/p>\n

Zahrad, miza\u00e7 olarak da m\u00fccadele adam\u0131 de\u011fildi; m\u00fctevaz\u0131, dingin ve renkli bir hayat ya\u015famak derdinde olan, ihtirass\u0131z bir insand\u0131; tutkulu, h\u00fclyal\u0131, b\u00fcy\u00fcl\u00fc ba\u015fka ba\u015fka d\u00fcnyalar\u0131 arzulard\u0131. Bunu b\u00fct\u00fcn insanlar i\u00e7in olsun isterdi. \u0130lgin\u00e7tir, hem iyi bir halk adam\u0131yd\u0131 Zahrad, hem de iyi bir salon adam\u0131\u2026 \u015eiirlerinde beliren canl\u0131l\u0131k ve g\u00fc\u00e7, onun dizelerinde, \u00f6l\u00fcm korkusuna kar\u015f\u0131 s\u0131nanm\u0131\u015f bir \u201cya\u015fama arzusu\u201dnun g\u00f6stergesi olabilir. \u00d6l\u00fcme kar\u015f\u0131 duran, dolay\u0131s\u0131yla da ya\u015fam\u0131 kutsayan bir \u015fiirsel do\u011frultusu vard\u0131. Ya\u015famsal olana a\u015fkla ba\u011fl\u0131yd\u0131 adeta. Dikkat ederseniz, onun bir\u00e7ok \u015fiirinde g\u00fc\u00e7l\u00fc bir \u201cyeniden ya\u015famak\u201d arzusu vard\u0131r. Belki de Zahrad, insanlar onun derinlemesine hissetti\u011fi ya\u015famsal hazz\u0131 kendileri de tats\u0131nlar diye \u015fiir yaz\u0131yordu. \u201cSohbet\u201d adl\u0131 muhte\u015fem \u015fiirinde, onun hayata ba\u011fl\u0131l\u0131\u011f\u0131n\u0131 apa\u00e7\u0131k g\u00f6rebiliriz. Burada, \u015fu dizelerle yetinelim:\u00a0 \u201c(\u2026) Ben i\u015fitirim l\u00e2kin \u00e7a\u011f\u0131r\u0131r durur beni \/ K\u00fc\u00e7\u00fck bir ba\u015flang\u0131\u00e7 bu \u2013 par\u0131ldar \/ Elmas gibi \/ Elmas ki her bir kesme y\u00fcz\u00fcne \/ D\u00fc\u015fm\u00fc\u015f varolu\u015fun k\u0131zg\u0131n g\u00fcne\u015fi (\u2026)\u201d. Zahrad\u2019\u0131n dizelerinde ifade bulan d\u00fc\u015f\u00fcnceler, onun ya\u015fad\u0131klar\u0131n\u0131n ve hayata bak\u0131\u015f\u0131n\u0131n do\u011fal ve dolays\u0131z birer felsefi yans\u0131malar\u0131d\u0131r. \u015eunu da belirtmeden ge\u00e7emeyece\u011fim; dostlu\u011funa g\u00fcvenebilece\u011finiz, sa\u011flam bir insand\u0131 Zahrad; o y\u00fczdendir ki,\u00a0 dostlar\u0131 ve arkada\u015flar\u0131na adad\u0131\u011f\u0131 b\u00fct\u00fcn \u015fiirler yalans\u0131z dolans\u0131zd\u0131r, hakikatlidir ve bire bir ya\u015fanm\u0131\u015fl\u0131klar\u0131n sahici tan\u0131kl\u0131klar\u0131d\u0131r, elbette ger\u00e7ekli\u011fi metaforik ve imgesel anlat\u0131mlarla zenginle\u015ftirerek sunan\u2026<\/p>\n

T\u00dcM D\u00dcNYADA 22 D\u0130LE \u00c7EVR\u0130LM\u0130\u015e B\u0130R \u015eA\u0130R<\/b><\/p>\n

Zeka, mizah, duygu dolu \u015fiirler bunlar. Ba\u015fta t\u00fcrlerde de \u00fcretim yapsaym\u0131\u015f ke\u015fke dedirtiyor, var m\u0131d\u0131r hen\u00fcz ortaya \u00e7\u0131kmam\u0131\u015f yaz\u0131lar\u0131 Zahrad\u2019\u0131n?<\/p>\n

Zahrad, bir s\u00f6yle\u015fide, Talin Suciyan\u2019\u0131n \u201cNeden \u015eiir?\u201d sorusunu \u015f\u00f6yle yan\u0131tl\u0131yor: \u201cTembel i\u015fi oldu\u011fu i\u00e7in. \u00c7\u00fcnk\u00fc yazars\u0131n be\u015f sat\u0131r, on sat\u0131r, en fazla on be\u015f sat\u0131r. Temize \u00e7ekersin, bir daha temize \u00e7ekersin, bir daha temize \u00e7ekersin, son \u015feklini al\u0131ncaya kadar. Yaz-boz tahtas\u0131 gibi \u00fczerinde u\u011fra\u015f\u0131rs\u0131n,son \u015feklini ald\u0131\u011f\u0131 zaman \u201coh\u201d dersin. D\u00fcz yaz\u0131 yazsan be\u015f-on kere temize \u00e7ekilir mi? On be\u015f sayfa, \u00e7ekilmez! Sonra esin derler, esin(in) geli\u015f \u015fekli \u015fiir halinde oluyor. D\u00fczyaz\u0131 olarak yazsam o \u015fiirdeki g\u00fczellik olmuyor. Zaten, yazd\u0131\u011f\u0131m \u015feyin kendimce be\u011fenilmesi, en \u00f6nemlisi budur.Yoksa atar\u0131m \u00e7\u00f6pe.\u201d<\/p>\n

Zahrad en az zahmetle, ama i\u015fin hakk\u0131n\u0131 vererek, tad\u0131na vararak yapmay\u0131 \u015fiar edinmi\u015f bir \u015fair olarak, yorucu yaz\u0131nsal \u00e7abalar\u0131n d\u0131\u015f\u0131nda tutmu\u015ftur kendini, san\u0131r\u0131m. Fakat, yine de denemeleri vard\u0131r. Kaleme ald\u0131\u011f\u0131 say\u0131l\u0131 yaz\u0131nsal metinleri \u00e7evirmek yerinde olacakt\u0131r. Ayr\u0131ca, bir kedi sever olarak bez par\u00e7alar\u0131 \u00fczerine \u00e7izdi\u011fi kedi desenleri mevcuttur. Soyut bir \u00e7izimi, Paris\u2019te Georges Pompidou Modern Sanatlar M\u00fczesi ar\u015fivindedir; Frans\u0131z Yazar Claude Aveline\u2019in Mevcut Olmayan Ku\u015f Portresi (Portrait de l\u2019oiseau-qui-n\u2019existe-pas) \u015fiiri i\u00e7in \u00e7izilmi\u015f renkli bir desendir, sergilenmi\u015ftir.<\/p>\n

T\u00fcm d\u00fcnyada 22 dile \u00e7evrilmi\u015f bir \u015fair Zahrad; g\u00f6r\u00fcn\u00fc\u015fe bak\u0131l\u0131rsa, en az da kendi \u00fclkesinde tan\u0131n\u0131yor.Zahrad\u2019\u0131n tan\u0131t\u0131m\u0131 konusunda giri\u015fimler var m\u0131?<\/p>\n

\u00d6zel bir tan\u0131t\u0131m \u00e7abas\u0131 yok. Kitaplar\u0131n\u0131n okur ve ele\u015ftirmenler d\u00fczeyinde ilgi bulmas\u0131yla s\u0131n\u0131rl\u0131 bizim b\u00fct\u00fcn elimizden gelen. \u015eiir kendi anlat\u0131m g\u00fcc\u00fcyle elbet kendi tan\u0131t\u0131m\u0131n\u0131 da yapar, diye d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n

http:\/\/www.evrensel.net\/haber\/255646\/zahrad-siir-icin-dogmus-siir-icin-yasamis-biri<\/i><\/b><\/a><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Nazl\u0131 Berivan Ermenice \u015fiirin \u00f6zg\u00fcn ve bereketli ozan\u0131 Zahrad\u2019\u0131n 91. ya\u015f\u0131na ithafen bir kitap yay\u0131mland\u0131. Bug\u00fcne dek hi\u00e7 \u00e7evrilmemi\u015f eserlerinden olu\u015fan \u201cFerah Tut Y\u00fcre\u011fini\u201d Ermeni k\u00fclt\u00fcr\u00fc ve tarih dendi\u011finde akla gelen ilk adreslerden biri olan Aras Yay\u0131nc\u0131l\u0131k taraf\u0131ndan bas\u0131ld\u0131. Kitab\u0131n \u00e7evirmeni, Zahrad\u2019\u0131n \u015fiirlerini daha \u00f6nce \u00fc\u00e7 kez okurlarla bulu\u015fturan Ohannes \u015ea\u015fkal. \u0130lk eserlerini 1940\u2019l\u0131 y\u0131llardan […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,19],"tags":[],"class_list":["post-35682","post","type-post","status-publish","format-standard","hentry","category-haberler","category-unluler"],"yoast_head":"\n\u2018Zahrad \u015fiir i\u00e7in do\u011fmu\u015f, \u015fiir i\u00e7in ya\u015fam\u0131\u015f biri\u2019 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akunq.net\/tr\/?p=35682\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Zahrad \u015fiir i\u00e7in do\u011fmu\u015f, \u015fiir i\u00e7in ya\u015fam\u0131\u015f biri\u2019 - Bati Ermenistan Ve Bati Ermenileri Sorunlari Ara\u015ftirmalar Merkezi\" \/>\n<meta property=\"og:description\" content=\"Nazl\u0131 Berivan Ermenice \u015fiirin \u00f6zg\u00fcn ve bereketli ozan\u0131 Zahrad\u2019\u0131n 91. ya\u015f\u0131na ithafen bir kitap yay\u0131mland\u0131. Bug\u00fcne dek hi\u00e7 \u00e7evrilmemi\u015f eserlerinden olu\u015fan \u201cFerah Tut Y\u00fcre\u011fini\u201d Ermeni k\u00fclt\u00fcr\u00fc ve tarih dendi\u011finde akla gelen ilk adreslerden biri olan Aras Yay\u0131nc\u0131l\u0131k taraf\u0131ndan bas\u0131ld\u0131. 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